Philip Samartzis. Shimabuku

text: HL

Philip Samartzis Melbourne, Australia, 1963. Lives and works in Melbourne, Australia.

Philip Samartzis is currently co-ordinator and lecturer in Sound Art within the Media Arts course area of the School of Art & Culture, RMIT University (Melbourne, Australia), where he is also engaged in Ph.D. research on ‘surround sound’ and ‘immersive environments’ for installation-based art. Some of the outcomes of this research programme are embodied in such works as Transparence (2001), presented at the Cartier Foundation for Contemporary Art in Paris; Soft & loud (2001), presented at the Tafe Central Gallery in Perth; and Dodg’em, a collaborative project with Martine Corompt, first prize winner of the 1999 National Digital Art Awards. In 2000, he was Visiting Professor at the Conservatoire National des Arts et Métiers in Paris, lecturing in Audio-Visual concepts within the Département Informatique. In the same year he was also a visiting composer at the Showa University of Music and Arts Management in Tokyo, and IRCAM in Paris, translating ambisonic-based field recordings into Dolby digital surround sound for DVD formats. He is the co-ordinator and curator of Immersion, a biennial event devoted to exploring contemporary ssues and practices of surround sound, as well as Variable resistance, a series of international sound art events staged at the Australian Centre for Contemporary Art. Samartzis is a composer of experimental music with a particular interest in electro-acoustic and acousmatic methodologies. As a solo artist, he has performed throughout Australia, as well as Japan, Germany, the Netherlands, Denmark, Belgium, France, and the United States. He has released three solo compact discs: Residue (1998), Windmills bordered by nothingness (1999) and Mort aux vache (2002). Presence and absence is the composition Samartzis has created for Upstream. He uses a range of sound recordings made in the Netherlands and in Australia that suggest their specific cultural identities. A series of digital and analogue processes are imposed on the recordings in such a way that they suggest a form of contamination, degrading and obscuring the distinct origin of the sound recordings, while a process of amalgamation situates the divergent identities into a reductive, hybridised whole. 50

Philip Samartzis is momenteel coördinator en docent in Geluidskunst (onderdeel van Media Kunst curriculum) aan de School of Art & Culture, RMIT University (Melbourne, Australië). Hij werkt tevens aan een promotieonderzoek over omgevingsgeluid en ‘immersive environments’ in kunstinstallaties. Resultaten van het onderzoek zijn terug te vinden in werken als Transparence (2001) gepresenteerd in de Cartier Foundation for Contemporary Art in Paris, Soft & loud (2001) gepresenteerd in de Tafe Central gallery in Perth, en Dodg’em, een samenwerkingsproject met Martine Corompt, winnares van de National Digital Art Award in 1999. In 2000 was Samartzis verbonden aan de Conservatoire National des Arts et Métiers in Paris, waar hij als Gast Professor Audio-Visual concepts doceerde bij het Département Informatique. In hetzelfde jaar was hij tevens gast componist aan de Showa University of Music and Arts Management in Tokyo, en IRCAM in Paris, waar hij ambisonic veldopnamen vertaalde naar Dolby Digital Surround Sound voor DVD formats. Hij is de coördinator en curator van Immersion, een 2-jaarlijkse manifestatie gewijd aan contemporaine kwesties en toepassingen van surround sound, en van Variable resistance, een serie internationale geluidskunst manifestaties aan de the Australian Centre for Contemporary Art. Samartzis is een componist van experimentele muziek, met een specifieke interesse in elektra-akoestische en akoesmatische methodologie. Als soloartiest heeft hij opgetreden in Australië, Japan, Duitsland, Nederland, Denemarken, België, Frankrijk en de Verenigde Staten. Drie solo CD’s staan op zijn naam: Residue (1998), Windmills bordered by nothingness (1999) en Mort aux vache (2002). Presence and absence is de compositie die Samartzis voor Upstream creëert. Hij gebruikt een reeks van Nederlandse en Australische geluidsopnamen, die wezenlijk hun specifieke culturele identiteiten suggereren. Deze opnamen ondergaan diverse analoge en digitale processen op een manier die een vorm van besmetting en degeneratie suggereren; de duidelijke herkomst van de opnamen wordt op deze wijze vervaagd. Vervolgens zal een proces van vermenging de uiteenlopende identiteiten samenbrengen tot een minimaal, gehybridiseerd geheel.

Presence and Absence Location: J.C. Kerkmeijer room, Statenlogement, Nieuwsteeg 44, Hoorn Wed-Sun 11:00 AM-6:00 PM Commissioned by NPS Radio and Upstream.

Some Things Happen Twice: The Story of the Elephant. 2001

text: HL

Shimabuku Kobe, Japan, 1969. Lives and works in Yokohama, Japan. Shimabuku studied art at the Osaka College of Art (Japan) and the San Francisco Art Institute (USA). In most of his works, Shimabuku explores the role of communication, memory and myth in the construction of both animal and human consciousness. He likes to engage the public directly by creating interactive situations. In Disappearance and appearance of an eyebrow, Shimabuku began by shaving off one of his eyebrows in the London Underground. His unbalanced face became the catalyst for many conversations during his travels throughout Europe. His inventive, informal art practice often involves travel. On his journeys, Shimabuku studies the local history and legends, then retells true stories or makes up unrealistic and humorous stories. In 1999, he took a story he found in Fukuoka, Japan, about a 165-metre-long mermaid that washed up on the shore in 1222, and travelled with it to France, Australia, Canada and Brazil, inviting other artists to create work about the mermaid along the way to develop the story. And for a 1997 project,

In search of deer, he biked throughout a region in Japan looking for deer where none exist – as with all of his projects – involving onlookers, making friends and dispersing stories along the way. For Upstream, Shimabuku has created an installation involving homesick animals. In October 2002, he may take one of the animals to Japan by train.

Shimabuku studeerde beeldende kunst aan het Osaka College of Art (Japan) en het San Francisco Art Institute (U.S.A.). In de meeste werken verkent Shimabuku de rol van communicatie, geheugen en mythen bij de constructie van zowel menselijk als dierlijk bewustzijn. Hij betrekt graag het publiek bij zijn werk en creëert situaties waarbij interacties kunnen ontstaan. Voor Disappearance and Appearance of an Eyebrow schoor Shimabuku één van zijn wenkbrauwen af in de London Underground. Zijn onevenwichtig aandoende gezicht werd vervolgens een katalysator voor vele gesprekken tijdens zijn reizen door Europa. Reizen is een belangrijk aspect in Shimabuku’s inventieve, informele toepassing van kunst. Tijdens zijn tochten bestudeert hij de lokale geschiedenis en legendes en her-vertelt hij een waar verhaal, of verzint hij onrealistische, grappige verhalen. 51

text: HL

Otto Sidharta In 1999 stuitte hij in Fukuoka (Japan) op een verhaal over een 165 meter lange zeemeermin die in 1222 aanspoelde op het strand. Shimabuku reisde met het verhaal naar Frankrijk, Australië, Canada en Brazilië en nodigde onderweg steeds andere kunstenaars uit om een werk te maken over de zeemeermin om het verhaal te ontwikkelen. Voor een project in 1997 (In Search of Deer), ging hij fietsend op zoek naar herten in een regio van Japan waar deze niet voorkomen en betrok hij gaandeweg toeschouwers, maakte hij vrienden en verspreidde hij verhalen, zoals bij al zijn projecten.

zal hij wellicht één van de dieren meenemen op een treinreis naar Japan.

