LEMBAR PENGESAHAN LEMBAR PERNYATAAN ABSTRAK KATA PENGANTAR UCAPAN TERIMAKASIH

DAFTAR ISI

LEMBAR PENGESAHAN LEMBAR PERNYATAAN ABSTRAK .............................................................................................................. i KATA PENGANTAR ........................................................................................... ii UCAPAN TERIMAKASIH................................................................................. iii DAFTAR ISI ......................................................................................................... v DAFTAR TABEL .............................................................................................. viii DAFTAR LAMPIRAN ........................................................................................ ix DAFTAR GAMBAR ............................................................................................. x BAB I PENDAHULUAN ...................................................................................... 1 A. Latar Belakang Masalah ................................................................................. 1 B. Rumusan Masalah Penciptaan ....................................................................... 6 C. Tujuan Penciptaan ......................................................................................... 6 D. Manfaat Penciptaan ........................................................................................ 6 E. Penjelasan Istilah ............................................................................................ 7 F. Sistematika Penulisan .................................................................................... 7 BAB II LANDASAN PENCIPTAAN .................................................................. 9 A. Tinjauan Seni Grafis ...................................................................................... 9 1. Seni Grafis ................................................................................................ 9 a. Sejarah Singkat Perkembangan Seni Grafis ..................................... 10 b. Seni Grafis Cetak Saring ................................................................. 12 B. Tinjauan Pop Art.......................................................................................... 17 1. Sejarah Pop Art ...................................................................................... 17 2. Karakteristik Pop Art ............................................................................. 19 3. Tokoh Pop Art ........................................................................................ 21 a. Andy Warhol .................................................................................... 21 b. Roy Lichtenstein .............................................................................. 23 Dani Darmawan, 2015 GITAR “FENDER” DALAM POP ART (BENTUK-BENTUK GITAR “FENDER” SEBAGAI GAGASAN DALAM BERKARYA SENI GRAFIS PROSES SCREEN PRINTING DENGAN GAYA POP ART) Universitas Pendidikan Indonesia | repository.upi.edu | perpustakaan.upi.edu

C. Found Objects .............................................................................................. 24 D. Gitar Sebagai Ide Penciptaan Karya Seni Rupa .......................................... 26 E. Tinjauan Gitar Fender .................................................................................. 28 1. Sejarah Singkat Gitar “Fender” ................................................................. 28 2. Macam-macam Gitar Buatan “Fender” ..................................................... 30 F. Bagian-Bagian Badan Gitar Fender ............................................................... 36 1. Pickguard .................................................................................................. 36 2. Bridge ........................................................................................................ 37 3. Volume & Tone Control ............................................................................ 38 G. Tokoh Musisi Dunia .................................................................................... 39 1. Kurt Cobain ............................................................................................... 40 2. Eric Clapton............................................................................................... 41 3. Bob Dylan ................................................................................................. 43 4. John Lennon .............................................................................................. 44 5. Hyde ......................................................................................................... 45 H. Sistem Panel pada Pameran Seni Rupa ....................................................... 46 I. Pengertian Tetris .......................................................................................... 48 J. Unsur-Unsur Komik .................................................................................... 49 K. Unsur dan Prinsip Seni Rupa ....................................................................... 51 1. Unsur-Unsur Seni Rupa ............................................................................ 51 a. Titik .................................................................................................. 51 b. Garis ................................................................................................. 52 c. Bidang .............................................................................................. 54 d. Bentuk .............................................................................................. 55 e. Warna .............................................................................................. 56 f. Tekstur ............................................................................................. 59 2. Prinsip-Prinsip Seni Rupa ......................................................................... 60 a. Kesatuan .......................................................................................... 60 b. Irama ............................................................................................... 61

