šabiakov Spevní ek 2 Baby It's You The Beatles

1

abiakov Spevní£ek 2 Baby It's You

All My Loving The Beatles

The Beatles

capo 1

capo 2

G C

Am D7 1. Close your eyes and I'll kiss you, G Em tomorrow I'll miss you. C Am F D7 Remember I'll always be true. Am D7 And then while I'm away, G Em I'll write home every day, C D7 G

G

G

C

It's not the way you kiss, that tears

me apart. O-oh!

the lips I am missing. And hope that my dreams will come true.

Em Many many many nights go by, Am G I sit alone at home and I cry over you. What Em can I do? C D G Can't help myself. . . cause baby it's you. G Em (Shalalalalalala, baby it's you.) (×2)

I'll write home every day, and I'll send all my loving to you.

G G

C

All my loving, darling I'll be true.

G

2. You should hear what they say about you.

All my loving I will send to you.

C

(Cheat, cheat.)

They say they say you never never never ever

G Em

3. Repeat 1. verse.

Chorus (×2)

4 4

heart.

2. I'll pretend that I'm kissing,

Em Em

(×3)

It's not the way you smile, that touched my

and I'll send all my loving to you.

And then while I'm away,

Em

1. Sha la la la la la la.

been true. (Cheat, cheat.) [: Wo ho, it doesn't matter what they say

Am

I know I'm gonna love you any old way.

G

Em

What can I do, when it's true.

C

D G

I don't want nobody nobody

Em

Cause baby it's you. (Shalalalalalala, baby it's

G

you.) (×2):]

by [email protected], 2005-2009

3

3. There's nothing you can know, that isn't

All You Need Is Love The Beatles

known. Nothing you can see, that isn't shown. Nowhere you can be, that isn't where you're meant to be.

capo 2

Its easy.

G D/G [ Em love. Love, love, [ G D/G Em Love, love, love. D7/A G D7/A Love,

Chorus.

love, love.

G----D-0-0A----E-----

---------3-3-----

-----------0-2-3---------

G

-----0-0-2---------------

D/G [

1. There's nothing you can do, that can't be

G

Em

done.

G A7 D7 D7 All you need is love. (All together now!) G A7 D7 D7 All you need is love. (Everybody now!) G H7 Em G/D All you need is love, love. C D7 G Love is all you need. G D Love is all you need. (Repeats a few times.) G/D ◦◦ ××

••

D/G [

There's nothing you can sing, that can't be

Em sung. D7/A G Nothing you can say, but you can learn D/G [ D7/A how to play the game. It's easy. Ri

2. There's nothing you can make, that can't be made. No one you can save, that can't be saved. Nothing you can do, but you can learn to be yourself in time. It's easy.

G A7 D7 All you need is love. G A7 D7 All you need is love. G H7 Em G/D All you need is love, love. C D7 G Love is all you need.


4

Chains The Beatles

A

1. Chains, my baby's got me locked up in chains.

D9 E9

A

And they ain't the kind that you can see.

D9

A

Whoa, oh, these chains of looove got a hold on me, yeah.

E

2. Chains, well I can't break away from these chains. Can't run around, 'cause I'm not free. Whoa, oh, these chains of love won't let me be, yeah.

D9 A I wanna tell you, pretty baby, I think you're ne. D9 E9 D9

I'd like to love you but, darlin', I'm imprisoned by these. . .

3. Chains, my baby's got me locked up in chains, And they ain't the kind that you can see, Oh, oh, these chains of love got a hold on me.

Please believe me when I tell you, your lips are sweet. I'd like to kiss them, but I can't break away from all of these... 4. Chains, my baby's got me locked up in chains. And they ain't the kind that you can see. Whoa, oh, these chains of love got a hold on me, yeah. Chains, chains of love...


5

Don't Bother Me The Beatles

capo 2

D Em x

H7 A7 G G/G [ Em 1. Since she's been gone I want no one to talk to me. H7 A7 G x It's not the same but I'm to blame, its plain to see. Em A Em So go away, leave me alone, don't bother me!

2. I can't believe that she would leave me on my own. It's just not right when every night I'm all alone. I've got no time for you right now don't bother me!

(Em)

D Hm

Em

D

Em

I know I'll never be the same if I don't get her back again.

Am C

Em

Because I know she'll always be the only girl for me.

3. But till she's here please don't come near, just stay away. I'll let you know when she's come home, until that day. . . Don't come around, leave me alone, don't bother me!

H7 A7 G Em H7 A7 G Em A Em I've got no time for you right now don't bother me. Em D Em D Em I know I'll never be the same if I don't get her back again. Hm Am C Em Because I know she'll always be the only girl for me.

4. But till she's here please don't come near, just stay away. I'll let you know when she comes home, until that day. . . Don't come around, leave me alone, don't bother me. Don't bother me, don't bother me, don't bother me!


6

Eleanor Rigby The Beatles

capo 2

C/G

Em

1. Aaahh, look at all the lonely people.

A:-0-2---2---2---2--E:-----3---2---3---0(×2)

Em

Em7

C

Eleanor Rigby picks up the rice in a church where a wedding has been.

Em

Lives in a dream.

Em

Em7

C

Waits at the window, wearing a face that she keeps in a jar by the door,

Em

Who is it for?

Em7 Em6 C Em All the lonely people, where do they all come from? Em7 Em6 C Em All the lonely people, where do they all belong?

2. Father MacKenzie, writing the words of a sermon that no one will hear, No one comes near. Look at him working, darning his socks in the night when there's nobody there. What does he care?

Chorus.

C/G

Em

3. [:Ahh, look at all the lonely people.:](×2) Eleanor Rigby died in a church and was buried along with her name, Nobody came. Father MacKenzie wiping the dirt from his hands as he walks from the grave, No one was saved.

Chorus.

◦

E6◦ ◦

•• •


7

8

From Me To You The Beatles

C Am C Am 1. C Am If there's anything that you want, C G if there's anything I can do, F7 C Am just call on me and I'll send it along C G7 C with love from me to you.

2. I've got everything that you want, like a heart that is oh so true, just call on me and I'll send it along, with love from me to you.

Hard Days Night The Beatles

G C9 G F6 G and I've been workin' like a dog. C9 G It's been a hard days night, F6 G and I should be sleepin' like a log. C

1. It's been a hard days night,

D

But when I get home to you, I nd that things that you do,

G C9 G

they make me feel al - right. 2. You know I work all day, to get you money, to buy you things.

Gm7 C7 F and keep you by my side. D7 I got lips that long to kiss you, G G+

And it's worth it just to hear you say, you're

I got arms that long to hold you,

gonna give me everything. So why on earth should I moan, cause when I get you alone you know I'll feel OK.

Hm Em G Em

Hm C

When I'm home, everything seems to be right.

and keep you satised, oh!

When I'm home, feeling you holding me tight,

D

3. repeat rst verse and continue

F

C Am G G7 C C7

Just call on me and I'll send it along

C

with love, from me to

you.

tight, yeah! 3. Repeat 1. Chorus.

4. Repeat 1.

Chorus.

G C9 F6

You know I feel al - right. . . 4. repeat rst verse

G+ Gm7 ◦◦ • • ••••

•

•

•

3

•

F6

×◦

• • ••


9

Girl The Beatles

Em H7 Em Em7 Am C6 G H7 all about a girl who came to stay. Em H7 Em Em7 She's the kind of girl you want so much it makes you sorry, Am C6 Em

1. Is there anybody going to listen to my story,

Still you don't regret a single day.

G Hm Am D7

Ah, girl. . .

G Hm Am D7

Ah, girl. . .

2. When I think of all the times I've tried so hard to leave her, she will turn to me and start to cry. And she promises the earth to me and I believe her. After all this time I don't know why.

G Hm Am D7

G Hm Am D7 Am E Am E She's the kind of girl who puts you down when friends are there, you feel a fool. Am E Am C When you say she's looking good, she acts as if it's understood she's cool. G Hm Am D7 G Hm Am D7 Ah, girl. . .

Ah, girl. . .

Ah, girl. . .

Ah, girl. . .

3. Was she told when she was young, that pain would lead to pleasure? Did she understand it when they said, that a man must break his back to earn his day of leisure? Will she still believe it when he's dead?

G Hm Am D7

Ah, girl. . .

◦

G Hm Am D7

Ah, girl. . .

C6 ◦

• •• •


10 Help!

The Beatles

capo 1

Hm Hm/A Help! I need somebody G G/G [ Help! Not just anybody E

A

Help! You know I need someone,help!

A C#m F#m D G A I never needed anybody's help in any way. A C#m But now those days are gone I'm not so self-assured, F#m D G A

1. When I was younger, so much younger than today,

Now I nd I've changed my mind, I've opened up the door.

Hm Hm/A Help me if you can I'm feeling down, and I G G/G [ do appreciate you being 'round. E Help me get my feet back on the ground, A won't you please please help me.

2. And now my life has changed in oh so many ways, My independence seemed to vanish in the haze. But every now and then I feel so insecure, I know that I just need you like I've never done before.

Chorus. 3. When I was younger, so much younger than today, I never needed anybody's help in any way. But now those days are gone I'm not so self-assured, Now I nd I've changed my mind, I've opened up the door. Chorus. Help me, help me, ooo.

A6 Hm/A ◦

×◦

×

•••• ••

• •


11 Hey Jude The Beatles

capo 3

D

A

D A7 A7sus4 A7

1. Hey Jude don't make it bad,take a

G

D

sad

D song and make it better. A

D

Remember to let her into your heart, and then you can sta-art to make it better.

D G

A

D A7 A7sus4 A7 D out and get her. D A D Dmaj7 D7

2. Hey Jude don't be afraid, you were made to go

The minute you let her under your skin, then you begi-in to make it better.

D7 G G/F# Em Em7 A/C# A And anytime you feel the pain, hey Jude refrain, don't carry the world upon your D Dmaj7 D7 shoulders. G G/F# Em Em7 A/C# A D For well you know that it's a fool who plays it cool by making his world a little colder. D6 D7 A Asus4 A/E A D A7 Da da da da

da,

da da

da da.

3. Hey Jude don't let me down. You have found her, now go and get her. Remember to let her into you heart, then you can start to make it better.

So let it out and let it in, hey Jude begin your waiting for someone to perform with. And don't you know that it is just you, hey jude, you'll do the movement you need is on your shoulders. Da da da da da, da da da da. 4. Hey Jude don't make it bad. Take a sad song, and make it better. Remember to let her under your skin, and then you'll begin to make it better.

D

C

G

D

Na na na, na na na na, na na na na, hey Jude! (Repeat and fade.)

A7sus4 D6◦ Dmaj7 ◦◦ ◦ ◦ ◦

×× ◦

×

• •

×

•••

•

•


12 Hide Your Love Away

13 Hold Me Tight

The Beatles

The Beatles

D G C Am D tell me I'm the only one, G C and then I might Am D never be the lonely one. G G7 C C7 So hold me tight, tonight, tonight, G C G D

capo 2

1. It feels so right now... hold me tight,

A G D A 1. Here I stand head in hand, D G D Turn my face to the wall. A G D A If she's gone I can't go on, D G DE Feeling two foot small.

it's you, youu you you, oo-oo.

2. Everywhere people stare, each and every day.

2. Hold me tight, let me go on loving you.

I can see them laugh at me,

Tonight tonight, making love to only you.

and I hear them say:

So hold me tight, tonight, tonight,

A

D Hey, you've got to hide your love Esus4 Esus2 E × away!

(

It's you, you you you, oo-oo.

G

2)

C Am

G D

Don't know. . . what it means to hold you tight,

C

being here alone tonight. . . with you.

3. How can I even try? I can never win. Hearing them, seeing them,

3. It feels so right now.

In the state I'm in,

Hold me tight, tell me I'm the only one. And then I might, never be the lonely one.

4. How could she say to me,

So hold me tight, tonight, tonight.

Love will nd a way

It's you, you you you, oo-oo.

Gather 'round all you clowns,

D

Hm D E

Don't know what it means to hold you tight,

Let me hear you say,

being here alone tonight with you.

Hey, you've got to hide your love away!

Esus4 Esus2 ◦ ◦◦ ◦ ◦◦ •••

•

•

•

4. It feels so right now. Hold me tight, let me go on loving you. Tonight, tonight, making love to only you. So hold me tight, tonight, tonight, It's you, you you you, oo-oo.


14 I'll Follow The Sun

15 I'm a loser

The Beatles

The Beatles

CFC 1. G F C D One day you'll look to see I've gone, C Em D G for tomorrow may rain soo, I'll follow the C FC sun. G F C D Some day you'll know I was the one, C Em D G but tomorrow may rain soo, I'll follow the C C7 sun.

Dm Fm And now the time has come and so my love I C C7 must go. Dm Fm And though I lose a friend in the end you will C Dm know, oh oh oh.

capo 2

Am7 Am7

D7 F

1. I'm a loser, I'm a loser,

D7

and I'm not what I appear to be.

G

Dm F G Dm F G There is one love I should never have crossed. Dm F G She was a girl in a million my friend, Dm F G

Of all the love I have won or have lost

I should have known she would win in the end.

Am7 D7 Am7 ser, and I lost someone who's D7 near to me, G Em Am7 F I'm a lo - ser, and I'm not what I appear to D7 I'm a lo

be.

2. One day you'll nd that I have gone, For tomorrow may rain so, I'll follow the sun

GFCD Solo. C Em Em G Yet, tomorrow may rain soo, I'll follow the C C7 sun.

2. Although I laugh and I act like a clown Beneath this mask I am wearing a frown. My tears are falling like rain from the sky Is it for her or myself that I cry

Chorus. 3. What have I done to deserve such a fate, I realise I have left it too late.

Chorus.

And so it's true that pride comes before a fall, 3. One day you'll nd that I have gone, For tomorrow may rain so, I'll follow the sun

I'm telling you so that you don't lose it all.

Chorus.


16 I'm Looking Through You The Beatles

1.

Gmaj9 G/D Gmaj9 G C G C G C G C G/H Am Em D Dsus4 D I'm looking through you, where did you go? GC G/H Am Em D Dsus4 D I thought I knew you, what did I know? Em7 Asus4 Am G C D Dsus4 D You don't look die - rent, but you have changed. G C G/H Am C G/D Gmaj9 C G I'm looking

through you, you're not the same.

2. Your lips are moving, I cannot hear. Your voice is soothing, but the words aren't clear. You don't sound dierent, I've learned the game. I'm looking through you, you're not the same.

C G Why, tell me why, did you not treat me right? C Dsus4 D

Love has a nasty habit of disappearing overnight. . .

3. You're thinking of me the same old way. You were above me, but not today. The only dierence is you're down there. I'm looking through you, and you're nowhere.

Why, tell me why, did you not treat me right? Love has a nasty habit of disappearing overnight. . . 4. I'm looking through you, where did you go? I thought I knew you, what did I know? You don't look dierent, but you have changed. I'm looking through you, you're not the same.

(G, C) Yeah, well, baby, you've changed. Ah, I'm looking through you. Yeah, I'm looking through you.

Gmaj9 G/D Asus4 ◦◦ ◦◦ ◦ ◦ ××

5

××

• 7 •

•

•

×

••

•


17 I'm Still Sleeping The Beatles

Em Am G C G H7 Em Am G C G C When I'm in the middle of a dream, stay in bed, oat upstream. . . (Float upstream.) G Am Hm Am Please don't wake me, no don't shake me, leave me where I am Cmaj7 Em

1. When I wake up early in the morning, lift my head, I'm still yawning.

I'm only sleeping. . .

A:-----2-2- ---0E:-0-3----- -3--2. Everybody seems to think I'm lazy, I don't mind, I think they're crazy. Running everywhere at such a speed, till they nd there's no need. (There's no need.) Please don't spoil my day, I'm miles away, and after all, I'm only sleeping. . .

D7 E7 Am Am7 Dm Keeping an eye on the world going by my window, taking my time E7 Am G C G H7 Lying there staring at the ceiling, waiting for a sleepy feeling.

G

Am Hm Am Cmaj7 Em I'm only sleeping. . . D7 E7 Am Am7 Dm Keeping an eye on the world going by my window, taking my time E7 Am G C G H7

3. Please don't spoil my day, I'm miles away, and after all,

Lying there staring at the ceiling, waiting for a sleepy feeling.

Repeat verse 1.

Cmaj7 ◦◦◦ ••

•


18 I Should Have Known Better

19 I Saw Her Standing There

capo 2

capo 4

The Beatles

(G D)* G D G should have known better with a D G D girl like you, G D Em that I would love everything that you do and I C do, D GDG hey hey hey, and I do! D GDG D G Woh oh woh oh I never realised what D GD a kiss could be GD Em C This could only happen to me can't you see, H7

1. I

can't you see?

Em C G H7 That when I tell you that I love you, Em C G G7 you're gonna say you love me too, C D G Em And when I ask you to be mine, C D GDG your gonna say you love me too.

The Beatles

E7

A7

1. Well she was just seventeen and you know

E7

what I mean, and the way she looked was way beyond

H7

compare.

E

E7 A7 C7 So how could I dance with another oh, E7 H7 E when I saw her standing there.

2. Well she looked at me and I, I could see, that before too long I'd fall in love with her. She wouldn't dance with another, oh when I saw her standing there.

A7

Well my heart went boom when I crossed

H7 A7

that room and I held her hand in mine!

3. Well we danced through the night and we held each other tight. And before too long I fell in love with her. Now I'll never dance with another, oh,

2. Sooo I should have realised a lot of things

since I saw her standing there.

before, if this is love, you gotta give me more.

Well my heart went boom when I crossed

Give me more, hey hey hey, give me more!

that room and I held her hand in mine.

Woh oh woh oh I never realised what a kiss could be, this could only happen to me, can't you see, can't you see?!

4. Well we danced through the night and we held each other tight, and before too long I fell in love with her. Now I'll never dance with another, oh

Chorus.