Voor Upstream maakt Shimabuku een installatie met dieren die heimwee hebben. In oktober 2002

Location Hoorn: -Wall of Weeshuistuin 2, Hoorn

Everybody misses something. 2002

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Everybody misses something Location Amsterdam: -VOC Café, Schreierstoren, Prins Hendrikkade 94-95, Amsterdam Mon-Sat 9:30 AM-00:30 AM, Sun 11:30 AM-00:30 AM -Façade of Bethaniënklooster, Barndesteeg 6b, Amsterdam

Otto Sidharta Bandung, Indonesia, 1955. Lives and works in Jakarta, Indonesia. Otto Sidharta finished his post-graduate study in composition and electronic music composition at Sweelinck Conservatorium (Amsterdam, the Netherlands) under the guidance of Professor Ton de Leeuw (1926–1996). Sidharta’s interest in using environmental sounds to express his musical ideas developed when he was a student at the Jakarta Institute of Arts (Institut Kesenian Jakarta). He performed his first electronic music piece, Kemelut, based on water sounds in the First Indonesian Young Composer Festival (Pekan Komponis Indonesia) in 1979. In 1982 he collected some nature and animal sounds on Nias Island, in the Borneo (Kalimantan) jungle, and other remote places in Indonesia. These sounds were used as material for some of his works such as Ngendau, Hutan plastik and East wind. Besides being a composer, Sidharta is Chairman of both the Music Committee of Jakarta Art Council (Komite Musik Dewan Kesenian Jakarta) and Indonesian Composer’s Association (Asosiati Komponis Indonesia). He teaches at Jakarta Institute of Arts (Institut Kesenian Jakarta) and in Cantus (Music Education and Information Center, Jakarta). Furthermore, he is the Music Director for the National Symphony Orchestra (Orkes Symphony Nasional). For Upstream, Sidharta had created Wind of trade 2, a soundscape based on the sounds and voices associated with Dutch and Indonesian culture, such as sounds from nature, markets, street vendors, trains, ships and children playing.

Otto Sidharta studeerde compositie en elektronische muziek compositie aan het Sweelinck Conservatorium in Amsterdam, onder leiding van Professor Ton de Leeuw (1926 - 1996). Sidharta is geïnteresseerd in omgevingsgeluiden als expressiemiddel voor zijn muzikale ideeën. Deze interesse ontwikkelde zich tijdens zijn studie aan het Jakarta Institute of Arts (Institut Kesenian Jakarta). Kemelut, zijn eerste elektronische muziekstuk gebaseerd op watergeluiden, voerde hij uit tijdens de eerste aflevering van Indonesian Young Composer Festival (Pekan Komponis Indonesia) in 1979. In 1982 verzamelde hij natuur- en dierengeluiden op Nias, in de jungle van Borneo (Kalimantan) en andere afgelegen plekken in Indonesië. Deze geluiden vormden de basis voor werken als Ngendau, Hutan plastik en East wind. Naast componist is Sidharta tevens voorzitter van het Music Committee van de Jakarta Art Council (Komite Musik Dewan Kesenian Jakarta) en voorzitter van de Indonesian Composer’s Association (Asosiati Komponis Indonesia). Hij geeft les aan het Jakarta Institute of Arts (Institut Kesenian Jakarta) en aan Cantus (Music Education and Information Center, Jakarta). Hij is de artistiek directeur van het Nationale Symfonie Orkest (Orkes Symphony Nasional). Voor Upstream componeert Sidharta Wind of trade 2, een soundscape met geluiden en stemmen die geassocieerd worden met de Nederlandse en Indonesische cultuur, zoals onder andere natuurgeluiden, het lawaai van markten, straatverkopers, treinen, schepen en spelende kinderen.

Wind of trade 2 Location: Amsterdams Historisch Museum, Kalverstraat 92, Amsterdam Mon-Fri 10:00 AM-5:00 PM, Sat-Sun 11:00 AM-5:00 PM Commissioned by NPS Radio and Upstream.

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text: HL

Marcel Wierckx Winnipeg, Canada, 1970. Lives and works in Utrecht, The Netherlands. Marcel Wierckx began his formal studies in jazz improvisation, composition, and arrangement in Edmonton, Canada. After spending several years performing and recording as a popular music artist, he returned to formal studies at the University of Manitoba, where he studied electro-acoustic and instrumental composition with Michael Matthews. Later he went on to undertake post-graduate studies at McGill University in Montreal, studying composition with Alcides lanza and interactive performance systems with Zack Settel. In 1999, Marcel relocated to the Netherlands to further his research on interactive music at the Utrecht School for the Arts, where he graduated with honours in 2001. Wierckx is active as a composer of instrumental and electronic music for concerts, film, theatre and dance, and has worked with various ensembles in Canada and the Netherlands, including Groundswell, GEMS, Dansgroep Krisztina de Chatel and Made in da Shade. He composed the soundtrack for the film Tussenland (‘Sleeping Rough’), which won the Tiger Award at the 2002 Rotterdam International Film Festival. He is also active as an interaction designer and programmer; his work has been exhibited at the Arti et Amicitiae Gallery in Amsterdam and can be seen in Made in da Shade’s stage production DiggyDotCom. For Upstream, Wierckx created Zeereis (’Sea journey’). He has mixed the music that the travellers heard during their journeys on the VOC ships with the music that was in their memories of Holland. He traces a musical route along the former VOC trade route, within which the differences between Dutch culture and the cultures of the former VOC territories are investigated. At De Bazel, those visiting the exhibition determine the route of the composition: their location in the hall determines which part of the piece is played. In this way, the viewer can make his or her own journey through the composition.

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Marcel Wierckx begon zijn formele studie in jazz improvisatie, compositie en arrangement in Edmonton, Canada. Na jaren van optreden en platen maken als popmuzikant, keerde hij terug naar de formele studie aan de Universiteit van Manitoba, waar hij elektro-akoestische en instrumentale compositie studeerde bij Michael Matthews. Later, tijdens zijn masteropleiding aan McGill University, Montreal, studeerde hij compositie bij Alcides lanza en interactive performance systems bij Zack Settel. In 1999 verhuisde hij naar Nederland om zijn onderzoek naar interactieve muziek aan de Hogeschool voor de Kunsten, Utrecht, voort te zetten. Hij slaagde cum laude in 2001. Wierckx is actief als componist van instrumentale en elektronische muziek voor concert, film, theater en dans. Hij heeft gewerkt met verschillende ensembles in Canada en in Nederland, zoals Groundswell, GEMS, Dansgroep Krisztina de Chatel en Made in da Shade. Hij componeerde de soundtrack voor de film Tussenland, die de Tiger Award won op het Internationale filmfestival Rotterdam 2002. Hij is ook actief als interaction designer en programmeur. Zijn werk is geëxposeerd bij Arti et Amicitiae Gallery in Amsterdam en kan worden gezien in de produktie DiggyDotCom van theatergroep Made in da Shade. Voor Upstream componeert Wierckx Zeereis. In dit stuk mengt hij de muziek die de reizigers op de VOC schepen hebben gehoord met de muziek die in hun herinnering van Nederland bleef. Hij volgt een muzikale route langs de voormalige VOC handelsroute waarin de overeenkomsten en de verschillen tussen de Nederlandse cultuur en de culturen van de voormalige VOC gebieden worden onderzocht. In De Bazel wordt de route van het stuk bepaald door de toeschouwers van de expositie: hun locatie in de zaal bepaalt namelijk welk deel van de compositie wordt afgespeeld. Zo kan de toeschouwer van de expositie de compositie ervaren op zijn of haar eigen manier.

