Bibliotheek Rijksmuseum – Jaarverslag 2015 Externe activiteiten G.-J.Koot - project manager Art Discovery Group Catalogue, een samenwerkingsproject van ruim 60 internationale kunstbibliotheken en OCLC - lid van het bestuur van het internationale consortium van kunsthistorische bibliotheken, Artlibraries.net - voorzitter van de bibliotheekcommissie van het Koninklijk Oudheidkundig Genootschap - lid van het bestuur van het consortium van Amsterdamse bibliotheken, AdamNet en voorzitter van de marketingwerkgroep van AdamNet, lid werkgroep Digitale Bibliotheek Amsterdam - voorzitter van de Werkgroep Speciale Wetenschappelijke Bibliotheken (WSWB), Koninklijke Nederlandse Vereniging van Informatiemanagers (KNVI), afdeling O&O. - lid van de klankbordwerkgroep Art and Architecture Thesaurus (AAT). M. de Rooy - lid van Quality Assurance Team voor Koha 3.20, 3.22 en 3.24 N. ten Brug - lid van de nationale RDA Commissie Publicaties G.-J. Koot - The Art Discovery Group Catalogue : a new and freely-available tool for art historical bibliographic research. In: Art Libraries Journal, 40 (2015) no. 3, p. 41-48 Voordrachten en lezingen G.-J. Koot - The Art Discovery Group Catalogue. OCLC EMEA (Europe, Middle East and Africa) Regional Council, Florence, 10-11 February, 2015 Schenkers en legatoren R.T. van Schuppen, Schardam Arthur de Vries Robbé, Amsterdam Floris van Hasselt, Amsterdam Jaap Polak, Amsterdam Thomas Heijne, Amsterdam Albert Pagnier, Amsterdam Mr C.P. van Eeghen, Den Haag (1921-2014 nalatenschap) Mw. Anneke Schat, Amsterdam Daniel D. Teoli Jr, Wheeling, USA M.D. Haga, Amsterdam (nalatenschap) Manfred Heiting, Malibu, USA
Arie Wallert Selectie van bijzondere aanwinsten Deutschland im Fotobuch Collectie van ruim 287 fotoboeken met Duitsland als onderwerp zoals beschreven in: Deutschland im Fotobuch : 287 Fotobücher zum Thema Deutschland aus der Zeit von 1915 bis 2009 / Thomas Wiegand; herausgegeben von Manfred Heiting. Göttingen : Steidl, 2011. Geschenk van Manfred Heiting. De secreti del reverendo Donno Alessio Piemontese : prima [-terza] parte. / Alessio; Girolamo Ruscelli. In Venetia : Apresso Antonio de gli Antonii., 1562. Di nuouo ristampati et correti, & ampliata in piu luoghi, con la sua tavola per trouar le ricette con ogni commodità. 3 volumes in 1 ([8], 304, [23] 160, [16], 104, [8]) pages ; 16 cm. Prima parte de' secreti del reverendo donno Alessio Piemontese. Alessio was considered by some a pseudonym for Girolamo Ruscelli, but there is no evidence for this association. "(...) his knowledge of the subjects which are treated of in his "Secreti" is not at all better than that of many old women in our country villages. His secrets are of the most various kinds: medicines, colours, dyes, varnishes, cosmetics, soaps, perfumes etc., are all described with the minutest detail, and he declares that he had published none but those whose admirable virtues had been repeatedly tested and proved." (The Biographical Dictionary of the Society for the Diffusion of Useful Knowledge, vol. I/2, p. 827f.). First published in Venice, 1555. 2015/6348 Achabs biddagh, dat is Schriftuerlijck ende politijck discours van den biddagh ghehouden in aprili anno. 1619. Voor d'vvtspraeck van de kerckelijcke ende politijcke oordeelen ofte sententien over de remonstranten ende ghevanghene heeren. Midtsgaders van't Mizpa, de Hardt- ende Crevpele bode. / Johannes Wtenbogaert uytghegheven t'Amsterdam, anno 1620. ende 1621. 127 p. ; 19 cm. Johannes Wtenbogaert (11 February 1557 – 4 September 1644) was a Dutch Protestant minister, a leader of the Remonstrants. 2015/0308 Mahomets Alkoran / door de heer Du Ryer uit d'Arabische in de Fransche taal gestelt; beneffens een tweevoudige beschryving van Mahomets leven; en een verhaal van des zelfs reis ten hemel, gelijk ook zijn Samenspraak met de Jood Abdias; alles van nieus door J.H. Glazemaker vertaalt, en te zamen gebracht Amsterdam : voor Jan Rieuwertsz, 1658. [16], 692, [2], 125 p. ; 12 cm. Second printing of the Dutch translation of the Koran by Jan Hendriksz Glazemaker (16201682), based on the influential French translation by the diplomat-translator André du Ryer (1598-1672). From the seventeenth century on there was interest in the Koran in the Netherlands. Interest in the Koran was dictated by contacts with the Muslim cultures of North Africa, the Middle East and the Far East as a result of trade and diplomatic relations. Islam was also considered as a danger because large parts of the Balkans had become part of the Ottoman Empire, and Vienna was almost enlisted by the Turks in 1629 and again in 1683. 2015/2312 Extract, in't duits vertaald uit het frans, van pater Niceron, in sijn werk Aardige Perspectiefkonst, in het derde Boek het tweede voorstel, pag. 154 : Te verklaaren van welke
stoffe[n] de goede spiegels moeten zijn, wat in haar saamen-mengsel te passe komt, de wijse van die te smelten en se te gieten en voorts se wel glad te maaken / Jean François Niceron. [Nederland], [16--?]. 6 ongenummerde pagina's, 32 pagina's ; 35 cm. Manuscript met de vertaling van enkele hoofdstukken uit het boek: La perspective curieuse van Jean François Niceron, verschenen in diverse edities tussen 1638 en 1663. Geschenk van Arie Wallert 2015/6096 Nieuw teecken-boeck : tweede deel / Abraham Bloemaert. [S.l. : s.n., 1700?]. 24 plates engraved by Gerard Valck ; 20 cm. Unknown model book consisting of 24 engravings used for the study of drawing. On the title page: "A. Bloemaert, invent., G. Valk exc". 2015/5022 An essay on the theory of painting / by Jonathan Richardson. London : printed by W. Bowyer, for John Churchill, 1715. 240 p. ; 20 cm. Early 19th century engraved book-plate with the motto Sapere Aude. Inscription at the head of the title-page "Stewards Room Beaudesert, Sept 1815". Beaudesert was an estate and stately home of the southern edge of Cannock Chase in Staffordshire. It was one of the family seats of the Paget family, the Marquesses of Anglesey. This copy probably belonged to Arthur Paget (1771-1840) who succeeded Sir William Hamilton as envoy extraordinary at Naples. 2015/4432 The art of painting / by C.A. Du Fresnoy ; with remarks ; translated into English, with an original preface, containing a parallel between painting and poetry / by Mr. Dryden. As also a short account of the most eminent painters, both ancient and modern / by R.G. esq. London : Printed for Bernard Lintott, between Temple-Gates, in Fleetstreet, 1716. The 2d ed., cor., and enl. [14], lxviii, [4], 397, [7] pages : front. ; 18 cm. Originally published in 1668 as a Latin poem of 549 verses; it was translated in the same year into French prose by Roger de Piles and published in Paris, 1668. In the preface to the present English edition, John Dryden develops the theme of Ut pictura poesis, writing from his own point of view as a poet and playwright on the parallels of painting and poetry. 2015/5778a A treatise of painting / by Leonardo da Vinci. Translated from the original Italian, and adorn'd with a great number of cuts. To which is prefix'd, the author's life; done from the last edition of the French. London: printed for J. Senex, 1721. 8 preliminary leaves, 189, [16] pages : frontispiece (portrait), plates (some folded), folded diagrams ; 21 cm. First edition in English of Leonardo da Vinci's Trattato della pittura, first published in Italian in 1651 in France. The first edition of Leonardo’s Trattato printed in Italy appeared only in 1733 in Naples. The English translation was the first in a series of publications of scientific or philosophical nature for the benefit of the fine arts in England. The publisher and bookseller John Senex delighted in the promotion of Newtonian culture. Art literature at the time in England of course was almost non-existent. It was based primarily on the (numerous) translation of texts produced in France, related to the world of the Académie. The English translation of Leonardo’s Trattato changed all that; showing Leonardo as an artist, scientist and theoretician. Hogarth’s Analysis was in part indebted to Leonardo’s writings, and Reynolds used him extensively in his lectures. John Senex was appointed a Fellow of the Royal Society in 1728. The translation is anonymous. It is likely that the publication was financed by William Taylor, who had achieved economic success, two years before, with the publication of Robinson Crusoe by Daniel Defoe.