D

G

You love me too...

since I saw her standing there. Since I saw her standing there. Fade out.

Yeah, well since I saw her standing there.


20 Let It Be

21 Norwegian Wood

The Beatles

The Beatles

capo 1

G

1.

D

1. When I nd myself in times of trouble,

Em C mother Marry comes to me, G D speaking words of wisdom, C Am G Let it be.

And in my hours of darkness, she is standing right in front of me, speaking words of wisdom, Let it be.

Em

D C G D Whisper words of wisdom C Am G ×

G

[:Let it be, let it be, let it be, let it be

Let it be.

:] (

D Dsus4 D Dsus2 D I once had a girl, Dsus2 Dsus4 D D5 C Cadd9 C/G or should I say she once had D me. D Dsus4 D Dsus2 D She showed me her room, Dsus2 Dsus4 D D5 C Cadd9 C/G i sn't it good Norweg - ian D wood.

Dm G anywhere. Dm So I looked around and I noticed there wasn't Em A A6 A7/G She asked me to stay and she told me to sit

a chair.

2)

2. And when the broken-hearded people living in the world agree,

2. I sat on a rug, biding my time, drinking her wine. We talked until two, and then she said, it's

there will be an answer.

time for bed.

Let it be. For though they may be parted, there is still a chance that they will see. There will be an answer,

She told me she worked in the morning and started to laugh.

Let it be.

I told her I didn't and crawled o to sleep in the bath.

Chorus.

3. And when I awoke, I was alone, this bird had own.

3. And when the night is cloudy, there is still the light that shines on me.

So, I lit a re, isn't it good Norwegian wood.

Shine untill tomorrow, Let it be. I wake up to the sounds of music, Mother Marry comes to me. Whispering words of wisdom, Let it be.

Chorus. No tak nechaj tú v£ielo£ku. . . :-)


22 She Loves You

3. And so its up to you,

The Beatles

I think it's only fair. Pride can hurt you too, apologize to her.

capo 1

G G/G [ Em

Em A She loves you, yeah, yeah, yeah! C G6

Chorus and post-chorus. . . . glad.

Cm D7 G G G/G [ Em You know you should be glad. Cm With a love like that, D G G G/G [ G/E you know you should be glad. Em6 Yeah, yeah, yeah, C G6

She loves you, yeah, yeah, yeah!

With a love like that

She loves you, yeah, yeah, yeah. . .

G Em Hm D well I saw her yesterday. G Em It's you she's thinking of, Hm D

1. You think you've lost your love,

yeah, yeah, yeah, yeah. . .

and she told me what to say.

G

In the chorus, play the drop like this:

She says she loves you

G6 G6/G [ And you know that can't be Em G G7/G [ Em bad. Cm

Yes she loves you,

[ Em G◦ ◦ G7/G ◦◦ ◦◦◦

××

2

××

• •

D D

and you know you should be glad. 2. She said you hurt her so, she almost lost her mind. But now she says she knows, you're not the hurting kind

Em A

She loves you, yeah, yeah, yeah! She loves you, yeah, yeah, yeah!

Cm

[:With a love like that,

D G/G [ Em

G

you know you should be glad. (1.) :]

-

(×2)


××

• •

•

23 Tell Me Why

24 The Night Before

The Beatles

The Beatles

D

capo 1

C G

1. We said our goodby - es. . .

G7

C C/H Am Dm Tell me why - y y you cried, G7 Dm7 and why you lied to C Am Dm7 × G7 me.

(

2)

C Dm7

C/H Am had, but G7 you left me sitting on my own. C C/H Am Did you have to treat me so bad, all I Dm G7

1. Well I gave you everything I

do is hang my head and moan.

A

(Aah, the night before.)

D

C G

Love was in your ey - es. . .

A

(Aah, the night before.)

Hm G Hm G Now today I nd you have changed your mind. D G D FG Treat me like you did the night before.

2. Were you telling lies? (The night before.) Was I so unwise? (The night before.) When I held you near you were so sincere. Treat me like you did the night before.

A D G Last night is the night I will remember you by. Hm E A

Tell me why. . . (×2) 2. If it's something that I've said or done, tell

When I think of things we did it makes me wanna cry.

me what and I'll apologize. If you don't I really can't go on, holding back these tears in my eyes.

3. Repeat verse 1. Tell me why. . . (×2)

4. . . . When I held you near, you were so sincere,

F7

Treat me like you did the night before.

3. Well I beg you on my bended knees, if you'll

G7

only listen to my pleas.

Am

Chorus.

Dm

Is there anything I can do, cause I really can't stand it,

G

G7 C G7

5. Repeat verse 2.

F

D

Like the night before. . .

I'm so in love with you.

Tell me why. . . (×2)


25 Ticket to ride The Beatles

capo 2

G

1. I think I'm gonna be sad, I think it's today, yeah,

G7 Am D7 Em C She's got a ticket to ride Em Fmaj7 F6 F She's got a ticket to ri i - ide. Em D7 G

the girl that's driving me mad is going away - y.

She's got a ticket to ride, but she don't care.

2. She said that living with me is bringing her down, yeah! For she would never be free when I was around. . .

She's got a ticket to ride. (×3) But she don't care.

C7 D I don't know why she's ridin' so high, she ought to think twice, she ought to do right by me. C7 D

Before she gets to saying goodbye, she ought to think twice, she ought to do right by me. 3. I think I'm gonna be sad, I think it's today, yeah. The girl that's driving me mad is going away.


Chorus. 4. She said that living with me is bringing her down, yeah. For she would never be free when I was around.


G

My baby don't care, my baby don't care.

F6 ◦

××

• • •


26 Twist and Shout The Beatles

A7

D

A

G

1. Well, shake it up, baby, now, (shake it up, baby) Twist and shout. (twist and shout) Cmon cmon, cmon, cmon, baby, now, (come on baby) Come on and work it on out. (work it on out) 2. Well, work it on out, honey. (work it on out) You know you look so good. (look so good) You know you got me goin, now, (got me goin) Just like I knew you would. (like I knew you would) 3. Well, shake it up, baby, now, (shake it up, baby) Twist and shout. (twist and shout) Cmon, cmon, cmon, cmon, baby, now, (come on baby) Come on and work it on out. (work it on out) 4. You know you twisty little girl, (twisty little girl) You know you twist so ne. (twist so ne) Come on and twist a little closer, now, (twist a little closer) And let me know that youre mine. (let me know you're mine) Ahh-ahh-ahh-ahh, Wow!(scream) 5. Well, shake it up, baby, now, (shake it up, baby) Twist and shout. (twist and shout) Cmon, cmon, cmon, cmon, baby, now, (come on baby) Come on and work it on out. (work it on out) 6. You know you twist your little girl, (twist, little girl) You know you twist so ne. (twist so ne) Come on and twist a little closer, now, (twist a little closer) And let me know that youre mine. (let me know youre mine) 7. Well, shake it, shake it, shake it, baby, now. (shake it up baby) Well, shake it, shake it, shake it, baby, now. (shake it up baby) Well, shake it, shake it, shake it, baby, now. (shake it up baby)


27 We Can Work It Out The Beatles

D Dsus4 D Dsus4 C D way, do I have to keep on talking till I can't go on? D Dsus4 D Why do you see it your way? D Dsus4 C D

1. Try to see it my

There's a chance that we might fall apart before too long.

G

D G

A

We can work it out, we can work it out. . .

D Dsus4 D 2. Think of what you're say ing. D Dsus4 C D You can get it wrong and still you think that it's all right. D Dsus4 D Think of what I'm say ing, D Dsus4 C D We can work it out and get it straight or say goodnight.

G

D G

A

We can work it out, we can work it out. . .

Hm Hm/A G F#7sus4 Life is very short and there's no ti - me F# Hm Hm/A Hm/G Hm For fussing and ghting my friend Hm Hm/A G F#7sus4 I have always thought that it's a cri - me, # F Hm Hm/A Hm/G Hm 3 4

4 4

3 4

So I will

ask you once

again. . .

3. Try to see it my way, only time will tell if I am right or I am wrong. While you see it your way there's a chance that we may fall apart before too long.

Chorus. Hymna DF MU


28 Yesterday The Beatles

G

F#m

H7

Em Cmaj7 1. Yesterday, all my troubles seemed so far away. D7 G G/G [ Now it looks as though they're here to stay, oh, Em7 A C G I beli - eve in yesterday.

2.

Suddenly, I'm not half the man I used to be, there's a shadow hanging over me. Oh, yesterday came suddenly.

F#m H7 Em D C/G Why she had to go Am D7 G I don't know she wouldn't say. F#m H7 Em D C/G I said something wrong, Am D7 G Now I long for yesterday.

3.

Yesterday, love was such an easy game to play. Now I need a place to hide away. Oh, I believe in yesterday.

Why she had to go I don't know, she wouldn't say. I said something wrong, Now I long for yesterday. 4.

Yesterday, love was such an easy game to play. Now I need a place to hide away. Oh, I believe in yesterday.

G

A7

C G

Mm mm mm mm mm mm mm.


29 You're Gonna Lose That Girl The Beatles

Repeat Bridge and Chorus. Outro:

F#m7

E C#m7 You're gonna lose that girl. F#m7 H7

D A E

You're gonna lose that girl. . .

You're gonna lose that girl.

E

3. Repeat 1.

30 Nowhere Man The Beatles

G#m7

1. If you don't take her out tonight,

F#m7 H7 She's gonna change her mind. E G#m7 And I will take her out tonight, F#m7 H7

capo 2

D A G D sitting in his Nowhere Land, Em Gm making all his Nowhere plans D

1. He's a real Nowhere Man,

and I will treat her kind.

H7 E You're gonna lose that girl, C#m7 F#m7 H7

for nobody.

you're gonna lose that girl.

2. Doesn't have a point of view, knows not where he's going to,

2. If you don't treat her right my friend

isn't he a bit like you and me?

you're gonna nd her gone Cause I will treat her right and then

F#m G Nowhere man please listen, F#m G you don't know what you're missing. F#m Em7 Nowhere man the world is at your A7

you'll be the lonely one.

Chorus.

H7 E You're gonna lose that girl, C#m7 F#m7 H7 you're gonna lose that girl. F#m7 D

You're gonna lo

G

-

command.

3. He's as blind as he can be,

ose. . .

just sees what he wants to see.

C

G

I'll make a point of takin' her away from you. (That's what you do, yeah. . . )

C

F

The way you treat her, what else can I do?

Nowhere Man, can you see me at all? 4. Repeat 2.

Nowhere Man don't worry, take your time don't hurry, leave it all till somebody else lends you a hand. 5. Repeat 1.


31 Fires at Midnight Blackmore's Night

capo 0 | 2

Am * Am Am I stood out here once before. With my head held in my hands. Am Am

1. Intro.

For all that I had known of this place, I could never understand. . .

Em Hm D Em D Am G F Am On the hills the res burned at mid - night, superstition plagued the air. Em Hm D Em D Am G F Am

Sparks y as the res burn at mid - night. Stars are out and magic is here. . .

2. I wished on the seven sisters, bring to me wisdom of age. All that's locked within the book of secrets, I longed for the knowledge of a sage...

Chorus.

Am

G

F

Am

The stars are out, the magic is here. . . 3. So, the sisters smiled to themselves, and they whispered as they shone. And it was from that very instant, I knew I would never be alone. . .

Chorus. 4. Many stars were long forgotten, many faded and became ghosts. Still my sisters glittered down from heaven, always there when I needed them most. . .

Chorus.


32 Ghost of a Rose Blackmore's Night

capo 1

Em C6 D Em C6 D 4 4

1. Intro.

Em Em/D C H7 Em Em/D C D G G H7 The valley green was so serene. In the middle ran a stream so blue. Em Em/D C H7 Em Em/D C D A maiden fair, in despair, once had met her true love there G G H7 and she told him. . .

She would say. . .

Em D Em Hm Em C D Em Promise me, when you see, a white rose you'll think of me, Am Em F C Em D D/C Hm Em I love you so,

Em C6 D

never let go, I will be your ghost of a rose.

x2

2. Her eyes believed in mysteries, she would lay amongst the leaves of amber. Her spirit wild, heart of a child, yet gentle still, and quiet and mild and he loved her. . . When she would say. . .

Promise me, when you see, a white rose you'll think of me. I love you so, Never let go, I will be your ghost of a rose.

Em C6 D Em C6 D

Em C6 D Em

...ghost of a rose. . .

3. When all was done, she turned to run. Dancing to the setting sun as he watched her. And ever more he thought he saw, a glimpse of her upon the moors forever. He'd hear her say. . .

Promise me , when you see, a white rose you'll think of me

I love you so, Never let go, I will be your ghost of a rose (×2)

Em C6 D Em C6 D

Ad lib.

Em/D ◦ ◦◦◦◦ •


G

33 Hanging Tree

C

3. Life stranger then ction

Blackmore's Night

Am E C G Am G Am Tainted by truth twisted byy time. . . Am E C Some choose to forget, G C G C

1. There've been many tales

yet it still weaves webs in their minds. . .

C G And it seems like she's been here forever Dm Am E Her branches as black as the seas. Am E She's been through it all, C G by the luck of the draw C G Am she became the old hanging tree. . .

Am E C asked for nothing, G Am G Am except maybe a little rain. . . Am E C They used her strength G C G C

E Am Dm Am Roots could never stop her F C G H7 from reaching for the skyy. . . Am E C G Am G Am Am E C G C G C G

can make you want to cry.

Life. . .

Am E C G Am G Am lucky for us lucky for her. . . Am E C Now, children play at her feet, G C G C

4. Those years have all passed,

and in her arms she cradles birds. . .

C

2. She

G Am E

And it seems like she's been here forever,

Dm Am

but these days are the best that she's seen.

E

Still somewhere in the back

to help them steal lives away. . .

C

G

of her mind is the time she was

C G Dm Am E to this day she still doesn't know why. Am E But her heart broke C G when they came with the rope C G Am

C

G

Am

known as the old hanging tree. . .

And she witnessed the sadness and sorrow,

Am

E

Yes somewhere in the back

C

G

of her mind is the time. . .

Am

G

Em Am

She was known as the. . . old hanging tree. . .

to declare her the old hanging tree. . .


34 Shadow of the Moon Blackmore's Night

Am Am Am F G Em x2 Am* 1. Intro. Am C/H C G Em Am Em In the shadow of the moon, she danced in the star - light. Am C/H C G Em Am Am* Whispering a haunting tune to the night. Am C/H C G Em Am Em Velvet skirts spun 'round and 'round, re in her sta - are. Am C/H C G Em Am In the woods with - out a sound, no one cared. . . F Dm Am B[ Through the darkened elds entranced, music made her poor heart dance, Gm A A thinking of a lost romance. . . Long ago. . . A Asus4 A/E A+ A 4 4

Uh uh

uh

uh

uhuhuhuh uuuh. . .

Dm Dm/E F C Am Dm Am feeling sad, she cried in the moonlight. Dm Dm/E F C Am Dm Dm* Driven by a world gone mad, she took ight. . . Am C/H C G Em Am Em Feel no sorrow, feel no pain, feel no hurt, there's nothing gained. . . Am C/H C G Em Am Am*

2. Feeling lonely,

Only love will

then remain, she would say.

Am F G Em Am Sha - dow of the

moon. . .

Am*

(×4)

3. Through the darkened elds entranced, music made her poor heart dance, thinking of a lost romance. . . Long ago. . . Uh uh uh uh uhuhuhuh uh. . . Somewhere just beyond the mist, spirits were seen ying. As the lightning led her way, through the dark... In the shadow of the moon, she danced in the starlight. Whispering a haunting tune, to the night.

Am F G Em Am Sha - dow of the

D/E A+ ◦ ◦

××

•

•

•

×

•

••

moon. . .

Am*

(×4)

•


35 Under a Violet Moon Blackmore's Night

capo 3

Am* x2 1. Am G Am G Dancing to the feel of the drum, leave this world behind. Am G Em7 F G Am Am* We'll have a drink and toast to ourselves, under a violet moon.

2. Tudor Rose with her hair in curls, will make you turn and stare. Try to steal a kiss at the bridge, under a violet moon.

Am Dm G Am Raise your hands and your glasses too, we will dance the whole night through. F C/E Dm Am E Am Am* We're going back to a time we knew, under a violet moon.

3. Cheers to the knights and days of old, the beggars and the thieves. Living in an enchanted wood, under a violet moon. 4. Fortune-teller what do you see, future in a card. Share your secrets, tell them to me, under a violet moon. Chorus. (×2) 5. Close your eyes and lose yourself, in a medieval mood. Taste the treasures and sing the tunes, under a violet moon. 6. This is my delight on a shiny night, the seasons of a year. To keep the lanterns burning bright, under a violet moon.

Chorus.

Am Dm G Am Raise your hands and your glasses too, we will dance the whole night through. F C/E Dm Am E We're going back to a time we knew under a violet, Dm C F E Am Am G Am under a violet under a violet moon!

Hey!


36 Bard's Song: In the Forest Blind Guardian

Am G Em Am the bards and their songs. Am G When hours have gone by, Em Am I'll close my eyes. Am G In a world far away, Em Am we may meet again. Am G But now hear my song Em Dm about the dawn of the night. Am G Am G Am G Am G

1. Now you all know

Let's sing

the bards' song.

Dm Am Dm Am Dm Am far from home, Dm F G Dm no one will ever know our names. F G Am But the bards' songs will remain. Dm Am Dm Am Tomo - rrow will take it away, Dm Am the fear of today, Dm F It will be gone. Em G Am Due to our magic songs. . . Am Tomo - rrow will take us away,

Solo!

Am G Em Am left in my mind. G Tales of a brave man, Em Am who lived far from here. Am G Now the bard songs are over Em Am and it's time to leave. G Em No one should ask you for the name Dm Am G of the one, who tells the Am G Am G Am G

2. There's only one song

sto - ry.