Zeereis Location: De Bazel, Vijzelstraat 30-34, Amsterdam Wed-Sun 11:00 AM-6:00PM [closed thursday 12 September!] Commissioned by NPS Radio and Upstream.

Introduction. 2002 Aankoop Museum de Paviljoens, Almere

Nicky Zwaan Toma, Burkina Faso, 1971. Lives and works in Amsterdam, The Netherlands. Nicky Zwaan creates installations unifying space, the public and her interventions. She uses familiar information and recognisable objects, placing them in a new perspective. Her installations sometimes include video, the monitor acting as a window behind which another, life-size reality can be seen. Her video pieces confront the public with a space they cannot access: from behind glass the installations are a beckoning space. The presence of the public is essential as it is they who bring the works to life. Zwaan’s concern is with people and human scale – she replaces the world around them by a décor rendered complete by the public’s individual perceptions of the situation. For Upstream, Zwaan’s project, Island of an Island, explores the cultural contact/cultural clash that can occur when one group’s territory is ‘invaded’ by another. The countries affected by the VOC were indeed confronted with an alien culture. When faced with new and different options, an individual can change, looking at himself or his

surroundings differently – nothing is incontrovertibly ‘true’ any longer. In Hoorn, Zwaan has created an installation to recreate this experience for the public. Her work will not be ‘ready made’ – there is no hermetic whole, no cut and dried conclusion. Throughout Zwaan’s work there is a constant theme, this installation being no exception: she creates a situation in which firmly entrenched and accepted systems within which we all behave according to cultural norms, are stretched to their limits by the aberrant behaviour of a single group. Zwaan created an ‘incognito duck army’, in a free interpretation of the situation that occurred when the VOC overran distant countries injecting their own alien customs.

Nicky Zwaan bouwt installaties waarbij de ruimte, het publiek en haar ingrepen een geheel vormen. Ze gebruikt bekende gegevens en herkenbare voorwerpen en plaatst deze in een nieuw perspectief. Soms maken video’s deel uit van haar installaties: de monitor fungeert als raam, waarachter - op ware grootte - een andere werkelijkheid te zien is. De video’s confronteren het publiek met een ruimte waar ze niet kunnen komen, de installaties vormen een ruimte die uitnodigt. 55

Island of an Island. Installation with sound and movement 2002

De aanwezigheid van publiek is essentieel, omdat dit het werk tot leven brengt. Zwaan gaat uit van mensen en de menselijke maat, ze vervangt de wereld door een kunstmatige wereld, waar andere wetten gelden. De bezoekers worden verleid hierin mee te gaan, maar zij vullen het in met hun individuele beleving van de situatie. Voor Upstream onderzoekt Zwaan met haar project Island of an Island het culturele contact, of de botsing, die kan plaatsvinden als een gevestigde groep op eigen terrein wordt bezocht door een groep nieuwkomers. De landen die door de VOC werden aangedaan, zagen zich geconfronteerd met een hen onbekende cultuur. Er verandert iets op het moment dat iemand ziet dat er meerdere mogelijkheden zijn: hij kan met vreemde ogen naar zichzelf en zijn omgeving kijken, de eigen cultuur is niet langer een onbetwiste waarheid. Zwaan maakt een installatie waarbij het publiek hetzelfde kan ervaren. Ze maakt geen pasklaar werk, er is geen hermetisch oordeel, of afgeronde conclusie. In haar installatie wordt een situatie gecreëerd 56

waarin je kunt ondergaan dat systemen die zo bekend zijn dat ze vast lijken te liggen, en waarbinnen iedereen zich volgens de culturele gewoonten gedraagt, aan het wankelen worden gebracht door een groep die zich anders gedraagt. Zwaan maakt met een incognito eendenleger een vrije interpretatie van de situatie zoals die zich voordeed toen de VOC met totaal andere gebruiken binnenviel in verre landen. Met deze ingreep in de openbare ruimte regisseert zij het dagelijks leven. Voorbijgangers reageren daarop. Toevallige passanten worden onderdeel van het werk, als figuranten die hun eigen rol bepalen.

Island of an Island Location: Draafsingel, opposite Achter de Vest 56, Hoorn Wed-Sun 11:00 AM-6:00 PM

artists + composers selected projects and discographies

artists + composers Tissa de Alwis

David Bade

Colombo, Sri Lanka, 1956 Lives and works in Colombo, Sri Lanka

Curaçao, Netherlands Antilles, 1970 Lives and works in Zaandam, The Netherlands

Selected projects 1999 Beyond the Future, The Third Asia-Pacific Triennial of Contemporary Art (APT3), Brisbane Australia The 1st Fukuoka Asian Art Triennale 1999, Fukuoka Asian Art Museum, Fukuoka, Japan 1998 Clay Sculptures and Mobiles, solo, Heritage Gallery, Colombo, Sri Lanka In Dependence, an exhibition to mark Sri Lanka’s 50th anniversary of independence, Lionel Wendt Art Gallery, Colombo, Sri Lanka 1997 solo at Gallery Mountcastle, Colombo, Sri Lanka

Selected projects 2002 1000 en 1 Nacht, Stedelijk Museum, Amsterdam, The Netherlands Gesellschaft für Aktuelle Kunst, Bremen, Germany Buiten Zinnen, Boymans van Beuningen, Rotterdam, The Netherlands 2001 Sculpture Néerlandais, Le Havre, France Carribean Art, Travelling group show (o.a. Spain, Argentina, Brasil, Costa Rica, Venezuela) Nieuwe Aanwinsten, Stedelijk Museum, Amsterdam, The Netherlands 2000 Art Brussels, Brussels, Belgium 1999 Musee d’Art Moderne et d’Art Contemporain, Nice, France De Gele Rijder, Arnhem, The Netherlands Trafique, S.M.A.K., Gent, Belgium 1998 Art Jonction, Sabine Wachters gallery, Nice, France Onze Vader Ons Moeder, Museum Jan Cunen, Oss

