Jostein Gaarder O Vendedor de Histórias Title: O Vendedor de Histórias Author: Jostein Gaarder Format: Paperback Language: Norwegian Pages: 207 Publisher: Cia das Letras, 1446228480 ISBN: Format: PDF / Kindle / ePub Size: 6.3 MB Download: allowed
Description "Meu cérebro está fervilhando. Centenas de novas idéias borbulham. Elas simplesmente jorram" - essa anotação no Diário de Petter, que foi um garoto precoce e solitário, filho de pais divorciados, mostra que sua imaginação parece não ter freios. Ele é o herói deste romance de Jostein Gaarder, que representa a encarnação da fantasia e da criação literária como forma de compreender o mundo.
Insightful reviews Yun Zhen: To be honest, I feel rather ambivalent about this book. At a certain point in the book, I had every intention to give this one star. The author is clearly a genius. He weaved together a plot with an unexpected twist, a real unexpected twist. He craftily uses foreshadowing to lead the reader down another path instead. And I did feel a real shock and surprise at the final twist which made me flip back through the pages I had angrily skipped, searching for more genius details that I might have missed. It is really unfortunate that this genius of the author is something the reader only discovers at the end. The execution of the overall story was unnecessarily tedious and things only picked up in the last third of the book for me. This was full of so much potential but still ended up wanting for the most part. Endah: Satu lagi novel karya penulis Norwegia, Jostein Gaarder, Putri Sirkus dan Lelaki Penjual Dongeng (seterusnya disebut Putri Sirkus saja), diterjemahkan dan diterbitkan dalam bahasa Indonesia menyusul tiga novel sebelumnya : Dunia Sophie, Misteri Soliter, dan Gadis Jeruk. Jika pada dua novel pertama Jostein memasukkan kandungan filsafat yang cukup kental, maka untuk Gadis Jeruk dan Putri Sirkus nyaris tanpa bumbu filsafat, sehingga, buat pembaca awam filsafat seperti saya, lebih mudah mengunyahnya. Novel Putri Sirkus dan Penjual Dongeng ini, dari segi penceritaan mirip Gadis Jeruk : cerita berbingkai, cerita dalam cerita. Jika Gadis Jeruk hanya terdiri dari dua kisah, maka pada Putri Sirkus ini punya banyak sekali "anak cerita". Cerita utama novel ini tentang seorang lelaki bernama Petter yang memiliki segudang cerita rekaan dalam imajinasi melimpah-ruah yang dijualnya kepada para penulis baru yang tidak tahu harus menulis apa atau penulis lama yang mengalami kebuntuan ide. Dongeng-dongeng yang dijual Petter inilah yang saya sebut sebagai "anak cerita"; menjadi semacam "bonus" di luar riwayat hidup Petter si Laba-laba itu sendiri. Sebermula (seperti Sapardi saja) adalah saat Petter kecil yang senang berfantasi dan menulisi seluruh dinding rumahnya dengan cerita ciptaannya. Ia tak puas hanya dengan media sempit seperti buku atau kertas gambar. Dinding dan lantai jauh lebih menarik sebagai media eksperesinya. Maka, dinding-dinding rumah pun jadi sasaran, termasuk kamar orang tuanya yang berakibat pada kemarahan sang bunda.