2015/4800 The art of painting in oyl : wherein is included each particular circumstance relating to the best and most approved rules for preparing, mixing, and working of oyl colours ... / by John Smith. London : Printed for A. Bettesworth; F. Clay; and E. Syman [sic], 1723. Fifth impression with some alterations.[8], 108, [4] pages ; 16 cm. Originally published 1676. Given a long notice by Rosamond Harley, who states “in regard to the part on oil painting, it should be noted that John Smith was a clock-maker, and, consequently, a large part of his book is concerned with the painting of sun-dials and other outdoor objects. This point has to be kept in mind when considering his discussion of colours, as his procedure is likely to have differed from that of a portrait painter, for example. An interesting feature of the book is that, not only does the author write from his own experience, but in his references to the Philosophical Transactions of the Royal Society and Lemery’s System of Chymistry he reflects an awareness of scientific writings of the seventeenth century. Most of the recipes and manufacturing instructions are quoted from such sources, a fact which is acknowledged in the text.” 2015/5797 Oordeelkundige aanmerkingen over de poëzy, en de schilderkunst, waar in men het echte kenmerk vindt ontdekt van het fraaie en valsche der Hedendaagsche Dichten en ToneelSpelen: handelende mede van het Opzeggen der Vaarzen, midsgaders van het uitvoeren der Toonneelspelen onder de ouden, en van hunne Muzyk: zoo ook Van de Voornaamste, zo Oude als Hedendaagsche Itaaljaansche- Fransche- en Nederlandsche Schilderstukken ... / Jean-Baptiste Dubos; uit het Fransch vertaald door Philip Zweerts, met zommige aanmerkingen vermeederd Amsterdam : Jacobus Loveringh, 1740. 3 dl.; 17 cm. Dubos' Réflexions critiques sur la poésie et sur la peinture, published for the first time in 1719 (2 vols, but often reprinted in three volumes), constitute one of the works in which the theory of the arts is explained with the utmost sagacity and discrimination. Like his history of the League of Cambray, it was highly praised by Voltaire. The work was rendered more remarkable by the fact that its author had no practical acquaintance with any one of the arts whose principles he discussed.. 2015/2782-2784 The principles of painting under the heads of anatomy ... unity, etc. : in which is contained, an account of the Athenian, Roman, Venetian and Flemish schools : to which is added, the balance of painters, being the names of the most noted painters, and their degrees of perfection in the four principal parts of their art : of singular use to those who would form an idea of the value of paintings and pictures / written originally in French by Mons. Du Piles, author of The lives of the painters and now first translated into English, by a painter. London : Printed for J. Osborn, at the Golden Ball, in Pater-noster Row, 1743. xii, 300, [8] pages, 2 leaves of plates : illustrations ; 20 cm. Originally published Paris, 1708 as Cours de peinture par principes. De Piles was an amateur painter and prolific writer on the arts; he wrote both on theory and practice. The present copy is the first English edition. The principles are discussed under the heads of anatomy, attitude, accident, architecture, composition, claro-obscuro, contrast, colouring, design, disposition, draperies, expression, harmony, history, invention, landskip, lights, proportion, passion, portraiture, sculpture, style, truth, unity, etc. This edition is illustrated with 2 engraved plates. This work was also translated into German (Leipzig, 1760) and Dutch (Amsterdam, n.d.). 2015/5899
Secrets concernans les arts et métiers. Bruxelles : Par la compagnie, 1747. Nouv. éd., rev., corr., & considérablement augm. 2 volumes ; 17 cm. All of volume II consists of Le teinturier parfait. Volume I deals with the following: gravure, metaux, vernis, mastics, cimens, cire d’Espagne; la verre et les pierres precieux; les couleurs & la peinture; dorer; pour colorer le bois, les os, l’yvoire; pour mouler; des encres; le vin; le vinaigre; des liqueurs & des essences; pour les confitures, les syrops, gelees, pates, &c., pour le table; pour les taches; pour enricher les ouvrages de fonte, de sculpture and plusieurs secrets curieux. 2015/5768-5769 Natuurlyk en schilderkonstig ontwerp der mensch-kunde: : lerende niet alleen de kennis van de gestalte, proportie, schoonheid, muskele, beweginge, actien, passien, en welstand der menschbeelden. Tot de teykenkunde, schilderkunde, beeldhouwery, bootseer en giet-oeffening toepassen; maar ook hoe zig een mensch na dezelve regelen, in allerhande doeninge van gaan, staan, loopen, torssen, dragen, arbeyde, spreke en andere gebeerde, bevallig en verstandelyk aanstellen zal. / door W. Goeree. Te Amsterdam, : by Jan Roman ..., 1753. Derde druk. [16], 435, [28] p. : ill, titelprt. ; 21 cm. Goeree's most important contribution to the theory of proportions. 2015/6354 L'école d'Uranie, ou L'art de la peinture / trad. du latin d'Alph. Dufresnoy, et de M. l'abbé de Marsy ; avec des remarques [sur le poëme d'Alph. Dufresnoy par Roger de Piles]. Paris : Imprimerie de P.G. Le Mercier, 1753 Éd. revûe et corr. / par M.D.Q. xl, 310, [2] p. ; 17 cm. A classic work in the literature of art history. Originally published in 1668 as a Latin poem of 549 verses; it was translated in the same year into French prose by Roger de Piles and published in Paris in 1668. It kept appearing with regularity well into the 18th century. The present edition was edited by M.D.Q. (Meusnier de Querlon). 2015/5814 Praktische Anweisung zur Pastellmahlerey / geschrieben von Georg Christoph Günther Nürnberg : in Verlag Christoph Weigels, 1762. [8], 134, [2] p., VI bl. pl. : ill. ; 19 cm. First edition of this artist's manual, trade catalogue, and chemistry text. The first work in German on pastel painting, it covers the preparation of vellum, applying the background, sketching the subject, mixing and handling colors, wash, gold and silver, painting on glass, and lastly, encaustic painting, then quite the rage. The color plates are of paint boxes which Günther sold at his shop in Nürnberg, where he manufactured the colors, assembled the paint boxes (priced here) and retailed painting supplies. The color recipes in the text use alphanumeric codes that designate individual colors in the paint-boxes. 2015/1036 Art du serrurier / par M. Duhamel du Monceau. [S.l. : de l'imprimerie de L.E. Delatour], 1767. III, 302 p., XLII bl. pl. ; ill. ; 43 cm. Series: Descriptions des arts et metiers. L'Édition de cette étude faisant partie de la "Description des arts et métiers", collection éditée en 113 cahiers entre 1761 et 1789. Illustrée de 43 eaux-fortes par Jean, Elisabeth et Catherine Haussard, Simon Thomassin et Claude Lucas figurant les différents types de serrures, modes de fabrication ainsi que les outils employés. 2015/5626
Collection de vases / inventés et dessinés par Mr. de Fontanieu, intendant et contrôleur des meubles de la couronne. Paris, 1770. [2] leaves, [47] leaves of plates : illustrations ; 53 cm. P.E. de Fontanieu (1731-1784) was director of the Garde Meuble de la Couronne, following in his father's footsteps, from 1767 until 1783. While in office he oversaw the transition from the rococo to the emerging neo-classical style, which he implemented for the furnishings throughout the Royal palaces in France. Fontaine dedicated this Collection des vases to King Louis XV. It was designed, as the title makes clear, as a pattern book for artists and those who worked as designers for the Sèvres porcelain factory. The book is unusual, the vase designs are shown in outline shape, followed by another illustration showing the vase with its overlying ornamentation; in all twenty-six separate designs are shown. 2015/5372 Handwerke und Künste in Tabellen. Messing- und Eisenarbeiter / P. N. Sprengel ; Fortgesetzt von O. L. Hartwig Berlin : Verlag der Buchhandlung der Realschule, 1770. 