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Veilig gebruik van het toestel
VEILIG GEBRUIK VAN HET TOESTEL INSTRUCTIES TER VOORKOMING VAN BRAND, ELEKTRISCHE SCHOKKEN OF VERWONDING VAN PERSONEN
Over
WAARSCHUWING en
OPGEPAST
Wordt gebruikt voor instructies die de gebruiker wijzen op levensgevaar of WAARSCHUWING ernstige verwondingen bij onjuist gebruik van het toestel.
OPGEPAST
Wordt gebruikt voor instructies die de gebruiker wijzen op het risico op verwondingen of materile schade bij onjuist gebruik van het toestel. * Materile schade verwijst naar schade of andere ongunstige effecten die aan het huis en de hele inboedel, huisdieren inbegrepen, worden toegebracht.
Over de Symbolen Het -symbool maakt de gebruiker attent op belangrijke instructies of waarschuwingen. De juiste betekenis van het symbool wordt bepaald door de tekening in de driehoek. Het symbool hier links duidt op algemene verwittigingen of waarschuwingen, of vestigt de aandacht op gevaar. Het -symbool maakt de gebruiker attent op zaken die nooit mogen worden uitgevoerd (verboden zijn). De tekening in de cirkel geeft aan wat er precies verboden is. Het symbool hier links betekent dat het toestel nooit mag worden gedemonteerd. Het ● -symbool maakt de gebruiker attent op zaken die moeten worden uitgevoerd. De tekening in de cirkel geeft aan wat er precies dient te gebeuren. Het symbool hier links betekent dat de stekker van de stroomkabel moet worden uitgetrokken.
NEEM STEEDS HET VOLGENDE IN ACHT
Waarschuwing • Gelieve onderstaande instructies en de handleiding te lezen vooraleer u dit toestel gebruikt. .......................................................................................................... • Maak het toestel niet open of breng geen interne wijzigingen aan. (Met als enige uitzondering: daar waar deze handleiding specifieke instructies geeft voor de installatie van optionele onderdelen; zie QuickStart p. 8.) .......................................................................................................... • Probeer het toestel niet zelf te herstellen en vervang geen onderdelen (behalve wanneer deze handleiding specifieke instructies hiertoe geeft). Ga voor alle onderhoud naar uw handelaar, naar een Roland Service Center of naar een erkende Roland-verdeler. (Zie de "Informatie"-pagina. .......................................................................................................... • Gebruik of plaats het toestel niet op plaatsen die: • Onderhevig zijn aan extreme temperaturen (vb. direct zonlicht in een gesloten voertuig, nabij een verwarmingsleiding, bovenop toestellen die warmte opwekken); • Nat of vochtig zijn (vb. badkamers, wasplaatsen, op natte vloeren); • Blootgesteld zijn aan de regen; • Stoffig zijn; • Onderhevig zijn aan sterke trillingen. .......................................................................................................... • Zorg dat het toestel altijd waterpas en op een stabiele basis staat. Plaats het nooit op een wankel statief of op een hellend oppervlak. .......................................................................................................... • Dit toestel mag enkel aangesloten worden op een stroombron van het type dat in de handleiding beschreven wordt, of dat vermeld wordt op het toestel. .......................................................................................................... • Beschadig het elektrische snoer niet. Buig het niet overmatig, ga er niet op staan, plaats er geen zware voorwerpen op, enz. Gebruik nooit een beschadigd snoer; dit kan electrocutie of brand veroorzaken! ..........................................................................................................
Waarschuwing • Dit toestel, alleen of in combinatie met een versterker en een hoofdtelefoon of luidsprekers, zou een geluidsniveau kunnen produceren dat permanente gehoorschade kan veroorzaken. Vermijd langdurig gebruik bij een hoog of onaangenaam volumeniveau. Als u enig gehoorverlies of suizende oren gewaar wordt, staak dan onmiddellijk het gebruik van dit toestel en raadpleeg een gehoorspecialist. .......................................................................................................... • Zorg dat er geen voorwerpen (bv. brandbare materialen, muntstukken, naalden) of vloeistoffen (water, frisdrank, enz.) in het toestel kunnen binnendringen. .......................................................................................................... • In gezinnen met kleine kinderen dient een volwasene toezicht te houden tot de kinderen in staat zijn het toestel te gebruiken in overeenstemming met de veiligheidsvoorschriften. .......................................................................................................... • Bescherm het toestel tegen zware schokken. (Laat het niet vallen!) .......................................................................................................... • Sluit de stroomkabel van dit toestel niet samen met een overdreven aantal andere toestellen aan op hetzelfde stopcontact. Wees voorzichtig met verlengsnoeren: het totale vermogen van alle toestellen aangesloten op het verlengsnoer mag nooit het nominale vermogen (watt/ampère) van het verlengsnoer overschrijden. Een overdreven belasting kan de isolatie van het snoer doen opwarmen en zelfs doen doorsmelten. .......................................................................................................... • Voor u dit toestel in het buitenland gebruikt, gelieve uw handelaar, een Roland Service Center of een erkende Roland-verdeler te raadplegen. Zie de “Informatie”-pagina. .......................................................................................................... • Houd lithiumbatterijen buiten bereik van kleine kinderen. Als een kind per ongeluk een batterij zou inslikken, roep dan onmiddellijk een arts.
3
Waarschuwing Lithiumbatterijen mag u nooit herladen, verwarmen, uit elkaar halen, of in vuur of water gooien.
.......................................................................................................... • Schakel steeds het toestel uit en trek de stekker uit het stopcontact voordat u begint met de installatie van het circuit board (model no. VS8F-2; QuickStart p. 8). .......................................................................................................... • Speel NOOIT een CD-ROM disc af op een gewone audio CD-speler. Het resulterende geluid zou permanente gehoorschade kunnen veroorzaken. U riskeert ook schade aan de luidsprekers of aan andere componenten van uw geluidssysteem. ..........................................................................................................
•
Opgepast • Plaats het toestel zodanig dat een goede ventilatie ten allen tijde verzekerd is. .......................................................................................................... • Neem de stroomkabel uitsluitend met de stekker vast wanneer u hem in een stopcontact of in dit toestel steekt, of wanneer u hem uittrekt. .......................................................................................................... • Tracht te voorkomen dat kabels en snoeren verstrikt geraken. Hou alle kabels en snoeren buiten het bereik van kinderen. .......................................................................................................... • Klim nooit bovenop het toestel of plaats er geen zware voorwerpen op. .......................................................................................................... • Neem de stroomkabel of de stekkers nooit vast met natte handen wanneer u ze in een stopcontact of in dit toestel steekt, of wanneer u ze uittrekt. .......................................................................................................... • Trek de stekker uit het stopcontact en koppel alle externe apparaten af, alvorens het toestel te verplaatsen. .......................................................................................................... • Zet het toestel uit en trek de stroomkabel uit, alvorens het toestel schoon te maken (p. 34). .......................................................................................................... • Trek de stekker uit het stopcontact wanneer u gevaar voor blikseminslagen vermoedt. .......................................................................................................... • Gebruik enkel het opgegeven type (model no. CR2032) van lithiumbatterij (QuickStart p. 11). Plaats ze op de correcte manier in het toestel (let op de polariteit). .......................................................................................................... • Gebruikte lithiumbatterijen moeten verwerkt worden in overeenstemming met de milieuwetgeving van het land of de streek waar u woont. .......................................................................................................... • Installeer enkel de opgegeven circuit board(s) (model no. VS8F-2). Verwijder enkel de aangeduide schroeven (p. 13). .......................................................................................................... • Indien u de kapjes van de optische connectors of schroeven zou verwijderen, hou ze dan buiten bereik van kinderen, zodat die ze niet per ongeluk kunnen inslikken. ..........................................................................................................
