Ji!í Kade!ábek
From an unshot movie for cimbalom and piano 2008
Onen nenato"en# film má název Berani a autorem nám$tu i scéná!e je m%j p!ítel Jan Míka ml., zárove& potenciální re'isér tohoto snímku. V roce 2006 jsem slo'il melodii, inspirovanou prostou, melancholickou a pastorální náladou scéná!e, která m$la slou'it jako úst!ední hudební téma filmu. Nyní se tato melodie stala v#chodiskem pro mou skladbu. Tóny melodie nejprve vytvá!ejí harmonickou plochu, kterou v'dy ve druhém nástroji naru(ují cizí, náhodné tóny a r%zné zvuky, produkované hrou na korpus nebo struny. V hluboké poloze se pak st!ídav$ v obou nástrojích objevuje charakteristické stupnicové stoupání basu z doprovodu melodie. To vyústí v melodii samotnou, opro(t$nou od p%vodní rytmizace a bohat(ího doprovodu. Záv$r do ur"ité míry op$t vyu'ívá postupu z úvodu skladby. *** The unshot movie is titled Berani and its author as well as an author of the script is my friend Jan Míka junior, also potential director of that movie. In 2006 I composed a melody, inspired by the script's modest, melancholy and pastoral mood, which was to serve as a main musical theme of the movie. That melody has just become a starting point for my piece. First, the melody's tones create a harmonic surface, disturbed by another, random tones and various noises always in the other instrument, that are produced by playing the instrument's body or strings. Then, in a low register of each of the instrument in turn, a scale rising appears, typical of the bass in the melody's accompaniment. This ends in the melody itself, free of its original rhythm as well as a richer accompaniment. The end of the piece in a measure reuses the method of the piece's beginning. ______________________________________________________________________________________________________ Duration ca. 7 ' ______________________________________________________________________________________________________ 2nd Prize – International Cimbalom Festival Competition 2008 ______________________________________________________________________________________________________ http://www.jirikaderabek.com
Symbols:
hard stick(s)
tapping the body of the instrument with the palm(s)
tuning the string
medium stick(s)
tapping the body of the instrument with finger(s)
rubbing the string
soft stick(s)
tapping the body of the instrument with knuckle(s)
the body of the instrument
brush(es)
tapping the body of the instrument with fingernail(s)
closing the keyboard cover
fingernail(s)
in the middle of the string
ball(s) of the finger(s)
at the bridge(s)
throwing a ping pong ball on the strings
synchronization hold the string(s)
behind the bridge(s)
hand(s)
putting the other stick on the same string
change very gradually from one sound or one way of playing to another
From an unshot movie *)
q = 60
Cimbalom
& œœ !
Piano
Cim
Pno
~~~~~~~~~~~~~~~~~~~
œ #œ
play these tones randomly (do not repete the pattern)
.j œ f
&
?
œ
ca. 16''
#œ
j œ
. b œœœ J f
~~~~~~~~~~~ & œ?
œ-œ
j b œ.
j œ # œœ .
œ. b œ.
~~~~~~~~~~~~~~~~~~~~~ ca. 20''
#œ œ œ
#œ
œ ˙. #œ ˙. J
œ œ œ
&
œœ
#œ œ #œ
j œ.
Ji!í Kade!ábek, 2008
œ #œ
œœœ
R æ p
f
b œ. R
#œ œ œ œ
#œ
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ca. 13''
j j œ. b œ.
œ
bœ œ
œ #œ œ # œ œ
œœ
œ œ
œ # œ.
œ. J
b œ. J
œ. b œ. œ œ b œ œ # œ J #œ °
*) These sections are to be played rhythmically ad libitum according to the horizontal distance of the notes and within the alloted approximate time. The metronome mark as well as the individual notes' values are approximate.
3
Cim
&
œ œ# œ
f œœœ
! sempre
5
Pno
~~~~~~~~~~~~~~~~~~~~ j
æ p ?
?
œ #œ nœ °
ca. 13''
j
R
?
Pno
Cim
ca. 12''
j
æ p
f
J
j
j
j
?
œ# œ n œ # œ ° f 3
j
J
2
3
æ p
J
æ
j
f
J J *
J
j
æ p
æ !
f
æ
æ
f
*
æ
.
f
. æ p
ca. 13''
ca. 13''
.
œ ° ƒ æ
f
æ p
æ f
*
3
*
U
3
ca. 18'' 7
Cim
Pno
& RÔ
?
J
J
&
bœ ° Ï
*
œ. . #œ œ œ œ
&
10
Pno
. œ .œ œ # œ # œ b œ œ
?
10
Cim
ca. 17''
& #œ œ œ
ca. 11'' sul E
#œ
.
œœ . #œ
#œ
sul A
œœ
bœ
J
.
b œ. n œ. œ
#œ nœ
œ
œœœ
!