Arahmaiani Bandung, Indonesia, 1961. Lives and works in Yogyakarta, Indonesia Selected projects 2002 Biennale, Sao Paulo, Brasil Biennale, Gwangju, Korea 2001 Ludwig Forum, Aaken, Germany Asian Fine Arts, Berlin, Germany 2000 Biennale, Lyon, France 1998 Biennale, Havana, Cuba Inside Project, Kassel, Germany 1997 Museum of Contemporary Art, Tokyo, Japan Cities on the Move, Seccesion, Vienna, Austria 1996 Triennale Asia-Pacific, Brisbane, Australia Tradition/Tension, Contemporary Art from Asia, Asia Society, New York, U.S.A. 58

Kate Beynon Hong Kong, 1970 Lives and works in Melbourne, Australia Selected projects 2001 hybridforms: Australian New Media Art, Netherlands Media Art Institute, Amsterdam Short Soup; Sydney Asia Pacific Film Festival, Reading Cinemas, Sydney. Asia in Australia: Beyond Orientalism, QUT Art Museum, Brisbane MCA Unpacked, Museum of Contemporary Art, Sydney 1st Floor Fundraiser, 1st Floor, Melbourne. Chinese Calligraffiti, solo, Studio 12,

200 Gertrude Street, Melbourne. Li Ji: Warrior Girl, solo, Gallery 4A, Asia-Australia Arts Centre, Sydney 2000 Pragmatics of Inscription: Wall Drawings, Linden Gallery, Melbourne Rent, Australian Centre for Contemporary Art, Melbourne and Overgaden Gallery, Copenhagen. Gertrude Street Studio Artists 2000, 200 Gertrude Street, Melbourne. Facsimile, Plimsoll Gallery, Hobart, Bendigo Art Gallery, Bendigo 1999 Talkback; Living Here Now. Art & Politics, Perspecta 99, Art Gallery of New South Wales, Sydney Facsimile, LAC Gallery, Venezuela The Queen is Dead, Stills Gallery, Edinburgh, Scotland Diaphanous, Span Gallery, Melbourne; Nokia Singapore Arts Festival, Caldwell House Gallery, Chijmes, Singapore Look Again: Contemporary Prints and Drawings from the Collection, National Gallery of Victoria, Melbourne. Flux, Arts Victoria, Melbourne.

Sandeep Bhagwati Mumbai, India, 1963 Lives and works in Berlin (Germany) Selected projects 2002 • contemporaryXchange composition and improvisation project with Indian calssical musicians (and the - Ensemble Modern) • Fragmente-Pindar-Kommentare performance for Shaman singing, zither, Hackbrett, viola d'amore and narrator. 2000 • why sing why cry Duo for violin and violoncello • Entrances Commissioned for the Orchester der Beethovenhalle Bonn • Grünbein Lieder on texts by Durs Grünbein for Mezzosopran and string quartet neither here nor there installation and performance with various perfromance artists in and around the Haus der Kulturen der Welt in Berlin • making music installation and perforamnces with the European Music Project in Stadthaus Ulm

Michael Blum Jerusalem, Israël, 1966. Lives in Europe Selected projects 2002 Bingo, Galerie Thaddaeus Ropac, Paris, France Non-places, Frankfurter Kunstverein,

Frankfurt-am-Main, Germany tele-journeys, MIT List Visual Arts Center, Cambridge, Massachusetts, U.S.A. BIG, Torino, Italy 2001 Take Two, Ottowa Art Gallery, Ottowa, Canada. 58 films cash, Musée d’Art Contemporain, Marseille, France 2000 Homo Oeconomicus, Stanley-Picker Gallery, Kingston-upon-Thames, U.K. Propaganda TM, Der Standard/ Museum in Progress, Vienna, Austria 1998 The Banff Centre for the Arts, Banff, Canada

Helmut Dick Bonn-Duisdorf, Germany, 1969 Lives and works in Amsterdam, The Netherlands www.helmutdick.de Selected projects 2002 Viewfinder, Lokaal 01, Antwerp, Belgium A Haunted house of art Outline, Amsterdam, The Netherlands Impakt Festival, Centraal Museum, Utrecht, The Netherlands 2001 Museum N8, Stedelijk Museum, Amsterdam, The Netherlands Kyoto x Amsterdam - New directions, Kyoto Art Center, Japan Het schaap en de dertiende verdieping, ‘Verbindingen’, Amsterdam, The Netherlands Salatfeld so gross wie ein Hochhaus, ‘Areale Neukölln’, Berlijn, Germany 2000 Move it, Montevideo, Amsterdam, The Netherlands

Yvonne Dröge Wendel Karlsruhe, Germany, 1961 Lives and works in Amsterdam, The Netherlands Selected projects 2002 To actuality, project public space, Bolzano, Italy On track, Atelier HSL, Nederlands Architectuurinstituut, Rotterdam, The Netherlands Commitment, Fonds BKVB, Rotterdam, The Netherlands Praktikabel, Fries Museum, Leeuwarden, The Netherlands 2001 One object speaking English one object being tired, (solo) Lumen Travo, Amsterdam, The Netherlands Kuona, National Museum Tanzania, Dar-Es-Salaam, Tanzania 59

2000 Public interests, v.h. de gemeente, project in public space, Leeuwaarden 54 x 54, Museum of Contemporary Art, London, U.K. For Real, Stedelijk Museum, Amsterdam, The Netherlands Artcom, Smuggle 2000, int. project: Hedah, Casino Luxbg, Aachener Kunstverein 1999 City Pity, Workhouse, Biennale Liverpool, U.K. City Pity, DAAD Galerie, Berlin, Germany Wasanii, National Museum of Kenya, Nairobi, Kenia Une legende a suivre, Le Crédac, Centre d'Art d'Ivry, Paris, France 1998 RE: Zero, Arti et Amicitae, Amsterdam Multiples, Artists Books, Brooke Alexander Gallery, New York, U.S.A. After the orgy, SMart Project Space, Amsterdam, The Netherlands

Geng Jianyi Zhengzhou, China, 1962 Lives and works in Hangzhou, China Selected projects 2001 Living in Time, Contemporary Artists form China, Hamburger Bahnhof, Berlin, Germany Skulptur Biennale 2001, Munster Land, Germany Mantic Ecstasy- photography and video, Huangzhou 2000 Exit, Chinsenhale Gallery, London, UK 1999 Cities on the Move 5, Hayward Gallery, London, UK Cities on the Move 4, Louisiana, Humelbaek, Copenhagen, Denmark Art for Sale, Shanghai Square, Shanghai, China Impossible to Name, solo at ShanghART, Shanghai, China 1998 Two Contemporary Artists from China, Presentation House Gallery, Vancouver, Canada Inside Out: New Chinese Art, Exhibition of Art from China, Taiwan and Hong Kong curated by Gao Minglu/Asia Society at Asia Society Galleries/PS1, New York, and SFMoMA/Asian Art Galleries, San Francisco, USA, etc. Cities on the Move 3, PS1, New York USA Cities on the Move 2, Musee d' Art Contemporain, Bordeaux, France