Dm Am Dm Am Dm Am far from home. Dm F G Dm No one will ever know our names. F G Am But the bards' songs will remain. Dm Am Dm Am Tomo - rrow all will be known, Dm Am and you're not alone, Dm F so don't be afraid G Dm in the dark and cold. F G C G Am 'Cause the bards' songs will remain. C G Am Tomo - rrow will take us away,

They all will remain. . .

C

G Am C G Am they're always in my mind. C G Am These songs of hobbits, dwarves and men, C G Am and elves, come close your eyes. F G Em In my thoughts and in my dreams,

You can see them too. . .


37 Hallelujah

Leonard Cohen (Rufus Wainwright)

capo 2

C Am C Am C Am C Am Well I've heard there was a secret chord, that David played and it pleased the Lord, F G C G But you don't really care for music, do ya? F G Am F C

1. Intro.

th ,

It goes like this, the 4

G

th ,

the 5

the minor fall and the major lift,

E7 Am Am C Am

F

Am

F

The baed king composing hallelujah. Hallelujah, hallelujah, hallelujah,

C G C

hallelu - u - ujah.

2. Your faith was strong but you needed proof, you saw her bathing on the roof. Her beauty and the moonlight overthrew ya. She tied you to her kitchen chair, she broke your throne and she cut your hair, and from your lips she drew the hallelujah. Hallelujah, hallelujah, hallelujah, hallelujah. 3. Well baby I've been here before, I know this room and I've walked this oor. I used to live alone before I knew ya. And I've seen your ag on the marble arch, and love is not a victory march, It's a cold and it's a broken hallelujah. Hallelujah, hallelujah, hallelujah, hallelujah. 4. There was a time when you let me know, what's really going on below, But now you never show it to me do ya. Well remember when I moved in you, and the holy dove was moving too, And every breath we drew was hallelujah. Hallelujah, hallelujah, hallelujah, hallelujah. 5. Maybe there is a God above, but all I ever learned from love, was how to shoot at someone who outdrew ya. And it's not a cry you can hear and night, it's not somebody who's seen the light, It's a cold and it's a broken hallelujah. Hallelujah, hallelujah, hallelujah, hallelujah.


38 A Satised Mind Johnny Cash

D E

A

1. How many ti - imes have you heard someone say,

E

D

A

if I had money, I'd do things my way.

E

D D

A

But little they know, that it's so hard to nd. . .

E

A

One rich man in ten... with a satised mind. 2. Once I was winning in fortune and fame; Everything that I dreamed for, to get a start in life's game. But suddenly it happened, I lost every dime, but I'm richer by far with a satised mind. 3. Money can't buy back your youth when you're old, or a friend when you're lonely or a love that's grown cold. The wealthiest person is a pauper at times, compared to the man, with a satised mind. 4. When life has ended, my time has run out, my friends and my loved ones I'll leave, there's no doubt. But one thing for certain, when it comes my time, I'll leave this old world with a satised mind.

5. Repeat 1.


39 Pocit

Divokej Bill

1.

Am Dm Em Am [: Jeden veselej a druhej he smutnej, ²eptá modli se, klekni na kolena naposled n¥co si p°ej,

jeden veselej a drujej je smutnej, ²eptá sm¥j se. . . :] (×2) jako já. . .

E:---------------------H:-3-1-0-1-0---0-------G:-----------2---2-0-0>2 Asi takovej pocit, jako je bodnutí noºe. Asi takovej pocit, ²patn¥ t¥ sly²im, coºe, ty se snad bojí² no to je fakt síla, to ºene mi do vo£í slzy, asi takovej pocit, ASI TAKOVEJ POCIT!

Asi takovej pocit, jako je bodnutí noºe. Asi takovej pocit, ²patn¥ t¥ sly²im, coºe, ty se snad bojí² no to je fakt síla, to ºene mi do vo£í slzy. A jeden veselej a druhej je smutnej.

Asi takovej pocit, jako je bodnutí noºe. Asi takovej pocit, ²patn¥ t¥ sly²im, coºe, ty se snad bojí² no to je fakt síla, to ºene mi do vo£í slzy. Nem·ºou se na to dívat a druhej je smutnej. 2. N¥co jako má buzík, kterýmu se nezdaj chlapi, fe´ák co nedá zlatou a nem·ºe za to, ºe nep°estává se trápit. Vnímá tvý t¥lo jak zvuky, pak najednou mezi nima, v²echno zvaºuje dvakrát a na prstech jedný ruky se dá spo£ítat kolik lásek bylo, co házely, a je²t¥ ti zbydou volný, ale to kaºdej zná. . .

Jeden veselej je a druhej smutnej, ²eptá modli se, klekni na kolena naposledn n¥co si p°ej. Jeden veselej je a druhej smutnej, ²eptá sm¥j se, Jako já. . . Dvojhlas: 1. hlas - Jeden veselej sm¥j se. 2. hlas - Asi takovej pocit slzy. Asi takovej pocit. . .


40 Rozárko

Divokej Bill

1. Em Am (×4) Am Em (×4)

Am

F

Em

Am

Nikdy ne°ikej, ºe ví² jak mi je s prázdnym ºaludkem,

Dm Em Am F G Am Dm Pí²u tv·j osud, propustku do pekel, pálim ti cejch Em Am a v rukou mám kosu, Rozárko, F Em Am °ikej, ví² jak mi je s prázdnym ºaludkem, Dm Em v ºilách víc vína neº krve. Am F G Am Dm Pí²u tv·j osud, propustku do pekel, pálim ti cejch, Em Am Am Em × v ºilách víc vína neº krve.

a v rukou mám kosu, Rozárko.

Am

(

4)

F

Em Am Dm Em ºe sklání se n¥kdo nad tebou, Am F G Am Dm pijem na zdraví i na ty bolavý z nás, Em Am dostal je £as maj to za sebou, Rozárko. . . F Em Am v noci budí ze spaní zlej pocit, Dm Em ºe sklání se n¥kdo nad tebou, Am F G Am Dm pijem na zdravý i na ty bolavý z nás, Em Am

2. Tisíckrát v noci budí ze spaní zlej pocit,

dostal je £as maj to za sebou, Rozárko.

Am

FG

Am

Em Am

Pijem na zdravý i na ty bolavý z nás, Rozárko. . . (×4) Pomaly!


41 Hotel California

4. So I called up the captain, please bring me

The Eagles

my wine. (He said:) We haven't had that spirit here since 1969. And still those voice are calling from far away, wake you up in the middle of the night

capo 2

just to hear them say:

Am

E7 1. On a dark desert highway, cool wind in my G D hair, warm smell of colitas rising up D E9sus4 through the air. F C Up ahead in the distance, I saw a shimmering Dm light, my head grew heavy and my sight E

Chorus. 5. Mirrors on the ceiling, the pink champagne on ice. (And she said:) We are all just prisoners here, of our own device. And in the master's chambers, they gathered for the feast, they stab it with their steely knives, but they just can't kill the beast.

grew dim, I had to stop for the night.

6. Last thing I remember, I was running for the 2. There she stood in the doorway, I heard the

door. I had nd the passage back to the place I was

mission bell.

before.

And I was thinking to myself, this could be heaven, or this could be hell. Then she lit up a candle, and she showed me

Relax said the night man; we are programmed to receive, you can check out anytime you like.

the way, there were voices down the corridor,

But you can never leave. . .

I thought I heard them say. . .

F C Welcome to the Hotel California. E7 Such a lovely place, (such a lovely place,) such Am D7sus2/A Am a lovely face. F C There's plenty of room at the Hotel California. Dm Any time of year, (any time of year,) E

Welcome to the Hotel California. Such a lovely place, (such a lovely place,) such a lovely face. There's plenty of room at the Hotel California, what a nice surprise; bring your alibis.

E9sus4 D7sus2/A ◦◦ ◦◦ ◦ ×

•• • •

you can nd us here...

3. Her mind is Tiany twisted, she's got a Mercedes Benz. She's got a lot of pretty pretty boys, that she calls friends. How they danced in the courtyard, sweet summer sweat. Some dance to remember, some dance to forget.


• •

42 Layla

43 Nobody Knows You When

Eric Clapton

1.

You're Down and Out Eric Clapton

Dm B C Dm × ( 4) C#m7 G#7 What'll you do when you get lonely, C#m7 C D E E7 no one's waiting by your side? F#m H E You've been running and hiding much too A long. # Fm H E A You know it's just your foolish pride.

Dm B [ C Dm Layla, you've got me on my knees. Dm B [ C Dm Layla, I'm begging, darling please. Dm B [ C Dm Layla, darling won't you ease my worried mind. Dm B C A C

E7 A/G Dm A7 F F#dim7 C A/G D7/A G

C Dm F D7

1. I once lived the life of a millionaire,

spent all my money, didn't have any care. Took all my friends out for a we bought bootleg liquor,

mighty good time,

champagne, and wine.

2. Then I began to fall so low, lost all my good friends, had nowhere to go. If I get my hands on a dollar again, I'm gonna hang on to it till that eagle grins.

Cause nobody knows you when you're down and out. In your pocket, not one penny, and as for friends, you don't have any.

3. When you get back up on your feet again, everybody wants to be your long lost friend. Said it's strange, without any doubt, nobody knows you when you're down and out

2. I tried to give you consolation When your old man had let you down.

Cause nobody knows you when you're down and out.

Like a fool, I fell in love with you,

In your pocket, not one penny,

Turned my whole world upside down.

and as for friends, you don't have any.

4. When you get back up on your feet again,

Chorus.

everybody wants to be your long lost friend. Said its strange without any doubt, Nobody knows you. . . Nobody knows you,

3. Let's make the best of the situation

nobody knows you, nobody knows you, when you're down and out.

Before I nally go insane. Please don't say we'll never nd a way And tell me all my love's in vain.

Chorus. (×2)

F#◦ ◦dim7 D7 D7/A 4

×

• • 3 • •


• • •

×

×

×

• 3 • • • •

44 Tears in Heaven Eric Clapton

E/G# F#m A D/F# 1. Would you know my name, A E A Hm/E if I saw you in Heaven? A E/G# F#m A D/F# Would it be the same, A E A Hm/E A

if I saw you in Heaven?

F#m

C#/E# E F# I must be strong and carry on, D/H D/F# D/E cause I know I don't belong,

A E/G#

here in heaven.

2. Would you hold my hand, if I saw you in heaven? Would you help me stand, if I saw you in heaven? I'll nd my way through night and day, cause I know I just can't stay here in heaven.

C

Hm/G Am D/F# G D/F# Em7 D/F# G time can bend your knees. C Hm/G Am Time can break your heart, D/F# G have you beggin' please, D/F# E A Hm/E

3. Time can bring you down

beggin' please?

Beyond the door there's peace for sure, and I know there'll be no more tears in heaven.

Guitar 2 ll-ins:

1. E:-5>7-5----------H:-------5>7-5---5G:-------------6--2. E:----------------H:-7-9-10~-9-7----G:-------------9-7-


45 Analyse

46 Zombie

The Cranberries

The Cranberries

Em C (Cadd9) G D/G [ (D/G)

D (Dsus4) G (G/G [) Em D

1. Another head hangs lowly, child is slowly taken.

1. Close your eyes, close your eyes. Breathe the air out there.

And the violence caused such silence,

We are free, we can be wide open.

who are we mistaken.

For you open my eyes 2. But you see, it's not me,

to the beauty I see. We will pray, we will stay wide open.

it's not my family, in your head, in your head, they are ghting.

[: Don't analyse, don't analyse. Don't go that way, don't lead that way.

That would paralyse your evolution :] (×2) [: La, la, la, this greatest moment.

With their tanks, and their bombs, and their bombs, and their guns. In your head, in your head, they are cryin'.

La, la, la, The strangest day.

In your head, in your head,

La, la, la, The greatest love of them all. :]

zombie, zombie, zombie. . .

(×2)

What's in your head in your head, in your head, zombie, zombie, zombie. . .

2. Close your eyes, close your eyes.

3. Another mother's breakin'

Breathe the air out there.

heart is taking over

Fantasize, fantasize we are open.

when the violence causes silence

For you open my eyes

we must be mistaken

to the beauty I see. We will pray, we will stay together.

it's the same old theme since 1916 in your head, in your head they're still ghtin'

Chorus.

Chorus.


47 Lemon Tree Fools Garden

E G

Am C

4. Isolation is not good for me.

Am Em Am Em it's just another rainy Sunday afternoon. Am Em I'm wasting my time, I've got nothing to do. Am Em I'm hangin' around and I'm waitin' for you, Dm E Am

1. I'm sittin' here in a boring room,

but nothing ever happens. . .

and I wonder.

E

Isolation, I don't want to sit on a lemon tree. . . I'm steppin' around in a desrt of joy Baby anyhow I get another toy And everything will happen And you'll wonder Chorus. (×2) . . . and all that I can see, and all that I can see, and all that I can see,

2. I'm drivin' aroud in my car,

is just a yellow lemon tree. . .

I'm drivin' too fast, and I'm drivin' too far. I'd like to change my point of view. I feel so lonely, I'm waiting for you. But nothing ever happens. . . and I wonder.

C G Am Em Yesterday you told me 'bout the blue - blue sky, F G And all that I can see, C G

I wonder how, I wonder why.

is just a yellow lemon tree.

C Am

G

I'm turnin' my head up and down,

Em

I'm turnin', turnin', turnin', turnin', turnin around

F

G

and all that I can see,

C

G7

is just a yellow lemon tree.

3. Dap, dadadaa da, di dap dap. . . I'm sittin' here, I miss the power, I'd like to go out, takin' a shower, but there's a heavy cloud inside my head. I feel so tired, put myself to bed, where nothing ever happens and I wonder


48 Boulevard of Broken Dreams Gryndaj :-)

capo 4

Em

G

Dsus2 Dsus2

Asus2 Em Asus2

1. I walk a lonely road, the only one that I have ever known.

G

Em G D Asus2 Em

Don't know where it goes, but it's home to me and I walk alone. I walk this empty street on the Boulevard of broken dreams. Where the city sleeps And I'm the only one and I walk alone.

Dsus2 Asus2 Em G I walk alone, I walk alone Dsus2 Asus2 I walk alone, I walk a

C G D Asus2 My shadow's the only one that walks beside me. C G D Asus2 My shallow heart's the only thing that's beating. C G D Asus2 Sometimes I wish someone out there will nd me. C G H7 'Till then I walk alone.

Em G

Dsus2 Asus2 Em

2. Aa - h, aah,

aah, aaa - aah. . . (×2)

I'm walking down the line that divides me somewhere in my mind. On the border line of the edge and where I walk alone. Read between the lines what's fucked up and everything's alright. Check my vital signs to know I'm still alive and I walk alone. I walk alone, I walk alone. I walk alone and I walk a

Chorus.

Em G Dsus2 Asus2 Em Aa - h, aah, aah, aaa - aah. . . Em G Dsus2 Asus2 Aa - h, aah, I walk alone and I walk aC G Dsus2 Asus2 × C G H7 Solo.

(

3)

3. I walk this empty street on the Boulevard of broken dreams. Were the city sleeps and I'm the only one and I walk aChorus.


49 Wake Me Up When September Ends Gryndaj :-)

50 Don't Cry Guns'n'Roses

Am Dm G C C/H

capo 1

G D/F# 1. Summer has come and passed. Em7 G The innocent can never last. Cadd9 Cm G Wake me up when September ends. G D/F# Like my father's come to pass, Em7 G seven years has gone so fast. Cadd9 Cm G G/G [ Wake me up when September ends.

Em Hm Here comes the rain again, C G G/G [ falling from the stars. Em Hm Drenched in my pain again, C D

Am Dm G C C/H eyes. Am Dm G Don't hang your head in sorrow and please C C/H don't cry. Am Dm G I know how you feel inside, I've, I've been C C/H there before. . . Am Dm G Something's changin' inside you and don't C C/H

1. Talk to me softly, there's something in your

you know.

F5

G5

A5 G5 I still love you baby. F5 G5 A5 G5 Don't you cry tonight. F5 G5 C5 Don't you cry tonight, A5 G5 there's a heaven above you baby F5 G5 A5 Don't you cry tonight,

becoming who we are.

2. As my memory rests, but never forgets what I lost. Wake me up when September ends. Ring out the bells again Like we did when spring began Wake me up when September ends

And don't you cry tonight. Chorus.

2. Give me a whisper and give me a sigh.

3. As my memory rests,

Give me a kiss before you tell me goodbye.

but never forgets what I lost. Wake me up when September ends. Summer has come and passed,

Don't you take it so hard now, and please don't take it so bad. I'll still be thinking of you, and the times we

the innocent can never last. Wake me up when September ends

had. . . baby.

Like my father's come to pass, twenty years has gone so fast. Wake me up when September ends.

Chorus.


51 Knockin' on Heaven's Door Guns'n'Roses

4. Nech sa pá£i, po¤te ¤alej, noºe mamko, noºe nie£o nalej. Nerobte si so mnou trable,

G5 D Am G5 D C I can't use it anymore. G5 D Am Gettin dark, too dark to see. . . G5 D C

1. Mama take this badge o of me,

Feels like I'm knockin' on heaven's door.

G5 D5 A5 [:Knock knock knockin' on heaven's door. C5 G5 D5

Knock knock knockin' on heaven's door.:] (×2)

2. Mama, put my guns in the ground. I can't shoot them anymore. That cold black cloud is comin' down, feels like I'm knockin' on heaven's door.

mne posta£í vazelína, olej, olej. . . 5. A tak sa spolu namazali, pán domáci aj pani domáca. Na²u milú gilotínu v obýva£ke pozvali do tanca. 6. Kone£ne ju majú radi a nik jej nenadáva ºe je drzá. udia ²ástím ronia slzy, a jej od ²ástia opadala hrdza! 7. S vami je mi stra²ne dobre, len tá kurva £epel zadrháva. Domáci pán, medzi re£ou, spomenul ºe robil opravára. 8. Nebojte sa ja to spravím a neubehlo ani polhodiny. Na podlahu ved©a prahu skotú©ala sa hlava rodiny!