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BELANGRIJKE OPMERKINGEN Gelieve naast de items onder “VEILIG GEBRUIK VAN HET TOESTEL” op pag. 3 en 4, ook de volgende zaken in acht te nemen:
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5
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6
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Omgaan met CD-R/RW Discs
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Mixerinstellingen opnemen en weergeven (Automix) ...................... 63 'H$XWRPL[LQVWHOOHQ 'HPL[HULQVWHOOLQJHQRSQHPHQ 5HDOWLPH 'H$XWRPL[ZHHUJHYHQ 'HPL[HULQVWHOOLQJHQRSQHPHQ 6QDSVKRW 'HDDQJHGXLGHSDUWRSQLHXZRSQHPHQ 'HNDQDOHQVSHFLILsUHQ &KDQQHO3XQFK,Q 6HJPHQWDIEDNHQHQ 7RWDO3XQFK,Q $XWRPL[GDWDHGLWHQ (GLWLQJ(YHQWVHOHFWHUHQ 7DUJHW6HOHFW $XWRPL[HYHQWVQDDUHHQDQGHUHWLMGVSRVLWLHNRSLsUHQRIYHUSODDWVHQ /HJHUXLPWHLQYRHJHQ 'DWDYHUZLMGHUHQXLWHHQEHSDDOGJHELHG &XW(UDVH $OOHGDWDZDDUGHQYHUKRJHQRIYHUODJHQ 6KLIW&RPSUHVVLRQ([SDQG 9ORHLHQGHRYHUJDQJHQLQGHGDWD *UDGDWLRQ $XWRPL['DWDZLM]LJHQ 0LFUR(GLW
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Waar wordt een Performance opgenomen? (Project) 'HORFDWLHZDDUSHUIRUPDQFHGDWDZRUGHQRSJHQRPHQ QRHPHQZHHHQ´SURMHFWµ2SHHQPHHUVSRUHQEDQGRSQHPHU ]RXGLWRYHUHHQVWHPPHQPHWHHQFDVHWWH,QHONHSDUWLWLHNXQW XWRWSURMHFWHQYRRUGH5RODQG96VHULHRSVODDQ 1RUPDDOJH]LHQVWHOWXGHSDUWLWLHJURRWWHLQRS*%'H VRQJGLHPRPHQWHHOZRUGWRSJHQRPHQZHHUJHJHYHQRI JHsGLWQRHPHQZHKHW´KXLGLJHSURMHFWµ'HYROJHQGHW\SHV YDQGDWDPDNHQGHHOXLWYDQHHQSURMHFW $OOHGDWDRSJHQRPHQRSGH97UDFNV
Disk Drive (40GB)
0,',FORFNVYDQGHV\QFWUDFN
Partitie 0 (10GB)
Partitie 1 (10GB)
3XQWHQDDQJHGXLGELQQHQSURMHFWHQORFDWRUPDUNHU SXQFKLQRXWSRLQWVORRSLQRXWSRLQWV
Partitie 2 (10GB)
Partitie 3 (10GB)
6FHQHV PL[HULQVWHOOLQJHQ 9DUL3LWFKLQVWHOOLQJHQ
9E (HQKDUGHVFKLMIYDQ*%PHWHHQSDUWLWLHJURRWWHYDQ 0% *% fig.03-02_90
(IIHFWLQVWHOOLQJHQ
Disk Drive (40GB) Partitie 0 (2GB)
Partitie 1 (2GB)
Partitie 2 (2GB)
Partitie 3 (2GB)
Partitie 4 (2GB)
Partitie 5 (2GB)
Partitie 6 (2GB)
Partitie 7 (2GB)
Partitie 8 (2GB)
Partitie 9 (2GB)
Partitie 10 (2GB)
Partitie 11 (2GB)
Partitie 12 (2GB) onbruikbaar (14GB)
6\VWHHPLQVWHOOLQJHQ²6\VWHPSDUDPHWHUV0,', SDUDPHWHVUGLVNSDUDPHWHUVV\QFSDUDPHWHUVVFHQH SDUDPHWHUV $XWRPL[GDWD
Signaalbronnen, sporen en kanalen ,QGH]HKDQGOHLGLQJJHEUXLNHQZHGHWHUPHQ ´ VLJQDDO EURQµ´VSRRUµ WUDFN ´WUDFNPL[HUµ´LQSXW PL[HUµHQ´NDQDDOµ]HHUYDDNZDQQHHUKHWJDDWRYHUKHW UHFRUGHUHQPL[HUJHGHHOWHYDQGH96 6LJQDDOEURQ 'H]HWHUPYHUZLMVWQDDUHHQVLJQDDOGDWELQQHQNRPWYLD HHQDQDORJHLQSXWMDFN ² RIHHQGLJLWDOLQFRQQHFWRU 237,&$/&2$;,$/5%86 RIQDDUHHQVLJQDDO GDWELQQHQNRPWRSHHQNDQDDOGDWDDQHHQVSRRU
25
Voordat u begint
WRHJHZH]HQLVYRRURSQDPH 6SRRU 7UDFN 'H]HWHUPYHUZLMVWQDDUHHQORFDWLHZDDUHHQVLJQDDO ZRUGWRSJHQRPHQRIZHHUJHJHYHQ'H96KHHIW VSRUHQZDDURSXVLJQDOHQDI]RQGHUOLMNNXQWRSQHPHQHQ WHJHOLMNHUWLMGNXQWZHHUJHYHQ'LWQRHPHQZHGH ´I\VLHNHVSRUHQµ(ONI\VLHNVSRRUEHVWDDWGDQQRJHHQV XLW´YLUWXHOHVSRUHQ 97UDFNV µ$DQHONI\VLHNVSRRU LVHU]RppQYLUWXHHOVSRRUWRHJHZH]HQYRRURSQDPHRI ZHHUJDYH 0DZXNXQW97UDFNV RSHHQWRWDDOYDQ 97UDFNV WRHZLM]HQDDQGHI\VLHNHVSRUHQHQ]H JHEUXLNHQ 7UDFN0L[HU 'LWLVHHQNDQDDOVPL[HUZDDUPHHXKHWYROXPHHQGH WRRQYDQGHZHHUJDYHVLJQDOHQYDQGHI\VLHNHVSRUHQ UHJHOWHQZDDUPHHXGHHIIHFWHQWRHSDVW ,QSXW0L[HU 'LWLVHHQNDQDDOVPL[HUZDDUPHHXKHWYROXPHHQGH WRRQUHJHOWHQGHHIIHFWHQWRHSDVWYRRUGHLQSXW VLJQDOHQGLHXLQGHLQSXWSDWFKED\KHEWJHNR]HQXLWGH VLJQDDOEURQQHQ 'HDQDORJHLQSXWMDFNV ² HQGH GLJLWDOLQFRQQHFWRUV 237,&$/&2$;,$/5%86 .DQDDO 'LWYHUZLMVWQDDUGHHHQKHGHQZDDULQKHWJHOXLGELQQHQ GHLQSXWPL[HURIWUDFNPL[HULQGLYLGXHHOYHUZHUNW ZRUGWRIQDDU]XONHHQLQGLYLGXHHOVLJQDDO'H]HWHUP YHUZLMVWVSHFLILHNQDDUGHIDGHUVHQNQRSSHQYDQKHW PL[HUJHGHHOWHRSKHWYRRUSDQHHO
Takes en Phrases 2SGH96ZRUGHQGHGDWDEHKDQGHOGLQJURHSHQGLHZH ´WDNHVµHQ´SKUDVHVµQRHPHQ 7DNHV 'HGDWDGLHRSJHQRPHQ]LMQRSGHGLVNQRHPHQZHHHQ ´WDNHµ³HHQWDNHLVHLJHQOLMNJHZRRQXZRSJHQRPHQ DXGLRGDWDVDPHQPHWHHQWLMGVPDUNHULQJ GDWXPHQ XXU (ONHRSQDPHLVHHQWDNH:DQQHHUXPDWHULDDO RSQHHPWRSHHQVSRRUGDWUHHGVHHQWDNHEHYDWGDQ YHUZLMGHUWGH96GHHHUGHUHWDNHQLHW 3KUDVHV (HQ´SKUDVHµLVHHQGHHOYDQHHQWDNHHQEHVWDDWGXV HLJHQOLMNORXWHUXLWVWDUWHQVWRSFR|UGLQDWHQGLH DDQJHYHQZHONVWXNYDQGHWDNHPRHWZRUGHQ ZHHUJHJHYHQ(pQIUDVHNDQHHQYROOHGLJHWDNHEHVODDQ PDDUXLWppQWDNHNXQWXRRNPHHUGHUHIUDVHVKDOHQGLH XELMYRRUEHHOGDOVEUHDNEHDWVJHEUXLNW'LWZRUGW JUDILVFKYRRUJHVWHOGGRRUppQEDON
26
Events 'HNOHLQVWHJHKHXJHQHHQKHLGGLHGH96JHEUXLNWRP RSJHQRPHQGDWDRSGLVNRSWHVODDQKHHW´HYHQWµ(HQ QLHXZDDQJHPDDNWHVRQJNDQEHVFKLNNHQRYHURQJHYHHU HYHQWV 3HUVSRRUQHHPWHONHRSQDPHEHXUWWZHHHYHQWVLQEHVODJ +DQGHOLQJHQ]RDOVSXQFKLQRXWRIWUDFNFRS\JHEUXLNHQ RRNHYHQWV+HWDDQWDOHYHQWVGDWJHEUXLNWZRUGWKDQJWDI YDQZHONHKDQGHOLQJXXLWYRHUW=HOIVDOVHUYROGRHQGHYULMH UXLPWHLVRSXZGLVNLVKHWPRJHOLMNGDWpp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ppQOHYHO
Mixer-gedeelte 'HGLJLWDOHPL[HUVSHFLILHHUWGHLQSXWRIRXWSXWVWDWXVYDQ KHWUHFRUGHUJHGHHOWH 'H96KHHIWHHQLQSXWSDWFKED\GLHGHURXWLQJEHSDDOW YDQGHVLJQDOHQYDQGHLQSXWMDFNVQDDUGHLQSXWPL[HUGLH ]LFKYyyUGHUHFRUGHUEHYLQGW QDDUGHWUDFNPL[HUGLH]LFK QDGHLQSXWPL[HUHQKHWUHFRUGHUJHGHHOWHEHYLQGW QDDUGH HIIHFWUHWXUQPL[HUGLHGHHIIHFWUHWXUQVLJQDOHQDDQVWXXUWHQ QDDUKHWPDVWHUEORFNGDWEHSDDOWYLDZHONHRXWSXWMDFNVGH VLJQDOHQYDQHONHPL[HUZRUGHQXLWJHVWXXUG 9RRUPHHUGHWDLOVRYHUKHWPL[HUJHGHHOWH]LH´96 0L[HU%ORFN'LDJUDPµ %LMJHYRHJGVFKHPD
Signaalroute (Busses) 2SGH96ORSHQGHVLJQDOHQGRRUEXVVHQ%XVVHQ]LMQ JHPHHQVFKDSSHOLMNHOLMQHQGRRUGHZHONHPHHUGHUHVLJQDOHQ RSHIILFLsQWHZLM]HQDDUPHHUGHUHVSRUHQRINDQDOHQZRUGHQ JHVWXXUG+HWZRUGWPLVVFKLHQZDWGXLGHOLMNHUDOVZHGLW YHUJHOLMNHQPHWGHZDWHUOHLGLQJLQHHQKXLV
Voordat u begint
%LMYRRUEHHOGKHWZDWHUGDWGRRUGHZDWHUPDDWVFKDSSLMDDQ
'LWZRUGWJHEUXLNWRPHHQHLQGPL[WHEHOXLVWHUHQYLD
XZKXLVZRUGWJHOHYHUGZRUGWDIJHWDNWQDDUYHUVFKLOOHQGH
HHQH[WHUQ3$V\VWHHPRIRPPDVWHUWDSHVRSWHQHPHQ PHWHHQ'$7RIHHQDQGHUHUHFRUGHU
SODDWVHQLQKHWKXLV NHXNHQEDGNDPHUWRLOHWHQ] +HW ZDWHUGDWRSDOGH]HSODDWVHQZRUGWJHEUXLNWZRUGWQDGLHQ DIJHYRHUGQDDUGHULRRO
GHWUDFNPL[HUHQVWXXUW]HQDDUGHLQWHUQHHIIHFWHQ8 NXQWRRNHHQVLJQDDOYDQGH$8;$RI$8;%RXWSXW
fig.03-04j_45
Gootsteen keuken
Uw huis
Badkuip
$8;%XV 'H]HPL[WPD[LPDDODFKWVLJQDOHQYDQGHLQSXWPL[HURI
Toilet
MDFNVXLWVWXUHQQDDUHHQH[WHUQHIIHFWDSSDUDDW8NXQW YRRUGHPRQLWRUVHHQDQGHUHPL[PDNHQGDQYRRUGH PDVWHURXWMDFNVRIHHQVXUURXQGPL[PDNHQYRRUHHQ INPUT (van de waterleiding naar het huis)
OUTPUT (naar de riool)