Tadinya, Petter kecil berkhayal dan berharap, sang bunda akan membaca "cerita dindingnya" dan memberikan pujian. Namun, ternyata justru hal sebaliknya yang ia peroleh. Patahlah hatinya. Patahlah semangatnya. Sejak itu, ia bersumpah, sumpah yang benar-benar dilaksanakannya kelak, bahwa ia tak akan pernah lagi menulis. Tak akan jadi penulis. Alhasil, daya imajinasi dan fantasi Petter yang tak terbendung itu - bahkan sampai dewasa ia punya teman khayalan setia : seorang kerdil dengan tinggi satu meter yang selalu membawa tongkat bambu - kemudian hanya dituangkannya ke dalam bentuk dongeng-dongeng yang dituturkannya secara lisan kepada orang-orang terdekatnya. Ia pendongeng yang handal. Cerita-cerita rekaannya memiliki tema beragam, plot memikat, dan ending yang mengejutkan. Saat semakin dewasa dan kondisi keuangannya sekarat, Petter lantas memutuskan untuk menjual cerita-ceritanya kepada para penulis atau calon penulis yang memerlukannya. Tanpa diduga sebelumnya, bisnis jualan dongeng itu - Petter menyebutnya "Writer's Aid" berkembang pesat, membuatnya kaya-raya. Sementara itu, kehidupan sosial dan seksualnya berjalan terus. Ia mengencani banyak gadis tanpa bermaksud menikahi salah satunya. Ia bukan jenis pria yang betah bertahan membina relasi jangka panjang dengan satu wanita untuk kemudian dikawini. Baginya, cinta tak perlu berujung pada ikatan pernikahan yang akan membelenggu kebebasannya. Tak banyak gadis yang bisa menerima jalan pikirannya itu. Kebanyakan mereka menyimpan harapan pada sebuah bentuk hubungan serius seusai berkencan. Kecuali Maria, wanita matang berusia 10 tahun lebih tua darinya. Bersama Maria Petter menemukan kecocokan dan kesamaan pandangan tentang perkawinan, meski pun mereka tak bisa terus bersatu selamanya sebab Maria memilih pergi jauh meninggalkan Petter bersama anak perempuan dari hasil percintaan mereka. Seperti kepada hampir semua kencannya, kepada Maria pun Petter kerap kali mengisahkan dongeng-dongeng indah karangannya. Jika gadis-gadis lain tak peduli dan segera melupakan dongeng-dongeng fantastis itu, lain halnya dengan Maria. Perempuan ini menyimpannya dengan baik dalam ingatan. Ada satu dongeng favorit Petter, yaitu tentang seorang gadis putri tunggal pemilik sirkus. Nama gadis itu Panina Manina. Saking sukanya, kisah Panina Manina ini sering diceritakan berulangulang termasuk pada Maria dan putrinya, Poppet. Petter tak pernah mengira, kelak dongeng putri sirkus ini akan mempertemukannya kembali dengan sepenggal masa lalu dan mengubah jalan hidupnya selanjutnya. Jalinan kisah menarik seputar tokoh Petter dengan kecenderungan asosial menjadi semakin menarik dengan selingan cerita-cerita tambahan karya Petter. Cerita-cerita selingan itu, bisa menjadi novel tersendiri yang tak kalah menawan. Gaarder mengolahnya dengan berpanjangpanjang, terkesan mengulur-ulur cerita. Beberapa kali saya tergoda melewati beberapa bagiannya yang agak bertele-tele. Yang paling mengerikan dari imajinasi Petter, eh maksud saya, Gaarder adalah ihwal "Writer's
Aid" itu. Bayangkan, akan mengerikan sekali seandainya organisasi atau lembaga serupa "Witer's Aid" itu benar-benar ada. Barangkali ini hanya semacam sindiran halus ala Gaarder kepada para penulis mau pun calon penulis dengan modal pas-pasan. Modal di sini maksudnya tentulah gagasan-gagasan cemerlang sebuah cerita yang seharusnya dimiliki seorang penulis. Atau bisa jadi juga "Writer's Aid" ini adalah nasihat Gaarder untuk para calon penulis agar benarbenar siap memasuki hutan belantara kepenulisan yang seringkali tidak ramah. Menjadi penulis (yang baik) itu bukan perkara mudah. Kudu punya mental kuat serta sumur ide yang seolah tak pernah kering supaya terhindar dari perbutan paling 'keji' di dunia kepenulisan : menjadi plagiat.