Chorus.

52 Gilotína

9. =1

Horkýºe Slíºe

Am Dm G

1. Opustila hlava telo

Am

ako f©a²u ²ampusová zátka. Neviem ako by som vám to,

Dm

G

Am

neviem ako by som vám to, skrátka. . . 2. Opustila hlava telo, ako zvykne fena svoje mladé. Za£alo to tým ºe niekto, niekto stla£il zvonec na verande! 3. Otvorte mi ©udia dobrí, ve¤ to som ja va²a gilotína. Zostala som celkom sama, sama na svätého Valentína!


53 Kapusta

54 L.A.G. song

Horkýºe Slíºe

Horkýºe Slíºe

ADEDCEA

A E Hm D

1. Po¤ sem, nech sa s tebou zblíºim, Jéé, jé jé jé jé!

po¤ sem, ja ti neublíºim,

A D E D C E A FG Necho¤ na cestu, auto ide. A D E ke¤ nebude² poslúcha´, predáme á D Kapustovi, C E A FG

1. Nechytaj to kakané, pozri ako vyzerá².

on sa s tebou mazna´ nebude.

po¤

sem, ja á nezbijem,

I'm sorry, I'm a Lesbian.

2. Po¤ sem, som tvoj dvorný básnik, mám energiu za dvanástich, a k tomu lubrika£ný gel, I'm sorry, I'm really Gay.

A G

E D

[:Lesbians' and Gays' song...

2. Nepchaj prsty do nosa, vie² ºe sa to nepatrí.

Lesbians' and Gays' song...:] (×2)

o ti spravili tie labute? Ke¤ nebude² poslúcha´ predáme á Kapustovi, on sa s tebou mazna´ nebude!

3. Po¤ sem, pustím Iron Maiden,

A D Ke¤ va²e ratolesti budú robi´ neplechu, E spravte na nich bububu, poserú sa od strachu. A D Moje malé de´úrence, ºiadne ve©ké obavy, E

po¤ sem, nalejem ti za jeden, po¤ sem, s bárským nepijem, I'm sorry, I'm a Lesbian.

4. Po¤ sem, tu si ku mne ha£aj, ke¤ som á pozval na rum a £aj. . . Stoj! Necho¤ nikam! o je? Héj?! I'm sorry, I am really Gay.

Kapusta je síce bubák, ale ni£ vám nespraví.

AEFG

(×4)

ADEDCEA

Chorus.

(×2)

5. Po¤ sem, spolu máme v pláne, ºe á okúpem vo fontáne,

Jéé, jé jé jé jé!

tak otvor bránu, lebo ju rozbijem! I'm sorry baby, I'm Lesbian.

3. o si to zas dovliekol, vie² ºe nemám rada psov!

6. Viem, neopakuj mi to stále,

Okamºite nech to odíde. Ke¤ nebude² poslúcha´ predáme á Kapustovi, on sa s tebou mazna´ nebude.

ja som vyrástol na dedmetále. Ja takýmto veciam rozumiem. I'm sorry. . . ale ve¤ ja viem!

4. Nepchaj prsty do nosa. . . (Zopakova´ + ref )

Chorus. (do stratena)


55 Mal ho rád

56 Osemnás´

Horkýºe Slíºe

Am G

Horkýºe Slíºe

C

1. Pozrel sa na¬ho a on nevedel £i poh©ad patril jemu,

Dm E

ten jeho sladký úsmev nevymenil by za ºiadnu ºenu, a neskôr, ke¤ sa dali dokopy tak prekonali trému. Tak, ako veril jemu, neveril ani sebe samému. 2. A potom pri²la rana. Zbalil kufre, odi²iel z Európy, navy²e s cudzím chlapom. Uznajte, to sa predsa nerobí!

Am

C

1. Hurá uº mám osemnás´, vykríkla si od radosti,

E Am podarilo sa ti prekro£i´ hranicu dospelosti. Am C Na du²i príjemný pocit, ke¤ je £lovek plnoletý, E Am s k©udom môºe² chlasta´ alkohol a faj£i´ cigarety.

Proste to nejde ¤alej, ke¤ á zradí chalan tvojho srdca, tak e²te napísal mu list a jeho ºivot uzrel konca, wowowo. . .

G

capo 3

D Em C C/H C/A

Napísal mu jednu vetu, ºe ho mal rád

Dm G C Am ºe my mladí to hádam dáko preºijeme. Dm G Tak po¤me na to pivo, nahúli² sa ako Am

Ale rad²ej zostaneme pri tej na²ej téme,

kozmonaut.

Napísal mu, ºe uº nemá o £o tu stá´ Napísal mu jednu vetu, ºe ho mal rád On ju bude £íta´. . . a bude sa smia´, smia´ sa bude Boºe, Boºe, pre£o s ©u¤mi tak hrá² Boºe, Boºe, pre£o lásku zabíja², (ve¤ láska nie je hriech)

2. Smie² si kúpi´ pornoºurnál, pustia á aj do kina aj na taký lm, ktorý deóm ni£ nepripomína. S grázlami sa vlá£i´, no a? Ve¤ uº nie si pod zákonom! Vulgárne sa vyjadrova´ a navy²e drzým tónom.

3. Hrá hudba mrazivá a ©udia v rukách kvety-párny po£et. Pri²li len príbuzdní, ak dobre rátam, nie£o vy²e tucet. Niekedy syn nezdedí sexuálne pudy po otcovi, £lovek o ktorom hovoríme ako o buzerantovi.

3. By´ za v²etko zodpovedná, sta´ sa ºenou, by´ dospelá, od mali£ka si to chcela, to si chcela, to si chcela! Moºno, ºe sa nenazdá² a bude z teba koza stará, a tak preto iba dodám ricom, picom, hip, hip,

Chorus.

hurá!


57 Po©ovník

58 Ukáº tú svoju ZOO

Horkýºe Slíºe

Horkýºe Slíºe

Uº troub¥jííí!

C Em Am D

(×4)

C Em7 Am D 1. iel po©ovník, ²iel dole hú²tinou, C Em7 Am D nachytal tam ²uhaja s diev£inou, C Em7 Am D Nepla²te mi zverinu, doma máte perinu, tak C Em7 Am D [:zmíííznííííííí - te, ale uº aj C Em7 Am D × zmíííznííííííí - te!:]

(

2)

2. Diev£a ²eplo tichým hlasom bez hnevu, Johan daj si pauzu, máme náv²tevu. Postavil sa akurát, Úchylákov nemám rád, tak zmíííznííte. . .

C Em A

Am D F G Am Am D F G Am Pre²la si po tele a vraví si ahá. Am F D Am F G Uterák zahalí, arzenál nemalý, Am D F G Am

1. Top model Anna H. sa kúpala nahá.

má dokonalý materiál a zato je drahá.

A

Tak ale stoj uº ani muk, nafotíme riadny book,

D G

len na²pú© pery do ó ó.

F

A tak á prosím e²te po¤,

C

krásny úsmev na m¬a ho¤

G

Am

a ukáº tú tvoju ZOO. 2. Top model Anna H.sa fotila nahá.

(×4)

Hanbatý kalendár na rajských Bahamáh. Honorár sedem núl, ja z kalendára trhám júl.

3. Raz, ke¤ sa budete túla´ po horách, stretnete dvoch ©udí pri milostných hrách. Doºi£te im pokoja, nech si rozko² osvoja, a zmíííznííte. . . Padajte ²eci otálto, lebo vás tu nahádºem na té stromy a té ihli£é vám napichám do rici!!

Ja chcel by som by´ jej ²pongiou a brázdi´ po nohách. Chorus.

Am Am

D

F G Am D F G Am Kto ste ju poznali,tak toto je druhá. D Am CNN TV headline news, G Pravda hej tá nám padá z úst, Am D Lebo my máme ruky nad bibliou F G Am

3. V Sherwoodskom lese na²li nahú Annu H.

A kaºdý prisahá. Chorus.


59 Ve£erná prechádzka

60 Zvonár

Horkýºe Slíºe

nemocni£ným parkom Horkýºe Slíºe

E G# G G [ D#m G# 1. Pri²li si sem uºí - va´ liek, E G# G G [ D#m G# vek. tí £o majú postar²í # # Cm G A A pred patológiou H E G# C#m leºí nemocni£ný návlek. A E G#m C#m A Leºí nemocni£ný návlek.

G

C

1. Miestny zvonár, odparkoval svojho

G

Mercedesa pri kostole.

G G

C

2. Okoloidúci mladík mu kopol do kolesa, Ty sukin pankhart, po£kaj idem dole!

Em

C

Vyberte mu ²ém, lebo nás v²etkých pozabíja,

2. Za plotom sa ozýva ²tek,

G

vyberte mu ²ém, vyberte mu ²ém.

znie to ako známy soundtrack. A páriace sa ma£ky, hmm, imitujú detský nárek.

G

C

3. To si pí², ºe ke¤ nás chytí, ºe nás pozabíja.

Imitujú detský nárek.

G

Uº si to pi²ém, uº si to pi²ém.

3. Doktor Juraj tefánik, ach.

G

V²etci máme tak trochu strach. Aj poisóvák Sabo, aj pacienti Hriv¬ák a Vir²ík Máárek. Hriv¬ák Peter, Vir²ík Márek, Hriv¬ák Peter, Vir²ík Márek, Hriv¬ák Peter, Vir²ík Márek.

C

4. Do zvonára dvesto £ertov a mladíkovi

G

miznú jamky z líc.

G 5. G

C

e sa vôbec z to©kých nervov, neobesí² na zvon,

Aby tvoje srdce bilo do ulíc!

Em

C

koda re£í, utekajme, na chrbát nám dýcha,

G

minimálne Boh, minimálne Boh.

G

C

6. To si pí², ºe ke¤ nás chytí, ºe nás pozabíja.

G

minimálne dvoch, minimálne dvoch.

ivák verzia.


61 ivot

62 And¥l

Karel Kryl

Horkýºe Slíºe

G F Em C G F Em C Pánboºko na nás neprdí a to je fajn. G F Em C Sme ²ástní jupi jupi jou, G F e nikto z nás neskon£il Em C Jak ten patník na stopátom kilometri G

1. Zas dobré vetry vanú nám.

smer na Bardejov.

G

Em

G

D7

1. Z rozmlácenýho kostela, v krabici s kusem

G

mýdla,

Em

G

D7

p°inesl jsem si and¥la, polámali mu k°ídla. Díval se na m¥ oddan¥, já m¥l jsem trochu trému, tak vtiskl jsem mu do dlan¥ lahvi£ku od parfému.

2. A ten, kto vdýchol du²u nám, zrejme mu páchlo z úst, aj ke¤ vieme, ºe on sám, vo¬avý ako mydlo Dove. Niekto sa bije za¬ho viac ako za svoje stádo, k¯de©, húf, roj, svorku, £riedu, dav.

D C G Aký je namakaný ten ºi - vot. D C G Skvelý ako Karel Gott, D C G krásny ako Johny Depp. D C G

G Em G D7 A proto prosím v¥° mi, cht¥l jsem ho ºádat, G Em G D7 aby mi mezi dve°mi pomohl hádat, G Em D7 G co m¥ £eká a nemine. . . G Em D7 G Co m¥ £eká

a nemine. . .

2. Pak hlídali jsme oblohu pozorujce ptáky, debatujíce o Bohu a hraní na vojáky. Do tvá°e jsem mu nevid¥l, pokou²el se ji schovat, To asi pták·m závid¥l, ºe mohou poletovat.

ako by mu z oka jééb!

Chorus.

3. Ma´ v týºdni dobrých sedem rán. Podaj nám ruku, my ti ponúkneme chrám.

3. Kdyº novinky mi sd¥loval u okna do loºnice,

S nami tu nikto nieje sám. Dúha uº vrhá tie¬ a

já k°ídla jsem mu ukoval z mosazný nábojnice.

Stráºna veºa, prebu¤te sa, zajtra ráno

A tak jsem pozbyl and¥la, on oknem ulet¥l mi,

zaklopeme vám.

v²ak p°ítel prý mi ud¥lá novýho z mojí helmy.

Chorus. (×2)

Chorus.


63 Brat°í£ku zavírej vrátka Karel Kryl

Am C 1. Brat°í£ku nevzlykej, to nejsou bubáci. G E7 Vºdy´ uº jsi velikej, to jsou jen vojáci. F E

P°ijeli v hranatých ºelezných maringotkách.

2. Se slzou na ví£ku hledíme na sebe: Bu¤ se mnou brat°í£ku, bojím se o tebe, na cestách klikatých, brat°í£ku v polobotkách.

Am Em Am Em Am Em Am Em Pr²í a venku se setm¥lo, Am Em Am Em Am Em Am Em tato noc nebu - de kratká. Am Em F Em Am F Em Beránka vlku se zacht¥lo, brat°í£ku, Am E 1. zavrel jsi vrátka? Am E 2. zavírej vrátka!

3. Bratrí£ku nevzlykej neplýtvej slzami,

64 Lásko!

Karel Kryl

Am E Dm E milostný dopisy s partií, mariá²e, Dm p°ed cestou dalekou zpocený boty zujem, C E

1. Pár zbytk· pro krysy na misce od gulá²e,

a potom pod dekou

sníme, kdyº onanujem.

Am G Lásko, zav°i se do pokoje, Am G lásko, válka je holka moje, C G Am G Am E s ní se miluji, kdyº noci si krátím, Am G lásko, slunce má² na v¥jí°i, Am G lásko, dv¥ t°e²n¥ na talí°i, C G Am G Am E ty ti daruji, aº jednou se vrátím. . .

2. Dvacet let necelých, odzná£ek na baretu,

nadávky polykej a ²et°i silami,

s úsm¥vem dosp¥lých vytáhnem cigaretu,

nesmí² mi vy£ítat jestliºe nedojdeme .

v opasku u boku nabitou parabelu,

Nau£ se písni£ku, není tak sloºitá,

zpíváme do kroku pár metr· od bordelu.

op°i se brat°í£ku cesta je rozbitá. Budeme klopýtat zpátky uº nem·ºeme

Chorus. 3. Pár zbytk· pro krysy a ta²ka na patrony, latrína s nápisy, jeº nejsou pro matróny, není £as na spaní, smrtka nám drtí palce, neºli se zchlastaní svalíme na kavalce.

E

Chorus. Rec: Levá, dva! Chorus.


65 Veli£enstvo Kat

5. Byl hrozný tento stát, kdyº musel jsi se dívat,

Karel Kryl

jak zakázali psát a zakázali zpívat, a bylo jim to málo, poru£ili d¥tem

Am G Am C Dm E kup£íci vyd¥²ení hledí do misál· Am F G C G a houfec mordý°· si ºádá poºehná - ní, Am Dm Am E7 [:vºdy´ první z rytí°· je Veli£enstvo Kat.:](×2) G Am G

1. V ponurém osv¥tlení gotického sálu

[:modlit se jak si p°álo Veli£enstvo Kat.:] (×2)

6. S ú²klebkem ábel vid¥l pro kaºdého podíl, syn otce nenávid¥l, bratr bratru ²kodil, jen motýl smrtihlav se nad tou zemí vzná²í, [: kde v kruhu tupých hlav dlí Veli£enstvo Kat. :] (×2)

2. Kn¥z-¤ábel, co m²i slouºí, z oprátky má ²tolu, pod alovou komºí láhev vitriolu. Pach síry z hmoºdí°· se valí k rudé kápi [: prvního z rytí°·, hle: Veli£enstvo Kat. :] (×2)

C G F G Na korouhvi státu je emblém s gilotinou, C G F G z ostnatýho drátu páchne to shnilotinou, Dm Am v kraji hnízdí hejno krkav£í, Dm E7 lidu vládne mistr poprav£í.

3. Král kle£í p°ed Satanem, na ºezlo se t¥²í. A l·za pod platanem radu moudrých v¥²í, a zástup kací°· se raduje a jásá, [: vºdy´ prvním z rytí°· je Veli£enstvo Kat.:] (×2)

4. Na rohu ulice vrah o morálce káºe, p°ed vraty v¥znice se procházejí stráºe, z vojenských pancí°· vst°íc £erný nápis hlásá, [: ºe prvním z rytí°· je Veli£enstvo Kat.:] (×2)

Nad palácem vlády £ní prapor s gilotinou, d¥ti mají rády kornouty se zmrzlinou, soudcové se na n¥ zlobili, zmrzliná°e d¥tem zabili.


66 Jóºin z báºin

67 Medv¥di nev¥dí

Ivan Mládek

Ivan Mládek

H7 Am Dm Am E Em 1. Medv¥di nev¥dí, ºe turisti nemaj' zbran¥, Am Dm Am E H7 Em aº jednou procitnou, po£íhají si n¥kde na sp¥chám proto, riskuji, projíºdím p°es Moravu. Am E D7 G D7 G H7 n¥. ádí tam to stra²idlo, vystupuje z bá - ºin, Em H7 Em D7 2. Výprav¥ v doubrav¥, malý grizly ukáºe se, Em

1. Jedu takhle tábo°it kodou 100 na Oravu,

ºere hlavn¥ Praºáky a jmenuje se Jó - ºin.

G

G6

D7 G Jóºin z baºin k vesnici se blíºí. G6 D7 Jóºin z baºin uº si zuby brousí, G Jóºin z baºin kou²e, saje, rdousí. C G D G Na Jóºina z báºin, koho by to napadlo, C G D G H7

Jóºin z baºin mo£álem se plíºí,

t·risté, zajisté, rozutíkají se po lese.

G

C

Na p¥²in¥ zbydou po nich tranzistoráky

G

C

a dív£í d°eváky a drahé fo´áky,

G G7 C C7 medv¥di je v m¥st¥ vym¥ní za zla´áky, F D#dim7 C Am Dm G C za ty si koupí (×2)

platí jen a pouze prá²kovací letadlo.