Boiler
Wasbak Koud water (Bus) Afvoer (Bus) Warm water (Bus)
$OVZHQXHYHQVWHOOHQGDWGH96KHWKXLVLVGDQ NXQQHQZHLQSXWV]RDOVPLFRIJXLWDUYHUJHOLMNHQPHWKHW DDQJHOHYHUGHZDWHU6RPPLJHYDQGH]HLQSXWVZRUGHQQDDU RSQDPHVSRUHQJHVWXXUGHQZRUGHQRSJHQRPHQ$QGHUH ZRUGHQQDDUGHHIIHFWHQJHVWXXUGHQHUZRUGWUHYHUERI FKRUXVRSJH]HWYRRUGDW]HXLWJHVWXXUGZRUGHQ fig.03-05j_45 MASTER
(dB)
6
R
4 0 4 8 12 18
Effect
24 42 L
Master Out Effect
Signaalbron (Analoge INPUT1--16, COAXIAL, OPTICAL, R-BUS 1/2)
Master Fader
Recorder (1--24)
PXOWLVSHDNHUV\VWHHPWRWDFKWOXLGVSUHNHUV'HRXWSXW UHWXUQ YDQGHHIIHFWHQNDQRRNQDDUGH$8;EXV JHVWXXUGZRUGHQ]RGDWXPHHUGHUHHIIHFWHQDFKWHU HONDDUNXQWVFKDNHOHQ %RYHQGLHQNXQWXGHVLJQDOHQYDQGH$8;EXVQDDUGH 5(&EXVVWXUHQYRRURSQDPH ',5 'LUHFW 3DWK 'LWNXQWXJHEUXLNHQ]RDOVHHQ$8;EXVPDDUKHW YHUVFKLOPHWHHQ$8;EXVLVGDWXVOHFKWVppQHQNHO VLJQDDOQDDUppQHQNHO',5SDWKNXQWVWXUHQ
Patch Bay 'H]HVHFWLHEHSDDOWQDDUZHONNDQDDOYDQGHLQSXWPL[HUGH VLJQDOHQYDQGHDQDORJHLQSXWMDFNVHQGHGLJLWDOLQ FRQQHFWRUZRUGHQJHVWXXUG'HLQSXWSDWFKED\EHYLQGW]LFK YyyUGHLQSXWPL[HU fig.03-06_75
Input Mixer (1--24)
Patch Bay (Analoge Input 1–16, COAXIAL, OPTICAL, R-BUS 1/2)
Track Mixer (1--24)
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
naar INPUT MIXER 1, 2 Analoge INPUT 1, 2 Analoge INPUT 3, 4 : Analoge INPUT 13, 14 Analoge INPUT 15, 16 COAXIAL OPTICAL
naar INPUT MIXER 3, 4 naar INPUT MIXER 5, 6 naar INPUT MIXER 7, 8 naar INPUT MIXER 9, 10 naar INPUT MIXER 11, 12 naar INPUT MIXER 13, 14 naar INPUT MIXER 15, 16 naar INPUT MIXER 17, 18
R-BUS1
naar INPUT MIXER 19, 20 naar INPUT MIXER 21, 22
R-BUS2
naar INPUT MIXER 23, 24
Input Mixer 'LWLVHHQNDQDDOVPL[HUZDDUPHHXKHWYROXPHHQGHWRRQ UHJHOWHQGHHIIHFWHQWRHSDVWRSGHLQSXWVLJQDOHQGLHXLQ GHLQSXWSDWFKED\VHOHFWHHUW
27
Voordat u begint
fig.03-07_50
fig.03-09_45 Recorder
Track Mixer (Track Mixer Kanalen 1–24)
Input Mixer (Input Mixer Kanalen 1–24) REC 1
Patch Bay
Spoor 1
EQ1
Fader1
Pan1
Spoor 2
EQ2
Fader2
Pan2
Spoor 3
EQ3
Fader3
Pan3
MIX L/R (MASTER)
REC 2 REC 3
EQ1
Fader1
Pan1
EQ2
Fader2
Pan2
EQ3
Fader3
Pan3
MIX L/R (MASTER)
REC 4 REC 5
REC 1 (Recorder)
REC 6 REC 7
Spoor 4
EQ4
Fader4
Pan4
Spoor 5
EQ5
Fader5
Pan5
Spoor 6
EQ6
Fader6
Pan6
Spoor 7
EQ7
Fader7
Pan7
Spoor 8
EQ8
Fader8
Pan8
Spoor 9
EQ9
Fader9
Pan9
REC 8 REC 9
Pan4
Fader4
REC 1 (Recorder)
REC 11
:
REC 14(Recorder) REC 15(Recorder)
Fader21
Pan21
REC 15 (Recorder)
Spoor 10
EQ10
Fader10
Pan10
EQ22
Fader22
Pan22
REC 16 (Recorder)
Spoor 11
EQ11
Fader11
Pan11
EQ23
Fader23
Pan23
Spoor 12
EQ12
Fader12
Pan12
Spoor 13
EQ13
Fader13
Pan13
Spoor 14
EQ14
Fader14
Pan14
Spoor 15
EQ15
Fader15
Pan15
8NXQWGHRXWSXWYDQNDQDOHQWRHZLM]HQDDQGH5(&EXV VSRUHQ YRRURSQDPH.DQDOHQGLHQLHWWRHJHZH]HQ]LMQDDQ GH5(&EXVZRUGHQQDDUGH0,;EXVJHVWXXUG
Spoor 16
EQ16
Fader16
Pan16
Spoor 17
EQ17
Fader17
Pan17
Spoor 18
EQ18
Fader18
Pan18
Spoor 19
EQ19
Fader19
Pan19
$OVKHWWRHJHZH]HQVSRRULQ5HFRUGVWDWXVVWDDW 67$786 LQGLFDWRUEUDQGWURRG RILQ5HFRUGUHDG\VWDWXV 67$786 LQGLFDWRUNQLSSHUWURRG GDQZRUGWGHRXWSXWYDQKHW RYHUHHQNRPVWLJHNDQDDOQLHWQDDUGH0,;EXVJHVWXXUG
Spoor 20
EQ20
Fader20
Pan20
Spoor 21
EQ21
Fader21
Pan21
Spoor 22
EQ22
Fader22
Pan22
Spoor 23
EQ23
Fader23
Pan23
Spoor 24
EQ24
Fader24
Pan24
Fader24
REC 12(Recorder) REC 13(Recorder)
EQ21
EQ24
REC 10(Recorder) REC 11(Recorder)
REC 16
:
REC 8(Recorder) REC 9(Recorder)
REC 14 REC 15
REC 6(Recorder) REC 7(Recorder)
REC 12 REC 13
REC 2 (Recorder)
REC 4(Recorder) REC 5(Recorder)
REC 10
EQ4
REC 2 (Recorder) REC 3(Recorder)
REC 16(Recorder)
Pan24
fig.03-08j_50
PAD PUSH 20 dB
Master Out
$OOHVSRUHQZRUGHQXLWJHVWXXUGYLDGH0$67(5MDFNV %RYHQGLHQNXQWXGHVSRUHQRRNWHUXJOHLGHQQDDUGH5(& EXVYRRURYHUGXEELQJRIRPGHRSQDPHRYHUWHGRHQ fig.03-10_90
SENS dBu
+14 -6
Signaalbron (Analog INPUT1--16, COAXIAL, OPTICAL, R-BUS1/2)
-44 -64
Sens-knop/ Pad Switch (1--16)
Input Mixer (1--24)
VS-2480 Recorder (1--24)
Master out
Track Mixer 0HWGH]HNDQDDOVPL[HUUHJHOWXKHWYROXPHGHWRRQHQGH HIIHFWHQYRRUGHZHHUJDYHVLJQDOHQYDQGHI\VLHNHVSRUHQ
Signaalbron (spoor)
Track Mixer (1-24)
Recorder
$OVQXKHWWRHJHZH]HQVSRRULQ5HFRUGVWDWXV 67$786 LQGLFDWRUEUDQGWURRG RI5HFRUGUHDG\VWDWXV 67$786 LQGLFDWRUNQLSSHUWURRG VWDDWGDQZRUGWKHWQLHWQDDUGH 0,;EXVJHVWXXUG
Effect Return Mixer 'H]HPL[HUUHJHOWKHWUHWXUQOHYHOGHEDODQVYDQGHLQWHUQH HIIHFWHQGLHLQHHQHIIHFWOXVJHVFKDNHOG]LMQ
28
Voordat u begint
Recorder-gedeelte
fig.03-11_65
FX Return Mixer
FX1 Return
FX2 Return
FX3 Return
FX1 RTNLev
FX1 RTNBal
MIX L/R (MASTER)
FX2 RTNLev
FX2 RTNBal
FX3 RTNLev
FX3 RTNBal
FX4 RTNLev
FX4 RTNBal
FX5 RTNLev
FX5 RTNBal
FX6 RTNLev
FX6 RTNBal
FX7 RTNLev
FX7 RTNBal
REC 1 (Recorder) REC 2 (Recorder) REC 3 (Recorder) REC 4 (Recorder) REC 5 (Recorder) REC 6 (Recorder) REC 7 (Recorder) REC 8 (Recorder) REC 9 (Recorder) REC 10 (Recorder) REC 11 (Recorder) REC 12 (Recorder) REC 13 (Recorder) REC 14 (Recorder) REC 15 (Recorder) REC 16 (Recorder)
FX8 RTNLev
FX8 RTNBal
(ONNDQDDONDQQDDUGH0,;EXVGH$8;EXVHQKHW',5 SDWKJHVWXXUGZRUGHQ8NXQW]HRRNDDQGHUHFRUGLQJEXV WRHZLM]HQYRRURSQDPH
Master Block +LHUZRUGWEHSDDOGQDDUZHONHMDFNVRIFRQQHFWRUV DDQJHVORWHQRSH[WHUQHDSSDUDWXXU KHWVLJQDDOYDQGH YHUVFKLOOHQGHPL[HUVZRUGWJHVWXXUG
Verschillen met een meersporen bandrecorder ,QWHJHQVWHOOLQJWRW'$7UHFRUGHUVGLHRSEDQGRSQHPHQ QHPHQGLJLWDOHGLVNUHFRUGHUVSHUIRUPDQFHV JHOXLG RSRS HHQVFKLMIQHWDOV0'UHFRUGHUV0X]LHNGLHRSJHQRPHQLV RSVFKLMINDQRQPLGGHOOLMNRSJHURHSHQHQZHHUJHJHYHQ ZRUGHQRQJHDFKWRSZHONHSODDWVRSGHVFKLMI]H]LFK EHYLQGW'LWPHUNWXRRNDDQKHWYHUVFKLOLQVQHOKHLG ZDDUPHHXQDDUKHWEHJLQYDQHHQVRQJNXQWJDDQRSHHQ '$7UHFRUGHUHQRSGH96 'HPRJHOLMNKHLGRPYULMGDWDRSWH]RHNHQRQJHDFKWKHW PRPHQWRIGHYROJRUGHYDQRSQDPHQRHPHQZHrandom access ZLOOHNHXULJHWRHJDQJ 'DDUWHJHQRYHUVWDDW sequential access VHTXHQWLsOHWRHJDQJ ZDDUELMKHW RS]RHNHQYDQGDWDJHERQGHQLVDDQGHYROJRUGHYDQ RSQDPH fig.03-13
Random Access
fig.03-12
Master Block MASTER L/R MASTER L/R MONITOR L/R
AUX A L/R
Sequential Access
AUX B L/R MONITOR L/R
AUX 1 AUX 2
PHONES 1 L/R
AUX 3 AUX 4
PHONES 2 L/R
AUX 5 AUX 6
COAXIAL
AUX 7 AUX 8
OPTICAL
Spoorminuten en opnametijd %LMFDVVHWWHRIEDQGUHFRUGHUVZRUGWGHEHVFKLNEDUH RSQDPHWLMGEHSDDOGGRRUGHOHQJWHYDQGHEDQG%RYHQGLHQ LVHONRQJHEUXLNWVWXNMHEDQGYHUORUHQ fig.03-14j_90
Beschikbare opnametijd
R-BUS1 REC BUS 1–16
Spoor 1 Spoor 2 R-BUS2
Spoor 3 Spoor 4
Tijd Opname op band (bandlengte: 30 min.)
