20.07.2015
17.10.1989
DAPHNI KONTOU Graphic Design . E:
[email protected] T: +31 (0) 624263399 W: daphnikontou.nl
WEBSITE www.unitedworld.gr
M U S I C
UNITED WORLD Music Management United World is a Music Management Agency which works with artists in World Music and Jazz. Full Identity: LOGOS BUSINESS CARD WEBSITE: www.unitedworld.gr LETTER HEAD SOCIAL MEDIA i.e. Facebook, Flickr, Newsletter A fresh, clean, post-modern, friendly identity which reflects professionalism, sophistication, and acumen as well as addressing its cultural relation, and musical expression.
SAVINA YANNATOU LARRY GOLDINGS PETER BERNSTEIN BILL STEWART GARY PEACOCK MARC COPLAND JOEY BARON STEPHAN MICUS ROSS DALY NIKOLAS ANADOLIS
HELEN KONTOS
[email protected] www.unitedworld.gr +30-6945382478
M A N A G E M E N T
ARDA Arda exports Logo My first logo design made for a clothing export
LOGO:
business. From her children’s names Aristotelis and
With the use of simple shapes I was able to create my
Danai, ArDa forms the name of the river Arda, which
own type for this logo. The circles and lines meet to
runs through the Balkan countries which this company
form pattern like shapes.
does business with.
SCRAPS ZINE: A Zine about food waste One of my graduation projects was based on my research on food waste. Found in the Netherlands I found a list of Organizations which try to tackle the problem. ZINE + POSTERS + POSTCARDS + BUSINESS CARDS: The entire Zine can be taken apart. The cover is made of a series of postcards with illustrations on them from within the zine, illustrating the different articles on organizations featured. The articles each have a perforated business card with contact information. The silver lining of this zine are the posters folded throughout. These posters are the pillars of the project, as they have been silk screened with inked made from thrown out vegetables from a local supermarket in Rotterdam.
UNIVERSITY OF St GALLEN App Logos The University of St. Gallen is the top ranking school for business and economics... They are working on a Networking platform for students and alumi, connecting different Hubs around the world. LOGO SERIES: A logo series which reflect a modern app identity. Representing ages 19 - 30. Made from simple forms the logo has two parts to it. SIM was made thicker and rounder to distinguish from the rest of the logo as it is the umbrella connecting everything. Sequentially the
3D LETTERS:
hubs are then listed with the same forms, but their own identity. Together the two parts of the logo make
Letter designed to complement the interior of a loft.
up the image within the series.
First dawn and then rendered in 3D to be made out of layered planks of wood. with a white coating on the top
Project in collaboration with Joep Brouwer
surface, 1.8M high.
ANASES Concert Series A series of concerts, featuring Artists from different backgrounds and genres sharing an excellence in high quality music. A Collaboration between The Goethe Institute Thessaloniki and the United World. Full Identity: LOGO POSTERS TICKETS INVITATIONS SOCIAL MEDIA i.e. Facebook A playful identity with custom made letters emerging from elegance and sophistication, given depth and movement with wholesome forms like the concerts it represents.
Real Name: Robert Bruce Banner Height: 5’9”, 175cm (as Hulk: 7’6”, 228cm) Weight: 128lbs, 58kg (as Hulk: 1,150lbs, 521kg)
Real Name: Seven ‘Steve’ Rogers, Cap, Captain Height: 6’2”, 188cm Weight: 220lbs, 99.7kg
ORIGIN
ORIGIN
POWERS
POWERS
Captain America Comics #1 (1941). Created by cartoonists Joe Simon and Jack Kirkby. Published by Timely Comics, a predecessor of Marvel Comics.