2. Projíºd¥l jsem Moravou sm¥rem na Vizovice, p°ivítal m¥ p°edseda, °ek' mi u slivovice: ivého £i mrtvého Jóºina kdo p°ivede, tomu já dám za ºenu dceru a p·l JZD!

Chorus. 3. íkám: Dej mi, p°edsedo, letadlo a prá²ek, Jóºina ti p°ivedu, nevidím v tom há£ek. P°edseda mi vyhov¥l, ráno jsem se vznesl, na Jóºina z letadla prá²ek p¥kn¥ klesl.

Jóºin z baºin uº je celý bílý, Jóºin z baºin z mo£álu ven pílí. Jóºin z baºin dostal se na kámen, Jóºin z baºin - tady je s ním amen! Jóºina jsem dostal, uº ho drºím, johoho, kaºdá ka£ka dóbrá, prodám já ho do ZOO. Ni£ proti Jóºinovi z Vrakune. ;-)


maliny, med, a slané buráky.

68 Stairway to Heaven

5. If there's a bristle in your hedgerow don't be alarmed now, it's just a spring clean for the

Led Zeppelin

May queen.

Am

G

C

1. There's a lady who's sure all that glitters is

D

gold,

Fmaj7

G Am

and she's buying a stairway to heaven.

When she gets there she knows if the stores with a word she can get what she came for. Oh oh and she's buying a stairway to heaven.

C

D

Fmaj7

There's a sign on the wall but she wants to be sure,

C

D

the road you're on. 6. Your head is humming and it wont go in case you don't know, the pipers calling you to join him. Dear lady can you hear the wind blow and did whispering wind

D Dsus2 D Dsus4 D Dsus2 D Dsus4 C Cadd9 C Cadd9 C 7. Am G F G (Bar)

'cause you know sometimes words have two

Fmaj7

And as we wind on down the road - Our shadows taller than our soul There walks the lady we all know - Who

meanings.

Am

G

shines white light and wants to know

C

how everything still turns to gold - And if you

2. In a tree by the brook there's a songbird who

D

sings.

the long run, there's still time to change

you know, your stairway lies on the

are all closed,

Am

Yes there are two paths you can go by but in

Fmaj7

G Am

Sometimes all of her thoughts are misgiven.

listen very hard the time will come to you at last - When all are one and one is all To be a rock and not to roll -

(Intro.)

Am/G Am Dsus2 D Oh, it makes me Am/G Am E D C D × wonder.

(

Fmaj7

G Am

And she's buying a stairway to heaven. . .

2)

3. There's a feeling I get when I look to the west and my spirit is crying for leaving In my thoughts I have seen rings of smoke through the trees and the voices of those who stand looking Oh, it makes me wonder Oh, it really makes me wonder 4. And it's whispered that soon, if we all call the tune, then the piper will lead us to reason. And the new day will dawn for those who stand long, and the forest will echo with laughter.


69 Podvod

70 Na kameni kámen

Honza Nedv¥d

Honza Nedv¥d

Em D7

Am

1. Na dlani jednu z tvých °as do tmy se koukám

G

Hraju si písni£ky tvý co jsem ti psal

Am

míná

C

Am

Fmaj7

C Fmaj7 °e£í Am G

jak v poli tráva. P°ipadá mi ten ná² sv¥t, plnej

Je skoro p·lnoc a z kostela zvon mi noc p°ipo

Em

C

1. Jako suchej starej strom, jako v²e ni£ící hrom,

C

H7

P·jdu se mejt a pozhasí nám co bude dál

C

a £ím víc tím líp se mám.

Fmaj7 Am G aº tu nez·stane stát C na kameni kámen. Fmaj7 A jestli není ºádnej B·h, Am G tak nás vezme zem¥, vzduch, C Budem o n¥co se rvát,

2. Pod pol²tá° dopis· pár co poslalas dávám, pí²e², ºe ráda m¥ má² a trápí t¥ stesk. Je skoro p·lnoc a z kostela zvon mi noc p°ipomíná, p·jdu se mejt a pozhasínám co bude dál.

Am Em

Cht¥l jsem to ráno, kdy naposled snídal jsem s

no a potom Amen.

tebou ti °íct ºe uº ti nezavolám.

Am

D7 H7

Pro jednu pitomou holku, pro pár nocí touhy,

G podved jsem v²echno o £em doma si sní². Em

Te¤ je mi to líto. . .

3. Kolikrát £lov¥k m·ºe mít rád tak opravdu z lásky Dvakrát £i t°ikrát to ne i jednou je dost Je skoro p·lnoc a z kostela zvon mi noc

2. A to v²echno proto jen, ºe pár pán· chce mít den bohat²í král·. P°es v²echna slova co z nich jdou, hrabou pro kuli£ku svou, jen pro tu svou. 3. Moºná jen se mi to zdá a po t¥ºký noci p°ijde hezký ráno. Kaký bude nevím sám, taky jsem si zvyk na v²echno kolem nás.

p°ipomíná P·jdu se mejt a pozhasínám co bude dál

Chorus.


71 Stánky

72 R·ºe z papíru

Honza Nedv¥d

Honza Nedv¥d

D G D Gm postávaj a sm¥jou se £asu, D A7

1. U stánk· na levnou krásu,

D

s cigaretou a s holkou, co nemá kam jít.

D G D Gm ute£e den jak ve£erní zprávy. D A7

2. Skleni£ek pár a pár tah· z trávy,

D

A7

Jen zahlídli sv¥t, maj na du²i vrásky,

Gm tak málo je, málo je lásky. D A7

E7

nemám klid,

Am

Dm hlava t°e²tí, asi t¥ mám rád. E7 Gm Stále n¥kdo °íká: vzbu¤ se, v¥£n¥ trhá nit, Am Dm studenou sprchu m¥l bych si dát.

Neum¥j ºít a bou°ej se a neposlouchaj.

G D

Dm Gm

1. Do tvých o£í jsem se zbláznil a te¤ nemám,

D

D7 Gm Na pouti jsem vyst°elil r·ºi z papíru, C7 F A7 dala sis ji do vlas·, kde hladívám t¥ já, Dm Gm v tomhle smutným sv¥t¥ jsi má nad¥j na víru, Am Dm ºe nebe modrý je²t¥ smysl má.

Ztracená víra hrozny z vinic neposbírá. 2. P°ines' jsem ti kytku, no co kouká², to se má, tak jsem asi jinej, te¤ to ví².

3. U stánk· na levnou krásu,

Moºná trochu zvlá²tní v dne²ní dob¥, no tak

postávaj a ze slov a hlas·. Poznávaj jak málo jsme jim sta£ili dát.

Chorus.

a´, t°eba z ní mou lásku vytu²í².

Chorus.

Dm E7 Gm Am Dm E7 Gm Am Dm Chorus.


73 The Islander Nightwish

capo 2

Hm

Hm9 G G6 1. An old man by a seashore at the end of day, A G6 A Hm gazes the horizon with seawinds in his face. Hm Hm9 G G6 Tempest - tossed island, seasons all the same, A G6 A Hm

anchorage unpainted, and a ship without a name.

2. Sea without a shore for the banished one unheard, he lightens the beacon, light at the end of world. Showing the way lighting hope in their hearts, the ones on their travels homeward from afar.

Hm G D A Hm This is for long for - got - ten G D Em Hm light at the end of the wo - orld. G D A Hm G D

Em

Hori - zon crying the tears he left behind long ago. 3. The albatross is ying, making him daydream,

the time before he became one of the world's unseen. Princess in the tower, children in the elds, Life gave him it all: an island of the universe. 4. Now his love's a memory, a ghost in the fog. He sets the sails one last time, saying farewell to the world. Anchor to the water, seabed far below, grass still in his feet and a smile beneath his brow.

This is for long-forgotten light at the end of the world. Horizon crying the tears he left behind so long ago. So long ago. . .

Hm9 •• ••• •


74 Once Upon a Trubadour Nightwish

1.

Am Intro. Am G Am A lonely bard wandering across the lands am I, G Am Am singing dancing nding answers to every why. Am7/E G Am The taverns are full and one crosses my path, too F Em Am I just might reward myself with a beer or two.

2. This inn the place of many romantic tales, on the loft women oer their sales. But my eyes they catch a girl beat by everyone, a slave she is, but for me a rose undone.

Am F Am C Em E [m Dm Hear me sing, watch me daa - aaance. . . Dm Em F Am

Em

Play that lute of thine, and share with me this dance.

3. As she danced my eyes began to shine, there she was the maiden so divine. How could I approach her with my outlook so poor? Her beauty being much more than I could endure. 4. So I asked if I could sing a chanson, with a language of ancient and of lore. Gathered the men around us me and the girl in rags, soon were the melodies heard by everyone.

Hear us sing, watch us dance. Sing with us this tale, with a clap of hands

Am G C G Am

5. (×2) The stories long-forgotten we still know, performing our skills wherever we go. I end my story as I receive a kiss, from my girl the dearest Beatrice.

Hear us sing, watch us dance. Sing with us the tales, which the music will keep alive.


75 Don't Speak

76 Cukrá°ská bossa-nova Jaromír Nohavica

No Doubt

Hm 1. You Em

and me,

A

A

Em A we used to be together, Em A

everyday together, always. . .

Cmaj7 C#dim

1. M·j p°ítel

Dm7 G7

snídá sedm kremrolí

a kdyº je spo°á dá, dá si repete, cukrlátko, on totiº °íká: Dobré lidi zuby nebolí a je to paráda, chodit po sv¥t¥ a mít,

I really feel, I'm losing my best friend. I can't believe this could be the end. . .

Hm A Em A It looks as though you're letting go, D A H

And if it's real, than I don't want to know. . .

Em Don't speak! Am D I know just what you're saying, Am H so please stop explaing, H Em Am D don't tell me 'cause it hurts. Don't speak!

mít v ústech sladko.

Cmaj7 C#dim Dm7 Sláva, cukr a káva a p·l litru G7 Cmaj7 C#dim becherovky, hurá, hurá, hurá, Dm7 G7 p·j£ mi b·ra, útrata dnes d¥lá £ty°i stovky, Cmaj7 C#dim v²echny cukrá°ky z celé republiky Dm7 G7 na n¥ho d¥lají sla¤ounké cukrbliky Em7 A7 a on jim za odm¥nu zpívá zas a znovu Dm7 G7 tuhletu cukrá°skou Cmaj7 C#dim Dm7 G7 bossa-novu.

I know what you're thinking, and I don't need your reasons.

2. M·j p°ítel Karel pije ²´ávu z bezinek,

Don't tell me 'cause it hurts. . .

°íká, ºe nad ni není, ºe je famózní, glukózní, monstrózní, a´ si taky dám,

2. Our memories,

koukej, jak mu roste oblost budoucích

they can be inviting, but some are altogether mighty frightening. . . As we die, both you and I,

a já z·stanu sám, úpln¥ sám.

I sit and cry. . .

Chorus.

Chorus.

Dm E A

F

C

3. It's all ending, we gotta stop pretending,

3. M·j p°ítel Karel uº na ²pi£ky si nevidí, postava fortelná se mu zv¥t²uje, vým¥ra t°i ary, on ale °íká: glycidy jsou pro lidi,

who we are. . .

je prý v n¥m kotelna, ta cukry spaluje, n¥kdo

You and me, I can see us dying. . . are we?

Chorus.

a já mám podez°ení, ºe se zakulatí jako mí£, a aº ho n¥kdo kopne, odkutálí se mi pry£,

with my head in my hands

G

maminek

se zkáruje, n¥kdo se zfetuje a on jí bonpari, bon, bon, bon, bonpari.

Chorus.


77 Darmod¥j

4. Celý se strachem chv¥l, kdyº jsem tak k n¥mu do²el, a v ústech étnu m¥l od

Jaromír Nohavica

Am 1.

Hieronyma Bosche. Stál m¥síc nad domy, jak £írka ve vod¥, jak

Em

moje sv¥domí, kdyº zvrací v záchod¥, a já

el v£era m¥stem muº a ²el po hlavní

Am Em t°íd¥, Am Em ²el v£era m¥stem muº a já ho z okna Am Em vid¥l, C G na étnu chorál hrál, zn¥lo to jako Am zvon Em a byl v tom v²echen ºal, ten krásný F dlouhý tón, D#dim7 E a já jsem náhle v¥d¥l: Ano, to je on, Am to je on.

jsem náhle v¥d¥l: to je Darmod¥j, m·j Darmod¥j.

Am M·j Am jenº

Em F

Darmod¥j,

C G D#dim7 E

vagabund osud· a lásek,

prochází v²emi sny, ale

dn·m vyhýbá

se. M·j Darmod¥j, krásné zlo, jed má pod jazykem, kdyº prodává po domech jehly se slovníkem. 5. el v£era m¥stem muº, podomní obchodník, ²el, ale nejde uº, krev skápla na chodník, já jeho étnu vzal a zn¥la jako zvon a byl v tom v²echen ºal, ten krásný dlouhý tón, a já jsem náhle v¥d¥l: ano, já jsem on, já jsem:

Vá² Darmod¥j, vagabund osud· a lásek, jenº

2. Vyb¥h' jsem do ulic jen v no£ní ko²ili, v odpadcích z popelnic krysy se honily. A v teplých postelích lásky i nelásky, ti²e se vrt¥ly rodinné obrázky, a já cht¥l odpov¥¤

prochází v²emi sny, ale dn·m vyhýbá se. Vá² Darmod¥j, krásné zlo, jed mám pod jazykem, kdyº prodávám po domech jehly se slovníkem. . .

na svoje otázky, otázky.

Na, na, na, na. . . 3. Dohnal jsem toho muºe a chytl za kabát,m¥l kabát z hadí k·ºe, ²el z n¥ho divný chlad, a on se oto£il, a o£i plné vran,a jizvy u o£í, celý byl pobodán, a já jsem náhle v¥d¥l, kdo je onen pán. . . Onen pán.


78 Krajina po bitv¥

5. Nevíme o sob¥, nevíme v·bec nic. Vzduch krví prosycen, dýcháme z plných plic.

Jaromír Nohavica

Am

Pach smrti pod k·ºí je zarytý, kon£í se d¥jství prvé. Je²t¥ nám tady zbývá k prolití dvakrát ²est litr· krve. . .

1. Mí°íme na sebe, mí°íme já a ty.

Em7 Em

6. Mí°íme na sebe, mí°íme já a ty.

Am

Ticho je kolem,

Ospalí, ºízniví, hladoví, vousatí. . . Nebe se ²e°í, uº se blíºí noc.

C C9 C Am

O£i jsou t¥ºké jako kámen.

jen pes ²t¥ká za vraty.

Em Na louce leºí mrtví motýli, F G E7 padá dé²´ do es²álk·. Dm Am Jsme jediní dva, kte°í p°eºili E Am tuhletu dlouhou válku, Em7 Em Am Em7 Em Am

Ach, koho ºádat o radu a o pomoc, kdyº oba usínáme. 7. A tak mí°íme na sebe, mí°íme já a ty. Padají hv¥zdy, obzor je hv¥zdnatý. Pod jedním nebem oba leºíme, h°ejivá je náru£ matky Zem¥. A jak tak spíme, oba ve snu krá£íme, já k tob¥ a ty ke mn¥. . .

ó-ó-ó. . .

2. Mí°íme na sebe, mí°íme já a ty. V u²ích nám je²t¥ zní vybuchlé granáty a smrtka s kosou d¥lá resumé, prochází se v bílé rób¥. No a my dva te¤ tady leºíme v zákopech proti sob¥. 3. Mí°íme na sebe, mí°íme já a ty. Oba jsme utekli hrobník·m z lopaty. Ve stovkách velikánských útok· ²t¥stí nám ob¥ma p°álo. A te¤ nás d¥lí jenom sto krok·, a je to moc £i málo. . . 4. Myslíme na sebe, myslíme já a ty. Co v£era platilo, dneska uº neplatí. V²ak hr·za je²t¥ visí nad krajem, t¥ºké je mít se rádi, kdyº jsme si post°íleli navzájem, své nejlep²í kamarády.


79 Kosatá a Zubatá Jaromír Nohavica

1.

Am

Dm E Am Dm E Am v ulici sv¥tlo nesvítilo, noc m¥la £erný ka²el, Dm E Am a v té tm¥, hor²í neºli v pytli, v kterém se topí koáta, Dm E Am

Nevím uº váºn¥, kde to bylo, kam jsem to vlastn¥ za²el,

m¥ náhle kolem krku chytly dv¥ holkyKosatá a Zubatá. 2.

3.

4.

5.

Pro£ prý jste, pane, tolik smuten, co kdyº vám srdce pukne, smály se jako pominuté a kasaly si sukn¥. Kaºdá m¥ z jedný strany raa, m¥ly v tom jist¥ praxi, ºe prý si spolu vyjdem na ám, a uº volaly taxi. V²ecky ty knajpy, kde jsme byli, mi vypadly uº z pam¥ti, kdyº z poslední nás vyhodili, tak bylo n¥jak po t°etí. Bydlely aº na kraji m¥sta a postel m¥ly s nebesy, °ek' jsem jim: kdybych ráno nevstal, tak a´ se teda ned¥sí. Jedna se ke mn¥ vmá£kla zleva, no, a ta druhá zprava, ºe a´ si pospím, jim to neva, jen blbej ráno vstává, jak jsem se vzbudil, nemám páru, rolety byly dole, na zemi zbytky kaviáru a plno vodky kolem. Cítil jsem divnou bolest v hrudi, jak bych m¥l ránu se£nou a ve hlav¥ mi tikal budík nataºený na nekone£no. A tikal tik-tak na dv¥ doby jak ministranti v kostele, v kuchyni n¥kdo myl nádobí, a tak mi za£la ned¥le.