29
Voordat u begint
%LMRSQDPHRSVFKLMIGDDUHQWHJHQKRHZHOGHEHVFKLNEDUH RSQDPHWLMGEHSDDOGZRUGWGRRUGHKRHYHHOKHLGVFKLMIUXLPWH ZRUGWHQNHOGHVFKLMIUXLPWHLQJHQRPHQGLHELMGHRSQDPH JHEUXLNWZRUGW]RQGHUYHUGHUHLQYORHGRSGHYULMH VFKLMIUXLPWH=RGXV]DOGHKRHYHHOKHLGEHVFKLNEDUH RSQDPHWLMGDIKDQJHQYDQKRHXGHVSRUHQHQIUDVHVJHEUXLNW 'DDURPZHUGHUHHQVWDQGDDUGHHQKHLGLQJHYRHUGGLH
Extra sporen 'H96KHHIWI\VLHNHVSRUHQGLHXWHJHOLMNHUWLMGNXQW ZHHUJHYHQ9DQGH]HVSRUHQNXQWXHUWHJHOLMNHUWLMG RSQHPHQ(ONVSRRUEHVWDDWGDQQRJHHQVXLWH[WUDVSRUHQ GLHNXQQHQGLHQHQYRRURSQDPHHQZHHUJDYH'H]HH[WUD VSRUHQQRHPHQZH´97UDFNVµ (HQSURMHFWNDQ97UDFNVEHYDWWHQ GHVSRUHQ[
RYHUHHQNRPWPHWGHWLMGVGXXUYDQppQGRRUORSHQG
97UDFNV 9RRUKHWHLJHQOLMNHRSQHPHQRIZHHUJHYHQZRUGW
PRQRVLJQDDORSJHQRPHQRSppQVSRRU'H]HHHQKHLG
HUppQ97UDFNWRHJHZH]HQDDQHONI\VLHNVSRRU
QRHPHQZHspoorminuut
fig.03-17_45
fig.03-15j_70
Track 1
Beschikbare opnametijd V.Track
Spoor 1 Spoor 2
23...
. . . 22 23 24
1 2 3 :
Spoor 3 Spoor 4
Tijd
: 14 15 16
Opname op schijf
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35
Basisbediening
Project Condition
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fig.05-11(Cursor)
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De weergavepositie veranderen 'HKXLGLJHWLMGVSRVLWLHLQGHGLVSOD\YHUVFKLMQWLQ6037( WLMGFRGH2RNGHKXLGLJHPDDWWHOHQWLFNHQKHWPDUNHU QXPPHUZRUGHQJHWRRQG'HKXLGLJHZHHUJDYHSRVLWLHNXQW XDOVYROJWYHUDQGHUHQ
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Time Code
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37
Basisbediening
Met de TIME/VALUE dial
Naar het begin of het einde van een Project gaan
1. 'UXNRS[HOME (DISPLAY)] 2. 3ODDWVPHW[ ][ ]GHFXUVRU KHWVWUHHSMH RQGHUGH WLMGZDDUGHGLHXZLOYHUDQGHUHQ
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8NXQWYDQXLWJHOLMNZHONH97UDFNLQKHWPRPHQWHHO JHVHOHFWHHUGHVSRRUUHFKWVWUHHNVRYHUJDDQQDDUGHHHUVWHRI ODDWVWHORFDWLHLQKHW3URMHFWGLHRSJHQRPHQJHOXLGEHYDW 9RHUGHYROJHQGHSURFHGXUHXLW 1. 2PQDDUKHWEHJLQYDQGHRSJHQRPHQDXGLRLQHHQ 3URMHFWRYHUWHJDDQKRXGWX[SHIFT]LQJHGUXNWHQGUXNW
DDQGHGLDOGUDDLW2PGHWLMGVSRVLWLHSHUYDQHHQ IUDPHWHYHUVFKXLYHQPRHWX[SHIFT]LQJHGUXNWKRXGHQHQ DDQGH7,0(9$/8(GLDOGUDDLHQ
Met de SHUTTLE ring
2. 2PQDDUKHWHLQGHYDQGHRSJHQRPHQDXGLRLQHHQ 3URMHFWRYHUWHJDDQKRXGWX[SHIFT]LQJHGUXNWHQGUXNW XRS[PREVIEW FROM] fig.05-15
1
8NXQWRRNPHWGHEXLWHQVWH6+877/(ULQJYDQGH 7,0(9$/8(GLDOGHWLMGVSRVLWLHYHUVFKXLYHQ
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6 7 8 9 10 11
fig.05-14
-4x -10x -20x -30x -40x
XRS[PREVIEW TO]
-3x
-2x
2x
TIME / VALUE SHUTTLE
12
3x
13
4x
14
10x 20x 30x 40x
15 16 17 18 19 20 21 22 23 24 Project Top
Project End
Door middel van JUMP :DQQHHUXGH6+877/(ULQJORVODDWNHHUWKLMWHUXJQDDUGH FHQWUDOHSRVLWLH
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38
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Basisbediening
fig.05-16(JUMP)
fig.05-16(JUMP) LOCATOR / MARKER / SCENE
7
LOCATOR
8
9
SCENE
Bank 9 Bank 8 : Bank 1 Bank 0
LOCATOR / MARKER / SCENE BANKLOCATOR AUX/ 7MARKER AUX 8 USER BANK / SCENE / MARKER 9 / SCENE SCENE LOCATOR 7LOCATOR 8 / MARKER 9 / SCENE SCENE LOCATOR 7LOCATOR 8 LOCATOR / MARKER / SCENE MARKER 7 LOCATOR SCENE 4 8 5 9 6 SCENE LOCATOR 7 LOCATOR 8/ MARKER 9/ SCENE BANKLOCATOR AUX 7 AUX 8 USER BANK SCENE 7 LOCATOR 8/ MARKER 9/ SCENE BANK AUX 7 AUX 8 USER BANK /5MARKER / 6SCENE LOCATOR 4LOCATOR BANK AUX 7 AUX7 AUX 8 AUX8 USER AUX9 BANK SCENE LOCATOR / MARKER / SCENE BANKLOCATOR AUX 7 AUX 8 USER BANK SCENE MARKER 7 8 9 4 5 6 BANKLOCATOR AUX 7 AUX 8 USER BANK SCENE MARKER 7 8 9 4 5 6 LOCATOR 7 AUX 8 6 83 9 BANKSCENE MARKER BANK 4 1 AUX 7 5 2 USER MARKER 4 5 6 BANK AUX57 AUX68 BANK MARKER AUX 4 4 AUX 5 AUX 6 USER BANK AUX 4
AUX57 AUX
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USER
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AUX 4 AUX 5 AUX 6 AUX24 AUX35 AUX 6 AUX 1 AUX AUX AUX24 AUX35 AUX 6 AUX 1 AUX AUX AUX 4 AUX 5 AUX 6 AUX 1 AUX 2 AUX 3 PREVIOUS NEXT AUX 1 AUX 2 AUX 3 PREVIOUS NEXT AUX 1 AUX 2 AUX 3
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Een opgeslagen Locator oproepen 1. 'UXNRS[LOCATOR (BANK)] 2. 'UXNRSGH/2&$725WRHWV [0]²[9] YDQGHORFDWRUGLH XZLORSURHSHQ'LWNDQWHUZLMOKHW3URMHFWVSHHOWRI WHUZLMOKHWJHVWRSWLV
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1. 'UXNRS[LOCATOR (BANK)]'H[LOCATOR (BANK)] LQGLFDWRUOLFKWRSHQGHFLMIHUWRHWVHQ [0]²[9] IXQJHUHQDOV ORFDWRUV 2. +RXG[SHIFT]LQJHGUXNWHQGUXNRS[BANK (LOCATOR)]1XNXQWXPHWGHFLMIHUWRHWVHQ [0]²[9] HHQORFDWRUEDQNNLH]HQ 3. 'UXNRSGH/2&$725%$1.WRHWV [0]²[9] PHWKHW QXPPHUYDQGHJHZHQVWHEDQN 4. $OVXHHQORFDWRUEDQNKHEWJHNR]HQGDQGRRIWGH NQLSSHUHQGH[BANK (LOCATOR)]LQGLFDWRUXLW2P WHUXJWHNHUHQQDDUGHYRULJHEDQNKRXGWX[SHIFT] LQJHGUXNWHQGUXNWXQRJPDDOVRS[BANK (LOCATOR)] JHYROJGGRRUGHORFDWRUWRHWVYDQGHJHZHQVWHEDQN
39
Basisbediening
Opgeslagen Locators bewerken
Locators wissen
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1. 'UXNRS[LOCATOR (BANK)]
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2. +RXG[CLEAR]LQJHGUXNWHQGUXNRSGHORFDWRUWRHWV [0]²[9] GLHXZLOZLVVHQ
Werken met Markers 1DDVWGHORFDWRUVNXQWXRRNQRJHHQV ² PDUNHUVSHUSURMHFWRSVODDQ0DUNHUV]LMQRRNHHQKDQGLJ PLGGHORPIUDJPHQWHQDIWHEDNHQHQYRRUORRSUHFRUGLQJRI RPSRVLWLHVWHPDUNHUHQYRRUSXQFKLQUHFRUGLQJ0DUNHUV ZRUGHQRRNJHEUXLNWRP$XWRPL[GDWDHQ&'LQGLFHVRSWH VODDQ0DUNHUVJHEUXLNWYRRU$XWRPL[ZRUGHQDDQJHGXLG PHW´$0,;µQDKHWPDUNHUQXPPHUWHUZLMOPDUNHUV JHEUXLNWYRRU&'LQGLFHV´&'5µQDKHWPDUNHUQXPPHU NULMJHQ