251, [3] p., VI plates : ill. ; 18 cm. Enthält den Roth-Stück und Glockengiesser; Gürtler; Knaufmacher; Klämpner [Klempner]; Der Eisenhammer bey Neustadt Eberswalde; Huf- und Waffenschmid [Waffenschmied] 2015/0987 L'Albert moderne, ou Nouveaux secrets éprouvés, et licites, recueillis d'après les découvertes les plus récentes : les uns ayant pour objet de remédier à un grand nombre d'accidens qui intéressent la santé: les autres, quantité de choses utiles à sçavoir pour les differens besoins de la vie ... / Pons Augustin Alletz. Paris : La veuve Duchesne, 1771. XXIV, 430, [2] pages : 17 cm. Originally published Paris, 1768. It is divided into three parts. The first concerns home remedies; the second part is broadly classified as the useful arts. Part III covers the pleasurable arts. Among recipes on how to make wines and liquors, how to grow and conserve flowers, etc. are several secrets concerning the arts of painting, including how to make Naples yellow, how to paint with pastels made with wax or encaustic, several recipes for varnishes, and how to revive old oil paintings. In the preface to L’Albert Moderne, the difference between L’Ancien (Secrets de Albert le Grand) and Le Moderne is stressed; the chief difference being the absence in the latter version of superstitions and enhancements as well as the more bizarre and useless recipes.” 2015/5812 Vom Alter der Oelmalerey aus dem Theophilus Presbyter / Gotthold Ephraim Lessing Braunschweig : Buchhandlung des Fürstlichen Waysenhauses, 1774. 96 p. ; 18 cm. Editio princeps of any portion of this anonymous 12th century text on painting, important in the histories of art and chemistry. All from Book I of this encyclopedia of the arts and crafts, the recipes printed here provide the technical details for mixing oil paints — for wood, illumination, rubrication and canvas — an invention previously attributed to the Van Eyck brothers in the early 15th century. This remains the earliest post-antiquity account of the process. 2015/0298 Handbuch für die Mahler, oder Auszüge aus Gerards de Lairesse grossem Mahlerbuche nebst dergleichen, aus der Idée du peintre parfait den Kunstbeflissnen sowohl als den Liebhabern gewidmet / Tobias Querfurt. Prag : bey Felician Mangoldt und Sohne, 1776. 236 S. : Ill. ; 17 cm
2015/5604 The school of arts improv'd, or, Companion for the ingenious ... / compiled from various authors. Gainsbrough : Printed by John Mozley, 1776. [4], 156 pages ; 18 cm. I. Drawing; painting in oil and water colours; gilding, etching, engraving, painting upon glass, and bronzing -- II. The arts of painting or staining glass and marble. Of staining wood, ivory, bones, horn, paper, parchment, &c. -- III. Dying linen, woolen, silk, leather, &c. -- IV. Of casts and impressions from figures, busts, medals, leaves, &c.-- V. The whole art of pyrotechny or fire-works -- VI. The art of making porcelain after the Chinese manner. With a great variety of other curious particulars, equally instructive and amusing..” 2015/5906 The handmaid to the arts ... teaching a perfect knowledge of the Materia Pictoriae; or the nature, use, preparation, and composition of all various substances employed in painting ... the means of delineation ... the various manners of gilding, silvering, bronzing, japanning / Robert Dossie. London : printed for J. Nourse, 1764. The second edition, with considerable additions and improvements. 2015/4418 Metodo facile per formare qualunque sia sorte di vernici : della Cina, e del Giappone : praticato in Francia, ed in Inghilterra : secondo gli sperimenti di accreditati professori ... / tutto opera, e studio del Signor Alberto Guidotti ... Rimino : Giacomo Marsoner, 1784. 176 pages, 2 folded leaves of plates : illustrations ; 20 cm. Second edition of a printed volume of recipes for the various varnishes and lacquers invented in the Far East and adopted for European use from the 17th century onwards. Guidotti mines the works of obscure and not so obscure writers, be it Anathasius Kricher or Filippo Buonanni, the letters sent back by travelling Jesuits like Vanhame or Adelberto Tilkousi or Padre Bertocchi, to the more obscure sources such as Daniel Gesser, P. Jamart, Giovanni Zahan, Christopher Love Marley. Towards the end is a more conventional Book of Secrets. The work was originally published in Bologna 1764. 2015/5743 The artist's assistant : in the study and practice of mechanical sciences .... Illustrated with copper-plates. [London] : and sold by G. Robinson London ; and M. Swinney, Birmingham, Printed for the author, [1785?]. 288, IV p., 10 plates : illustrations ; 20 cm. Birmingham was an early center for drawing schools, no doubt fostered and partly funded by the wealth of local industry, however this appears to be the only 18th century treatise for artists that was locally produced. The fact that only one copy survives of the Birmingham printed edition is testimony to its small circulation and poor sales; however it did attract a London publisher. The text is taken from various sources, that on color coming largely from Dossie's Handmaid to the Arts. A number of drawing masters are recorded in Birmingham at this date, and both James Eagle, and John Giles opened drawing schools and may be candidates for editorship of this anonymous work. 2015/4413 The dyer's assistant in the art of dying wool and woollen goods : extracted from the philosophical and chymical works of those most eminent authors, Mess. Ferguson, Dufay,
Hellot, Geoffery, Colbert and that reputable French dyer, Mons. De Julienne / translated from the French with additions and practical experiments by James Haigh. York : And J. Todd, and R. Spence, York, Printed by Crask and Lund, for R. Baldwin, London; 1787. i-xvi, [17]-256, [4] pages ; 18 cm 2015/4475 The art of dying wool, silk, and cotton / Translated from the French of M. Hellot, M. Macquer, and M. le Pileur d'Apligny. London : Printed for R. Baldwin, 1789. ix, [7], 206,209-508, [4] pages, VI plates. A translation of three separate books: Jean Hellot's 'L'art de la teinture des laines', Pierre Joseph Macquer's 'L'art de la teinture en soie' and Le Pileur d'Apligny's 'L'art de la peinture des fils et étoffes de coton'. Text and register are continuous despite the pagination. Variant: p. ix is unnumbered. With two final advertisement leaves. Aankoop met steun van het Willy van der Mandele Fonds 2015/6343 One thousand valuable secrets, in the elegant and useful arts : collected from the practice of the best artists, and containing an account of the various methods of engraving on brass, copper and steel. Of the composition of metals ... And a variety of other curious, entertaining and useful articles. Philadelphia : Printed for B. Davies, and T. Stephens, 1795. 1st American ed. xxxvi, 377 pages ; 18 cm. The book consists of secrets which “have resulted from repeated experiments made by the first artists in England, France, Italy and Germany and which open an extensive field for the exercise of American ingenuity and improvement.” Chapters are as follows: engraving; metals; composition of varnishes; of mastics, cements, sealing-wax; of the art of glassmanufactory; concerning colors and painting; the art of gilding; the art of dying wood, bones, etc., the art of casting in moulds; making curious and useful sorts of ink; wine; vinegars; liquors and essential oils; confectionary; snuff; taking out spots and stains, etc. 2015/5757 A treatise on the art of painting, and the composition of colours, containing instructions for all the various processes of painting. Together with observations upon the qualities and ingredients of colours / Translated from the French of M. Constant de Massoul. London : publ. and sold by the author of the original, pr. by T. Baylis, 1797. 242 p. ; 19 cm. De Massoul describes different popular or famous painting practices and gives details on the composition of colors themselves. The inclusion of a glossary of terms may have given readers who were novice artists the confidence to discuss the aesthetics and expectations of different painting techniques; de Massoul includes clear descriptions of painting in enamel, mosaic, fresco, gouache, miniature, watercolor, pastel, and crayon. There are ten pages devoted to specifics of color, including recipes of colourmaking. 2015/5922 L'art du blanchiment des toiles, fils et cotons de tout genre : rendu plus facile et plus général, au moyen des nouvelles découvertes : avec la méthode de décolorer et de ramener à un état de blancheur parfait toutes les toiles peintes ou imprimées : suivi des procédés les plus sûrs pour blanchir les soies et les laines, et des découvertes faites par l'auteur dans l'art de blanchir les papiers : orné de neuf grandes planches in-4° représentant tous les ustensiles et les différentes manipulations du blanchiment : ouvrage élémentaire composé en faveur des fabricans, des blanchisseurs, des teinturiers, des imprimeurs en toiles et des papetiers / par Pajot-desCharmes, ancien inspecteur des manufactures ....