Captain America represented the pinnacle of human physical perfection. He experienced a time when he was augmented to superhuman levels, but generally performed just below superhuman levels for most of his career. Captain America had a very high intelligence as well as agility, strength, speed, endurance and reaction time superior to any Olympic athlete who ever competed. The Super-Soldier formula that he had metabolized had enhanced all of his bodily functions to the peak of human efficiency. Most notably, his body eliminated the excessive build-up of fatigue-producing poisons in his muscles, granting him phenomenal endurance.
ABILITIES
Captain America had mastered the martial arts of American-style boxing and judo, and had combined these disciplines with his own unique hand-to-hand style of combat. He had also shown skill and knowledge of a number of other martial arts. He engaged in daily regimen of rigorous exercise (including aerobics, weight lifting, gymnastics, and simulated combat) to keep himself in peak condition. Captain America was one of the finest human combatants Earth had ever known.
The Marvel Cinematic Universe is a giant movie franchise of superhero films all set in one commonly shared fictional universe. Its entirety is staged in three different phases, and envelops a total of 21 films over the course of 11 years. The movies are independently produced by Marvel Studios – and are based on the characters from the original Marvel Comics.
Ten films later, and this year’s release of Avengers: Age of Ultron marks the halfway point. Who were the characters we’ve already seen, what are their powers and abilities, and when will we see them again? What follows is a concise analysis of some of Marvel’s men (provided by Marvel of course), and their future in the Marvel Cinematic Universe. But the thing to remember about Marvel is that they produce so much more than fictional men; they create heroes.
APPEARANCES
Chris Evans portrays Steve Rogers in Captain America: The First Avenger (2011), The Avengers (2012), Captain America: The Winter Soldier (2014), Avengers: Age of Ultron (2015), Captain America: Civil War (2016), Avengers: Infinity War, Part I (2018) and Part II (2019). He also appears in Marvel One-Shot: Agent Carter (2013) and Thor: The Dark World (2013).
Incredible Hulk #1 (1962). Character created by cartoonists Stan Lee and Jack Kirkby. Published by Marvel Comics.
The Hulk possesses an incredible level of superhuman physical ability. His capacity for physical strength is potentially limitless due to the fact that the Hulk’s strength increases proportionally with his level of great emotional stress, anger in particular. The Hulk uses his superhumanly strong leg muscles to leap great distances. The Hulk has been known to cover hundreds of miles in a single bound and once leaped almost into orbit around the Earth. The Hulk can slam his hands together creating a shock wave, this shock wave can deafen people, send objects flying and extinguish fires. His thunderclap has been compared to hurricanes and sonic booms. The Hulk has shown a high resistance to physical damage, extreme temperatures, mind control, nuclear explosions, poisons, and all diseases. The Hulk also has superhuman endurance. The Hulk’s body has a gland that makes an “oxygenated per fluorocarbon emulsion”, which creates pressure in his lungs and effectively lets him breathe underwater.
ABILITIES
Dr. Bruce Banner is a genius in nuclear physics, possessing a mind so brilliant that it cannot be measured on any known intelligence test. When Banner is the Hulk, Banner’s consciousness is buried within the Hulk’s, and can influence the Hulk’s behavior only to a very limited extent.
APPEARANCES
Edward Norton portrays The Incredible Hulk (2008). Mark Ruffalo plays Hulk in The Avengers (2012), Avengers: Age of Ultron (2015), Avengers: Infinity War, Part I (2018) and Part II (2019). He also had a cameo in Iron Man 3 (2013).
THE HULK
REAL NAME: Anthony Edward ‘Tony’ Stark Height: 6’1”, 185cm Weight: 222lbs, 100kg (in armour: 425lbs, 193kg)
REAL NAME: Clinton Francis ‘Clint’ Barton Height: 6’3”, 192cm Weight: 230lbs, 104kg
Real Name: Loki Laufeyson. Adoptive brother and archenemy of Thor. God of Mischief. Height: 6’4”, 195cm Weight: 525lbs, 238kg
Real Name: Thor Odinson. Son of Odin and Gaea of Asgard. God of Thunder Height: 6’6”, 201cm Weight: 640lbs, 290kg
CAPTAIN AMERICA
ORIGIN
ORIGIN
ORIGIN
ORIGIN
POWERS
POWERS
POWERS
POWERS
ABILITIES
ABILITIES
Tales of Suspense #39 (1963). Created by writer-editor Stan Lee, developed by scripter Larry Lieber, and designed by cartoonists Don Heck and Jack Kirkby. Published by Marvel Comics.