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De Geuzen, a foundation for multi-visual research Founded 1996 Based in Amsterdam, The Netherlands Riek Sijbring, Delft, The Netherlands, 1958 Femke Snelting, Utrecht, The Netherlands, 1969 Renee Turner, Grand Prarie Texas, U.S.A., 1966 www.geuzen.org Selected projects 2001 Bienal de Valencia: El Mundo Nuevo, The Vices and Virtues, Valencia, Spain De Geuzen D.I.Y., Instructional Manuals for Popular Use, Künstlerhaus Bremen, Germany. 2000 Temporary Archive in ‘Manifesta 3’, Ljubljana, Slovenia Situating Technologies, symposium with Irina Aristarkhova, Frank Webster, the Bureau of Inverse, ThomasBuxó en Karin Spaink, De Balie, Amsterdam, The Netherlands Public Possessions and Private Obsessions, symposium Piet Zwart Instituut, Rotterdam, The Netherlands 1999 The Walk-in Reader in ‘Unlimited.NL/02’, De Appel, Amsterdam, The Netherlands 1998 Public invitations to private parties, part II, discussion and presentation of images in the media 1997 Public invitations to private parties, part I, discussion and presentation of images in the media

Shilpa Gupta Mumbai, India, 1974 lives and works in Mumbai, India http://members.tripod.com/shilpagupta/ Selected projects 2002 Sentiment Express, Loftus Loyld Café, Mercer Union and SAVAC, Toronto, Canada Wayside Deity, Art Inc Gallery, New Delhi, Inda Site + Sight, Earl Lu Gallery, Singapore New Indian Art: Home Street Shrine Bazaar Museum, Manchester City Gallery, Manchester, UK Self, Institute of Modern art, Brisbane, Australia 2001 Century City: Art and Culture in the Modern Metropolis, Tate Modern, London, UK Moving Image Center, Auckland, New Zealand Gallery 4A, Sydney, Australia Artspace, Sydney, Australia 2000 Embarkations, Sakshi Gallery, Mumbai, India

1999 Young Artist’s National Gallery of Modern Art, Mumbai, India 1998 Altered Altars, Lakeeren Art Gallery

Haco Kobe, Japan, 1963 Lives and works in Nishinomiya, Japan Selected discography 1998 • Haco. Voices from Space Ver.2. Split with Mataxa. Audiocassette. New Music Action Live Series 13, Action Cassette/Innocent, Action Cassette Vol. 13, 1998 • Haco. Haco. MIDI Creative (Japan), CXA-1006, 1995; ReR Megacorp (UK), ReR HACO1, 1997 • Happiness Proof. Happiness Proof P-Vine (Japan), PCD-5558, 1999; Detector (US), MP-22, 2000; ReR Megacorp (UK), ReR HACO2, 2000. • Hoahio. Ohayo! Hoahio! Tzadik, TZ 7230, 2000. • Hoahio. Happy Mail Amoebic, AMO-HOA01, 1997. • After Dinner. Paradise of Replica / Paradise of Remixes Bad News (Japan), BN-143; Detector (US), MP-24; ReR Megacorp (UK), ReR AD2, 2001.

Lisa Holden London, U.K. 1961 Lives and works in Amsterdam Selected projects 2003 Participant in the ‘Box Project’, Museum of Installation, London, U.K. Exhibition highlighting new media artists. Prague, Czech Republic 2002 Red Spy, the Fortrezza della Brunella, Aulla, Italy Head First METIS_NL Gallery, Amsterdam, The Netherlands Eat Quicksilver # Shit Quicksand, London, U.K. Two-Step, CCNoA, Brussels, Belgium 2001 Museum van Nagsael 2000 UNLEASHED, Ron Mandos Gallery, Rotterdam, The Netherlands 1998 Too Risky, W139, Amsterdam, The Netherlands

Paul van den Hout Goirle, The Netherlands, 1963 Lives and works in Rotterdam www.greenonion.nl

Selected projects 2002 Campfire Stories & Urban Myths, NCPA, Bombay, India 2001 White Light, De Vishal, Haarlem, The Netherlands 2000 Nomads & Residents, Location 1 ( reading + performance ), New York, U.S.A. 1998 Big Enough For Both Of Us, Museum Boijmans Van Beuningen, Rotterdam, The Netherlands 1997 Remake/Remodel, CBK Villa Alckmaer, Rotterdam, The Netherlands Voor Mijn Moeder, Stelling Projecten, Leiden, The Netherlands 1996 Fresh Breeze, Nova Zembla, Den Bosch, The Netherlands Sports & Musicals, Shangamugam Beach Palace, Trivandrum

The Indoor Land Art Program (ILAP) Founded in May 1997 by Aldert Mantje, André Mesman and Peter Kempff Participants in Upstream: Aldert Mantje, André Mesman and Roel van Timmeren Selected projects 2002 Der Schwarze Spiegel, Kunstverein Neuenkirchen, Germany River deep Mountain High, Het Glazenhuis Stadsdeel Zuider Amstel, Amsterdam, The Netherlands 2001 Workshop ILAP, Hogeschool voor de Kunst, Den Bosch, The Netherlands Under Construction, De Branderij/Factor 44, Antwerp, Belgium 2000 Mountain in Transit, Hotel Nijmegen (CBKN), Nijmegen, The Netherlands The Analogue Mountain, Kunstvlaai, Amsterdam, The Netherlands 1999 Ein el-Hariri, Factor 44, Antwerpen/Borgerhout, Belgium The Fear for the wrong answer, Stazione di Topolo, Italy The Mind on Scale, Arti et Amicitiae, Amsterdam, The Netherlands 1998 The Indoor Land Art Program, Kunstverein Bellevu-Saal Wiesbaden, Germany. The indoor Land Art Program, Kunsthal, Rotterdam, The Netherlands 61

1997 The Indoor Land Art Program, Gallery de la Tour, Amsterdam, The Netherlands

Saskia Janssen ’s Hertogenbosch, The Netherlands, 1968 Lives and works in Amsterdam, The Netherlands Selected projects 2001 Super Stage, Display Gallery, Prague, Czech Republic Solo at Ellen de Bruijne PROJECTS, Amsterdam, The Netherlands Kaleidoscopic Eye, Museum for Photography, Braunschweig, Germany 2000 World Wide Video Festival, Planetarium Artis, Amsterdam, The Netherlands PARTIE 8, Brandenburgische Kunsttage / IKF, Drewen, Germany 1998 Killing Your Darlings, Ziegler, Groningen, The Netherlands 1997 Hong Kong etc., 2e Biennale Johannesburg, South Africa Hong Kong / Perfumed Harbour, De Appel, Amsterdam, The Netherlands New Light, Peninsula, Eindhoven, The Netherlands

’99 Impakt Festival for audiovisual art; Campaign and party add-on for Dutch Individuals presentation at the design fair, Milan, Italy 1998 Delftwrap; KunstEstafette, Delft, The Netherlands Green GED, Ypenburg, The Netherlands Billboard-bar, ‘Seamless’, De Appel, Amsterdam, The Netherlands