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Een Marker opslaan 5. 3ODDWVPHWGH7,0(9$/8(GLDOGHFXUVRURSGHORFDWRU GLHXZLOYHUDQGHUHQ$OVHUYRRUHHQORFDWRUJHHQ ZDDUGHLVRSJHVODJHQGDQYHUVFKLMQW´² ² ² ²²³³³µ LQGHGLVSOD\ 6. 'HIXQFWLHWRHWVHQZHUNHQQXDOVYROJW
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TAP
TAP
TAP
SNAPSHOT
SNAPSHOT
SNAPSHOT
SNAPSHOT
0
1
2
3
TAP
TAP
SNAPSHOT SNAPSHOT
4
5
TAP
SNAPSHOT
6
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40
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Basisbediening
fig.05-22 PREVIOUS
NEXT
De Marker-nummers (ONHPDUNHUNULMJWHHQQXPPHUWRHJHZH]HQ RS EDVLVYDQ]LMQSRVLWLHRSGHWLMGOLMQ'LWEHWHNHQW ZDQQHHU
0
1
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Time
fig.05-20j
TAP
Markers op het scherm tonen SNAPSHOT
0
1
2
3
Tijd Voordat u de Marker hebt geplaatst
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fig.05-21j
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1
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Marker-waarden editen Tijd Nadat u de Marker hebt geplaatst
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41
Basisbediening
fig.05-24j
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0
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Bepalen welke parameters er worden opgeroepen
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fig.05-35(AutoPunch)
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Loop Start (From)
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Weergave
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Loop End (To)
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... TRACK MIXER 1-16 ...
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54
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Input Mixer
Opnamespoor
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De Routing wijzigen (EZ Routing Condition)
fig.07-04_55
OUTPUT ASSIGN 7UDFN'LUHFW2XW
2II
INPUT MIXER 1-24
LINK &K/LQN
2II ,1²75²
TRACK MIXER 1-22
TRACK STATUS 75 75 75 75
5(& 5(& 2II 2II
FX 1-8 Return Mixer
V.Track 23-1
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RECORDING TRACK
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TRACK ASSIGN ,1 ,1 75 75 WR%RXQFH7UDFN );571 );571 $8; $8; ',5 ',5
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OUTPUT ASSIGN 7UDFN'LUHFW2XW
2II
TRACK STATUS 75 75 %RXQFHVSRRU
3/$< 3/$< 5(&
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55
De Routing wijzigen (EZ Routing Condition)
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TRACK STATUS 75 75
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Playback TRACK
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De Routing wijzigen (EZ Routing Condition)
fig.07-08_50 Playback TRACK
fig.07-02_60 V.Track 1-1
AUX 2-8
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Effect 2
FX 2 Return
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Mastering Tool Kit
TRACK ASSIGN ,1 ,1 75 75 );571 );571 $8; $8; ',5 ',5
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MASTER L/R
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TRACK STATUS 75 75
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INPUT MIXER 1-24
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TRACK MIXER 1-20
Surround Pan/Depth
FX 1-8 Return MIXER
Surround Pan/Depth
Recording Track
7 8
TR21
TR23
TR22
TR24
Surround Mix Mode 2+2
TRACK ASSIGN (2+2) ,1 ,1 75 75 );571 );571 $8;
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TRACK ASSIGN (2+2) $8; / $8; 5 $8; /V $8; 5V $8; ',5 ',5
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LINK %XV/,1.
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L R C RC
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FX 1-8 Return MIXER
Surround Pan/Depth/ LR:C
Recording Track
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TR21
TR23
TR22
Surround Mix Mode 3+1
58
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TR24
De Routing wijzigen (EZ Routing Condition)
fig.07-08_50
L R C Sw Ls Rs
Analog Multi Output 3
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TR21
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Interne schakelingen wijzigen
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Project Condition
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Project Condition
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Bepalen hoe de track edit gebeurt (Region/Phrase) 0HW5HJLRQ(GLWNXQWXHHQEHSDDOGIUDJPHQWYDQKHWVSRRU VSHFLILsUHQWHUZLMOELM3KUDVH(GLWGH´SKUDVHµGHNOHLQVWH HGLWHHQKHLGLV [F1 (EDIT)] 5RHSWKHW7UDFN1DPH(GLWVFKHUPRS'DDUNXQWXGH QDDPZLM]LJHQYDQKHWVSRRUZDDUGHFXUVRUVWDDW [F6 (EXIT)]
96
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Track- en Phrase Editing (Track Condition)
+LHUPHHZLM]LJWXKHWEHJLQSXQWYDQGHSKUDVH6WHOGH [F6 (LIST)]ZRUGWDOWLMGJHWRRQGRQJHDFKWZHONHWDEHU YRRUDDQVWDDW
SDUDPHWHUVYDQKHW7ULP,QVFKHUPLQ [Page1-F4 (TrmOut)]7ULP2XW +LHUPHHZLM]LJWXKHWHLQGSXQWYDQGHSKUDVH6WHOGH SDUDPHWHUVYDQKHW7ULP2XWVFKHUPLQ
Phrase Edit-functies (Track Condition)
[Page1-F5 (DELETE)]3KUDVH'HOHWH +LHUPHHYHUZLMGHUGXGHDDQJHGXLGHSKUDVH6WHOGH
2SGH96FUHsHUWHONHRSQDPHKDQGHOLQJDXGLRGDWD
[F6 (Reg/Ph)]5HJLRQ3KUDVH
GLHZHHHQ7DNHQRHPHQ 'HGDWDYDQHONH97UDFNEHVWDDQXLWSKUDVHVPHWLQIRUPDWLH GLHKHWEHJLQHQHLQGSXQWYDQHONHWDNHEHVFKULMIWHQKHW VSRRUZDDURSKLMZRUGWDIJHVSHHOG 3KUDVH(GLWLQJZRUGWXLWJHYRHUGRSGHWDNHVHQSKUDVHVGLH XVHOHFWHHUW 9HUJHOHNHQPHW7UDFN(GLWODDWGH]HSURFHGXUHWRHRPPHHU PX]LNDDOWHHGLWHQ8NXQWGHSKUDVHRSGHKXLGLJH WLMGVSRVLWLHHGLWHQ6HOHFWHHURSYRRUKDQGGH97UDFNZDDURS GHWHHGLWHQSKUDVHLVRSJHQRPHQHQJDQDDUGHWLMGVSRVLWLH YDQGHJHZHQVWHSKUDVH]RGDWXHUDDQNDQZHUNHQ fig.10-25 (PhraseEdit)