As Hawkeye – Tales of Suspense #57 (1964). Character created by writer Stan Lee and artist Don Heck. Published by Marvel Comics.
None.
None.
Tony’s body had been enhanced by the modified technoorganic virus, Extremis, but it is currently inaccessible and inoperable. Wounded, captured and forced to build a weapon by his enemies, billionaire industrialist Tony Stark instead created an advanced suit of armour to save his life and escape captivity. Now with a new outlook on life, Tony uses his money and intelligence to make the world a safer, better place as Iron Man. Tony has a genius level intellect that allows him to invent a wide range of sophisticated devices, specializing in advanced weapons and armour. He possesses a keen business mind.
APPEARANCES
Robert Downey, Jr. portrays Tony Stark in Iron Man (2008), Iron Man 2 (2010), The Avengers (2012), Iron Man 3 (2013), Avengers: Age of Ultron (2015) and Captain America: Civil War (2016), Avengers: Infinity War, Part I (2018) and Part II (2019). He also had a cameo in The Incredible Hulk (2008) and appears via archive footage in Marvel One-Shot: The Consultant (2011).
IRON MAN
Hawkeye is a world-class archer and marksman. His above average reflexes and hand-eye-coordination make him the most proficient archer ever known. He is also trained to throw knifes, darts, balls, bolas and boomerangs. He is natural athlete. He is also formidable unarmed combatant, thanks largely for longtime combat training with Captain America. He also has extensive training as an acrobat and aerialist. Barton is also talented weapon designer, particularly well-versed in variations on basic traditional weaponry such as arrows, blades and hand-thrown projectiles. He has designed and crafted crescent darts, boomerangs, throwing irons, bolas, axes, custom arrows and bows. He is experienced motorcycle rider, Barton was one of the of the most proficient and daring pilots of the Avengers’ supersonic Quinjets and other aircraft.
APPEARANCES
Jeremy Renner portrays Clint Barton in Thor (2011), The Avengers (2012), Avengers: Age of Ultron (2015), Captain America: Civil War (2016), and Avengers: Infinity War, Part I (2018) and Part II (2019).
HAWKEYE
MARVEL SPREADS FOR MAGAZINE 7: Illustration and Graphic Design
Journey into Mystery #112-113 & 115 (1965). Character created by Stan Lee, scripter Larry Lieber and cartoonist Jack Kirkby. Published by Marvel Comics.
Loki possesses physical abilities far superior to humans, an increased lifespan, superhuman strength (able to lift up to 50 tons), immune to terrestrial diseases, and resistant to conventional injury. Loki is perhaps the most powerful sorcerer in all of Asgard. His many magical abilities included shape-shifting (able to gain the basic natural abilities inherent in each form), astral projection, molecular rearrangement, eldritch energy blasts, illusion casting, flight (via levitation), telepathy, hypnosis, and teleportation. Loki is immune to most physical injury, and can reattach severed body parts, including his own head. Loki can mystically imbue objects or beings with specific but temporary powers, and enhance the powers of superhumans.
ABILITIES
Loki can magically create rifts between dimensions, allowing him or other objects passage from one universe to another. Most often this rift is between Asgard and Earth.
APPEARANCES
Tom Hiddleston portrays Loki Laufeyson in Thor (2011), The Avengers (2012), Thor: The Dark World (2013), Avengers: Age of Ultron (2015) and Thor: Ragnarok (2017).