80 Masopust

Jaromír Nohavica

Am

Dm

1. Rozbitým oknem mi do pokoje fouká sníh jako mouka

F

Dm E na moje ruce skleslé v k°esle záv¥je sn¥hu, uº ani ohe¬, Am Dm rozbitým oknem mi fouká do sv¥tnice fujavice, F Dm E

smutek se dve°mi dere, plá£i, m·j kaskadére, nezapome¬!

Am Am

Dm Dm

G7 D#dim

C

Vla²tovky ze stájí odlétly p°ed rokem, slepice kdákají ve sn¥hu hlubokém,

C/H

E

zbloudilé kro£eje roztá£í osudí, pálenka zah°eje, samota zastudí.

Teplo je pokora, jablon¥ v u²ance, smrt ²t¥ká ze dvora, ko²ile na brance plápolá ve vichru, jenº vyvrátil mi plot, pro£ nikdo nep°ijel na masopustní hod?

Am

F

E

Nechali m¥ tak, nechali m¥ tak, nechali m¥ tak. 2. V rozbité lamp¥ ani kapka petroleje, ruka se chv¥je, pod sn¥hem zamrzá mi, na st¥nách pod tapetami choulí se ²vábi, v rozbité lamp¥ p·lnoc bliká, rampouch je klika, v ruce ulomí se, místo dechu pr·zra£ná pára, jsem slabý.

Chorus 1.

Teplo je pokora a zima prokletí, neº srdce okorá a jaro odletí, zimosráz ko°eny zapou²tí, jsem ²patným ºalobcem, viník·m odpou²tím. Nechali m¥ tak, nechali m¥ tak, nechali m¥ tak. (×2) 3. V rozbitém srdci ani ²petka soli, jen trochu bolí, kdyº vlo£ka z tvá°e skane, t°pytný krystalek ledu

Am

na uschlém strom¥ v opu²t¥ném dom¥ ...


81 Margita

3. Pokojská v ²est p°ijde do práce, prov¥trá matrace,

Jaromír Nohavica

pod l·ºkem najde zlatou minci.

Em Am Em Hm 1. To£í se, to£í kolo dokola a aº nás smrtka C zavolá, G Em tak vytáhneme rance, Em Am Em Hm C sbalíme svý t¥lesný ostatky, srazíme podpatky G Em a potom dáme se do tance. Am H7 Em Hm C Tan£í se tradi£n¥ gavotta na konci ºivo - ta, G Em na konci tohohle plesu, Em Am Em promi¬te, ºe vám ²lapu na nohu, já za to Hm C nemohu, G Em

D¥venka dole v recepci £te si o antikoncepci a p°emý²lí o krásném princi. atná°ce v ²atn¥ zbyly dv¥ vesty, no to je ne²t¥stí, a co kdyº p°ijde ráno kontrola. Hodiny ukazují £ty°i nula nula, ru£i£ka z nich se hnula, v²e se to£í dokola.

Chorus. Uº je dnes! Uº je dnes! Uº je dnes. . .

já tady vlastn¥ ani nejsu.

Am Em A krásná Margita, tane£nice smrti, Am Em má svetr vzoru pepita a zadkem vrtí. Am G D Za£íná ma²karní ples, kams to vlez? Em H7 Em

Kams to vlez? Kams to vlez? Kams to vlez? 2. N¥jakej dobrák stáhnul roletu, na tomhle parketu je vid¥t jenom na p·l metru. Tvá°e se ztrácejí v ²erosvitu, kaºdý hledí na Margitu v pepitovém svetru. Kapelník pozvednul taktovku, vytáhnul aktovku a v ní m¥l n¥jaký noty. Tvá°e se to£í v tombole, n¥kdo si sedí za stolem, jiný se na parketu potí.

Chorus.


82 Mikymaus

5. Prokletá hodina, ta minuta, ta krátká chvíle, kdy v¥ci nejsou £erné, ale nejsou ani bílé,

Jaromír Nohavica

Ami

kdy není tma, ale je²t¥ ani vidno není, bd¥ní je bolest bez slastného umrtvení.

G

1. Ráno m¥ probouzí tma, sahám si na

F záp¥stí, E Dm E zda-li to je²t¥ tlu£e, zda - li mám je²t¥ Am ²t¥stí, G F nebo je po mn¥ a já mám voskované boty, E Dm E Am ráno co ráno stejné probuzení do nicoty.

2. Není co, není jak, není pro£, není kam, není s kým, není o £em, kaºdý je v dob¥ sám, vyzáblý Don Quijote sedlá svou Rosinandu a B·h je slepý °idi£ sedící u volantu.

E

F

Dm

E

usnout a nevzbudit se, nemuset na nic myslet, op°ený o kolena poslouchám tvoje slzy, na ºivot je uº pozd¥ a na smrt je²t¥ brzy.

Co bylo kdysi v£era, je, jako nebylo by, káva je vypita a není ºádná do zásoby, v¥ci, co nechce², a´ se stanou, ty se stejn¥ stanou, a chleba s máslem padá na zem vºdycky blbou stranou, máslo bych zru²il. 7. Povídá² o nad¥ji a slova se ti pletou, jak ²pionáºní druºice letící nad planetou, svlíknout se z pyºama, to by ²lo je²t¥ lehce, dvacet let mluvil jsem a te¤ uº se mi mluvit

Zapínám telefon - záznamník cizích cit·,

F

6. Zb¥sile mi to tepe a tup¥ píchá v t°ísle,

Dm E

²patné zprávy chodí jako policie za úsvitu,

Dm G7 jsem nap·l bd¥lý a nap·l je²t¥ v no£ní pauze, C E m¥l bych se smát, ale mám úsm¥v Mikymauze, Am Am/G Am/F E Am rána bych zru²il.

nechce. 8. Z plakátu na záchod¥ prasátko vypasené kyne mi, zatímco se kolem voda dol· ºene, v²echno je vy°£eno a odná²eno do septiku, jenom mn¥ tady zbývá prodýchat pár okamºik·.

Sahám si na záp¥stí a venku uº je zítra, hodiny odbíjejí signály Dobrého jitra,

3. Dobrý muº v rádiu pou²tí ikoreu, opravdu veselo je, asi jako v mauzoleu, ve front¥ na mumii mám kruhy pod o£ima,

jsem nap·l bd¥lý a nap·l je²t¥ v no£ní pauze, m¥l bych se smát, ale mám úsm¥v Mikymauze, lásku bych zru²il.

r·ºový rozb°esk fakt uº m¥ nedojímá. 4. Povídá² n¥co o tom, co bychom d¥lat m¥li,

9. =1. (×2)

pomalu vychládají na²e d·lky na posteli, v²echno se halí v ²eru, £í to bylo vinou, ºe d°evorubec máchl mezi nás ²iro£inou.

Postele rozd¥lené na dva suverénní státy, ozdoby na tapetách jsou jak pohrani£ní dráty, ve spánku nep°ijde to, spánek je sladká mdloba, ºe byla ve mn¥ láska, je jenom pustá zloba, dráty bych zru²il.


83 Osmá barva duhy

84 Pet¥rburg

Jaromír Nohavica

Jaromír Nohavica

Am Dm Am Dm - na, Am Dm C E ze slunce je vid¥t jenom kousek. Am Dm Am Dm Ve a²ce od £inzá - na, Am G Am

Am F E

1. Chladná jsou dubnová rá

1. Kdyº se sná²í noc na st°echy Pet¥rburgu, padá na m¥ ºal,

F

zatoulaný pes nevzal si ani k·rku chleba,

E

úho°i, úho°i t°ou se.

Am Am/H

kterou jsem mu dal.

Dm Am V²ichni moji známí F Dm E spí, spí, spí doma s manºelkami. Dm Am E Am Z·stali jsme sami. Já a já. Am

C Dm E F D#dim7 H7 E nad sklenkou vodky hraju si s revolverem. Am havran usedá na st°echy Pet¥rburgu, F E Am × [:Lásku moji kníºe Igor si bere,

M¥sta jsou jedno jako druhý,

£ert aby to spral.:] (

£erná je osmá barva duhy.

Dm E Am erná je barva, kterou mám te¤ nejrad¥j. Am Jó je to bída, je to bída,

hledal jsem ostrov jménem Atlantída,

Dm

Am

E

2)

2. Nad obzorem letí ptáci slepí v zá°i £ervánk·. Moje du²e, ²iro²irá stepi, má² na kahánku.

[:Mému ºalu na sv¥t¥ není rovno, vy jste tím vinna, Nad¥ºdo Ivanovno.

Am

a na²el vody vody vody vody vody habad¥j.

Vy jste tím vinna, aº m¥ zítra najdou s dírou ve spánku.:]

2. Kdyby m¥l n¥kdo z vás zájem, ud¥láme velikánský mejdan. Pojedme tam a zp¥t rájem, a svatej Petr bude ná² strejda.

Chorus. 3. Pod okny °ve n¥kdo: kémo, kaºdý správný folka° nosí vousy. A já umím písni£ky jen v E moll, a prsty jsem si aº do masa zbrousil, protoºe:

Chorus. (Drobné zmeny.)


85 Plebs Blues

4. Nev¥°ím v ºádný kecy, v¥°ím uº jen v sebe,

Jaromír Nohavica

a to, co neurvu, to nebudu mít. Pro£pak mi slibujete po mý smrti nebe,

Am 1. Kdyº poprvé jsem spat°il pyramidy, Dm proklel jsem v²echny Cheopse, Ramsesse. Am Jsem totiº jeden z téhle miliardy lidí, Dm který to za n¥ vºdycky odnese. Am Oni si projektují pískovcové sngy, Dm aby snad historie nezapomn¥la, C a já pak kroutím ²roubky na Pershingy E7

kdyº jsem se jednou narodil, tak chci i ºít. Jsem jenom jeden z téhle miliardy lidí, kole£ko v soukolí, co krásn¥ zapadá, já nechci stav¥t va²e blbé pyramidy, vlezte mi na záda, vlezte mi na záda!

I s tímhle Plebs blues, Plebs blues, Plebs blues, i s tímhle Plebs blues, Plebs blues, Plebs blues.

a kdyby snad ne, tak mi dají do t¥la.

Am Am

Dm Am

Tohle je Plebs blues, Plebs blues, Plebs blues,

E7

tohle je Plebs blues, Plebs

blues, Plebs blues.

2. Za svazek °edkvi£ek a taky za cibuli, jsem ²a²ek d¥jin, bezejmenný muº. Rohoºka Cézara a kopí Caliguly, negativ d¥jin p°ipravený na retu². Zvedal jsem £asto hlavu, vºdycky p°i²la rána, a£ v r·zných formách demokracie, p°estávám v¥°it v dobro Krista pána, p°estávám v¥°it v to, ºe Kristus n¥jaký je.

Chorus. 3. V novinách o mn¥ pí²ou, ºe jsem páte° sv¥ta, a já jsem jenom jeho unavený sval. K M¥síci co p·l roku raketa létá, a já se plazím jako brouk hovnivál. Mám p°eci srdce, srdce, které bouchá a nemyslete, ºe furt myslím na ºrádlo, pro£ m¥ v²ak na tom sv¥t¥ nikdo neposlouchá, pro£ mám být jenom hloupé malé d¥ladlo.

Chorus.


86 P°ítel

6. Tvuj d¥da °íkal: ono se to uklidní,

Jaromír Nohavica

m¥l pravdu, p°i²la potom spousta malých dni. A byla velka voda, vzala nam, co ji kdo dal,

G Em7

D/G D

a tob¥ i to poslední.

[

1. Jestlipak vzpomíná² si je²t¥ na ten £as,

C G táhlo nám na dvacet a slunko bylo v nás, Am C vrabci nám jedli z ruky, ºivot ²el bez záruky, G Dsus4 D ale taky bez p°íkras.

Chorus. Sám, sám, sám, zpívám tu te¤ sám. 7. Jestlipak vzpomíná² si na to, jakýs' byl, jenom mi netvr¤, ºe t¥ ºivot nau£il. lov¥k, to není pá£ka, kterou si, kdo chce, ma£ká,

2. Moºná, ºe hloupý, ale krásny byl ná² sv¥t,

to uº jsem dávno pochopil.

zdál se nam opojný jak dvacka cigaret 8. A taky vím, ºe srdce rukou nechytím,

a v²echna tajná p°ání plnila se na po£kání anebo rovnou hned.

Am Kam jsme se pod¥li C kam jsme se to pod¥li, G D/G [ Em7 kde je ti konec, m·j jediný p°íteli? Am Dsus4 D Zmizels' mi, nevím kam, C C9 C Cmaj7 G Dsus4 D

jak jsem se zm¥nil já, tak zm¥nil ses i ty, a p°esto líto je mi, ºe uº nám nad písn¥mi spole£ný slunko nesvítí.

Chorus.

sám, sám, sám, jsem tady sám.

3. Jestlipak vzpomíná² si je²t¥ na tu noc, jich bylo p¥t a tys' mi p°i²el na pomoc, jó, tehdy nebýt tebe tak z mých dvanácti ºeber nez·stalo p°íli² moc. 4. Dneska uz nevím, jestli p°ib¥h' by jsi zas, jak t¥ tak sly²ím, má² uº trochu vy²²í hlas a vlasy vlasy krat²í, jó,bývali jsme mlad²í, no a co, vem to ¤as.

Chorus. sám, sám, sám, peru se te¤ sám. 5. Jestlipak vzpomíná² si je²t¥ na ten rok, kaºdá na²e píse¬ m¥la nejmí¬ t°icet slok, a my dva jako jeden, ze starých reprobeden, p°es mo°e, jak p°es potok.


87 Starý muº

88 ne£í blues

Jaromír Nohavica

G

Jaromír Nohavica

Hm

1. Aº budu starým muºem, budu staré knihy

G

Em £íst

C D

a mladé víno lisovat.

Hm Em C D jist tím, koho chci milovat. G Hm Koupím si pergamen a ²t¥tec a tu² a jako Em D £ínský mudrc sednu na b°eh °eky G Hm Em C D G starý a budu starý muº Hm Em C D

Aº budu starým muºem, budu isi kone£n¥

G C7 G D/G [ G C G D7 1. Jednou jeden ²nek ²ílen¥ se lek', G G7 C Cm nikdo uº dnes neví, z £eho se tak zjevil, G C7 D7 G D7 ºe se dal hned na

ú

-

t¥k.

2. P°es les a mýtinu rychlostí p·l metru za hodinu, z ulity pára, ohnivá £ára, m¥l cihlu na plynu. 3. Ale v jedné zatá£ce, tam v mechu u svla£ce, ud¥lal ²nek chybu, nevyhnul se h°ibu, nevyhnul se boura£ce.

muº.

4. Hned seb¥hl se celý les a dali ²neka pod 2. Aº budu starým muºem, po°ídím si starý byt a jedno staré rádio. Aº budu starým muºem, budu svoje místo mít

pa°ez, tam v tom lesním stínu, jestli nezahynul, tak leºí je²t¥ dnes.

u okna kavárny Avion. Koupím si pergamen, ²t¥tec a tu², a budu

[:nebylo by nutné zpívat tohle smutné, smutné

pozorovat lidi, kam jdou asi. . . A budu starý muº, a budu starý muº.

C C/H Am C/H

Na, na na na náá. . . (×4)

5. A kdyby pouºil v·z anebo autobus, ²ne£í blues.:] (×2)

D

3. Aº budu starým muºem, budu £erný oblek mít a ²edou vázanku. Aº budu starým muºem, budu místo vody pít lahodné víno ze dºbánku. Koupím si pergamen a ²t¥tec a tu², a budu ml£et, jako ml£í ti, kdo v¥dí uº. . . Starý muº, starý muº.


89 Zatím, co se koupe² Jaromír Nohavica

Chorus.

Em A7 D Zatím, co se koupe², D Dsus4 D Em A7 zatím co se koupe². . .

Hm D umývá² si záda, G A7 D na nejv¥t²í loupeº ve mn¥ se st°ádá, C#dim Hm tak, jako se dává² vod¥, Hdim A

1. Zatím co se koupe²,

vezmu si t¥ já, já zlod¥j.

90 Zítra ráno v p¥t Jaromír Nohavica

Em

G C D7 G E7 je²t¥ si naposled dám vodku na zdraví, Am D7 G G/G [ z o£í pásku strhnu si, to abych vid¥l na Em nebe, Am H7 Em a pak vzpomenu si, lásko, na E7 Am D G G/G [ Em tebe, Am H7 Em

1. Aº m¥ zítra ráno v p¥t ke zdi postaví, 2. Uº v tom váºn¥ plavu, za st¥nou z umakartu piju druhou kávu a kou°ím t°etí spartu. A za velmi tenkou st¥nou, sly²ím, jak se mydlí² p¥nou.

D G D Dsus4 te£e, Em G chápej, ºe touha je touha a £as se pomalu D Dsus4 vle£e. Em G Cigareta hasne, káva stydne, krev se D Dsus4 p¥ní, Em G bylo by to krásné, kdyby srdce bylo klidné, ale D Nechej vodu vodou, jen a´ si klidn¥

ono není.

se mnou houpe, v²echno mi z rukou padá. A aº bude² stát na prahu, v²echny peníze dal bych za odvahu. . .

C#dim Hdim ×

4 •• •

•

vzpomenu si na tebe.

2. Aº zítra ráno v p¥t p°ijde ke mn¥ kn¥z, °eknu mu, ºe se splet', ºe mn¥ se nechce do nebes, ºe ºil jsem, jak jsem ºil, a stejn¥ tak i doºiju a co jsem si nadrobil, to si i vypiju, a co jsem si nadrobil, si i vypiju. 3. Aº zítra ráno v p¥t poru£ík °ekne: Pal!,

3. Zatímco se koupe², umývá² si záda, sv¥t se

×

a pak

×

•

×

• • •

²koda bude t¥ch let, kdy jsem t¥ nelíbal, je²t¥ slunci zamávám, a potom líto p°ijde mi, ºe t¥, lásko, nechávám, samotnou tady na zemi, ºe t¥, lásko, nechávám, na zemi. 4. Aº zítra ráno v p¥t prádlo p·jde² prát a seno obracet, já u zdi budu stát, tak p°iloº na ohe¬ a smutek v sob¥ skryj, prosím, nezapome¬, nezapome¬ a ºij, na m¥ nezapome¬ a ºij. . .