SDUDPHWHUVYDQKHW3KUDVH'HOHWHVFKHUPLQ +LHUPHHEHSDDOWXRIX5HJLRQVRI3KUDVHVJDDWHGLWHQ [Page2-F1 (SPLIT)]3KUDVH6SOLW +LHUPHHVSOLWVWXGHSKUDVHLQWZHHRSGHRSJHJHYHQ WLMGVSRVLWLH6WHOGHSDUDPHWHUVYDQKHW3KUDVH6SOLW VFKHUPLQ [Page2-F2 (NEW)]3KUDVH1HZ +LHUPHHPDDNWXHHQQLHXZHSKUDVHDDQYDQJHOLMN ZHONHWDNHLQKHWSURMHFW6WHOGHSDUDPHWHUVYDQKHW 3KUDVH1HZVFKHUPLQ [Page2-F3 (Normlz)]3KUDVH1RUPDOL]H +LHUPHHPD[LPDOLVHHUWXKHWRSQDPHQLYHDXYRRUGH KHOHSKUDVH6WHOGHSDUDPHWHUVYDQKHW3KUDVH 1RUPDOL]HVFKHUPLQ [Page2-F4 (DIVIDE)]3KUDVH'LYLGH +LHUPHHNQLSWXGHGDWDLQPHHUGHUHSKUDVHV6WHOGH SDUDPHWHUVYDQKHW3KUDVH'LYLGHVFKHUPLQ [Page2-F5 (NAME)]3KUDVH1DPH 8NXQWHONHSKUDVHHHQQDDPJHYHQ6WHOGHSDUDPHWHUV YDQKHW7UDFN1DPHVFKHUPLQ [Page3-F1 (TAKE)]7DNH0DQDJHU +LHUPHHEHKHHUWXGHRSJHQRPHQWDNHV6WHOGH SDUDPHWHUVYDQKHW7DNH0DQDJHUVFKHUPLQ
Functietoetsen (Phrase Edit) +LHUPHHYRHUWX3KUDVHHGLWKDQGHOLQJHQXLW 'HSDJLQD·V]LMQRQGHUYHUGHHOGLQWDEVYROJHQVIXQFWLH]RGDW XGLUHFWGHJHZHQVWHIXQFWLHNXQWNLH]HQ
Phrases herhalen (Phrase Copy)/ Phrases verplaatsen (Phrase Move) 0HWGH]HEHZHUNLQJHQNRSLHHUWRIYHUSODDWVWXHHQSKUDVH QDDUHHQDQGHUHORFDWLH3KUDVH&RS\LVKDQGLJDOVXEYHHQ ULWPHSDWURRQYDQYLHUPDWHQQDDGORRVLQHHQOXVZLO]HWWHQ 3KUDVH0RYHLVKDQGLJRPIRXWMHVLQGHWLPLQJWHFRUULJHUHQ
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97
Track- en Phrase Editing (Track Condition)
YRRUGHFRS\PRYHKDQGHOLQJEHYDWHQ]HWGLHGDWD
fig.10-26
Phrase Copy
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A
A'
3. $OVX3KUDVH&RS\ZLOJHEUXNHQGUXNGDQRS[F1 (COPY)]LQWDE3DJH+HW3KUDVH&RS\VFKHUP
FROM
TO
t
YHUVFKLMQW$OVX3KUDVH0RYHZLOJHEUXLNHQGUXNGDQ RS[F2 (MOVE)]LQWDE3DJH+HW3KUDVH0RYHVFKHUP YHUVFKLMQW fig.10-28 (PhrCopyDisp)
B
B'
TO
FROM
t
fig.10-27
Phrase Move
A
FROM
A'
TO
fig.10-29 (PhrMoveDisp)
t
B
B'
FROM
TO
t
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[F1 (SelPhr)] 5RHSWKHW6HOHFW3KUDVHVFKHUPRSZDDUXNXQWNLH]HQ ZHONHSKUDVHXZLONRSLsUHQRIYHUSODDWVHQ [F2 (GetNow)] +LHUPHHYRHUWXGHZDDUGHYDQGHKXLGLJHWLMGVSRVLWLH LQ
.LHVJHHQ97UDFNVGLHUHHGVRSJHJHYHQ]LMQDOVFRS\RI PRYHEHVWHPPLQJYRRUDQGHUHVSRUHQ
[F3 (GO TO)] +LHUPHHSODDWVWXGHWLMGOLMQ KXLGLJHWLMGVSRVLWLH RSGH LQJHJHYHQWLMGZDDUGH
1. 3KUDVH&RS\0RYHNXQWXJHEUXLNHQRSGHPRPHQWHHO KRRUEDUHVSRUHQ6HOHFWHHUGH97UDFNGLHGHEURQGDWD
[F5 (OK)] +LHUPHHYRHUWXGH3KUDVH&RS\RI3KUDVH0RYHXLW
98
Track- en Phrase Editing (Track Condition)
[F6 (EXIT)] +LHUPHHYHUODDWXKHW3KUDVH&RS\RI3KUDVH0RYH
fig.10-30j
Voorbeeld 1: De phrase is korter dan het interval tussen "FROM" en "TO"
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A FROM
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Copy Times="2"
Tijd
Overlap="Off"
A
A'
FROM
A'' Tijd
TO
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Overlap="On"
A
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A''
A'
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TO
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Voorbeeld 2: De phrase is langer dan het interval tussen "FROM" en "TO" A FROM
TO
Copy Times="2"
Overlap="Off" A'
A FROM
A''
Tijd
TO
Copy Times="2"
Overlap="On" A'
A FROM
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A''
TO
Tijd
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WXVVHQ´)520µHQ´72µEHKRXGHQ'XVZDQQHHUXHHQ SKUDVHGLHNRUWHULVGDQKHWLQWHUYDOWXVVHQ´)520µHQ ´72µWZHHRIPHHUGHUHPDOHQNRSLHHUWGDQZRUGWHU YDQDIGHWZHHGHNRSLHWHONHQVHHQOHJHVSDWLHLQJHYRHJG QDHONHNRSLHYDQGHSKUDVH2PJHNHHUGZDQQHHUGH SKUDVHODQJHULVGDQKHWLQWHUYDOWXVVHQ´)520µHQ ´72µGDQRYHUODSWKHWHLQGHYDQGHSKUDVHPHWGH YROJHQGHNRSLHYDQGHSKUDVH(ULVJHHQ2YHUODS SDUDPHWHULQKHW3KUDVH0RYHVFKHUP
99
Track- en Phrase Editing (Track Condition)
7. 'UXNRS[TRACK STATUS]YDQKHWEHVWHPPLQJVVSRRU
fig.10-31j
'H[TRACK STATUS]LQGLFDWRUOLFKWURRGRS0HWGH
Voorbeeld: Als de lengte van de phrases verschilt
7,0(9$/8(GLDONXQWXGHEHVWHPPLQJV97UDFN
A
LQVWHOOHQ
B C FROM
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Tijd
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A'
B
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A'' B''
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C'' Tijd
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$OVGHRSQDPHPHWKRGH S YDQKHWSURMHFWQLHW ´&'5µLVGDQNXQQHQ97UDFNVYDQGHPDVWHULQJWUDFNV VSRUHQRIVSRUHQ RSJHQRPHQPHWGH&'5 RSQDPHPHWKRGH S RS´2QµQLHWJHNRSLHHUGRI YHUSODDWVWZRUGHQQDDUGHDQGHUH97UDFNVGLHQLHWRS GHPDVWHULQJWUDFNVVWDDQ =HOIVRSGHPDVWHULQJWUDFNVNXQQHQ´&'5µ97UDFNV HQNHOJHNRSLHHUGRIYHUSODDWVWZRUGHQQDDU97UDFNVGLH RSJHQRPHQ]LMQPHW´&'5µRIQDDUQLHXZH97UDFNV ZDDURSQRJJHHQGDWD]LMQRSJHQRPHQ 97UDFNVYDQKHWSURMHFWGLHRSJHQRPHQ]LMQPHWHHQ DQGHUHRSQDPHPHWKRGHGDQ´&'5µNXQQHQQLHW JHNRSLHHUGRIYHUSODDWVWZRUGHQQDDUGHPDVWHULQJ WUDFNVGLHRSJHQRPHQ]LMQPHWGH´&'5µRSQDPH PHWKRGH $OVDDQGHERYHQVWDDQGHYRRUZDDUGHQQLHWZRUGWYROGDDQ GDQYHUVFKLMQW´)RXQG,OOHJDO7UDFN3DLUµLQGHGLVSOD\HQ NDQSKUDVHFRS\RIPRYHQLHWZRUGHQXLWJHYRHUG'UXNRS [ENTER(YES)]HQNLHVHHQQLHXZHEHVWHPPLQJYRRUGH FRS\RIPRYHKDQGHOLQJ
6. 'UXNRS[SELECT]YDQKHWNDQDDOGDWKHWEURQVSRRU YRRUGHFRS\RIPRYHKDQGHOLQJEHYDW'H[SELECT] LQGLFDWRUOLFKWRS2ISODDWVGHFXUVRUPHW [ ][ ][ ][ ]RSGHSKUDVHGLHXZLO NRSLsUHQRIYHUSODDWVHQHQGUXNRS[F4 (MARK)]RIRS [ENTER/YES]'HSHUIURPDQFHGDWDYDQGH JHPDUNHHUGHSKUDVHZRUGHQJHNRSLHHUGRIYHUSODDWVW 0HW[F3 (ALL)]NXQWXFKHFNPDUNVSODDWVHQRI YHUZLMGHUHQYRRUDOOHSKUDVHVRSGHKXLGLJHWLMGVSRVLWLH WHJHOLMNHUWLMG