LOKI
Journey into Mystery #83 (1962). Character created by Stan Lee, scripter Larry Lieber and cartoonist Jack Kirkby. Published by Marvel Comics.
Thor’s strength, endurance and resistance to injury are greater than the vast majority of his superhuman race. He is extremely long-lived (though not completely immune to aging), immune to conventional disease and highly resistant to injury. His flesh and bones are several times denser than a humans. As Lord of Asgard, Thor possessed the Odinforce, which enabled him to tap into the nearinfinite resources of cosmic and mystical energies, enhancing all of his abilities. With the vast magical power of the Odinforce, Thor was even able to dent Captain America’s virtually indestructible shield with Mjolnir.
ABILITIES
Thor is trained in the arts of war, being a superbly skilled warrior, highly proficient in hand-to-hand combat, swordsmanship and hammer throwing.
APPEARANCES
Chris Hemsworth portrays Thor Odinson in Thor (2011), The Avengers (2012), Thor: The Dark World (2013), Avengers: Age of Ultron (2015), Thor: Ragnarok (2017) and Avengers: Infinity War, Part I (2018) and Part II (2019).
THOR
WERT CYCLING Logo Design Wert Cycling is a company that manufactures inovative, top of the line bycicle parts for exclusive clients. The vision for this company is to expand by manufacturing lifestyle products such as watches, and other bycicle accessorise. The name Wert means worth in German. The logo has two elements: - The name is written in a manner that reflects the accuracy, speed and frame of a bycicle, with the W showing strength, as it is standing tall on its own holding the rest of the logo intact. - The symbol of the W above WERT is more of a reference to the lyfestyle side of the company. It is an imprint of the original W, where the viewer is to substitue it in, in order to see it.
LIFESTYLE – PUBLICATION STATION
materiaalinnovatie. Je maakt hands-on kennis met verschillende materialen en digitale fabricagetechnieken. Een belangrijke vraag is hoe ‘nieuwe’ digitale fabricagetechnieken de bestaande ‘crafts’ kunnen beïnvloeden en vernieuwen.
BUSINESS STATION
Dit Station richt zich op textiel, mode en materiaalinnovatie. Je maakt hands-on kennis met verschillende materialen en technieken om textiel en mode te verkennen, te ontwikkelen en te verdiepen. Een belangrijke vraag is hoe ‘nieuwe’ digitale fabricage technieken de bestaande ‘crafts’ kunnen beïnvloeden en vernieuwen.
Creatieve professionals hebben ondernemende vaardigheden nodig om succesvol te kunnen zijn binnen een (inter)nationale en competitieve markt. Naast specifieke programma’s en modules, bieden wij een breed scala aan activiteiten en evenementen op het gebied van ondernemen. Uiteraard kun je tijdens, en zelfs na, jouw studie met al je prangende vragen terecht bij ons Business Station
HAND-OUT: The hand-out made for three open days at the Willem De Kooning, in collaboration with Coup Ravage who made the signs to help guide the public to the variouse disiplines within the school. The hand-out served in collaboration with the signs, and its design was therefore inspired by these signs, and visa versa.
WIJNHAVEN
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OPENDAG 2015 WILLEM DE KOONING ACADEMIE
FABRIC STATION
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niveau kennis maken met verschillende mediatypen, leren deze in te zetten en ermee te experimenteren.
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*De locaties Karel Doormanhof 45 en Vasteland zijn gedurende deze Open Dag gesloten.