91 Don't Look Back In Anger Oasis

capo 2

C

C/H Am E7 Fmaj7 G C Am G a better place to play. C C/H Am E7 Fmaj7 G You said that you'd never been, but all the things that you've seen, C Am G slowly fade away. Fmaj7 Fm C Fmaj7 Fm C So I start a revolution from my bed, 'cause you said the brains I have went to my head, Fmaj7 Fm C G step outside the summertime's in bloom. Stand up beside the replace, E7/G# Am G Fmaj7 G x

1. Slip inside the eye of your mind, don't you know you might nd

take that look from o your face, cos you ain't ever gonna burn my heart ouut.

CG Am E7 Fmaj7 G C Am G So Sally can wait, she knows it's too late, as we're walking on by. C G Am E7 Fmaj7 G

Her soul slides away,

but don't look back in anger, I heard you

C G6add4 Am E7 Fmaj7 G C Am G 4 4

say.

2. Take me to the place where you go, where nobody knows, if it's night or day. Please don't put your life in the hands of a Rock and Roll band, who'll throw it all away. Gonna start a revolution. . .

So Sally can wait, she knows it's too late, as she's walking on by.

Her soul slides away, but don't look back in anger, I heard you say. (×2)

CG Am E7 Fmaj7 G C Am G So Sally can wait, she knows it's too late, as she's walking on by. C G Am E7 F Her soul slides away, But don't look back in anger Fm C G6add4 Am E7 Fmaj7 G Don't look back in anger I heard you say C ...at least not today...

# Fmaj7◦ G6add4 C/H E7/G ◦◦ ◦ ◦ ◦◦ ◦ ◦ ◦◦ •

••

•

•

•

•

•

•

•

•

•

•


92 Live Forever Oasis

capo 3

G

Dsus4 D A7sus4 Am7 C D Dsus4 D Cause I just wanna y. G Dsus4 D A7sus4 Am7 Lately, did you ever feel the paain in the morning raain, C D Dsus4 D Maybe, I don't really wanna know how your garden grows. . .

as it soaks you to the bone.

Em

D C

Dsus4 D A7sus4 Am7 D Dsus4 Em Maybe I just wanna breathe, maybe I just don't believe. Em7 D Dsus4 D A7sus4 Maybe you're the same as me, we see things they'll never see. Am7 Fmaj7 x

1. Maybe I just wanna y, wanna live I don't wanna die.

You and I are gonna live forever. . .

I said: Maybe. . . Repeat 1. 2. Maybe I will never be, all the things that I want to be. But now is not the time to cry, now's the time to nd out why. I think you're the same as me, we see things they'll never see. You and I are gonna live forever. . .

I said: Maybe. . . Repeat 1.

3. Repeat 1.

Am

Fmaj7

Gonna live forever. . .

(×3)

Live forever. . . Forever. . .


93 Wondewall Oasis

Em7 G

Dsus4

A7sus4

1. Today is gonna be the day, that they're gonna throw it back to you. By now you should've somehow realized what you gotta do.

Cadd9 Dsus4 A7sus4

I don't believe that anybody feels the way I do about you now.

2. Backbeat the word was on the street, that the re in your heart is out. I'm sure you've heard it all before, but you never really had a doubt. I don't believe that anybody feels the way I do about you now.

C C

D D

Em Em And all the lights that lead us there are blinding. C D G G/G [ Em There are many things that I would like to say to you, A7sus4 And all the roads we have to walk are winding.

but I don't know how.

Cadd9 Em7 G Em7 Cadd9 Em7 G e, you're gonna be the one that saves mee e, Em7 Cadd9 Em7 G Em7 Cadd9 Em7 G x

'Cause maybe - e and after

all

you're my wonderwall.

3. Today was gonna be the day, but they'll never throw it back to you. By now you should have somehow realised what you're not to do. I don't believe that anybody feels the way I do about you now.

And all the roads that lead you there were winding. And all the lights that light the way are blinding. There are many things that I would like to say to you, but I don't know how. I said... Chorus. (×2)


94 Always Look On The Bright Side Of Life Monty Python

capo 3

Am7

D7

G G

Em

1. Some things in life are bad they can really make you mad.

Am7

D7 Am7

Other things just make you swear and curse.

D7

G

Em

When you're chewing an life's gristle, don't grumble give a whistle.

Am7

D7

And this'll help things turn out for the best. . .

G

Em

Am7 D7 G Em Am7 D7 And always look on the bright side of life G Em Am7 D7 G Always look on the light

side of life.

2. If life seems jolly rotten there's something you've forgotten, and that's to laugh and smile and dance and sing. When you've feeling in the dumps don't be silly chumps. Just purse your lips and whistle that's the thing! And always look on the bright side of life. Come on always look on the bright side of life. 3. For life is quite absurd and death's the nal word, you must always face the curtain with a bow. Forget about your sin give the audience a grin! Enjoy it it's your last chance anyhow. So always look on the bright side of death, just before you draw your terminal breath. 4. Life's a pice if shit, when you look at it. Life's a laugh and death's a joke it's true. You'll see it's all a show, keep'em laughing as you go. Just remember that the last laugh is on you! And always look on the bright side of life. Always look on the right side of life. (Come on guys, cheer up)

A

F#m

Hm E7

A F#m Hm E7

Always look on the right side of life.

(×4)


95 Californication

5. Space may be the nal frontier,

Red Hot Chilli Peppers

but it's made in a Hollywood basement. Cobain can you hear the spheres,

Am F 1. Intro (×4) Am Psychic spies from China Fmaj7 try to steal your mind's elation. Am Little girls from Sweden Fmaj7 dream of silver screen quotations. C G And if you want these kind of dreams F D Am Fmaj7 It's Californication. ... x 2

singing songs from station to station. And Alderon's not far away It's Californication

6. Born and raised by those who praise control of population. Everybody's been there and I don't mean on vacation. First born unicorn. Hardcore soft porn.

C G Dm Am Chorus F#m D F#m D Hm D A E Solo?

2. It's the edge of the world and all of western civilization.

7. Destruction leads to a very rough road,

The sun may rise in the East, at least it settles in the nal location.

but it also breeds creation.

It's understood that Hollywood

And earthquakes are to a girl's guitar,

sells Californication.

they're just another good vibration. And tidal waves couldn't save the world From Californication

3. Pay your surgeon very well to break the spell of aging. Celebrity skin is this your chin,

8. Pay your surgeon very well,

or is that war you're waging?

Am Fmaj7 First born unicorn. Am Fmaj7

to break the spell of aging. Sicker than the rest there is no test, but this is what you're craving. First born unicorn.

Hardcore soft porn.

C G Dm Am Dream of Californication C G Dm Dream of Californication Am Fmaj7

Hardcore soft porn. (×3)

C G Dm Am Dream of Californication. C G Dm Dream of Californication.

... x 2

4. Marry me girl, be my fairy to the world, be my very own constellation. A teenage bride with a baby inside, getting high on information.

Fmaj7◦ • • • ••

And buy me a star on the boulevard, It's Californication.


(×3)

96 Everybody Hurts R.E.M

D G D G and the night, the night is yours alone. D G D G G/G [ When you're sure you've had enough of this life, well hang on Em A A/G A/G [ Em Don't let yourself go, A A/G A/G [ Em everybody cries Em A D GDG

1. When the day is long

and

everybody hurts sometimes

2. Sometimes everything is wrong, now it's time to sing along. When your day is night alone, (hold on, hold on) If you feel like letting go, (hold on) When you think you've had too much of this life, well hang on. Everybody hurts, take comfort in your friends Everybody hurts. . .

F# Hm F# Hm F# Hm Don't throw your hand, oh no, don't throw your hand, C G C Em Am when you feel like you're alone, no, no, no, you're not

alone.

3. If you're on your own, in this life, the days and nights are long. When you think you've had too much, of this life, to hang on. . . Well everybody hurts, sometimes everybody cries, and everybody hurts, sometimes. . . 4. But everybody hurts sometimes so hold on, hold on, hold on, Hold on, hold on, hold on, hold on, hold on, everybody hurts. You are not alone. . .


97 Imitation of Life

98 Kríº Je Znakom Spásy

Em C G Em Am C D

C

R.E.M

Kristusjugend feat. MC Frog

Em F

Kríº je znakom spásy,

Em

Am G D Em water hyacinth, named by a poet Am G D C imitation of life. Em Am G Like a koi in a frozen pond, D Em like a goldsh in a bowl. Am G Dsus4 D Dsus4

C G

kríº ten drevený - ý,

Kristom nesený z lásky, krvou zmá£aný za nás.

1. Charades, pop skill,

1. Sám si Pane zná²al, árchu na²ich vín. sám si sa oddával z lásky pod svoj kríº. 2. Pozri, Pane, h©a tu na m¬a úbohého, pomôº zná²a´ árchu kríºa tak áºkého. 3. Chcem aj ja nies´ svoj kríº, árchu svojich vín. Krista vºdy nasledova´, chcem by´ stále s Ním.

I don't want to hear you cry.

G Am That's sugarcane that tasted good C/G D That's cinnamon, that's Hollywood, G Am c'mon c'mon no one can see you Dsus4 D Dsus4

4. Ke¤ Obúvok serie, zaznie táto piese¬, hne¤ to lep²ie ide, zmizne kaºdá tiese¬... The Toilet Anthem

try.

2. You want the greatest thing, the greatest thing since bread came sliced. You've got it all, you've got it sized. Like a friday fashion show, teenager freezing in the corner. Trying to look like you don't try. Chorus.

No one can see you cry. (×3) Chorus. 3. This sugarcane, this lemonade this hurricane, I'm not afraid. C'mon c'mon no one can see me cry. This lightning storm, this tidal wave, this avalanche, I'm not afraid. C'mon c'mon no one can see me cry. Chorus. (×2)


99 Losing My Religion

2. Every whisper, every waking hour, I'm choosing my confessions.

R.E.M

Trying to keep eye on you. Like a hurt lost and blinded fool, fool. Oh no, I've said too much. I've said enough.

capo 2

Consider this, consider this hint of the century. Consider this, the slip, that brought me to my

E:-10-12-10------H:----------10-13-

F Fsus2 F G Am Am

(×2)

knees pale. What if all these fantasies come aming aground. Now I've said too much.

G

Chorus.

Em

1. Oh life is bigger, it's bigger than you.

Am

And you are not me, the lengths that I will

Em

go to.

E:-12-12-12-10-10-10-10-10-8-8-8-5-5-5-

C

C

Am

That was just a dream.

/

C

Am

that was just a dream. That's me in the corner.

Am 3. That's me in the spot light, losing my religion. Em E [m Dm G Trying to keep up with you. Oh no, I've said too much, I've said enough. And I don't know if I can do it. Am Oh no, I've said too much. That's me in the corner, that's me in the I haven't said enough. Em spotlight, Am Em Chorus. Losing my religion, trying to keep up with you. F Fsus2 F G Am But that was just a dream, try, cry, Am And I don't know if I can do it. why try. Em E [m Dm Oh no, I've said too much, I haven't said F Fsus2 F G Am That was just a dream, just a dream, G enough. G x just a dream, dream. F Fsus2 F E:--12-12-12-12-12-12-12-12--- (×7) I thought that I heard you laughing. F G Am E:-12-10-------10------------I thought that I heard you sing. H:-------13-10----13-10-13-10F Fsus2 F G Am F Fsus2 I think I thought I saw you try. ◦ The distance in your eyes.

××

• •

••


××

•

••

100 Nightswimming R.E.M

H:-----------G:---0-2---0-D:-0-------0-A:---------2-E:-3-----3----

-1-0-2-3---

-------------0-2---0-0-------0---------2-3-----3---

-3-2-0-----

G C9 D5 C9 A C9 D5 G deserves a quiet night. G C9 D5 The photograph on the dashboard, Gtaken years C9 A ago, C9 D5 turned around backwards so the windshield shows. GEvery streetlight C9 reD5 G veals the picture in D5 C9 A C9 reverse. Still, it's so much clearer. GI forgot my C9 D5 G shirt at the water's edge. C9 A C9 D5 The moon is low tonight.

1. Nightswimming

Repeat intro.

G

C9 D5 deGserves a quiet nC9 A ight. C9 D5 G5 I'm not sure all these people understand. C9 D5 G It's not like years ago, C9 A C9 D5 The fear of getting caught, of recklessness and G5 C9 D5 G water. They cannot see me naked. C9 A C9 D5 replaced by everyGday. These things, they go away,

2. Nightswimming

C9 D5 GRemembering that C9 A SepC9 C9 D5 night. tember's coming soon. C9 C9 D5 I'm pining for the moon. G C9 A And what if there were two side by C9 D5 G side in orbit around the fairest sun? C9 D5 G C9 A That bright, tight forever drum could not describe C9 D5 nightswimming. GYou, I thought I C9 D5 G knew you. You, I cannot C9 D5 A C9 judge. You, I thought you knew me. G C9 D5 underGneath my This one laughing quietly C9 A NightswimC9 D5 breath. ming. G

3. Nightswimming.

Repeat intro!

E:--------------- ---------------H:-0-0-0--------- -----0---------G:-------2-0----- ---0---2-0-2---D:-----------2-0- -0-----------2-E:------------------------H:-----0---------0-0------G:-0-2---2-0---------2-0-2D:-----------2-0-----------

G C9 D5 G C9 A every streetlight a reminder. G C9 D5 G C9 D5 Nightswimming deserves a quiet night, C9 A C9 D5 G deserves a quiet night.

4. The photograph reects,

E:---------0------- ----------H:-0-1-3-3-------0- -3-1-1-0-0G:-----------0-2--- ----------E:----------------------- ------------------H:-----------------0----- -0----------------G:-2-2-0-0-------0---2-0- ---2-2-0-0-------0D:---------2-0-2--------- -----------4-2-4--E:------------- ------------------------H:-0-0--------- -----0-0-----------0----G:-----2-0----- ---0-----2-0-2---0---2-0D:---------2-0- -0-------------2--------E:----------------- --H:-0--------------- -0G:---2-2-0-0------- -0D:-----------4-2-4- -0A:----------------- --E:----------------- -3-


101 Kiss Me

Sixpence None The Richer

capo 2

C Cmaj7 C7 Cmaj7 1. C Cmaj7 C7 Kiss me out of the bearded barley Cmaj7 C Nightly, beside the green, green grass Cmaj7 C7 Swing, swing, swing the spinning step F

You wear those shoes and I will wear that dress. . .

Dm G C Am Dm G C C7 F lead mee. . . out on the moonlit oor, G C Em Lift your open hand, strike up the band, Am G F G Gsus4 G make the reies dance, silver moon's sparkling C Cmaj7 C7 Cmaj7

Oh, kiss mee. . . beneath the milky twilight,

...So kiss me

...

2. Kiss me, down by the broken tree house. Swing me upon its hanging tire. Bring, bring, bring your owered hat, we'll take the trail marked on your father's map.

Chorus.

------------------44----------------------------------------------------------5-----5-----------5-----5----------5-----5-----------5-----5-----5-----5-----5-----4-----4-----4----3-----3-----3-----4-----4-----4-----5-----5-----------5-----5----------5-----5-----------5-----5-----3-----------------3----------------3-----------------3-----------------------------------------------------------------------------------Chorus.

(×3)


102 Aº se k nám právo vrátí Spirituál Kvintet

1. Dívka loudá se vinicí,

Am

1. Chci sluncem být a ne planetou,

Am

aº se k nám právo vrátí.

Am

si písni£ku n¥kdo pí - íí - ská.

Chci set°ást báze¬ staletou,

E7

Spirituál Kvintet

D Em D Em D Em F#m Em tam, kde zídka je níz - ká, D Em F#m G tam, kde strá¬ kon£í voní - cí, D G D G A

capo 2

E7

103 Pískající Cikán

Am

2. Ohlédne se a propána,


Am G C [:Já £ekám dál, já £ekám dál, F E7 Am já £ekám dál, aº se k nám právo vrátí, Dm E7

(vrá - tí. ):] (×2)

v stínu, kde stojí líska, ²varného vidí cikána, jak leºí, písni£ku píská. 3. Chvíli tam stojí potichu, písni£ka si jí získá, dom· jdou spolu ve smíchu, je sly²et cikán, jak píská.

2. Kam chci, tam p·jdu, co chci, budu jíst, aº se k nám právo vrátí.

4. Jenºe tatík, jak vidí cikána, p¥stí do stolu t°íská,

A na co mám chu´, to budu £íst,

a´ táhne pry£, vesta odraná,


gro² nemá, n¥co ti spíská.

3. Uº nechci kývat, chci sv·j názor mít, aº se k nám právo vrátí,

5. Te¤ smutnou dceru má u vrátek, jen B·h ví, jak se jí stýská,

já chci sv·j ºivot jako £lov¥k ºít,

kéº vrátí se mi zas nazpátek

aº se knám právo vrátí.

ten, který v dálce si píská.

Chorus.

6. Pár ²idel honí se po louce, v tráv¥ rosa se blýská,

4. Chci klidn¥ chodit spát a beze strachu vstávat,

cikán, rozmarýn v klobouce, jde dál a písni£ku píská.

aº se k nám právo vrátí. Své d¥ti po svém vychovávat, aº se k nám právo vrátí. 5. Uº se t¥²ím, aº se narovnám, aº se k nám právo vrátí.

7. Na záv¥r zbývá uº jenom °íct, v £em je ten kousek ²tístka: peníze £asto nejsou nic, má víc, kdo po svém si píská.

Své v¥ci rozhodnu si sám, aº se k nám právo vrátí.

Chorus.