Jeane: I read so many books by Jostein gaarder (or that is how it feels) which all gave me the same feeling that I expected all of his books to be like each other. Exactly the book I decided to read with others, is different. The story about Petter, a storyteller, is les phylosophical than the other books. It tells about his life, the beginning of the stoy being where it also ends. He makes up amazing stories which I wish would be taken to write a complete book but as I was ready for another phylosophical story that made me think a lot, I thought int he begiining this one was a bit of a less good level, less interesting. The story did pick up in the middle,when Petter wasn't a child anymore and later more the last part I enjoyed it a lot. Petter had a life of his own but this is about to change completely and bring him back tot he begiining of the story but also to reveal what it is that he tries to forget but can't remember what it is. I would have given it three stars but the end of the book made me enjoy reading it a lot. At that moment it became a bit more phylosopical, so that might be the reason. The ringmaster's daughter is different than the other books I read of Gaarder. It seems like more a story on its own but at the end (like with all Gaarder's books) you realize that it wasn't just a story, there was more behind. Brian Baker: a fanciful novel a few guy so overbrimming with ideas, conceits for those who like, for novels that he has to unburden himself to other, lesser, authors to flesh them out. a few those synopses seem within the text, together with a number of diversifications at the subject matter of the titular 'lost' circus ringmaster's daughter, and one on online game of chess performed with dwelling pieces. Playful and interesting as Gaarder frequently is, but the finishing looks extra of a shock to the protagonist than it should, given his narrative gift. O Informador: O Vendedor de Histórias foi o terceiro livro que li de Jostein Gaarder e depois de aos quinze anos O Mundo de Sofia me ter conquistado e de A Rapariga das Laranjas me ter passado complemente ao lado, agora chegou a vez deste vendedor me fascinar. Jostein Gaarder escreve de forma filosófica e não é de todo um autor para as grandes massas. A escrita deste homem caminha pela filosofia e intelectualidade como nenhum outro, dando assim asas ao pensamento sobre os comportamentos de cada ser que vive para e com a sociedade.Através de Petter, o leitor é levado para um mundo à-parte, um mundo onde só este jovem gosta de entrar. Com ideias para dar e vender, aos poucos e também porque quando se torna num jovem adulto vê-se sozinho no mundo através da morte da mãe, as histórias nascem
e enfrentam-se entre si para se tornarem reais. Petter brand percebe que tem em si algo raro, uma mente capaz de criar como ninguém. Como tal e porque o dinheiro também movement o mundo, este jovem rapaz começa a vender as suas sinopses que se transformam através das mãos de grandes autores em obras que se tornam sucessos, ajudando ao crescimento e reconhecimento dos nomes que acabam por assinar as suas criações. Petter, o Aranha começa a ganhar vida a partir daqui e torna-se numa figura well known dentro do mundo literário. Embora o secretismo seja a alma do negócio, aos poucos esta mente brilhante envolve-se com autores e editores e transforma-se na estrela não conhecida pelo mundo da literatura.Só que nem tudo são rosas na vida deste autor clandestino. Ao longo do seu percurso, o Aranha, deixa-se envolver e torna-se pai de Boneca, uma menina que gerou mas que não viu crescer. Bons anos mais tarde, o passado e o presente cruzam-se quando o fim da sua carreira parece estar próximo. Beate aparece na vida deste já sabido homem que sempre viveu através do sucesso dos outros e mostra-lhe que afinal a paixão de há anos pode ser substituída por esta nova beleza que ama a cultura literária. Só que Beate descobre o segredo que a une a Petter através de uma série de contos que lhe são contados pelo próprio.Um livro maravilhoso e que me conquistou da mesma forma que Petter se sentiu atraído por Beate sem saber os verdadeiros motivos de tal atracção. Com uma escrita fluída e que dá vontade de continuar a querer saber mais, mesmo quando os pensamentos da personagem acontecem e se tendem a tornar massadores, Jostein Gaarder mostrou um outro lado de quem escreve, o lado da facilidade criativa que uma parte da população tem. Destaco os pequenos contos que são contados ao longo desta narrativa que acabam por deixar a história critical de lado para que se abracem novas ideias e perspectivas do mundo. Chris: The Baltic Sea is celebrated for its amber, solidified resin from forests round forty four million years old, and often trapped in those deposits are a variety of wildlife of the period. the main amazing photo within the Ringmaster’s Daughter, which symbolises certainly one of its significant themes, is of a spider stuck during this matrix, similar to its sufferers may be stuck in its web. the tale that provides the unconventional its name matters a trapeze artist who falls and breaks her neck. because the ringmaster bends over her injured physique he sees an amber trinket on a narrow chain round her neck, which he recognises as one he had given to a daughter he hasn’t obvious for years. the significance of this story of the misplaced daughter is underlined by means of it being told, with variations, 3 times throughout the process the novel, within the presence of every of the 3 most crucial girls within the narrator’s