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WH 1, BL 1 & BL 2 MATERIAL STATION GRAFISCH ONTWERPEN – PUBLICATION STATION WH 0, WH 1 & WH 2 MASTER DESIGN – PUBLICATION Dit Station biedt faciliteiten voor ‘time-based STATION KANTINE beeld, tijd, narratie, geluid en licht. storytelling’: Dit Station richt zich op hout, metaal, keramiek, VOORLICHTINGSBALIE Je kunt zowel op technisch als inhoudelijk kunststof, 3D digitale fabricagetechnologie en
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De kern van dit Station is 'gedrag' ontwerpen, Binnen dit Station staan reproductie (printen), met als belangrijkste componenten interactie en presentatie en publicatie met betrekking tot print ANIMATIE – IMAGE & SOUND STATION interface design. In een tijd van de alomtegenen digitale media centraal. Dit Station beschikt AUDIOVISUEEL ONTWERPEN – IMAGE & SOUND STATION woordigheid van computers en digitale over zowel de analoge, ‘traditionele’ reproductienetwerken wordt het ontwerpen van interactie methoden (grafiek, zeefdruk en letterzetten), als steeds complexer. Je richt je op de ontwikkeling nieuwe digitale methoden van 2D reproductie van zowel soft- als–hardware FOTOGRAFIE IMAGEinterfaces. & SOUND STATION (zoals digitaal en online publiceren, en e-publishing).
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MEER WETEN OVER STUDEREN Stations zijn niet het ‘eigendom’ van een bepaalAAN DE–WDKA? de vakgroep of practice: als knooppunt is het RUIMTELIJK ONTWERPEN – MATERIAL STATION METAL eerder een ontmoetingsplek van studenten en PORTFOLIO ADVIESSESSIES – RESEARCH STATION Kom om 10.30u of 13.00u naar de grote collegezaal docenten van uiteenlopende richtingen en jaren. ORIËNTATIECURSUSSEN - RESEARCH STATION op de begane grond van de Wijnhaven voor de In de Stations kun je de faciliteiten en expertise VOORLICHTINGSBALIE speciale WdKA presentatie & rondleiding! vinden die je nodig hebt om je werk te realiseren. Expertise over software, hardware, techniek, apparaten en machines.
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Naast een vakstudie (bijv. Advertising of AutoDe ‘meeste’ vakstudies presenteren zich ADVERTISING INTERACTION nome beeldende kunst), bestaat een deel van je vandaag niet in hun–eigen lokaal, maar inSTATION de ARTSvan & de CRAFTS – de MATERIAL studie straks uit vrije keuzeruimte. Hierin kun je ‘aders’ academie: Stations. STATION – CERAMICS zelf een keuze maken uit een groot aantal actuele onderwerpen en vraagstukken. Je maakt Gedurende de dag vinden hier doorlopend op die manier ook kennis met de drie afstudeerpresentaties plaats, kun je deelnemen aan PRODUCT DESIGN – MATERIAL STATION – WOODof practices Autonomous, Social en profielen workshops en werk van (oud-)studenten AUDIOVISUEEL ONTWERPEN – IMAGE & SOUND STATION Commercial. bekijken.
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MASTER DESIGN De Master Design aan de WdKA is een creatieve opleiding die design research en nieuwe ontwerppraktijken centraal zet. Vanuit een mediumonafhankelijke ontwerphouding doe je design research.
LEISURE MANAGEMENT MODE – FABRIC STATION VAKSTUDIE - BACHELOR
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Je kunt na je studie een master volgen, bijvoorbeeld aan het Piet Zwart Institute of onze Master Design.
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PIET ZWART INSTITUTE FOR POSTGRADUATE STUDIES AND RESEARCH
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Heb jij vragen over hoe je je kunt inschrijven of wil je weten wat een studie kost? Loop langs één van de entrees voor meer info.
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Wil je vanaf september 2015 starten met de bachelor opleiding Leisure Management? Meld je dan vóór 1 mei aan via studielink.nl.
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Wil je vanaf september 2015 starten met een bachelor opleiding Autonome beeldende kunst, Vormgeving of Docent Beeldende Kunst en Vormgeving? Meld je dan nu aan bij de balie. Of meld je aan via wdka.nl én vergeet je ook niet aan te melden vóór 1 mei via studielink.nl.