100
Het begin- of eindpunt van de Phrase veranderen (Trim In/Trim Out/Phrase Split) 0HW7ULPYHUDQGHUWXKHWEHJLQSXQW ZDDUKHWJHOXLGEHJLQW RIKHWHLQGSXQWYDQGHSKUDVHYHUDQGHUHQ]RQGHUGHWLPLQJ YDQGHSKUDVH]HOIWHZLM]LJHQ0HW3KUDVH6SOLWNXQWXGH SKUDVHLQWZHHGHOHQRSVSOLWVHQLQIXQFWLHYDQGHWLMG
Track- en Phrase Editing (Track Condition)
fig.10-32
fig.10-36 (PhraseSplitPrm)
Trim In
TO
t
fig.10-33
Trim Out
7R +LHUEHSDDOWXKHW7ULP,Q7ULP2XWRI6SOLWSXQW [F1 (SelPhr)] +HW6HOHFW3KUDVHVFKHUPYHUVFKLMQWZDDULQXNXQW NLH]HQRSZHONHSKUDVHX7ULP,Q7ULP2XWRI6SOLWZLO WRHSDVVHQ
TO
[F2 (GetNow)] +LHUPHHYRHUWXGHZDDUGHYDQGHKXLGLJHWLMGVSRVLWLH WLMGOLMQ LQ
t
fig.10-34
[F3 (GO TO)] +LHUPHHSODDWVWXGHWLMGOLMQRSGHLQJHYRHUGHZDDUGH
Phrase Split
[F5 (OK)] +LHUPHHYRHUWX7ULP,Q7ULP2XWRI3KUDVH6SOLWXLW t
To
t
[F6 (EXIT)] +LHUPHHYHUODDWXKHW7ULP,Q7ULP2XWRI3KUDVH 6SOLWVFKHUP 4. 'UXNRS[F1 (SelPhr)]+HW6HOHFW3KUDVHVFKHUP YHUVFKLMQW fig.10-35 (SelectPhrase)
'H]HHGLWKDQGHOLQJHQKHEEHQHHQYHUVFKLOOHQGGRHOPDDU GHSURFHGXUHLVLQZH]HQKHW]HOIGH 1. 7ULPHQ3KUDVH6SOLWNXQWXJHEUXLNHQRSGHVSRUHQGLH PRPHQWHHOKRRUEDDU]LMQ6HOHFWHHUGH97UDFNGLHGH EURQGDWDEHYDWHQ]HWGLHGDWDNODDUYRRUZHHUJDYH 2. 'UXNHQNHOHPDOHQRS[F6 (Reg/Ph)]RP´3KUDVH(GLWµLQ WHVWHOOHQ 3. $OVX7ULP,QZLOJHEUXLNHQGUXNGDQRS[F3 (TrmIn)]LQ WDE3DJH+HW7ULP,QVFKHUPYHUVFKLMQW$OVX7ULP2XW ZLOJHEUXLNHQGUXNGDQRS[F4 (TrmOut)]LQWDE3DJH +HW7ULP2XWVFKHUPYHUVFKLMQW$OVX3KUDVH6SOLWZLO JHEUXLNHQGUXNGDQRS[F1 (SPLIT)]LQWDE3DJH+HW 3KUDVH6SOLWVFKHUPYHUVFKLMQW
[F1 (<
101
Track- en Phrase Editing (Track Condition)
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+HWOLMNWPLVVFKLHQDOVRIGHSHUIRUPDQFHGDWDYHUGZHQHQ ]LMQPDDU]H]LMQQRJQLHWYDQGHKDUGGLVNJHZLVW'XV]HOIV DOVXGH3KUDVH'HOHWHSURFHGXUHXLWYRHUW]DOGHDDQGXLGLQJ YDQGHYULMHVFKLMIUXLPWHLQGHGLVSOD\QLHWYHUDQGHUHQ
[F3 (MARK)] +LHUPHHSODDWVWRIYHUZLMGHUWXLQKHW3KUDVH6HOHFW VFKHUPFKHFNPDUNVYRRUGHSKUDVHRSGHKXLGLJH
1. 3KUDVH'HOHWHNXQWXJHEUXLNHQRSGHVSRUHQGLH
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2. 'UXNHQNHOHPDOHQRS[F6 (Reg/Ph)]RP´3KUDVH(GLWµLQ WHVWHOOHQ 3. 'UXNRS[F5 (DELETE)]LQWDE3DJH+HW3KUDVH'HOHWH VFKHUPYHUVFKLMQW fig.10-38 (PhraseDelete)
5. 3ODDWVPHW[ ][ ][ ][ ]GHFXUVRURSGH SKUDVHGLHXZLOWULPPHQRIVSOLWVHQHQGUXNRS[F3 (MARK)]RI[ENTER/YES] 2IDQGHUVGUXNRS[TRACK STATUS]YDQKHWNDQDDO GDWXZLOHGLWHQ'H[TRACK STATUS]LQGLFDWRUOLFKW URRGRS'HSHUIURPDQFHGDWDYDQGHJHPDUNHHUGH SKUDVHZRUGHQJHWULPGRIJHVSOLWVW 6. 'UXNRS[F1 (<
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Phrases verwijderen (Phrase Delete) 8NXQWSKUDVHVYHUZLMGHUHQ%LMGH]HKDQGHOLQJ]XOOHQGH ZHHUJDYHGDWDGLHQDGHYHUZLMGHUGHSKUDVHNRPHQQLHWQDDU YRUHQVFKXLYHQ fig.10-37
FXUVRU [F5 (OK)] +LHUPHHYRHUWX3KUDVH'HOHWHXLW [F6 (EXIT)] +LHUPHHYHUODDWXKHW3KUDVH'HOHWHVFKHUP
A
4. 3ODDWVPHW[ ][ ][ ][ ]GHFXUVRURSGH SKUDVHGLHXZLOZLVVHQHQGUXNRS[F3 (MARK)]RIRS [ENTER/YES]2IDQGHUVGUXNRS[TRACK STATUS] YDQKHWNDQDDOGDWXZLOHGLWHQ'H[TRACK STATUS] LQGLFDWRUOLFKWURRGRS'HSHUIURPDQFHGDWDYDQGH JHPDUNHHUGHSKUDVHZRUGHQJHZLVW t
5. 'UXNRS[F5 (OK)]3KUDVH'HOHWHZRUGWXLWJHYRHUG2P GH]HSURFHGXUHWHDQQXOHUHQGUXNWXRS[F6 (CANCEL)]
102
Track- en Phrase Editing (Track Condition)
Nieuwe Phrases aanmaken (Phrase New)
fig.10-39 (PhraseNew)
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fig.11-01
EFFECTS
EFFECT A FX1
FX2
EFFECT B FX3
FX4
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FX6
Effect Patches kiezen (Patch Select-scherm)
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112
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113
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114
Surround Output 96EHVFKLNWRYHUHHQ6XUURXQGIXQFWLHGLHJHEUXLN
Mode
Luidsprekers
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115
Surround Output
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Utility Condition ,QGH]HPRGXVPDDNWXGHV\VWHHPLQVWHOOLQJHQYDQGH
fig.12-02 (UtilCondition2)
96HQJHGHWDLOOHHUGHSDUDPHWHULQVWHOOLQJHQYRRUDOOHUOHL IXQFWLHV
Het Utility Condition-menu fig.12-01 (UtilCondition1)
[Page2-F1 (TEMPO)] +LHUPHHURHSWXKHW7HPSR0DSVFKHUPRS+LHUVWHOWX KHWWHPSRHQGHPDDWVRRUWLQ [Page2-F2 (Metro)] +LHUPHHURHSWXKHW0HWURQRPH3DUDPHWHUVFKHUPRS +LHUVWHOWXKHWPHWURQRRPJHOXLGLQ [Page1-F1 (SYSTEM)] +LHUPHHURHSWXKHW6\VWHP3DUDPHWHUVFKHUPRS+LHU PDDNWXLQVWHOOLQJHQYRRUGHWRHVWHOOHQGLHDDQJHVORWHQ ]LMQRSGH96 [Page1-F2 (GLOBAL)] +LHUPHHURHSWXKHW*OREDO3DUDPHWHUVFKHUPRS+LHU PDDNWXLQVWHOOLQJHQYRRUGHDOJHPHQHEHGLHQLQJYDQGH 96 [Page1-F3 (Proj)] +LHUPHHURHSWXKHW3URMHFW3DUDPHWHUVFKHUPRS+LHU PDDNWXJOREDOHV\VWHHPLQVWHOOLQJHQGLHPHHLQKHW SURMHFWZRUGHQRSJHVODJHQ [Page1-F4 (PlyRec)] +LHUPHHURHSWXKHW3OD\EDFN5HFRUGLQJ3DUDPHWHU VFKHUP+LHUPDDNWXLQVWHOOLQJHQLYPGHJOREDOH ZHUNLQJYDQGHZHHUJDYHHQRSQDPHIXQFWLHV [Page1-F5 (MIDI)] +LHUPHHURHSWXKHW0,',3DUDPHWHUVFKHUPRS+LHU PDDNWXLQVWHOOLQJHQYRRUGHDDQVWXULQJYDQH[WHUQH WRHVWHOOHQ [Page1-F6 (SYNC)] +LHUPHHURHSWXKHW6\QF7HPSR3DUDPHWHUVFKHUPRS +LHUPDDNWXLQVWHOOLQJHQYRRUV\QFKURQLVDWLHPHW DQGHUHDSSDUDWHQ
117
[Page2-F3 (A.P/LP)] +LHUPHHURHSWXKHWVFKHUPYDQGH$XWR3XQFKIXQFWLH HQGH/RRSIXQFWLHRS+LHUVWHOWXGHWLMGVZDDUGHQLQ YRRU$XWR3XQFK,Q2XWHQ/RRSEHJLQHQG [Page2-F4 (MARKER)] +LHUPHHURHSWXKHWVFKHUPYDQGH0DUNHUIXQFWLHRS +LHUNXQWXGHWLMGVSRVLWLHHQGHQDDPYDQGHPDUNHUV LQVWHOOHQ [Page2-F5 (LOCATE)] +LHUPHHURHSWXKHWVFKHUPYDQGH/RFDWRUIXQFWLHRS +LHUNXQWXGHWLMGVSRVLWLHHQGHQDDPYDQGHORFDWRUV LQVWHOOHQ [Page2-F6 (V.FDR)] +LHUPHHURHSWXKHWVFKHUPYDQGH9)DGHUIXQFWLHRS +LHUVWHOWXGHWRHZLM]LQJYDQGH]HIXQFWLHDDQGHIDGHUV LQ fig.12-03 (UtilCondition3)