Karel von Kleist Amsterdam, The Netherlands, 1951 Lives and works in Clonlea, Ireland Selected discography The Unexpected Answer, 15'58" on: Soundscapes be)for(e 2000 (Soundscapes by Eric La Casa, Sibylle Pomorin, Karel von Kleist, Fransisco López, Robert Iolini/Philip Ma) double CD, Sscd 002A-B, Distribution: Staalplaat, PO Box 11453, 1001 GL Amsterdam, Holland / PO Box 83296, Portland, OR 97283, US Too Close to Return, soundscape for ballet independent production, CD: 46 min., Blue Crow 001, Blue Crow Publishing, Hayes Cross, Clonlea, Clonakilty, Co. Cork, [email protected] Sculptural Images, soundscape for sculptures independent production, video: 57 min., Willebrands Productions, CD: 62 min. Blue Crow 002 Sound Poetry: 2 C90 audio-cassettes, to be re-released on 3 CD's in 2003, info: [email protected]

Rüdiger Meyer Johannesburg, South Africa, 1968 Lives and work in The Hague, The Netherlands Selected compositions 2002 Iona electronic music and visuals with/for choreography by RosaEjaB newsmusic 14 min string quartet 2001 shi so P ka so 15 min (clarinet, trombone, midi contra-bass recorder, electronics) with choreography by Lucia Glass the pregnant glass 2 min (video) roboaagh! 7 sec animation loop cash registrations 2 min 30 sec five pieces for solo piano 2000 curve-ing hil (midi)piano, sine-tones, trombone) 15 min with choreography by Sammi Dellicour twenty three carapi (for mixed choir) 12 min carapace 23.7 (flute solo [piccolo, flute, alto flute] & CD) 13 min kara p 2.003 (ensemble LOOS [bass cl./sax., e-guit., e-bass guitaer, piano, percussion] and CD) 13 min A Walk with Bongi through Alex. (soundscape/documentary on CD) 60 min

Rob Moonen Schaesberg, The Netherlands, 1958 Lives and works in Tilburg www.robmoonen.nl

Kkep Selene Kolman, Nijverdal, The Netherlands, 1966 Stef Kolman, Nijverdal, The Netherlands, 1967 Live and work in Amsterdam, The Netherlands www.kkep.com Selected projects 2002 Namedropping; KPN Lichtwand, Rotterdam, The Netherlands Selection of 3 years Fonds BKVB, Las Palmas, Rotterdam, The Netherlands Lacquerware wordkers, Bagan, Burma Lotus thread weavers, Shan State, Burma 2 DVD projections on plasma screens (? min.) 2001 See you; Operator Logo SMS tool, Smart Business Event, Amsterdam RAI, The Netherlands 2000 Municipal art acquisitions, Stedelijk Museum Amsterdam, The Netherlands 1999 ID_STRIP; installation in the Rijksmuseum of Antiquities, Leiden, The Netherlands. 62

Senzeni Marasela Thokoza, South Africa, 1977 Lives and works in Johannesburg, South Africa Selected projects 2000 Portrat Afrika - Haus der Kulturen der Welt, Berlin, Germany Translation /Seduction/Displacement, White Box, New York, USA 1999 Unplugged IV, Rembrandt van Rijn Gallery, Market Theatre, Johannesburg, South Africa Truth Veils, Gertrude Posel Gallery, Wits, Johannesburg, South Africa Lines of Sight, South African National Gallery, South Africa Democracy's Images, Johannesburg Art Gallery, Johannesburg, South Africa 1998 Women's Voices, Daimler Benz Museum, Stuttgart, Germany (travelling exhibition) Democracy's Images, Bildmuseet, Umea, Sweden (travelling exhibition) Family Ties, Sandton Civic Gallery, Johannesburg, South Africa

Selected projects 2002 Site-mapping, Site-seeing Videoart Center Tokyo/ Gallery Surge Tokyo/ out-lounge gallery Tokyo, Japan Gladius Dei Haus der Kunst Munich, Germany Wegens omstandigheden: www.freekwattaclub.nl “Het geheugen van een stad” Breda, The Netherlands Blanco, De Watertoren CAK Vlissingen, The Netherlands Camera Silens "Stichting verbazingwekkende extremiteiten" Breda, The Netherlands Truth with Hans Werner Kroesinger Podewil Berlin, Germany 2001 Incognito/assimilation John Curtin Art Gallery, Perth, Australia Shiu GU-En /1000 faces IACEE Tokyo Japan Heart of Darkness Goethe- instituut/ Las Palmas Rotterdam, The Netherlands Truth-part one Forum Freies Theater Düsseldorf, Germany Patchwork 011 Tilburg, The Netherlands More /Power/ Less Opera Paese, Rome, Italy Three minutes Silence IACEE Tokyo, Japan

2000 The blind Spot District Six Capetown, South Africa Heart of Darkness Ruimte X Tilburg, The Netherlands Expectacion/Babel Havana Bienale, Cuba 1999 Polonaise/a history short cut “Translacje 1999” Piotrkow Tribunalski, Poland Between the lines De Overslag Eindhoven, The Netherlands 1998 Overexposed Faxx Tilburg, The Netherlands Deep Storage P.S.1 New York (USA), Henry Art Gallery Washington (USA), Kunstmuseum im Ehrenhof Düsseldorf (Germany), Multimediale 5 ZKM / Medienmuseum Karlsruhe, Germany

Jan Rothuizen Amsterdam, The Netherlands, 1968 Lives and works in Amsterdam, The Netherlands Selected projects 2001 The Peoples Art, Witte de With, Rotterdam, The Netherlands You never walk alone, Stroom HCBK, The Hague, The Netherlands Sweatshop, W139, Amsterdam, The Netherlands From here to Reality, Index, the Swedish Contemporary Art Foundation, Stockholm, Sweden Unlimited NL-4, De Appel, Amsterdam, The Netherlands The peoples Art, Porto, Portugal 2000 Scripted Spaces, Witte de With, Rotterdam, The Netherlands World Wide Video Festival Lost & found evening Planetarium Artis, Amsterdam, The Netherlands Durchreise, Künstlerhaus Bethanien Studio 01, Berlin, Germany Frontpage Opmaat 25-9, in the ‘Volkskrant’ in col. with heirs W. F .Hermans 1999 Maatschappij voor oude en nieuwe media, (Lost & Found), De Waag, Amsterdam, The Netherlands Green, Exedra, Hilversum, The Netherlands Printed Matter inc. New Vork (NV) USA

Philip Samartzis Melbourne, Australia, 1963 Lives and works in Melbourne, Australia Selected discography • Mort aux Vache – Staalplaat 2002 • Dance (with Seiichi Yamamoto) – FMN Records 2002 • Fluorescent (with Rasmus B Lunding) – Dr Jim Records 2002 63

• Artefact (with Sachiko M) – Dorobo Records 2002 • f [ ] (with Kozo Inada) – Digital Narcis 2001 • Windmills Bordered By Nothingness – Dorobo Records 1999 • Residue – Dorobo Records 1997

• DiggyDotCom 1 & 2 (2001) theatre play, produced by Made in da Shade decon_orb.aiff (1999) for CD solo The Alchemist’s Flame (1997) for CD solo Max Project No.2 (1996) for tape solo The Rape (1995) for tape solo