A Paris : Chez A.J. Dugour et Durand, libraires, Rue et Hôtel Serpente, an VI de la République (1798). [4], 282, [2] p., IX folded leaves of plates : ill. engraved plates depicting bleaching machinery; 20 cm. Duveen lists the second edition of 1800 and calls it “an interesting work which describes the chlorine bleaching process discovered by Berthollet in 1785”. It was in fact an important work and was translated into English immediately; the London edition appeared in 1799. 2015/5794 Théorie des couleurs et des corps inflammables, et de leurs principes constituants: la lumière et le feu : basée sur les faits et sur les découvertes modernes / par Christophe Opoix. Paris : Méquignon l'aîné, 1808. XL, 404 p. ; 21 cm. First edition. Opoix (1745-1840) was a French scholar and apothecary, and a resident of Provins, a town in northern France. He was Inspector of Mineral Waters in Provins and a member of several learned societies. The present work, to judge from the 'Tables des Matières' is strong on the chemical aspects of colors. 2015/6342 Notitie van eenen nette en zindelyken inboedel : bestaande in: meubilen en huiscieradien, waaronder ledikanten ... goud- en zilverwerk ... alsmede eenige fraaye schilderyen en eene precieuse verzameling van Engelsche en andere kunstplaaten ... 1809. 53 p. ; 20 cm. "Al het welke zal verkocht worden ... op de ridderhofstad Rynhuizen by Jutphaas". Auction 1809/01/04- 1809/01/05. VEIL/35826 The principles of practical perspective, or, Scenographic projection : containing universal rules for delineating designs on various surfaces, and taking views from nature by the most simple and expeditious methods, to which are added rules for shadowing and the elements of painting, the whole treated in a manner calculated to render the science of perspective and the art of drawing easy of attainment to every capacity / by Richard Brown. London : Printed for Samuel Leigh, 1815. Illustrated with fifty-one plates. The frontispiece is a full-color aquatint. The plates are chiefly diagrams, numbered 1 to 51. 96 pages, [51] leaves of plates : illustrations (some color) ; 30 cm. Richard Brown (fl. 1804-1845), English architect, designer and drawing master. He appears to have had strong connections during his early life with South Devon: his earliest known design, exhibited at the Royal Academy in 1804, was of a Villa with a Distant View of the Catwater, Plymouth, and other designs (1807-12) also relate to this county. However, Brown may have been living in London during this period as he ran an architectural academy at 4 Wells Street. There the importance of perspective drawing was taught, and in 1815 he published the Principles of Practical Perspective. He also became increasingly interested in furniture design, and in the need for designers in this discipline to master the art of perspective. The book is dedicated to John Soane, and Brown was also a friend of his draughtsman, Joseph Gandy, of whose working method some details are provided in Chapters 43 & 44. 2015/4443 Manuel du tourneur / par L.-E. Bergeron [pseud.] ... précédé de notions élémentaires sur la connoissance des bois, la menuiserie, la forge, la trempe, la fonte des métaux, et autres arts qui se lient avec celui du tour. Paris : Hamelin-Bergeron, 1816. 2. éd. rev., cor., et considérablement augm. / par P. Hamelin-Bergeron. 2 bd. : ill. ; 28 cm + Atlas (39, 57 bl. pl.).
Traité de menuiserie et ébéniste qui aborde aussi le travail du fer et des pieces d'architecture. Illustré de 96 planches, certaines sur doubles pages ou dépliantes, figurant des essences de bois, outils, mécanismes de tours, machines, etc., de 2 bandeaux histories et de 2 vignettes de l'éditeur identiques représentant un navire. Bergeron (1737-1805) complete l'ouvrage dans les editions suivantes au point d'en être consideré comme l'auteur et non plus Salivet (1737-1805). 2015/5622-5624 Unterricht für Gold und Silberarbeiter bey Bearbeitung der edlen Metalle : in chemischer und metallurgischer Hinsicht, nebst der Beschreibung derjenigen Materialien und Ingredienzien, deren sich dabey zu bedinen haben, und den Ursachen ihrer Wirkungen ... mit einem Anhange ... / von Johann Ludwig Kleemann. Ulm : Stettin, 1819. XVI, 259 S. : Ill. ; 19 cm. Kleemann (1753-1821), Goldschmied, Graveur und Emailmaler, mache sich auch als Physiker und Chemiker einen Namen. 1781 liess er sich in Ulm nieder. Die Lithographie mit Darstellung eines Sicherheitsofens. Rapport sur la lithographie : et particulièrement sur un recueil de dessins lithographiés par M. Engelmann. [Paris] : Imprimerie de Firmin Didot, [1816]. 25 p. ; 24 cm A rare and important report written by a committee of the Académie des Beaux Arts upon their examination of an album of plates by Engelmann, “Recueil d’essais lithographiques dans differents genres de dessin.” The album served as publicity for Engelmann’s establishment of a lithographic shop at No.18, rue Cassette (Paris), in the early summer of 1816. “The Academy thought fit to examine carefully the prints submitted by Engelmann and undertook to study the origins and progress of the new art. To do this a commission was set up consisting of the architect Heurtier, the engraver Desnoyers, painters Regnault and Guérin, and with Castellan as its secretary. Their report was published in 1816, and since extracts of it appeared in numerous publications it must have played an important part in establishing Engelmann as a lithographic printer, besides making the process as a whole far better known in France.” The report is signed in print by Castellan, ‘rapporteur.’ 2015/3630 The family dyer and scourer : being a complete treatise on the arts of dying and cleaning every article of dress, bed and window furniture, silks, bonnets, feathers, &c., whether made of flax, silk, cotton, wool, or hair : also, carpets, counterpanes, and hearth-rugs, ensuring a saving of eighty per cent / by William Tucker. London : Printed for Sherwood, Neely and Jones, 1818. 2nd ed. xii, 158 pages : illustrations ; 20 cm. “The object of the Author [is] to make the art of cleaning and dying their apparel easy to every person, so that they may make their clothes appear as new... persons of slender income, and others residing at considerable distances from great towns, where proficient dyers are to be found, must inevitably be benefited by this work.” [Preface]. Only the wealthy could afford the specially made dresses shown in the fashion plates featured in Ackermann’s Repository or La Belle Assemblee, but the rising popularity of fashion magazines meant that the details of dress quickly spread through the provinces. Most people remade clothes from an existing wardrobe, adding new linings to cloaks and pelisses, covering existing bonnets with a new piece of crape, and dyeing old dresses. Jane Austen wrote about her mother in 1808: “My Mother is preparing mourning for Mrs E. K. – she has picked her old silk pelisse to pieces, & means to have it dyed black for a gown – a very interesting scheme.” 2015/4434
An account of a new process in painting : in two parts. London : Printed for F.C. & J. Rivington, 1821. xi, 174 pages ; 23 cm. Part I. Containing remarks on its general correspondence with the peculiarities of the Venetian school -- Part II. Supplementary details, explanatory of the process: with miscellaneous observations on the arts of the sixteenth century. The writer devised a method of “dry coloring” using crayons fixed with a variety of oils and varnishes. Much of the second part is devoted to a description of the properties of various colors, and the preparation of various grounds and binders. The author states: “The slight accident of spilling some wax on a crayon drawing, sketched on the back of a book bound in rough calf leather, first led me to engage in a train of experiments, the result of which I now offer to the attention of the public. On attempting to scrape off the wax, a glaze was produced, which exhibited the coloring with that peculiarity of texture and surface which so generally distinguishes works of the old masters. It gave a depth and mellowness of tone rarely to be found in modern paintings, and served at once to show all the brilliant effects that might be obtained, if the art of glazing crayons could be brought to a regular process...” 2015/5900 The Camera; or, Art of drawing in water colours : with instructions for sketching from nature : comprising the whole process of water-coloured drawing, familiarly exemplified in drawing, shadowing, and tinting a complete landscape, in all its progressive stages: and directions for compounding and using colours, sepia, Indian ink, bister, &c. / by John Hassell. London : printed by James Drury, for W. Simpkin and R. Marshall, 1823. 32 p., [3] folded leaves of plates (1 coloured) : illustrations ; 24 cm 2015/4438 One thousand processes in manufactures and experiments in chemistry : collected from the best modern authorities, British and foreign, with a view to promote the successful cultivation of all the useful arts, particularly the manufactures of Great Britain, in their different branches / by Colin Mackenzie. London, Printed for G.B. Whittaker, 1825. 5th ed. vi, 29, [v]-xxxii, 522, 528-646 pages : illustrations, plates (1 folded color) ; 22 cm. A massive compilation, each and every one of the one thousand receipts is listed in the table of contents. Chapters include: metallic alloys, art of coating metals with metals, experiments on crystallization, preparation of gas, colouring and bleaching, etc. Sub-sections of the chapter on colouring and bleaching: yeing of woollens, linens, silks etc., calico-printing, colouring of paper-hangings, encaustic painting, transparencies, painting on glass, enamelling, sympathetic inks (which include nitromuriates of Gola and tin, gallate of iron, nitro muriate of cobalt, printer’s ink, copper-plate printer’s ink, lithography or printing from stone, etc). 2015/5897 Manuel de miniature et de gouache / par Stév. F. Constant-Viguier ; suivi du Manuel du lavis à la seppia et de l'aquarelle, par F.P. Langlois de Longueville. Collection de manuels formant une encyclopédie des sciences et des arts. Paris : Roret, 1828. viii, 360 p. ; 15 cm. An uncommon water colourist’s manual which includes an attractive plate of palettes, including a hand coloured colour wheel. The second plate deals with drawing in perspective. 2015/5898 Voorbeelden bij het eerste onderrigt in het teekenen. Leeuwarden : L. Schierbeek, [1831]. 24 bl. : uitsluitend ill. ; 14 x 21 cm..