Dani Darmawan, 2015 GITAR “FENDER” DALAM POP ART (BENTUK-BENTUK GITAR “FENDER” SEBAGAI GAGASAN DALAM BERKARYA SENI GRAFIS PROSES SCREEN PRINTING DENGAN GAYA POP ART) Universitas Pendidikan Indonesia | repository.upi.edu | perpustakaan.upi.edu

c. Keseimbangan ................................................................................. 61 d. Harmoni .......................................................................................... 62 e. Proporsi ........................................................................................... 62 L. Konsep Penciptaan....................................................................................... 62 BAB III METODE PENCIPTAAN ................................................................... 64 A. Ide Berkarya................................................................................................. 64 B. Kontemplasi ................................................................................................ 65 C. Stimulasi Berkarya....................................................................................... 66 D. Pengolahan Ide............................................................................................. 66 E. Proses Berkarya ........................................................................................... 68 F. Pengemasan Karya....................................................................................... 97 BAB IV VISUALISASI DAN ANALISIS KARYA ....................................... 100 A. Analisis Karya Secara Umum ................................................................... 101 1. Visualisasi dan Analisis Karya 1 ......................................................... 106 a. Konsep Karya ................................................................................ 107 b. Analisis Visual Karya .................................................................... 110 2. Visualisasi dan Analisis Karya 2 ......................................................... 115 a. Konsep Karya ................................................................................ 115 b. Analisis Visual Karya .................................................................... 119 3. Visualisasi dan Analisis Karya 3 ......................................................... 124 a. Konsep Karya ................................................................................ 125 b. Analisis Visual Karya .................................................................... 127 4. Visualisasi dan Analisis Karya 4 ......................................................... 134 a. Konsep Karya ................................................................................ 134 b. Analisis Visual Karya .................................................................... 138 5. Visualisasi dan Analisis Karya 5 ......................................................... 144 a. Konsep Karya ................................................................................ 144 b. Analisis Visual Karya .................................................................... 148 BAB V PENUTUP ............................................................................................. 155 Dani Darmawan, 2015 GITAR “FENDER” DALAM POP ART (BENTUK-BENTUK GITAR “FENDER” SEBAGAI GAGASAN DALAM BERKARYA SENI GRAFIS PROSES SCREEN PRINTING DENGAN GAYA POP ART) Universitas Pendidikan Indonesia | repository.upi.edu | perpustakaan.upi.edu

A. Kesimpulan ............................................................................................. 155 B. Saran ........................................................................................................ 156 DAFTAR PUSTAKA .............................................................................................. DAFTAR ISTILAH ................................................................................................ LAMPIRAN ............................................................................................................. DAFTAR TABEL

2.1 Garis dan Kesan Fisiknya.......................................................................... 53


DAFTAR LAMPIRAN

Lampiran 1 .......................................................................................Riwayat Hidup Lampiran 2 ........................................................................... SK (Surat Keputusan) Lampiran 3 ........................................................................................... Studi Objek


DAFTAR GAMBAR

2.2 Salah Satu Contoh Karya Wood Engraving yang Dibuat Untuk Dokumentasi Belanda di Indonesia ........................................................... 11 2.3 Karya Cetak Saring Andy Warhol Berjudul “Marylin” ............................ 13 2.4 Photo of Andy Warhol With Jasper John, 1964 ........................................ 21 2.5 Karya Andy Warhol Berjudul Marylin, 1967 ........................................... 22 2.6 Roy Lichtenstein ....................................................................................... 23 2.7 Karya Roy Lichtenstein Berjudul Torpedo...Los!, 1963 ........................... 24 2.8 Contoh Karya “Found Objects” ................................................................ 25 2.9 Karya Edouard Manet Berjudul “The Spanish Singer”, 1860 .................. 26 2.10 Karya Pablo Picasso Berjudul “The Old Guitarist”, 1903-1904, Karya Pablo Picasso berjudul “Guitar”, 1914 ........................................... 27 2.11 Karya Jacques Lipchitz Berjudul “Guitar Player in Armchair”, 1922 ........................................................................................................... 27 2.12 Karya Rudi Mantofani Berjudul “Nada yang Hilang”, 2006 .................. 28 2.13 Cetak Biru Desain Pickup K&F .............................................................. 29 2.14 Fender Telecaster .................................................................................... 31 2.15 Fender Stratocaster.................................................................................. 33 2.16 Fender Jaguar .......................................................................................... 34 Dani Darmawan, 2015 GITAR “FENDER” DALAM POP ART (BENTUK-BENTUK GITAR “FENDER” SEBAGAI GAGASAN DALAM BERKARYA SENI GRAFIS PROSES SCREEN PRINTING DENGAN GAYA POP ART) Universitas Pendidikan Indonesia | repository.upi.edu | perpustakaan.upi.edu