œ
#œ œ
œ n œ.
Œ
sul C w slo
gli
.
ss.
~~~~~~~~~~~~~~~~~~~~~
play these tones randomly (do not repete the pattern)
ca. 9'' œ
bœ
nœ
?œ
nœ œ
bœ œ ° ƒ
~~~~~~~~~~~~~~~~~~~~~~~~
#œ œ œ
bœ
œ #œ œ bœ bœ œ œ
œ
œ #œ œ œ
! sempre
f
.
sul C gliss. slow
œ œ #œ
.
sul A
.
sul G
.
sul F
J
sul A
*
~~~~~~~~~~~~~~~ f
12
Cim
.
. gliss slow
ca. 9'' liss. sul C slow g
.
jlow.glis
s.
sul F
s
J
sul A
sul G
.gslolisws. gli
ss.
slow
J
.
?
sul C
?
12
Pno
&
?
#œ œ œ œ ° Ï
œ œ #œ # œ œ œ œ ? œ œ #œ
&
? œ #œ œ œ #œ
&
21
Cim
P
7 4
œ œ ˙ #˙.
4 4
*
P
œ ˙
˙ #˙
w æ with pedal (ad lib) Ï Ó
Ͼ
Œ
sul D
ç
Œ
Œ
Œ ç ç
Œ Ó
œæ ˙æ.
Œ
shout ad lib.
w æ with pedal (ad lib) ç Ï
w æ
ç
˙æ
˙æ
˙æ.
œ œ œ #œ œ œ #œ œ œ œ # œ œ œ œ œ ˙ œ œ
˙ p
˙
#˙
˙
˙
˙
#˙
˙
˙
Ͼ
Œ
Œ
æ œ #œ œæ # ˙æ œæ œæ œ
˙æ
œæ ˙æ # ˙æ
˙æ.
˙æ
˙æ
œ œ œ œ œ # œ œ Œ œ œ œ œ œ
p
21
Pno
4 4 q»"º
4
˙
˙
˙
#˙
˙
˙
˙
5
Cim
&
œ #œ œ œ #œ œ œ #œ w ?
& #˙
31
Pno
38
Cim
˙
˙
ca. 4'' œœ œ
&
? ?
#˙
*
Ó
‰ œj ° f
‰ œ #œ œ #œ
œ ‰ J Œ
%
Ó
Œ
&
‰ $ # œR œ . œ * cut F
°
& & s. & & gli&ss. &
#œ. ° !
ca. 13''
b œ. n œ. œ ! °
una corda
#œnœ
œb œ nœ
ca. 26''
& & &gli&ss. && & g&liss. & & & &
gliss.
œ. . œ. œ # œ.
œ. œ.
liss. & & & & & g&liss. & & & Ó gliss. & g&liss & & & . & &gli&ss. & g
œ.
?
œ.
œ.
*
# œœœ # œœœ p
* °
& gli&s
!
%
F ‰$ r Œ ord. Ó œ ? œ œ œ #œ œ œ Œ ° *° F
38
Pno
Œ
ord.
ca. 8''
P # œœœ œ . œ n œ . œ
* ° P
˙
˙
Ó
glis s.
31
ca. 9''
œ
? nœ
œb œ
&
œ. œ
œ. . #œ # œ# œ ? œ œb œ & œn œn œ #œ
& & && J
œœœ œ œ b œ . œ œ . p FP * °
*
#œ œ °
œ
r œ.
6
Cim
Pno
Cim
Pno
ca. 23''
&
& & & &
p
? &
bœ œ
œ #œ œ bœ bœ œ
œœ
? && p
*
&
& && J
F
f &&
* F f
# œœ. P
ord.
&
ord.
# œœ. ° P
°
J
œ
F . œœœ
*
ca. 13'' b œ. R !
ca. 7''
*
. œ #œ bœ œ œ. # œ œ
œ #œ J P
&
?
&
&
œœœ
!
#œ œ œ œ
?
#œ
press unhearably
··
?
b· # ···
press unhearably
*
P # œœœ.
° P
*
j œ. ° !
. # # œœœ p œœ.
œ œ. .
œ #œ œ # œ œ œœ bœ œ
!
œ œ œæ œæ # œ. ! F
ca. 10'' œœ ° p
j b œ.
j œ # œœ . * cut f
æ
° p
ca. 10'' œ- œ-œ
ca. 13''
··
··
· ···
‚ ‚ ‚ ‚‚ ‚
‚
j œ. '
#œ œ J RÔ
*
# œœ p
°
*
7
ca. 16''
œ & œ ° ! ?
47
Cim
47
Pno
&
?
# œœ
! °
j œ
œ.
ord.
b œ.
' possibile
œ. b œœ J
' possibile
œœ * ° '
U
*
# œœ
œ bœ œ
' * °
*