104 Batalion

105 Válka R·ºí

Spirituál Kvintet

Spirituál Kvintet

Am C G Am Am C G Em Am dlouhá noc se prohý - °í. Am C G Am Víno má² a chvilku spánku C G Em Am

1. Víno má² a markytánku

Am Dm Am E derry down, hej, down - a-down, Am Dm Am E nad ztichlým polem vále£ným, derry down. C G E Jen ticho stojí kolkolem, Am Am/G F E a vít¥z plení vlastní zem, Am Dm E Am

1. Uº rozplynul se hustý dým,

díky, díky verbí - °i.

Am C G Am Em rozkaz dá - vá. Am Am Em Am Ostruhami do slabin kon¥ po - há - ní. Am C G Tam na stran¥ polední £ekají ºeny, zla´áky a Am Em slá - va. Am Do výst°el· z karabin zvon uº Am Em Am

2. D°íve neº se rozední kapitán k osedlání

vy - zvá - ní.

je válka r·ºí, derry, derry, derry down-a-down. 2. Ne£ekej soucit od rvá£e, derry down, hej, down-a-down, kdo zabíjí ten neplá£e, derry down. Na t¥le mrtvé krajiny se me£em pí²ou d¥jiny, je válka r·ºí, derry, derry, derry down, a-down. 3. Dva erby, dvojí korouhev, derry down, hej, down-a-down, dva rody ºiví jeden hn¥v, derry down. Kdo zm¥°í, kam se nahnul tr·n,

Am C G Am Víno na kuráº a pomilovat markytánku. Am C G Em Am Zítra na Burgund batalion za - mí - °í. Am C G Am Víno na kuráº a k ránu dv¥ hodiny spánku. Am C G Em Am Díky, díky vám králov²tí verbí - °i.

3. Rozprá²en je batalion, poslední vojáci se k zemi hroutí.

zda k York·m nebo k Lancastr·m, je válka r·ºí, down, derry, derry, derry down, a-down. 4. Dva erby, dvojí korouhev, derry down, hej, down-a-down, v²ak hlína pije jednu krev, derry down. A´ ten, £i druhý p°eºije, vºdy nejvíc ztratí Anglie, je válka r·ºí, down, derry, derry, derry down, a-down.

Na pol²tá°i z kopretin budou v¥£n¥ spát. Nepla£ sladká Marion, verbí°i nové chlapce p°ivedou ti. Za královský hermelín padne kaºdý rád.

Chorus.


106 Mlýny

107 íze¬

Spirituál Kvintet

Spirituál Kvintet

G G7 [: Sly²ím mlýnsky kámen, jak se otá£í, C C7 G já sly²ím mlýnsky kámen, jak se otá£í, H7 Em já sly²ím mlýnský kámen, jak se otá£í, C D G D CG × O - tá - £í, otá£í, otá£í.

G

:] (

2)

C

G

1. Ty mlýny melou celou noc a melou celý den,

C7 G Melou bez výhod a melou stejn¥ v²em, G C G melou doleva, a melou doprava, A D7 Melou pravdu i leº, kdyº zrovna vyhrává, G C G Melou otroká°e, melou otroky, C7 G Melou na minuty, na hodiny, na roky, H7 Em C Meloupomalu a jist¥, ale melou v£as, G D7 G já uº sly²ím jejich hlas.

G

Cmaj7 Em D

1. Kdyº kapky de²t¥ bu²í na rozpá

G

zem,

-

le

-

nou

Cmaj7 G Cmaj7

já touºím celou du²í dát ºivou vodu v²em. Uº v knize knih je psáno: bez vody

Em D G

nel - ze ºít,

Cmaj7

v²ak ne kaºdému je dáno z °eky

G

pravdy

pít.

D

G G7

Já mám ºíze¬, v¥£nou ºí - ze¬,

C

G D

sta£í °íct, kde najdu vláhu a zchladím ºáhu pálivou.

G G7

Ó, já mám ºíze¬, v¥£nou ºí - ze¬,

C

G C G C G C G

sta£í °íct, kde najdu vláhu,

a zmizí ºí - ze¬, ºí - ze¬, ºí - ze¬.

Chorus.

2. Stokrát víc neº slova hladká jeden £in znamená,

2. Ó, já, cht¥l bych aspo¬ na chvíli být mlyná°em,

v²ak musí² zadní vrátka nechat zav°ená. Mn¥ £istá voda schází, mn¥ chybí její t°pyt, vºdy´ z mo°e lºí a frází se voda nedá pít.

pane, já bych mlel, aº by se chv¥la zem, to mi v¥°te, um¥l bych dob°e mlít, já bych v¥d¥l komu ubrat, komu p°itla£it,

Chorus.

ty mlýny £ekají n¥kde za námi, aº zdola zazní na²e volání, aº zazní jeden lidský hlas: no tak uº melte, je £as!

Chorus.

3. Jak vytékají °í£ky zpod úbo£í hor, tak pod o£ními ví£ky já ukrývám sv·j vzdor. Ten pramen vody ºivé má v sob¥ kaºdý z nás, a vytryskne jak gejzír, aº p°ijde jeho £as.

Chorus. (×2)


108 She's Like The Wind

Patrick Swayze (Dirty Dancing)

1. C Em C Em

C

Em C

She's like the wind through my tree

C C

Em

she rides the night next to me.

Em Em

She leads me through moonlight only to burn me with the sun. She's taking my heart, but she doesn't know what she's done.

Am7 Am7

Hm7

Hm7

D

G/G [ Em7

G/D

Cadd9

Feel her breath in my face, her body close to me, can't look in her eyes, she's out of my league.

G

C Em C Em

Just a fool to believe I have anything she needs. . . she's like the wind.

2. I look in the mirror and all I see is a young old man with only a dream. Am I just fooling myself that she'll stop the pain? Living without her, I'll go insane. Feel her breath in my face, her body close to me, can't look in her eyes, she's out of my league.

Chorus. 3. Feel your breath in my face, your body close to me, can't look in your eyes, you're out of my league.

G

G/G [ Em7

G/D

C

G/H Am7 C/D

Just a fool to believe (just a fool to believe. . . ) She's like the wind. . . (×3)


C G

109 Advertising Space

2. Through your eyes the world was burning.

Robbie Williams

Please be gentle I'm still learning.

F

You seemed to say, as you kept turning up.

1. C G x3

C

They poisoned you with compromise.

There's no earthly way of knowing

At what point did you realise,

G

what was in you heart when it stopped going.

Am The whole world shook, a storm was blowing C G through you.

Waiting for God to stop this and up to your neck in darkness. Everyone around you was corrupted, say

C

something.

G

that everybody loves your life but you. A special agent for the man, through Watergate and Vietnam. No one really gave a damn, d'you think the CIA did?

I saw you standing at the gates, when Marlon Brando passed away. You had that look upon your face, advertising space. . . No one learned from your mistakes,

There's no dignity in death,

Am

we let our prophets go to waste. All that's left in any case,

to sell the world your last breath.

F

is advertising space. . .

We're still ghting over everything you left.

C

G

I've seen your daughter, man she's cute. I was scared but I wanted to. Boy she looks a lot like you

I saw you standing at the gates,

Am F

when Marlon Brando passed away.

G

You had that look upon your face, advertising space and. . . No one learned from your mistakes, we let our prots go to waste. All that's left in any case, is advertising space. . .


110 Behind Blue Eyes

3. No one knows what it's like to be mistreated,

The Who

to be defeated, behind blue eyes. And no one knows how to say,

capo -1

Em

that they're sorry,

G6

an' don't worry, I'm not telling lies.

1. No one knows what it's like

Dsus2 Cadd9

to be the bad man,

Chorus.

to be the sad man,

Asus2 behind blue eyes. Em G6 And no one knows what it's like, Dsus2 to be hated, Cadd9 to be fated, Asus2 A

4. No one knows what it's like to be the bad man, to be the sad man, behind blue eyes. . .

Hsus4 ◦◦ ×

• ••

to telling only lies.

C D5 But my dreams, G they aren't as empty, C Dsus2 Em Asus2 Em as my conscience seems to be. Hsus4 C I have hours, only lonely, Dsus2 my love is vengeance, Asus2 Em Asus2 that's never free.

2. No one knows what it's like, to feel these feelings like I do, and I blame you! No one bites back as hard, on their anger, none of my pain an' woe, can show through.

Chorus.


2. Did you know this junkyard slave

111 American Intergalactic Pie

isn't even old enough to shave

(The Saga Begins) Weird Al Yankovich (& Don McClean)

and he can use the Force, they say. Do you see him hitting on the queen, though he's just nine and she's fourteen, yah, he's probably gonna marry her someday. Well, I knew he built C-3PO,

capo 2

and I've heard how fast his pod can go. And we were broke, it's true,

G D Em 1. Am C Em D G D Em Am C Em C D Em Am Em Am Am C G D C G D Em D C G D Em C D7 G C G

so we made a wager or two. He was a prepubescent yin' ace, the minute Jabba started o that race,

A long, long time ago

well, I knew who would win rst place, oh yes, it was our boy.

In a galaxy far away,

Naboo was under an attack.

We started singin'. . . chorus endchorus

And I thought me and Qui-Gon Jinn

3. Now we nally got to Coruscant,

could talk the Federation into

the Jedi Council we knew would want to see how good the boy could be.

maybe cutting them a little slack.

So we took him there and we told the tale, how his midi-chlorians were o the scale,

But their response, it didn't thrill us,

and he might fulll that prophecy.

they locked the doors and tried to kill us.

Oh, the Council was impressed, of course, could he bring balance to the Force?

We escaped from that gas,

They interviewed the kid, oh, training they forbid.

then met Jar Jar and Boss Nass.

Because Yoda sensed in him much fear, and Qui-Gon said Now listen here,

We took a bongo from the scene and

Just stick it in your pointy ear I still will teach this boy.

we went to Theed to see the Queen,

He was singin'. . . chorus

we all wound up on Tatooine

4. We caught a ride back to Naboo,

That's where we found this boy...

G GC G C G C Em D7 D7sus4

'cause Queen Amidala wanted to,

D

I frankly would've liked to stay.

Oh my my this here Anakin guy,

We all fought in that epic war

G

D D

may be Vader someday later now he's just a small fry.

G A7 Em

And he left his home and kissed his mommy goodbye, sayin' Soon I'm gonna be a Jedi, a Jedi.

soon I'm gonna be

and it wasn't long at all before little Hotshot ew his plane and saved the day. And in the end some Gunguns died, some ships blew up and some pilots fried. A lot of folks were croakin', the battle droids were broken. And the Jedi I admire most met with Darth Maul and now he's toast, well, I'm still here and he's a ghost, I guess I'll train this boy.

And I was singin'. . . chorus And we were singin'. . . chorus


112 Don't Download This Song Weird Al Yankovich

G C D Hm C D D 1. Intro. G C Once in a while maybe you will feel the urge Am D G to break international copyright law. Em D By downloading MP3s from le sharing sites F C like Morpheus or Grockster or LimeWire or D Dsus4 D KaZaA.

2. But deep in your heart you know the guilt

4. Don't take away money from artists just like me

D#

'Cause you start out stealing songs then you're robbing liquor stores, and sellin' crack and runnin' over school kids with your car.

G

C

Cm

How else can I aord another solid gold Hum-Vee

G Em These things don't grow on trees A Am D E

And diamond studded swimming pools

So all I ask is everybody, please... Key change.

A

D

E

Esus4

Don't download this song, (oh please don't you

E

would drive you mad, and the shame would leave a permanent scar.

Cm

D#

A

do it, or you)

D E Esus4 E (Remember Tommy!) D D [m D [ D

might wind up in jail like Tommy Chong.

D Dsus4 D Go and buy the CD like you know you should. (Go out and buy it!) G C D Dsus4 D the record store's where you belong. Hm E A Asus4 Oh, don't down load this song. Em Hm H C Go and buy the CD like you know you should, Am D G Gsus4 A D E Esus4 E oh, don't download this song. Don't download this song. (No, no, no, no.) A D E 3. Oh, you don't wanna' mess with the You'll burn in hell before too long! (And you R-I-double-A, Esus4 E they'll sue you if you burn that CD-R. deserve it!) Doesn't matter if you're a grandma or a seven D [m D year old girl, Go and buy the CD (just buy it!) like you they'll treat you like the evil hard-bitten D[ D criminal scum you are. know you should. (you really should) Hm E A Oh, don't download this song. . . So don't Download this song, (don't go) pirating music all day long. Hm E A So don't download this song,

Go and buy the CD like you know you should

Oh, don't. . . download this. . . song. . .

Oh, don't download this song


113 A Complicated Song

2. I was, feeling pretty down, till my girlfriend

Weird Al Yankovich (& Avril Lavigne)

came around. We're just so alike in every way, I've gotta say. In fact, I just thought I might pop the question there that night.

capo 1

I was kissing her so tenderly, but woe is me!

G 1. Pizza, party at your house. Em I went, just to check it out. C Nineteen extra larges, D what a shame no one came. G Just us eating all alone, Em you said take the pizza home. C No sense letting all this D go to to waste, so then I faced C pizza all day, and every day Em cheese round the clock, its getting me blocked C and i sure don't care, for irregularities D tell me. . .

Em

C

D

constipated, 'cause right now I'd do

Em C G anything at all to get my bowels evacuated, D in the bathroom. Em C G And I sit, and I wait, and I strain, and I sweat, D and I clench and I feel the pain oh, Am should I take a laxitive or have my colon C irrigated. No, no, no.

I suddenly spied, tattoed on her thigh. And sun of a gun, its just like the one on me, tell me. . . How was I supposed to know that we were both related, believe me if I knew she was my cousin we never would have dated. What to do now? Should I go ahead and propose, and get hitched, and have kids with eleven toes? And move to Alabama where that kind of thing is tollerated. . .

G

Em

C D

3. No, no, no. No, no, no. No, no, no. No. . . I had so much on my mind, I thought, maybe I'd unwind, try out that new roller-coaster ride, and the guide said not to stand, but thats a demand that I couldnt meet, so I got on my feet, and stood up instead, and knocked of my head, you see. Tell me. . . Why'd I have to go and get myself

Why'd you have to go and make me so

G

Who would have guessed, her family crest,

decapitated? This really is a major inconvenience oh man I really hate it. Such a drag now. I can't eat, I can't breathe, I can't snore, I can't belch or yodell any more, can't spit or blow my nose or even read sports illustrated. . . Oh no. Why'd I have to go and get myself all mutilated? I gotta tell you, life without a head kinda makes me irritated. What a bummer. I can't blink, I can't cough, I can't sneeze, but my neck is enjoyng a pleasant breeze now. I've never been the same since my head an' me were seperated. No, no, no.


114 Gummie Bears (Bonus :-)) Walt Disney

G C G C

Bompibjøøørn! Spretter fram når han vil ta sin tørn. Spør om hva du ønsker og det gjør'n. Sånn er en bompibjørn.

Em C G G C D Em C G C D G

Gummibären, hüpfen hier und dort und überall.

1. Rázní a sm¥lí a s hrdými £ely,

Sie sind für dich da wenn du sie brauchst, das sind die Gummibären.

cht¥jí se d¥lit o záºitky své.

Hipp hurra! För här kommer bumbibjörnarna,

Hlubokým lesem se jejich zp¥v nese,

studsar fram igenom sagorna, och vi får följa med!

nebojme se, ºe jsou nemluvové.

G Em C D Mé¤ové,

D G Em C D G G Em C

ská£ou jako mí£ky gumové,

v p°íb¥zích, jeº mají úrove¬,

Gumídci mé¤ové.

Les Gummis, tout pour la famille, c'est leur devise. Main dans la main, rien ne les divise. Nos amis les Gummis.

Bubbi bjørn, hopper op og ned og hid og did, helt fortryllet når han ta'r sin tørn. Så'n er en bubbi bjørn.

2. Kouzla a divy jdou staletí s nimi, i tajemství ²´ávy, jeº nedají si vzít. Jsou hrdí a v¥dí, ºe silou medv¥dí,

(Mi²ki Gammi, nas rassme²at zabavnimi priºkami.

se kdykoliv budou za správnou v¥c bít.

V gostjach u nich my pobivaem s vami, v strane

3. Dashing and daring, courageous and caring,

vol²ebnoj Gammi.)

faithful and friendly with stories to share. All through the forest they sing out in chorus,

Gummi beer, springend red ik mij weer, keer op keer.

marching along as their song lls the air.

Daarom heet ook een Gummi beer. Ik ben een Gummi beer.

Gummie Bears, bouncing here and there and Zobacz sam, jak Gumisie skacz¡ tam i siam.

everywhere,

Bo Gumisie caªy ±wiat ju» zna, Gumi± to fajny mi±.

high adventures, that's beyond compare. They are the Gummie Bears

4. Magic and mystery are part of their history,

Gummis son, dando saltos entran en acción, aparecen en cualquier rincón, los Osos Gummi son.

along with the secret of Gummie Berry Juice. The legend is growing, they take part in knowing, they ght for what's right in whatever they do.

Rajta hát! Bárhogy bömböl tombol zúg a vész. Bátor küzdelemre harcra kész. Ilyen a mackó nép.

5. Sú dobrí a stato£ní, rýchli a smelí, bystrí a verní, to svet o nich vie.

Gammi Bear. Bokura no nakama Gammi Bear.

enú sa lesom a piese¬ im velí,

Saala kyou mo tobidasou. Bouken ga matteru.

medvedia piese¬ uº z¤aleka znie. Venované ve©k¬azovi Linhartovi. ;-)

Gumká£i, hne¤ ich spozná² priamo pri práci, to, £o robia, sa ti zapá£i, uº sú tu Gumká£i.

6. Do rí²e záhad sa vyprávi² s nimi, iste ti dajú svoj sladký gumidºús. O chví©u spozná² ich odváºne £iny, tak aj ty bu¤ smelý a s nimi to skús.


šabiakov Spevní ek 2 Baby It's You The Beatles

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