Nice and rare manual with various different examples running from very easy (e.g. a pencil, a block of stone) to difficult (e.g. a canopied bed, parts of armour, men in a boat at sea, the ruins of a castle in a wooded area). 2015/6352 Cours de perspective appliquée à la peinture / par F. Bossuet. Bruxelles : A. Wahlen, 1833. 76 p., 33 bl. pl : ill. ; 34 cm. 2015/6432 Hints upon tints, with strokes upon copper and canvass / by Henry Warren. London : J.F. Setchel, 1833, 1 preliminary leaf, 52 pages, 8 plates : illustrations ; 17 cm. First edition. A most uncommon spoof on the artist’s manual, of which there were many at the time. “The technicalities of art are so ambiguous, so undefined, so little understood,- though to painters themselves the very clear obscure of their craft,- that I shall consider myself already pardoned for presuming to give a more defined light and shade into a picture composed of such varied detail,- for daring to throw even the glimmer of my poor dark lantern, upon so mysterious a subject.” Sections, often in verse, on light and shade, chiaroscuro, color, drawing, composition, sculpture, etc. The plates as well as the text are a spoof. 2015/5801 Studies of trees / by Henry W. Burgess, author of the Eidodendron. London : J. Dickinson, 1837. [1] leave, 12 leaves of plates : ill ; 28 x 38 cm. First published with just 10 plates in 1828, this enlarged re-issue is now dedicated to Viscount Falkland, who appears to have been receiving drawing lessons from the author. “Your Lordship’s ability in sketching, and the power and freedom of your Lordship’s pencil in delineating the several characters of Forest Trees, renders the honour your Lordship is pleased to confer upon me. the more distinguished.” 2015/4444 Painting, and the fine arts : being the articles under those heads contributed to the seventh edition of the Encyclopaedia Britannica / by Benjamin R. Haydon and William Hazlitt. Edinburgh : Adam and Charles Black, 1838. 227 p. ; 21 cm. 2015/4422 L'art industriel : recueil de dispositions et de décorations intérieures, comprenant des modèles pour toutes les industries d'ameublement et de luxe / 72 planches composées et desinées par Léon Feuchère ; gravées par Varin frères et précédées d'une introduction sur l'application de l'art à l'industrie. Paris; New-York : Goupil & compie, [1839-48]. 2 pl., 72 pl., plan. ; 55 cm. Avec 99 dessins de Léon Feuchère. Aankoop met steun van Marina Aarts vanwege haar 60ste verjaardag en tevens haar 12,5 jarig bestaan als Art Consultant 2015/4727 Lectures on painting and design : origin of the art - anatomy the basis of drawing - the skeleton - the muscles of man and quadruped - standard figure - composition - colour ancients and moderns - invention / by B.R. Haydon ; with designs drawn by himself on the wood, and engraved by Edward Evans. London : Longman, Brown, Green, and Longmans, Paternoster-Row, 1844-46. 2 pts. : ill., 5 plates (3 folding) ; 23 cm. Part 2 has a different imprint and is dated 1846. 2015/4442
Méthode générale de dessin / par Ern. Kaisin. Bruxelles : [uitgever niet vastgesteld], [1850-1870?]. 12 delen : ill. ; 33 cm. Onderverdeeld in: 1ère partie: Principes élémentaires (2 cahiers); 2e partie: 1e série: Étude de l'ornement (2 cahiers.), 2e série: Étude de la figure (4 cahiers); 3e partie: Notions pratiques de perspective et Études d'après plâtre (4 cahiers). De delen zijn ook doorlopend genummerd. 1. Principes élémentaires. - 2. Applications. - 3. Premières apllications de l'ornement. - 4. Fleurs, fruits, vases, etc. - 5/6/7/. La tête. 8. Torses et fragments. - 9. Notions pratiques de perspective. - 10. Etudes de sculpture. - 11. Etudes de l'ornement. - 12. Etude de la figure. 2015/6429 The geometric beauty of the human figure defined: to which is prefixed a system of aesthetic proportion applicable to architecture and the other formative arts / by David Ramsay Hay, F.R.S.E. Edinburgh and London: William Blackwood & Son, 1851. xiv, [2], 68 p. and VXI plates by the author and engraved by W. Forrest and 1 wood-engraved illustration on the last leaf, drawn by Houston from a female model 'in the Royal Scottish Life Academy' and provided with Hay's lines of proportion ; 34 cm. First edition and the rarest of Hay’s books. The Scot David Ramsay Hay (1798-1866) is best known through his many books on colour theory. He was a successful house decorator, counting Sir Walter Scott and Queen Victoria amongst his clients. Here he tackles with much gusto and energy the age old problem of proportion. His system of proportion is based upon the harmonic ratios of the diatonic scale: ‘the eye is influenced, in its estimations of spaces, by a simplicity of proportions similar to that which guides the ear in its appreciation of sounds’ (p. xiii). ‘The basis of the present theory, therefore, simply is, that a figure is pleasing to the eye in the same degree as its fundamental angles bear to each other the same proportions that the vibrations bear to one another in the common chord of music’ (p. xiv). The plates are ‘representing geometric constructions and illustrations of the male and female skeletons, and muscle manikins, with the lines of proportion, after Hay’s system. They are all drawn by the author and beautifully engraved by W. Forrest. 2015/2686 Handbook of foliage and foreground drawing : illustrated by numerous examples of trees, shrubs, climbing, meadow, and water plants : with explanations shewing the best method of acquiring the characteristic touch for each / by George Barnard. London : Ingram, Cooke, and Co., 1853. viii, 125 pages, 60 plates : illustrations ; 19 cm. 2015/4401 Dirt and pictures separated : in the works of the old masters / by Henry Merritt. London : Holyoake and Co., 1854. 3 preliminary leaves, 72 pages ; 23 cm. First and only edition, a large paper copy and inscribed: “S. W. Brooks Esq., with the author’s compliments.” The book is important and is given a half a page in Ruhemann/Plesters, The cleaning of paintings, p. 390. Merritt discusses obscured pictures, durability of pictures in oil, antipathy to picture restorations, picture cleaning, the varnish glaze theory, standard pictures, Vandyke’s process of working, special cases from Rembrandt, an ideal process of painting, idiosyncrasies of picture collectors, professional advisers, picture destroyers, the restorer, devotion to the restorer. 2015/5809 L'Art industriel: receuil de dispositions et de decorations intérieurs, comprenant des modèles pour toutes les industries d'ameublement et de luxe / 84 planches composes et dessinées par Léon Feuchère; gravées par Varin Frères
Paris : Goupil et Cie, ca. 1860. 72 pl. + 12 bl. pl. ; 51 cm. Second and with 12 plates extended edition. Text in French. Includes designs for overall interiors, as well as individual pieces of lighting, furniture, fireplaces, and more. 2015/2311 Handboekje voor juweliers, kooplieden, goud- en zilversmeden, horlogemakers, enz. : bevattende de wet op den waarborg, met belangrijke aanteekeningen omtrent de uitvoering van die wet en een alphabetisch register, benevens een aantal tabellen en berekeningen betrekkelijk de gehalten, den prijs en de belasting van goud- en zilverwerk, enz., enz. / zamengesteld door Van Steenbergen. Arnhem : D.A. Thieme, 1863. 130, xii p. : tabellen ; 20 cm. Doorschoten exemplaar met aantekeningen. Ex libri: Anth. Begeer en J.A. Begeer. 2015/6091 The conservation of pictures / by Manfred Holyoake. London : Dalton & Lucy, 1870. 84 pages ; 20 cm. Reviewed by Ruhemann/Plesters: “One of the most interesting features of this small book is the use of the term ‘conservation’ rather than ‘restoration’ in its title. Serious consideration is given to the question of environment, e. g. the importance of proper atmospheric conditions, the damaging effects of damp, sunlight, or of hanging pictures over a fireplace or exposed to lamp or candle smoke...&c.&c. Protection, as distinct from restoration, of pictures is emphasized throughout....&c &c.” The cleaning of paintings, p. 392. 