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Creatieve professionals hebben ondernemende vaardigheden nodig om succesvol te kunnen zijn binnen een (inter)nationale en competitieve ORIËNTATIECURSUSSEN markt. Naast specifieke programma’s en modRESEARCH STATION ules, bieden wij een breed scala aan activiteiten en evenementen op het gebied van ondernemen. Als je geïnteresseerd bent in een opleiding kunst of Uiteraard kun je tijdens, en zelfs na, jouw studie vormgeving en kennis wilt maken met onze met al je prangende vragen terecht bij ons verschillende studiedomeinen, kun je ook eerst Business Station deelnemen aan onze oriëntatie cursussen. Waar je bijvoorbeeld werkt aan je uitbreiding van je Voor meer informatie kijk op wdka.nl portfolio. Twee keer per jaar starten deze ondernemerschap. cursussen in november en in februari. Wil je hier meer informatie over of wil je je gelijk aanmelden loop gerust even langs.
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Dit Station richt zich op textiel, mode en materiaalinnovatie. Je maakt hands-on kennis met PORTFOLIO verschillende ADVIES materialen en technieken om textiel en mode te verkennen, te ontwikkelen en RESEARCH STATION te verdiepen. Een belangrijke vraag is hoe ‘nieuwe’ digitale fabricage technieken de bestaDe academie biedt je de kans om je eigen ande ‘crafts’ kunnen beïnvloeden en vernieuwen. portfolio mee te brengen en daarover persoonlijk advies te vragen aan één van onze docenten. Die adviezen kunnen wellicht DRAWING STATION helpen om je eigen portfolio aan te scherpen WH 4 ten behoeve van de toelatingsprocedure voor onze academie. In dit Station leer je ‘de taal van het tekenen’. Het gaat hierbij om de basale, algemene tekenWil je meer weten hoe je een portfolio vaardigheden. Ook in een tijd van digitale media samenstelt loop dan even door naar is tekenen een directe en elementaire manier om 'oriëntatiecursussen'. tot een visualisatie te komen; het is een basisvaardigheid.
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OPENDAG 2015 WILLEM DE KOONING ACADEMIE
ORIËNTATIE
HUIG Rotterdamse Academie Van Bouwkunst The Annual Magazine for the Rotterdam Academy of Architecture called HUIG, was outsourced to Willem De Kooning academy, where I was studying. In collaboration with three other students we came up with a conceptual design, including photo essays which illustrate buildings and interior architecture of graduated students. THE MAGAZINE: An elaborate conceptual design, applied intricately throughout. The theme of Sustainability, and Growth are the basis, reappearing throughout the magazine. Placed on a 45° grid, the typefaces used, change from old fonts to new throughout the text (see image right). Similarly the Photo Essays are each presented differently, but all follow the idea of walking through a building. The schools logo is represented throughout, highlighting certain texts, but is also the basis for the page numbering system (see top right). Essentially creating the logo with dots and numbers which rotate, and can be animated as a flip book. Individual images of architectural projects where researched and presented as info graphics showing their sustainability. IN COLLABORATION WITH: Frits Groenevelt, Dagmar Van Den Brink, Caroline Koopmans PHOTOGRAPHY BY: Daphni Kontou Frits Groenevelt
SHARE BEARING WITH TOD: A double sided book The sharing economy is once again growing thanks to Web 2.0. BOOK: A children’s book for adults, Share Bearing with Tod illustrates the different platforms online which support the sharing economy. The two sides of the book complement one another. On the one side illustrations of a bear, who has escaped his children’s book, takes the reader through the different areas of the sharing economy in the form of a simple children’s story. The illustrations change style according to the logos of these platforms. The other side documents my research in the different aspects of the sharing economy, following the story the different chapters cohere with the other side. As this research is ever growing, and new organizations appear yearly, the reader is able to add to the research with a web clipper tool which clips information online and throws it into a template, which the reader can then print and add to the file.