Shimabuku Kobe, Japan, 1969 Lives and works in Yokohama, Japan Selected projects 2001 Moon Rabbit, web project, Dia Center for the Arts, New York, U.S.A. Passing through the rubber band, Air de Paris, France (solo) Mega Wave, Yokohama 2001:International Triennale of Contemporary Art, J apan The Octopus Returns, Kobe Art Village Center / Suma Rikyu Park, Japan (solo) Encounter, Tokyo Opera City Art Gallery, Tokyo 2000 Elysian Fields, Centre Georges Pompidou, France As it is, Ikon Gallery, Birmingham, U.K. 1999 Space, Witte de With, Rotterdam, The Netherlands Extra et Ordinaire, Printemps de Cahors, France 11th Biennale of Sydney: every day, Australia

Otto Sidharta Bandung, Indonesia, 1955 Lives and works in Jakarta, Indonesia Selected compositions • Music for Piano and Computer (1997) • Music for Biwa and Computer (1996) • Music for Flute and Computer (1996) • Music for Clarinet and Computer (1995) • Soundscape I - soundscape (1995) • Goro-goro - for 8 percussion player (1994) • Technophobia - live computer music with voice and dance (1990) • East Wind - mix soundscape & live performer (1983) • Hutan Plastik - soundscape (1982) • Ngendau - soundscape (1982) • Kemelut - live electronic music (1979)

Marcel Wierckx Winnipeg, Canada, 1970 Lives and works in Utrecht, The Netherlands Selected compositions • Tussenland (Sleeping Rough) (2002) / motion picture soundtrack. Director: Eugenie Jansen. Winner of the Tiger Award, Rotterdam International Film Festival 2002. 64

Nicky Zwaan Toma, Burkina Faso, 1971 Lives and works in Amsterdam Selected projects 2002 Galerie Diana Stigter (solo), Amsterdam, The Netherlands World Wide Video Festival, Amsterdam, The Netherlands Ceci n’est pas un architecture, Museum de Paviljoens, Almere, The Netherlands One minute biennial Africa, Centraal Museum, Utrecht, The Netherlands Nonlineair Editing, museum de Paviljoens, Almere, The Netherlands 2001 18e dokumentar- und videofest, Kassel, Germany Videoarcheology Festival, Sofia, Bulgaria Filmfestival, Utrecht, The Netherlands Autocenter, Berlin, Germany Faces Of Laughter, Stedelijk Museum, Amsterdam, The Netherlands Film and video festival Moscow, Russia Dai, dai, dai, where do we go from here?, Montevideo TBA, Amsterdam, The Netherlands 2000 Doc. Registratiefestival, Leuven, Belgium One minute video festival, Brazil

artists + composers list of upstream works

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List of Upstream works Tissa de Alwis

Sandeep Bhagwati

Oh Say it's a small island Three glazed ceramic figurines, four plasticene figurines, a replica model cannon and photographs. 2002

The music of the Ghat-Biwa Excursions into a reconstructed sound world 2002 Commissioned by NPS Radio and Upstream.

Arahmaiani The past has not passed. 2002 DVD on plasma screen Are you happy Mr. Jan? 2 DVD projections. 2002

Sound Concept: Sandeep Bhagwati in collaboration with Dr. Annette Czekelius (School of Oriental and African Studies London)

David Bade

Exhibits: Koninklijk Instituut voor de Tropen Amsterdam, Private Collections

Sabbatical island Installation, (polystyrene foam and other materials). 2002 David Bade would like to thank R.J. de Vries Amsterdam BV, Huntsman Polyurethanes and his students from Hochschule für Künste, Bremen (Germany): Ina Raschke, Peter Rambowski, Thor Kuzniak, Karin Schipper and Erik Habets.

Audio Guide: m@tra-Studio Berlin Exhibition and Audio Guide Text: Sandeep Bhagwati / Prof. Dr. Jürgen Holitz (Max Planck Institut für ethnologische Forschung (Halle/Saale, Germany) Translations: Thea Welling

Kate Beynon From the Lives of Li Ji DVD projection with sound, acrylic and aerosol enamel on wall. 2002 Animation production by Isolated Enterprise, sound design by Leigh Ryan One Hundred Forms of Happiness Chenille sticks, acrylic paint on wall, steel pins, sound. 2002 Sound design by Leigh Ryan.

Speakers: Jürgen Holtz, Pierre Bokma, Sandeep Bhagwati Recordings: Rainer Lorenz (Hochschule Karlsruhe), NPS Hilversum Reconstructed Music re-composed and arranged by Sandeep Bhagwati Reconstructed Music performed by SWR-Vokalensemble Stuttgart conducted by Rupert Huber

Research on the music of the GhatBiwa was made possible by grants and commissions from the ZKM Karlsruhe (Centre for Art and Media), from the SWR Radio Stuttgart, from the House of World Cultures Berlin and from the NPS Radio Hilversum. Sandeep Bhagwati would like to thank for information and support: Dr. Schindelbeck, Ethnologisches Museum Berlin; Gerd Koch, Ethnologisches Museum Berlin; Hans Peter Jahn, SWR Radio Stuttgart; Pierre Dutilleux, ZKM Karlsruhe; Matthias Osterwold, Berliner Festspiele; Nathalie LeGonidec, Fondation Royaumont; Judith Orland, Max Planck Institut für ethnologische Forschung (Halle/Saale)

Michael Blum Vierhonderd jaar zonder graf, dan heb je lang gezwegen / Four hundred years without a grave is a long time to shut up Tombstone and sound system. 2002 Commissioned by the Amsterdam Fund for the Arts in co-operation with Upstream. Text: Michael Blum Translation from English: Ria Ruiter van Daalen Houtman's voice: Bart Klever

Kate Beynon is represented by Sutton Gallery, Melbourne, Australia.

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Exhibition Technical Support: Kirsten Catijn, Kevin van Braak and Karl Wissinger

Dub soundtrack: Mark Cherrie & Andy Dewar

Audio editing: Nico Franken, BelleTechMedia / Toolbar Studios, Hilversum

Geng Jianyi

Tombstone: Lavertu steenhouwerij, Amsterdam

www.connectedgjy.com

Michael Blum would like to thank: Rijksakademie van beeldende kunsten & Maison Descartes, Amsterdam, Cees Stolk, Léonie Sazias, Jack Gadellaa, Martijntje Hallmann, Danielle Bourgois, Emmie Leenen, Marc Boon, Philippe Hardy, Antoine Fonville, Rogier van Eyck & Barbara Clausen.