2015/5808 Manual of the science of colour, on the true theory of the colour-sensations, and the natural system : with a coloured frontispiece and other illustrations / by William Benson, Archt. London : Chapman et Hall, 1871. XII, 58 S., [2] Bl. : Ill. ; 19 cm. The author of the present work, William Benson, was an architect and author of two serious books on the literature of color theory, the other one titled Principles of the science of colour. The frontispiece to the present work, the colour-cube, is carefully hand-colored. 2015/5787 Exposition universelle de 1878 à Paris. Rapports des délégations ouvrières. Photographes Paris : Librairie A. Morel, 1867. 13 p. ; 37 cm. One of a series of reports, all written by craftsmen and workmen in their respective fields, and reflecting their points of view. The report was “Addressé a la Commission d’Encouragement par la Délégation des Photographes.” The first part was written by M. Bignard with section headings: historique; photographie sur papier; photographie des astres [stars]; photographie colorée par l’action de la lumiere, and effets généraux. This is followed by ‘Rapport sur les appareils photographiques’ and then by brief reports on the individual exhibiting countries: France, Angleterre, Prusse, and Autriche. The final report is by a M. Bouché (opérateur) on notable visitors to the exposition from the world of photography. 2015/0284 The English school of painting in water-colours : its theory and practice : with the several stages of progression : accompanied with forty-seven illustrations in the first style of chromolithography / by Aaron Penley. London : H. Sotheran & Co., 1880. New and rev. ed. 2 preliminary leaves, [iii]-viii, [2], 130 pages : mounted color frontispiece, 46 color plates mounted on 25 leaves ; 56 cm. 2015/4449
Éléments du tracé géométrique des ombres : cours de dessin : à l'usage des Colleges et Athénées ... extrait des leçons données au cours normal temporaine de dessin de 1881 / par Louis Aerts. Louvain : Aug. Fonteyn, [1881?]. 2 delen : illustraties ; 23 x 30 cm. Cours de Dessin à l'usage des Collèges et Athénées, ainsi que des Ecoles normales moyennes, des Ecoles industrielles, des Académies des Beaux-arts et Ecoles de dessin. 2015/6419-20 Practical notes on etching / by R.S. Chattock. London : Sampson Low, Marston, Searle, & Rivington, 1883. 2d ed. 74 pages : illustrations ; 23 cm. 2015/4441 School of painting for the imitation of woods and marbles / as taught and practised by A.R. van der Burg and P. van der Burg. London : C. Lockwood and Co., 1887. 2nd ed., with numerous engravings and chromolithographs. 48 pages, 36 leaves of plates : illustrations (some color) ; 48 cm. Originally published about 1880, this is an unchanged reprint of this rare folio-sized work. The authors won prizes for their art at the expositions in London, 1870; Vienna, 1873 and a first prize at Philadelphia, 1876. The large sized plates, handsomely printed in chromolithography, include walnut, St. Remi marble, ash, brescia marble, maple, white marble, mahogany, etc. The quality of the plates is very high; they were printed by Armand Lithography, Amsterdam. As stunning as are the plates, the text is of equal importance and includes a series of 7 black and white illustrations which show paint brushes, graining combs, and other tools and techniques. Illustrated directions for this formerly secret craft technique are rare. 2015/5916 The decorator's assistant : a modern guide for decorative artists and amateurs, painters, writers, gilders &c., containing upwards of six hunderd receipts, rules and instructions for mixing, preparing and using, dyes ... to which is added a trade directory & guide (wholesale and retail), where the requisite materials may be obtained. London : A.J. Barnes & Co., [approximately 1890?] 175 pages ; 19 cm. Includes: Decorative art, as applied to internal decorations / A. Hessell Tiltman -- Painting as applied to external architecture / by H. Atkinson. 2015/4405 Sharp eyes : a rambler's calendar of fifty-two weeks among insects, birds and flowers / by William Hamilton Gibson ; illustrated by the author New York : Harper & Brothers, 1892. xx, [1] 322 pages : including frontispiece, illustrations ; 24 cm. William Hamilton Gibson (1850-1896) was a figure of high importance in the adaptation of the photograph to book illustration. The most startling halftones are on pages vi-vii where the photographs of eye glasses and a beetle are superimposed directly on the page. This ability to cut text and image in this way was a radical step and was not done to any great extent until the advent of the computer in the 1990s. To do this manually in this way is almost impossible. Unfortunately, Gibson died relatively soon after this publication; who knows what else he may have had in mind. 2015/0238 The science of painting / by J.G. Vibert.
London : P. Young, 1892. A translation from the 8th ed. / rev. by the author. viii, 196 pages ; 19 cm. Originally published Paris, 1891. The present edition was the first English edition. It is noted and quoted at length by Martin Kemp in his final discussion of art versus science (The science of art, p. 338). Vibert discusses the process of painting at different periods, light and colours, laws of colouring, with the scientists, colouring substances, oils, grinding of colours, retouching varnish, painting varnish, picture varnish, canvas, panels and their sizings, pastes, outline and execution of a picture in oils, the preservation and restoration of pictures, wall painting, etc. 2015/5810 The artists' manual of pigments : showing their composition, conditions of permanency, nonpermanency, and adulterations, effects in combination with each other and with vehicles, and the most reliable tests of purity, together with the Science and Art Department's examination questions on painting / by H.C. Standage. London : Crosby, Lockwood & Son, 1896. 3rd ed., rev. xiv, 112 pages ; 18 cm. 2015/5789 Traité de perspective / Hermann Laurent. Paris : Schmid, [1899?]. 75 p. : fig. ; 29 cm. "A l'usage des peintres et des dessinateurs de professsion ou des personnes que désirent se faciliter l'étude du dessin". 2015/6358 Studio Yearbook of Decorative Art. London : The Studio, 1906-1980 (title varies) 69 vols. The Studio Yearbook of Decorative Art was an annual review of some of the finest examples of contemporary architecture and applied art. A review of the latest development in the artistic construction, decoration and furnishing of the house. A complete series of this remarkable British publication on decorative art and architecture, spanning nearly the whole 20th century and containing a wealth of information on the given subjects. Not only British but international in scope. The architects, designers and companies whose work feature in these issues are C.R. Ashbee, M.H. Baillie Scott, Liberty & Co., the Guild of Handicraft, Heal & Son, Ambrose Heal, Ernest Gimson, Edwin Lutyens, C.F.A. Voysey, Jessie M. King, William Morris & Co., Arthur Sanderson & Sons, Ann Macbeth, Walter Crane, Frank Brangwyn, Charles Rennie Mackintosh, George Walton, Heywood Sumner, Peter Behrens, Josef Urban, Josef Hoffmann, the Wiener Werkstätten, Richard Riemerschmid, Louis Majorelle, Maurice Dufrène, Henry Holiday, Koloman Moser, René Lalique, Ernestine Mills, Hermann Muthesius, Ludwig Mies van der Rohe, Rookwood Pottery, Gio Ponti, Carl Malmsten, Gunnar Asplund, Edward Hald, Wilhelm Kåge, Simon Gate, Orrefors Glasbruk, Georg Jensen, etc. Aankoop met steun van het Van der Vossen-Delbrück Fonds 2015/3340 Interieurs au Salon des artistes décorateurs, Paris 1928 / présentés par René Prou Paris : Moreau, 1928. 4 p., 48 bl. pl. : ill. ; 34 cm. Planches reproduites en héliogravure de Faucheux, dont cinq en couleurs rehaussées au pochoir, sous portefeuille de l’éditeur. Ensembles de Montagnac, Leleu, Stephany, Lafaille, Rapin, Nicolas, Matet, Kohlmann, Printz, Bouchet, Jallot, Holtn Le Son, Hiriart, Tribout, Beau, Englinger, Roux Spitz, Fréchet, Ruhlmann, Proun Cogneville, Lavezzari, Bagge, Champion, Dufrène, Djo-Bourgeois, Perriand, Guichard, Saddier, Adnet, Renaudot, Bardyère.