2.17 Salah Satu Model Gitar Akustik Fender : Fender Dreadnought ............ 35 2.18 Fender Mustang ..................................................................................... 36 2.19 Pickguard Fender Telecaster, Pickguard Fender Statocaster .................. 37 2.20 Pickguard Fender Jaguar, Pickguard Fender Mustang , Pickguard Fender Acoustic ....................................................................................... 37 2.21 Bridge Fender Telecaster, Bridge Fender Stratocaster ........................... 38 2.22 Bridge Fender Jaguar, Bridge Fender Mustang ...................................... 38 2.23 Volume & Tone Control pada Fender Telecaster & Stratocaster ........... 39 2.24 Volume & Tone Control pada Fender Jaguar & Mustang ...................... 39 2.25 Kurt Cobain dengan Fender Jaguar......................................................... 41 2.26 Eric Clapton dengan Blackie, Gitar Fender Stratocaster Favoritnya ................................................................................................. 42 2.27 Bob Dylan dengan Fender Telecaster ..................................................... 43 2.28 John Lennon dengan Fender Stratocaster & Cover Album “Acoustic” dari John Lennon .................................................................... 45 2.29 Hyde dengan Fender Mustang ................................................................ 46 2.30 Contoh Karya Dyptich ............................................................................ 47 2.31 Contoh Karya Triptych ........................................................................... 47 2.32 Contoh Karya Quadriptych ..................................................................... 48 2.33 Bentuk-bentuk Balok Tetris .................................................................... 49 2.34 Aplikasi Balon Kata Normal Pada Komik .............................................. 50 2.35 Aplikasi Balon Kata Ekspresi Pada Komik .................................................... 50 2.36 Aplikasi Kotak Narasi (Caption) Pada Komik........................................ 51 2.37 Titik ......................................................................................................... 52 2.38 Berbagai Macam Bidang......................................................................... 55 2.39 Berbagai Macam Bentuk Tiga Dimensi .................................................. 56 2.40 Lingkaran Warna Munsel ....................................................................... 57 2.41 Lingkaran Warna: Warna Primer, Sekunder, Tersier ............................. 58 2.42 Komposisi Keselarasan Warna Monokromatik ..................................... 58


2.43 Warna Komplementer ............................................................................. 59 2.44 Tekstur Kayu ........................................................................................... 60 3.1 Adobe Photoshop Cs6 ............................................................................................ 67 3.2 Corel Draw X6 ........................................................................................ 67 3.3 Pensil 2B.................................................................................................. 68 3.4 Penghapus ................................................................................................ 68 3.5 Kertas HVS A4 ........................................................................................ 69 3.6 Alat Pemindai Gambar (Scanner)............................................................ 69 3.7 Perangkat Komputer ................................................................................ 70 3.8 Gunting .................................................................................................... 70 3.9 Selotip ...................................................................................................... 71 3.10 Screen T14 Ukuran 50 x 60 ..................................................................... 71 3.11 Obat Afdruk ............................................................................................. 72 3.12 Coater ...................................................................................................... 72 3.13 Alat Pengering Rambut (Hairdryer) ....................................................... 73 3.14 Tudor ....................................................................................................... 73 3.15 Soda Api dan Kaporit .............................................................................. 74 3.16 Rakel ........................................................................................................ 74 3.17 Cat Sablon GL TW .................................................................................. 75 3.18 Cat Bibit .................................................................................................. 75 3.19 Kain Cotton Combed 20s ........................................................................ 76 3.20 Lem Meja ................................................................................................ 76 3.21 M3 ........................................................................................................... 77 3.22 Proses Pembuatan Sketsa Secara Manual ............................................... 77 3.23 Sketsa Karya Pertama .............................................................................. 78 3.24 Sketsa Karya Kedua ................................................................................ 78 3.25 Sketsa Karya Ketiga ................................................................................ 79 3.26 Sketsa Karya Keempat ............................................................................ 79 3.27 Sketsa Karya Kelima ............................................................................... 80