Helmut Dick The green car/De groene auto Fake façade, high gloss paint, wood, scaffoling and a car. 2002 Helmut Dick would like to thank: Fonds BKVB, PontMeijer BV, Hoorn 80, Sigma Coatings BV, Zwaag and ’t Gilde

Yvonne Dröge Wendel Universal Pattern Mail and exchange project on the internet and as exhibition. 1994-2002 Yvonne Dröge Wendel would like to thank: Gallerie Lumen Travo, Artists Books, Anke Bangma, Walter van Beirendonck, Andries Botha, Jean Françoise Chevrier, Claudia van Dijk, Alexandra van Dongen, Johan Deumens, Meshac Gaba, Jan Geerts, Gisela and Manfred Horst, Knuth Horst, Frederick Horst, Fonds BKVB, Jos Houwling, Barthomeu Mari, National Geographic Society, Thapong Workshop Botswana, Marianne van Tilborg, Mama Cash, Hermann Pitz, Nina Rave, Rijksakademie van Beeldende Kunsten Amsterdam, Gijs Stork, Louise Sudell, Mikael Traung, Triangle Trust London, Kuona Trust Kenya, Marius van Sterrenburg, Weather Report

Connected Website and installation. 2002

Installed in co-operation with Ni Haifeng.

De Geuzen, a foundation for multi-visual research Untitled Silk kimono on loan from the Rijksmuseum (Amsterdam) and digital print on synthetic textile. 2002 Unravelling-Histories.org On-line database in collaboration with Michael Murtaugh. 2002 Commissioned by the Amsterdam Fund for the Arts in co-operation with Upstream. De Geuzen would like to thank: Jan Willem Terwen, Pier Terwen, Evelien Sint Nicolaas, Bianca du Mortier, Peter Jacobs, Lodewijk Wagenaar, Greet de Kuiper-van Vuure.

Shilpa Gupta Untitled Community-based project and installation. 2002

(field recording), Yagi Michiyo (koto), and Furuta Mari (percussion). Haco would like to thank Pascal Plantinga. Commissioned by NPS Radio and Upstream. Performed on Friday 6 September at Manifesto, Hoorn, The Netherlands.

Lisa Holden Dogleg Shine Raw Digital photo works, formats 200 x 600 (2x) cm and 120 x 300 cm (1x). 2002 Lisa Holden would like to thank: S-Color, Mayumi Nakazaki, Frank Elsing, and Intermaris Woondiensten, Hoorn,

Paul van den Hout Dharma-Bop Sitar Repair Shop (Henric, we don't need no lumberjacks at sea!) Installation (fire watch cabin, figures, crows, sitar-repair tools and parts). 2002

The Indoor Land Art Program/ILAP

Tricycles for the Handicapped made in India (45 given in India, 1 brought to Amsterdam)

Five jokes about glass

The Kidney supermarket Interactive installation. 2002

ILAP would like to thank: Pels & Joosten BV, Herman Joosten

Video, organic material, transparent acrylic cases, steel stands, sofa, ship model, lights, advertisement, etc.

Saskia Janssen

Glass, wax statues and painting. 2002

Greenhouse sleepers DVD projection ( 9 min) and sound. 2002

Haco Tea Trade - internal out, external in A composition for howling tea pot and voice with the sounds of koto, percussion and cicadas as a natural environment. 25 minutes. 2002 Composed and performed by Haco. Sound materials by Haco

Saskia Janssen would like to thank: Cocky Zouteriks (de Hortus), Marjon van Schaik (de Hortus), Hans Westendorp (Frascati), George Korsmit ( camera), Gwenneth Boelens (assistant), Anne-Marie van Zelst. And Sorín, Konstantin, Deborah, Constantin, 67

Rémus, Stephany, Tijn, Daphne, Elena, Iza, Tsion, Tamar, Aisha, Teamour, Kirsten. Saskia Janssen is represented by Ellen de Bruijne PROJECTS, Amsterdam

KKEP Lacquerware workers, Bagan, Burma DVD projected on LCD screen. 2002 Lotus thread weavers, Shan State, Burma DVD projected on LCD screen. 2002

Karel von Kleist VOC2. 2002 Sound composition in a coffee machine. Commissioned by NPS Radio and Upstream.

Rob Moonen Alien Nation/Good Hope

Additional Location Recordings: Madelynne Cornish and Arno Peeters.

Installation with steel and sound. 2002

Shimabuku

Website: www.goodhope.nl

Everybody misses something Installation with prints and stuffed animals. 2002

Rob Moonen would like to thank: Glen Arendse, Capetown (research & project coordination), Kevin Brand, Capetown (research & general support), Pedro Dausab, Capetown (research & voicing), Kevin Hollenbach, Capetown (recording equipment), Desmond Wentzel, Capetown (availing recording room), Hans Bos, Amsterdam (webdesign), Peter Jacobs, Amsterdams Historisch Museum (technical support and hospitality), Frank Engbers, Tilburg (audiomastering), Peter Tinnemans, Maasbracht (metal shark).

Three drawings on screens, each 150 x 250 cm.

Otto Sidharta Wind of trade 2 Soundscape. 2002 Commissioned by NPS Radio and Upstream. Thanks to Arno Peeters for his recordings (a.o.) of the Albert Cuypmarket.

Marcel Wierckx Coffee machine provided by Douwe Egberts. Technical installation by James Rubery.

Senzeni Marasela Castle of Good Hope Installation, pepper, ‘lightsculptures’, sound. 2002 Rainbow stories Installation with 400 bottles and 400 handkerchiefs. 2002 Senzeni Marasela is supported by the Thami Mnyele Foundation

Rüdiger Meyer Seven spaces. 2002. Seven sound compositions (60 min. each) Commissioned by NPS Radio and Upstream. Special thanks to: Renate Meyer and Connie Knopp for their extensive help, encouragement and support. Thanks also to Rudi Onia for his hospitality and showing me Bo Kaap, Veema Havinga helping me get to know Atlantis and giving me a place to stay and Mandla Menzies for opening his home and taking me around Khayelitsha. 68

Jan Rothuizen Please don’t talk about me when I’m gone Light installation with three computercontrolled 2kw Fresnel spots. 2002 Commissioned by the Amsterdam Fund for the Arts in co-operation with Upstream. Technical realisation: Stichting WIZZ (Tijn Kortekaas and Sander Erkelens), Dr. P.J .Moree ‘De Walgvogel’ Research centre for maritime history Jan Rothuizen would like to thank dr. Lodewijk Wagenaar (Amsterdams Historisch Museum), Hans Touber (Stadsdeel Centrum Amsterdam) and Germaine Kruip. Jan Rothuizen is represented by Ellen de Bruijne PROJECTS, Amsterdam

Philip Samartzis Presence and Absence Sound composition, 26.01 min. 2002

Zeereis Interactive sound composition. 2002 Commissioned in co-operation with the NPS Radio.

Nicky Zwaan Island of an Island, 2002 Installation with sound and movement, Decoymachine, decoys and ducks / Installatie met beweging en geluid. Lokeendenmachine, eenden en lokeenden. Sponsors: 999 Games, M. Bruinsma, Cammozzi, A. Ruys. Nicky Zwaan would like to thank: Michael Bruinsma, Deïska, Diana Stigter, Bock, Gijs Müller, Willem van der Hulst, Fonds BKVB, Anything is Possible, Thony Ruys, Fam. Bekkema Nicky Zwaan is represented by Gallery Diana Stigter, Amsterdam, The Netherlands

Commissioned by NPS Radio and Upstream 69