2015/1708 Exposition universelle et internationale de Bruxelles 1958 = Algemene Wereldtentoonstelling te Brussel 1958 / Commissariat général du Gouvernement près l'Exposition universelle et internationale de Bruxelles 1958. Bruxelles : Etablissements généraux d'imprimerie, 1961. Series: Mémorial / Commissariat général du Gouvernement près l'Exposition universelle et internationale de Bruxelles 1958. All 8 titles of this Mémorial have been acquired: L'organisation et le fonctionnement, Les messages et les congrès, Les participations étrangères et belges, L'architecture, les jardins et l'éclairage, Les arts, Les sciences, Message à la jeunesse: pour un monde plus humain, Synthèse. 2015/5632, 2015/5640, 2015/5643, 2015/5647, 2015/5689, 2015/5692, 2015/5694, 2015/5697, 2015/5705 Studiedag mens, kleur, ruimte / ingericht door de V.B.K.A, Vereniging van Belgische Kleurenadviseurs, in samenwerking met het Nationaal Bouwcentrum Antwerpen, onder de auspiciën van het Nationaal Komitee voor Beroepsopleiding en Beroepsvolmaking. Mortsel : V.B.K.A., 1964. 68 pagina's : illustraties ; 27 cm. Extremely rare booklet containing lectures given at the VBKA meeting in Antwerp, 16 November 1963, including the last lecture by G. Th. Rietveld titled "Kleur in architektuur" (Colour in Architecture) shortly before his death. Other contributions by R. Braem, Frantz Braun, Elmar Berkovich, L. van Haecht and Gustav Mengwasser. 2015/2535 Codex Vyšehradensis (1085) / praefatus est František Kavka ; edidit Jiří Mašín ; recensuerunt Jaroslav Pešina [et] Josef Krása Pragae : Sumptibus Pragopress, 1970. 63 pages and atlas (222 pages of facsimiles) : ill. ; 46 cm. Facsimile of one of the most important early manuscripts, probably from the monastery of Benedictine in Brevnov, Bohemia. Presented to Vratislav II (1061-1092), king of Poland and what is now called the Czech republic, on the occasion of his coronation in 1085. This beautiful gospel book was named: Vysehrad Codex or Codes Vyssegradensis. The original manuscript is kept at the National Library in Prague. 2015/1253 Hout en marmer nabootsing : Jansen & Knipping / W.J. Kruithof. W.J. Kruithof, 1980. 1 box. Other title: Praktische handleiding tot nabootsing van hout en marmer. De binnenklep van de doos is bekleed met teak. In de doos is een met eikenhout beklede houder gemaakt voor twee boekjes. Daaronder liggen in 14 bladen platen in passepartouts. Dit zijn chromolithografieën gemaakt door M. Michielsen en C. Kühn, mogelijk afkomstig uit "Handboek voor den schilder : de hout- en marmer nabootsing / P. van der Burg. In het eerste deel van "Praktische handleiding tot nabootsing van hout en marmer" zit een handgeschreven briefje van W.J. Kruithof met het jaar van vervaardiging en verantwoording van de gebruikte houtsoorten. Boekje 1: Praktische handleiding tot nabootsing van hout en marmer / Jansen & Knipping. 1863 -- Boekje 2: Praktische handleiding tot nabootsing van hout en marmer. Tweede afdeling / Jansen & Knipping. - 1865. 2015/5942
Het gezin Davids-Holt : [het gezin van Jan Davids en Bertie Holt 23 juli 1955 : portretten gemaakt ter gelegenheid van hun zilveren huwelijk] / door Wendelien Schönfeld [S.l. : Davids-Holt, 1980. [20] bl. : ill. ; 24 cm. Only 50 copies printed 2015/0157 故宮周刊 Gu gong zhou kan / guo li gu gong bo wu yuan bian ji National Palace Museum. Tai bei shi : Guo li gu gong bo wu yuan , min 70[1981]. Zai ban. 5 ce : tu ; 39 gong fen. Reprint of all 510 issues of the weekly bulletin of the National Palace Museum Beijing, originally issued between 1926-1936. Fully illustrated reports on the Chinese imperial collection as taken over in 1925 upon the founding of the Gugong Museum in Peking following the departure of the Last Emperor, Puyi. An essential source for knowledge and research on this supremely-important collection when it was intact in one location, the Forbidden City, home of the Chinese emperors. Also much on the Forbidden City architecture and palace interiors. The collection was dispersed in 1937 when the Japanese threatened Beijing. A decent and legible Taipei reprint of the Beijing original. All text in Chinese. 2015/2691 SHV 1896-1996 / Johan Pijnappel (ed.), Irma Boom, Irma; Paul Fentener van Vlissingen Utrecht : SHV Holdings, cop. 1996. [2136] p. : ill. ; 23 cm. Schenking van de editie voor Chinese relaties van Irma Boom Dit is hét icoon van modern Nederlands grafisch design. Vormgeefster Irma Boom en kunsthistoricus Johan Pijnappel kregen van Paul Fentener van Vlissingen (1941-2006) de opdracht om ter gelegenheid van het honderdjarig bestaan van de Steenkolen HandelsVereeniging (SHV) een bedrijfsboek te maken. Toen dit elf centimeter dikke boek, 3,5 kilo zwaar, dat 2.136 ongenummerde pagina’s telt, in 1996 verscheen, veroorzaakte het een sensatie. Dit vanwege de druktechnische hoogstandjes waarmee het is vervaardigd: laserdruk, perforaties, complexe rasters en andere in boeken zelden vertoonde vondsten. Het boek verscheen in twee edities: een Nederlandse in het wit (oplage 4.000) dat in 2011 als geschenk van Thony Ruys is ontvangen, en een Chinese in het zwart (oplage 500). De Chinese editie is niet wit, omdat dit de kleur van de dood is. [tekst Museum Meermanno-Huis van het Boek] Geschenk van Irma Boom 2015/0285 Arnout Visser en de glaspiraten / [hoofdred. Eveline Holsappel] Arnhem : Museum voor Moderne Kunst Arnhem, [2013]. 132, [11] p. : ill. ; 15×21 cm. A special publication accompanying the exhibition at the Museum of Modern Art in Arnhem, featuring an original designed glass lens created by Arnout Visser. The print run is limited to 500 copies. The exhibition includes hundreds of objects that Arnout Visser thought up and/or executed displayed on large racks, as if the viewer is visiting his workshop. The discoveries come to life through the stories that are told about his collaboration with glassblowers in Kenya and the Czech Republic, and with the world-famous Droog design studio. 2015/1574 Encyclopedia of photographic and fine art ink jet printing media / Daniel D. Teoli Jr. Daniel D. Teoli Jr., ©2014. Limited edition 'Hand printed artists' book. 12 volumes : photo's ; 28 cm + 3 dvd's.