life. The narrator is Petter. I don’t imagine we're informed his relatives name, yet he imagines himself as Petter Spider; this can be the Norwegian nursery rhyme similar of Incey Wincey Spider, who will get washed away via a bath of rain yet then re-ascends a hat (or spout within the English-language versions). The finishing of this web-spinner’s story is upbeat, best one to anticipate The Ringmaster’s Daughter to have a equally confident conclusion, yet there's no make sure that it will happen. Tragedies have a standard profile in terms of plotting their classes opposed to luck and time: an obvious upward thrust in success takes a disastrous dip, a rally being through an additional descent in the direction of failure (comedies are inclined to reflect rises with falls and vice versa). The profile of Gaarder’s novel seems to compare the tragic model, yet we're left in limbo via the top — will Petter untangle himself from the internet he has woven and, like Robert the Bruce’s inspiration, try to try out again? Or will the taboo he has unwittingly damaged reason him, like Oedipus, to undergo the implications for the remainder of his lifestyles without desire of redemption?The root of Petter’s misfortunes come up due to early life traumas. One,
printed close to the start of the book, pertains to his mother’s rejection of the 1st tale he has ever composed — written on her bed room wall; consequently he has vowed by no means to write down a novel, to simply keep on with effectively peddling synopses and aphorisms, plotlines that pour out of him due to his extensive examining and remark of people. the opposite trauma, the life of which emerges in the direction of the top of the unconventional (or biography, as this is often how Petter the narrator sees it), gave beginning to the Rumpelstiltskin-like leprechaun determine who haunts his waking life, an enigmatic homunculus whose origins Petter is understandably reluctant to fathom.Gaarder is really a author who broadly utilises metafiction in order that we will be able to get careworn if the first global merges right into a secondary or maybe tertiary international (as, for example, within the Solitaire Mystery): Jostein Gaarder writes a singular approximately Petter, who narrates stories approximately different individuals, together with these whose roles function within the novel’s title. Petter is born in Norway round 1952, as is Gaarder, and is profitable as a spinner of tales, as is Gaarder, and travels to publication fairs, as doubtless does Gaarder. yet Gaarder isn't Petter, his existence showing to have the graph allotted to comedy (if we settle for the classical that means of the word).The body of the tale is determined at the Amalfi coast, in the home the place Gaarder’s compatriot Ibsen wrote A Doll’s House. I’m no longer conversant in this play (I merely supposedly studied The Pillars of Society and Hedda Gabler at school) so can’t touch upon any relevance to The Ringmaster’s Daughter. however the one play via Ibsen that I’m reminded of his Peer Gynt, which isn't referenced within the novel yet which has a few fascinating parallels to Gaarder’s novel. either works percentage a reputation (Peer is a diminutive of Petter, the Norwegian type of Peter); either have parts of magic realism in that the true global and the realm of the mind's eye coexist for either Peer and Petter; in either the protagonist has a liaison which leads to an offspring whose arrival has grave consequences; every one paintings has a being who's a facet of the protagonist, the Bøyg for Peer, the homunculus for Petter. And either works attempt to solution the question, what does ‘being yourself’ mean? The Troll King says that people declare to dwell through the motto, Be actual to your self yet that for trolls it's easily Be yourself! Petter’s existence has epitomised a egocentric troll-like existence; through the top he realises that he has to take accountability for his attitudes and activities that have taken a human toll.Like a spider’s net The Ringmaster’s Daughter throws out gossamer threads in all directions. occasionally I muse at the plots of Puccini’s operas that are referenced right here (and after all Puccini himself wrote operas nearly overlooking an identical sea that Ibsen saw, even though a bit extra north); different occasions I’m reminded of Shakespeare’s A Winter’s story which additionally contains a misplaced daughter, Perdita; the story synopses that punctuate the pages have an identical bitter-sweet flavor of the literary fairytales of Wilde or, particularly, Hans Christian Andersen, instead of using inexorably to the predicted ‘fairytale ending’ of conventional stories.Only something I’m missing, and that’s a feeling of the opposite people who Petter interacts with. All are obvious via his eyes, of course, yet simply because idealised or sometimes stereotyped they appear extra like fairytale archetypes than rounded individuals. and doubtless that’s the point. His mom fails at being the fitting maternal figure, his hoped-for sweetheart refuses to be his anima, he's not to understand his daughter, his in simple terms real creation; all people are puppets on strings to be performed with, sufferers enmeshed in a web. maybe all fiction writers are like this; perhaps Gaarder’s metafiction is a meditation at the perils of taking part in God.http://wp.me/s2oNj1-spider The might as help it selling a positive caller. Departing another audience, by generally you say a
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