3.28 Proses Pengolahan Gambar dengan Adobe Photoshop Cs6 .................... 81 3.29 Gambar Pertama Setelah Diolah Secara Digital ...................................... 81 3.30 Gambar Kedua Setelah Diolah Secara Digital ........................................ 82 3.31 Gambar Ketiga Setelah Diolah Secara Digital ........................................ 82 3.32 Gambar Keempat Setelah Diolah Secara Digital .................................... 83 3.33 Gambar Kelima Setelah Diolah Secara Digital ....................................... 83 3.34 Hasil Pencetakan Gambar pada Kalkir .................................................... 84 3.35 Pencampuran Emulsion dan Sensitizer ................................................... 85 3.36 Pengolesan Obat Afdruk pada Permukaan Screen .................................. 86 3.37 Pengeringan Obat Afdruk Menggunakan Hairdryer............................... 86 3.38 Peletakan Kertas Kalkir Bergambar pada Screen .................................... 87 3.39 Proses Afdruk dengan Bantuan Cahaya Matahari ................................... 88 3.40 Proses Penyemprotan Screen ................................................................... 88 3.41 Pengeringan Screen Setelah Proses Penyemprotan ................................. 89 3.42 Contoh Paduan Warna yang Dibuat dengan Program Komputer............ 90 3.43 Mencampurkan Warna yang Akan Digunakan ....................................... 90 3.44 Mempersiapkan Kain yang Akan Disablon di Atas Meja ....................... 91 3.45 Tanda Plus pada Setiap Sudut Kain ........................................................ 91 3.46 Tahap Penyablonan ................................................................................. 92 3.47 Hasil Sablon Karya Kedua, Panel Pertama, Warna Pertama .................. 92 3.48 Hasil Sablon Karya Kedua, Panel Pertama, Warna Kedua ..................... 93 3.49 Hasil Sablon Karya Kedua, Panel Pertama, Warna Ketiga ..................... 93 3.50 Hasil Sablon Karya Kedua, Panel Pertama, Warna Keempat ................. 94 3.51 Hasil Sablon Karya Kedua, Panel Pertama, Warna Kelima .................... 94 3.52 Hasil Sablon Karya Pertama.................................................................... 95 3.53 Hasil Sablon Karya Kedua ...................................................................... 95 3.54 Hasil Sablon Karya Ketiga ...................................................................... 96 3.55 Hasil Sablon Karya Keempat .................................................................. 96 3.56 Hasil Sablon Karya Kelima ..................................................................... 97


3.57 Tata Letak Pengemasan Karya Pertama .................................................. 97 3.58 Tata Letak Pengemasan Karya Kedua..................................................... 98 3.59 Tata Letak Pengemasan Karya Ketiga .................................................... 98 3.60 Tata Letak Pengemasan Karya Keempat ................................................. 99 3.61 Tata Letak Pengemasan Karya Kelima ................................................... 99 4.1 Contoh Proses Pengolahan Foto ................................................................ 102 4.2 Balon Kata Normal .................................................................................... 103 4.3 Balon Kata Ekspresi .................................................................................. 104 4.4 Kotak Narasi .............................................................................................. 105 4.5 Karya 1 : I’d Rather Be Hated For Who I Am, Than Love For Who I Am Not .................................................................................................... 106 4.6 Foto Asli dari Fender Jaguar yang Diolah dengan Metode “Found Object” ...................................................................................................... 108 4.7 Tahapan Pengolahan dengan Metode “Found Objects” ............................ 109 4.8 Perubahan Posisi yang Didapat Setelah Proses Penataan letak ................. 109 4.9 Bentuk Balok Tetris yang Dijadikan Sebagai Acuan Sistem Panel pada Karya pertama ................................................................................... 110 4.10 Garis Ekspresi pada Karya Pertama ........................................................ 111 4.11 Jenis Huruf pada Karya Pertama............................................................. 111 4.12 Warna Komplementer yang Terdapat pada Karya Pertama ................... 112 4.13 Peran Warna Hitam dan Raster yang Terdapat pada Karya Pertama ...................................................................................................... 113 4.14 Tata Letak dan Keseimbangan pada Karya Pertama .............................. 114 4.15 Karya Kedua : Risk is Trying to Control Something You are Powerless Over ......................................................................................... 115 4.16 Foto Asli dari Fender Stratocaster yang Diolah dengan Metode “Found Object” ......................................................................................... 117 4.17 Tahapan Pengolahan dengan Metode “Found Objects” ......................... 117 4.18 Perubahan Posisi yang Didapat Setelah Proses Penataan letak .............. 118