Hand printed 12 volume set of 600+ original example prints produced on various ink jet papers and photographic printing media. Covers 42 media companies with 335 unique media samples. Volume 1: RC: Gloss. Volume 2: RC: Luster - Pearl - Satin - Semi Gloss / Metallic Gloss Luster - Pearl. Volume 3: Fiber: Gloss - Satine - Silk - Semi Matte - Matte / Ink Jet Film. Volume 4: Fine Art: Gloss - Pearl - Platine - Satin / Baryta: Gloss - Luster. Volume 5: DUO: Gloss - Semi Gloss - Luster - Matte - Fibre Matte DUO. Volume 6: RC: Matte - Semi Matte / Opalescent / Adhesive Media / Paper Linen / Paper Canvas / Specialty Paper - Rice Paper - Hand Made. Volume 7: Fine Art: Ultra Smooth Matte. Volume 8: Fine Art: Matte Textured - Satine Matte Smooth - Satine Matte Textured. Volume 9: Fine Art: Watercolor Gloss - Matte. Volume 10: Alternative - Artist Papers / Canvas: Gloss - Satin -Metallic. Volume 11: Canvas: Matte. Volume 12: Fixative Sprays / Ink Coatings / Dye Stability Testing. The 12 volume set is produced in a limited edition of 5 sets plus 1 pre production proof set. Books are signed, numbered and registered. The books are spiral bound with rounded corners and finished with artisan made marbled end sheets and frosted clear plastic covers. Geschenk van Daniel D. Teoli Jr. 2015/5735a-m PHOEBUS•Rotterdam' Ongoing Project. Rotterdam : Phoebus Rotterdam, galerie, 2015. Boxed 25.5x19 cm. Published on the occasion of the 25th anniversary of the Phoebus Gallery. So far 39 artists contributed texts answering the question why they make art. Geschenk PHOEBUS galerie 2015/1234 Lijst van nieuwe tijdschriften - Der Glasfreund : Zeitschrift für altes und neues Glas - Eigenbouwer : tijdschrift voor de goede smaak - Printmaking today Lijst van afgesloten tijdschriften - Arrabona : a Györ Múzeum évkönyve - Berner Kunstmitteilungen : offizielles Organ - Cantor Art Center journal - Jahrbuch der Staatlichen Kunstsammlungen Dresden - Kunstbeeld - Pfälzer Heimat - Städel Jahrbuch Gebruik van databanken (aantal searches) NB. Niet alle databanken bieden statistische gegevens. Artnet.com: 666 ARTstore: 186 IBA: 27 JSTOR: 3152 Art Index Full text: 49 Art Index Retrospective: 0 Art Museum Image Gallery: 4 PiCarta: 3906 AKL : Allgemeines Künstlerlexikon: 473
Overzicht De enorme toename aan tijdschrifttitels is mede het gevolg van de catalogisering van de Bibliotheek Aziatische Kunst en Archeologie (BAKA) (zie bij projecten) Toevoegingen aan de catalogus inclusief projectinvoer: Toevoegingen aan de catalogus inclusief projectinvoer: 9.116 titelrecords (totaal 249.716 records) 19.142 items (totaal 272.111 itemrecords) 8.471 boektitels 5.608 tijdschrifttitels 325 collectiecatalogi 2.181 tentoonstellingscatalogi 4 computer files (cdrom) 20 videorecordings (dvd) 61 tijdschriftartikelen 26 elektronische tijdschriften 5 documentatierecords 13 archiefrecords
(totaal 156.099 records) (totaal 12.335 records) (totaal 12.972 records) (totaal 36.187 records) (totaal 175 records) (totaal 209 records) (totaal 2.097 records) (totaal 61 records) (totaal 256 records) (totaal 13 records met 44 items)
5.096 authority records 4.081 persoonsnamen 847 corporatieve namen 50 geografische namen 117 trefwoorden
(total 173.877 records) (totaal 140.790 records) (totaal 20.782 records) (totaal 4.838 records) (totaal 7.462 records)
68.042 barcodes 1.258 bibliotheekaccounts 618 bibliotheekpashouders
(totaal 131.373 barcodes = 48,3%) (totaal 1.929 geregistreerde klanten) (totaal 697 passen)
4.957 reserveringen (vanaf 16 juli) 8.303 uitleningen (vanaf 16 juli) 195 aanvragen uit de KOG bibliotheek Bruikleencollectie van het Koninklijk Oudheidkundig Genootschap (KOG): 8218 titelrecords waarvan 2404 Schutterij Bruikleencollectie Vereniging Vrienden van de Aziatische Kunst (VVAK): 3559 records 7 tijdschriften opgezegd of afgesloten 450 abonnementen op tijdschriften 148 lopende jaarverslagen Aantal in ruil ontvangen publicaties: 1005 waarvan 526 via de internationale ruillijst ELTAB. Aantal in ruil verzonden publicaties: 344 waarvan 216 via de internationale ruillijst ELTAB. Aantal zoekacties in de GGC: 126 Totaal aanvragen in het kader van interbibliothecair leenverkeer ingediend bij derden: 71 Totaal aanvragen in het kader van interbibliothecair leenverkeer ontvangen van derden: 79 Projecten
Invoering geautomatiseerde uitleen Sinds 2011 is gewerkt aan het opzetten van een systeem van geautomatiseerde uitleen. Dit was een veel omvattend project, waarin veel onderzocht, ontwikkeld, getest en vastgelegd moest worden. Er moest worden vastgesteld wie de gebruikers zijn, hoe hun gegevens worden vastgelegd en wie welke leenprivileges krijgt; hoe de documenten worden uitgeleend en hoe de catalogusrecords moeten worden opgebouwd; voor welke soort barcodes wordt gekozen en hoe deze aan de records worden toegevoegd; en hoe de logistiek en de workflows eruit komen te zien. Koha moest worden aangepast en om de in- en externe gebruikers op de hoogte te stellen van alle veranderingen zijn nieuwe gebruikershandleidingen opgesteld (in het Nederlands en Engels). Het project heeft tweemaal enige tijd stil gelegen: de eerste keer wegens de verhuizing en een tweede keer door problemen rondom de ontwikkeling van de bibliotheekpas. In 2015 kon met de lancering worden gestart. Alle medewerkers van de bibliotheek hebben instructies gekregen over de uitleenprocedures, het labelen van de bibliotheekmaterialen en de workflows. Volgens zijn de in- en externe gebruikers voorgelicht over de nieuwe manier van aanvragen en uitlenen. Op 6 juli 2015 is het systeem in gebruik genomen en het functioneert sindsdien naar behoren. De tweede helft van het jaar is gewerkt aan de registratie van de al eerder geleende boeken in het geautomatiseerde systeem. Dit werk is vrijwel afgerond. In 2016 zal nog worden gewerkt aan het attenderen van externe gebruikers op het verlopen van de bibliotheekpas en de procedure voor het verwijderen van de gebruikers die niet hebben gereageerd op deze attendering. Verder moeten in de depots de restanten van de oude uitleenadministratie worden opgeruimd en verwerkt. Catalogiseerprojecten Ing. S.A. Bruijning: 326 boeken nalatenschap van Andrew Naaktgeboren: 278 boeken nalatenschap van Mr. M.A.B. Goldschmidt: 450 boeken nalatenschap van F. Berkhout: 102 boeken (nog niet afgerond) Bibliotheek Aziatische Kunst en Archeologie (BAKA) Uitgaande van de 11.086 geconverteerde records is vanaf 10 februari gewerkt aan het ontdubbelen, herplaatsen, en labellen van de boeken, tijdschriften en brochures. Het project zal begin 2016 worden afgerond. Veilingcatalogi In de laatste 3 maanden is via Bureau Ingressus door Eelko van Schie gewerkt aan de achterstallige ontsluiting van oudere veilingcatalogi. In totaal werden ruim 750 veilingcatalogi verwerkt, waaronder 55 uit de nalatenschap van M.D. Haga, 639 catalogi uit de nalatenschap Mr C.P. van Eeghen (1921-2014), tevens enkele veilingen uit de BAKA collectie en diverse aankopen. De 101 veelal geannoteerde en doorschoten veilingcatalogi uit de periode 17481830 uit de nalatenschap van Mr C.P. van Eeghen zijn opgenomen in de collectie van het KOG. Labellen In 2016 zijn 68.042 RFID stickers met barcodes geplakt en de barcodes gekoppeld aan de records. Sedert aanvang zijn 131.373 stickers geplakt, hetgeen 48,3% is van het nu bekende aantal items.
Automatisering Het bibliotheeksysteem Koha werd overgezet op een nieuw besturingssysteem Debian. Tevens werd de serverconfiguratie vernieuwd en uitgebreid met onder meer een file server. Op deze file server zijn digitale documenten opgeslagen, waaronder gedigitaliseerde boeken, epublicaties, en plaatsing- en inventarislijsten van archieven. STCN Op 1 april is Daphne Wouts gestart met de inventarisatie en het toevoegen van de itemgegevens van de in het Rijksmuseum aanwezige Nederlandse drukken en Nederlandstalige uitgaven van voor 1801 aan de Short Title Catalogue Netherlands. In totaal zijn 4314 items toegevoegd aan het STCN-bestand (271 uit depot veilingen; 2463 uit depot KOG; 1579 uit depot 300). Daarnaast is geconstateerd dat er 636 unica zijn, d.w.z. dat ruim 14,5 % van de titels uit de collecties van het Rijksmuseum en het KOG nog niet eerder werd aangetroffen in een deelnemende instelling (doorgaans is dit ongeveer 5%). Bijzonder dus! Beschrijvingen van deze titels en de itemgegevens zijn opgenomen in de STCN. In 2016 wordt onder meer gewerkt aan de boeken en pamfletten in het depot prenten. Op 1 april is het project afgerond. Archieven Op 1 april is Elske Dorgelo gestart met het inventariseren van niet-institutionele archieven. Het beschrijven van de in totaal ca. 25 archieven is in 2015 op 13 records uitgekomen, voorzien van uitgebreide annotaties en plaatsingslijsten. De archivalia werden opnieuw verpakt en op twee plaatsen bijeen gebracht: het documentatie depot en het depot prenten. Op 1 april is het project afgerond. Studiezaal en webcatalogus Het aantal externe bezoeken aan de leeszaal bedraagt 6.025. Bezoek aan de catalogus van de bibliotheek: 402.535 visits (11.116.616 hits). Een visit omvat meerdere hits vanaf hetzelfde internetadres binnen een beperkte tijdsperiode. Visits hebben betrekking op het opvragen van webpagina's; hits zijn algemener. In de genoemde getallen zijn overigens het aantal zoekopdrachten in de catalogus via onze SRU server niet opgenomen.