4.19 Bentuk Balok Tetris yang Dijadikan Sebagai Acuan Sistem Panel pada Karya Kedua ..................................................................................... 118 4.20 Tata Letak dan Keseimbangan pada Karya Kedua ................................. 119 4.21 Latar Belakang pada Karya Kedua ......................................................... 120 4.22 Jenis Huruf Comic Book pada Karya Kedua .......................................... 121 4.23 Jenis Huruf Badaboom pada Karya Kedua ............................................. 122 4.24 Warna Komplementer pada Karya Kedua .............................................. 123 4.25 Peran Warna Hitam yang Terdapat pada Karya Kedua .......................... 123 4.26 Karya Ketiga : Yesterday’s Just a Memory, Tomorrow is Never What it’s Supposed to be ........................................................................... 124 4.27 Foto Asli dari Fender Telecaster yang Diolah dengan Metode “Found Object” ......................................................................................... 126 4.28 Tahapan Pengolahan dengan Metode “Found Objects” ......................... 126 4.29 Bentuk Balok Tetris yang Dijadikan Sebagai Acuan Sistem Panel pada Karya Ketiga ..................................................................................... 127 4.30 Keseimbangan yang Terdapat pada Karya Ketiga .................................. 128 4.31 Pengolahan Gambar Menjadi Latar Belakang pada Karya Ketiga ......... 130 4.32 Jenis Huruf Comic Book ......................................................................... 131 4.33 Jenis Huruf Badaboom pada Karya Ketiga ............................................. 131 4.34 Warna Komplementer pada Karya Ketiga .............................................. 132 4.35 Peran Warna Hitam dan Raster pada Karya Ketiga ................................ 133 4.36 Karya Keempat : You Don’t Need Anybody to Tell You Who You Are, You Are What You Are ! .................................................................... 134 4.37 Foto Asli dari Fender Acoustic yang Diolah dengan Metode “Found Object” ......................................................................................... 136 4.38 Tahapan Pengolahan dengan Metode “Found Objects” ......................... 137 4.39 Perubahan Posisi yang Didapat Setelah Proses Penataan letak .............. 137 4.40 Bentuk Balok Tetris yang Dijadikan Sebagai Acuan Sistem Panel pada Karya Keempat ................................................................................. 138


4.41 Keseimbangan dan Komposisi pada Karya Keempat ............................. 139 4.42 Pengolahan Latar Belakang pada Karya Keempat .................................. 141 4.43 Jenis Huruf pada Karya Keempat ........................................................... 142 4.44 Warna Komplementer pada Karya Keempat .......................................... 143 4.45 Peran Warna Hitam pada Karya Keempat .............................................. 143 4.46 Karya Kelima : How Long Tomorrow Will Wait at The End of My Path, This Life is An Unfinished Journey, And So I Go ............................ 144 4.47 Foto Asli dari Fender Acoustic yang Diolah dengan Metode “Found Object” ......................................................................................... 146 4.48 Tahapan Pengolahan dengan Metode “Found Objects” ......................... 147 4.49 Perubahan Posisi yang Didapat Setelah Proses Penataan letak .............. 147 4.50 Bentuk Balok Tetris yang Dijadikan Sebagai Acuan Sistem Panel pada Karya Kempat ................................................................................... 148 4.51 Keseimbangan Yang Terdapat pada Karya Kelima ................................ 148 4.52 Pengolahan Latar Belakang pada Karya Kelima .................................... 150 4.53 Jenis Huruf Comic Book pada Karya Kelima......................................... 151 4.54 Jenis Huruf Badaboom Pada Kelima ...................................................... 152 4.55 Warna Komplementer pada Karya Kelima ............................................. 153 4.56 Peranan Warna Hitam Dalam Karya Kelima .......................................... 153


LEMBAR PENGESAHAN LEMBAR PERNYATAAN ABSTRAK KATA PENGANTAR UCAPAN TERIMAKASIH

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