Utility Condition
+HWVLJQDDOQLYHDXGDWYLD$1$/2*,1387
[Page3-F1 (SCENE)] +LHUPHHURHSWXKHW6FHQHVHWXSVFKHUPRS+LHUPDDNW XLQVWHOOLQJHQYRRUGHVFHQHV
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System Parameter-scherm +LHUPDDNWXLQVWHOOLQJHQYRRUGHUDQGDSSDUDWXXUYDQGH 96,QWHJHQVWHOOLQJWRW3URMHFW3DUDPHWHULQVWHOOLQJHQ NXQWXGH]HQLHWSURMHFWSHUSURMHFWLQVWHOOHQ
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fig.12-05 (UtilSysPrm)
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118
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Utility Condition
XLWJHVFKDNHOG%LMKHWRSVWDUWHQYDQGH96GXXUWGH
fig.12-06 (UtilGlobalPrm1)
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119
Utility Condition
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Utility Condition
3509,(:
fig.12-07 (UtilGlobalPrm2)
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121
Utility Condition
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+HWNDQDDOLQKLJKOLJKWLVKHWEURQNDQDDOGDWQDDUGHWUDFN PL[HUZRUGWJHVWXXUG8NXQWKHWEURQNDQDDODOVYROJW VHOHFWHUHQ 1. 3ODDWVPHW[ ][ ][ JHZHQVWHEURQNDQDDO
][
]GHFXUVRURSKHW
2. =HKHWNDQDDODDQRIXLWPHWGH7,0(9$/8(GLDO
'HVLJQDDOEURQZDDUYDQKHWNDQDDOQXPPHULQQHJDWLHIEHHOG VWDDWZRUGWQDDUGHLQSXWPL[HUJHVWXXUG 1. 3ODDWVPHW[ ][ ][ JHZHQVWHEURQNDQDDO
][
]GHFXUVRURSKHW
2. =HWKHWNDQDDODDQRIXLWPHWGH7,0(9$/8(GLDO
'HVHOHFWLHYDQ$1$/2*,1387VJHEHXUWVWHHGVSHUWZHH NDQDOHQ DDQOLJJHQGHRQHYHQHQHYHQNDQDOHQ
+HWDDQWDONDQDOHQGDWXQDDUGHWUDFNPL[HU GHVSRUHQ NXQWVWXUHQKDQJWDIYDQGHVDPSOLQJIUHTXHQWLHHQGH RSQDPHPHWKRGH9RRUGHWDLOV]LHGHWDEHO´$DQWDOVSRUHQ YRRUVLPXOWDQHRSQDPHµGLHDDQJHHIWKRHYHHOVSRUHQX WHJHOLMNHUWLMGNXQWRSQHPHQHQZHHUJHYHQLQKHWGLVN UHFRUGHUJHGHHOWH
Equalizer-scherm (ONNDQDDOYDQGHLQSXWPL[HUHQGHWUDFNPL[HUEHYDWHHQ YLHUEDQGVSDUDPHWULVFKHHTXDOL]HU fig.13-08 (Equalizer)
'HVHOHFWLHYRRUGHGLJLWDOLQSXWLVEHSHUNWWRW 5%86HQ &2$;,$/237,&$/ 'HYROJHQGHVLJQDDOFRPELQDWLHV NXQQHQQLHWQDDUGHLQSXWPL[HUJHVWXXUGZRUGHQ
1 3
.DQDDOYDQ5%86HQ&2$;,$/ .DQDDOYDQ5%86HQ&2$;,$/
4
.DQDDOYDQ5%86HQ237,&$/ .DQDDOYDQ5%86HQ237,&$/
8 7
134
2 5 6
Mixer Condition
$OVXGHHTXDOL]HUYDQDQGHUHNDQDOHQZLOUHJHOHQVHOHFWHHU GDQKHWJHZHQVWHNDQDDOHQUHJHOGHHTXDOL]HUELM$OVXLQ VWHUHRRSQHHPWPDDNGDQGH]HOIGHLQVWHOOLQJHQYRRUGHWZHH NDQDOHQYDQKHWVWHUHRSDDU 1. (46: (TXDOL]HU6ZLWFK +LHUPHH]HWXGH(TXDOL]HU DDQXLW
8NXQW) FHQWUDOHIUHTXHQWLH HQ4 KHOOLQJ YRRUGHILOWHURS GH]HOIGHPDQLHULQVWHOOHQDOVYRRUGHHTXDOL]HU
Dynamics-scherm '\QDPLFVLVHHQHIIHFWGDWKHWRXWSXWOHYHODXWRPDWLVFK
2. $77 $WWHQXDWLRQ 6LJQDOHQGLHELQQHQNRPHQLQGHWUDFNPL[HUZRUGHQ DIJH]ZDNWGRRUPLGGHOYDQGLJLWDOHYHUZHUNLQJ 3. (4*UDSK +LHU]LHWXGHWRHVWDQGYDQGHHTXDOL]HU LQVWHOOLQJHQDOVHHQFXUYH8NXQWGHFXUYHYLVXHHOHGLWHQ GRRUGH GLHLQGHFXUYHYHUVFKLMQWPHWGHPXLVWH YHUVOHSHQ'H*)HQ4SDUDPHWHUVYDQHONHEDQG YHUDQGHUHQDOVXGHFXUYHEHZHUNW
FRQWUROHHUWYROJHQVKHWOHYHOYDQKHWLQSXWVLJQDDO'LWNXQW XJHEUXLNHQRSHONNDQDDOYDQGHLQSXWPL[HUHQGHWUDFN PL[HU
COMPRESSOR fig.13-09 (dynamics)
4. /HYHO0HWHU +LHU]LHWXKHWVLJQDDOQLYHDXQDGDWKHW VLJQDDOGRRUGHHTXDOL]HULVJHSDVVHHUG+HWVLJQDDONDQVRPV ´FOLSSHQµ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
+3) +LJK3DVV)LOWHU
'H]HODDWHQNHOKHWJHOXLG GRRURQGHUHHQEHSDDOGH IUHTXHQWLH 'H]HODDWHQNHOKHWJHOXLG GRRULQGHEDQGYDQGH RSJHJHYHQIUHTXHQWLH 'H]HILOWHUWHQNHOKHWJHOXLG LQGHEDQGYDQGHRSJHJH YHQIUHTXHQWLHZHJ(HQ %()ZRUGWRRNZHO´1RWFK )LOWHUµJHQRHPG 'H]HODDWHQNHOKHWJHOXLG GRRUERYHQHHQEHSDDOGH IUHTXHQWLH
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
'\QDPLFV $SSHQGL[S 7KUHVKROG 'LWLVKHWVLJQDDOLQSXWQLYHDXGDWGHEDVLV YRUPWYRRUG\QDPLFSURFHVVLQJ'HFRPSUHVVRURI H[SDQGHU]DOGLWVLJQDDOEHZHUNHQZDQQHHUGLWQLYHDX EHUHLNWZRUGW 5DWLR 'LWLVGHFRPSUHVVLHYHUKRXGLQJYRRUGHZHUNLQJ
135
Mixer Condition
YDQGHG\QDPLFV $XWR*DLQ $OVGLWRS´2QµVWDDWZRUGWKHWRXWSXWOHYHO
EXPANDER fig.13-09 (dynamics)
GDWGRRUGHFRPSUHVVRUJHZLM]LJGLVDXWRPDWLVFK JHFRUULJHHUG
Wat is “AutoGain”? 2PGDWGHFRPSUHVVRULQSXWVLJQDOHQGLHKHWWKUHVKROG QLYHDXRYHUVFKULMGHQRQGHUGUXNWZRUGWKHWG\QDPLVFK EHUHLNVPDOOHU$OV$XWR*DLQRS´2QµVWDDWZRUGWKHW RXWSXWOHYHORSJHGUHYHQRPKHWG\QDPLVFKEHUHLNWH KDQGKDYHQHQGDDUELMHHQPDUJHYDQG% ERYHQJUHQV YDQKHWRXWSXWOHYHOZDQQHHUGH$WWDFN7LPHPVLV WH EHKRXGHQYRRUGDWKHWRXWSXWOHYHO´FOLSWµ G% $OVXHHQODQJHDWWDFNWLPHLQVWHOWNDQKHWJHOXLG YHUYRUPHQDIKDQNHOLMNYDQKHWLQSXWVLJQDDORPGDWGH FRPSUHVVRUPHWYHUWUDJLQJLQZHUNLQJWUHHGW(ULVHHQ PDUJHYDQG%YRRU]LHQYRRUKHWRXWSXWOHYHORPWH KRJHRXWSXWOHYHOVWHZLMWHQDDQGHYHUWUDJLQJYRRUGDW GHFRPSUHVVRULQZHUNLQJWUHHGWWHYRRUNRPHQ
EXP+COMP fig.13-09 (dynamics)
/HYHO +LHUUHJHOWXKHWRXWSXWOHYHOYDQKHWVLJQDDO QDGDWKHWGRRUGHG\QDPLFVLVJHSDVVHHUG $WWDFN $WWDFN7LPH ,QKHWJHYDOYDQGHFRPSUHVVRU UHJHOWXKLHUPHHKHWWLMGVLQWHUYDOYDQDIZDQQHHUKHW LQSXWVLJQDDOGHWKUHVKROGZDDUGHRYHUVFKULMGWWRWGDWGH FRPSUHVVRUYROOHGLJZHUNW ,QKHWJHYDOYDQGHH[SDQGHUUHJHOWXKLHUPHHKHW WLMGVLQWHUYDOYDQDIZDQQHHUKHWLQSXWVLJQDDORQGHUGH WKUHVKROGZDDUGH]DNWWRWGDWGHH[SDQGHUYROOHGLJ ZHUNW 5HOHDVH 5HOHDVH7LPH ,QKHWJHYDOYDQGHFRPSUHVVRU UHJHOWXKLHUPHHKHWWLMGVLQWHUYDOYDQDIZDQQHHUKHW LQSXWVLJQDDORQGHUGHWKUHVKROGZDDUGH]DNWWRWGDWGH FRPSUHVVRUYROOHGLJXLWJHZHUNWLV ,QKHWJHYDOYDQGHH[SDQGHUUHJHOWXKLHUPHHKHWWLMGV LQWHUYDOYDQDIZDQQHHUKHWLQSXWVLJQDDOGHWKUHVKROG ZDDUGHRYHUVFKULMGWWRWGDWGHH[SDQGHUYROOHGLJ XLWJHZHUNWLV /HYHO0HWHU ´,1µJHHIWKHWVLJQDDOQLYHDXDDQGDW ELQQHQNRPWLQGHG\QDPLFV´287µJHHIWKHWVLJQDDO QLYHDXDDQGDWXLWGHG\QDPLFVNRPWHQ´*5µJHHIWDDQ KRHYHHOJDLQUHGXFWLRQHUGRRUG\QDPLFVZRUGW WRHJHSDVWRSKHWVLJQDDOQLYHDX '\DQPLFV*UDSK 'HFXUYHLVHHQZHHUJDYHYDQGH G\QDPLFVLQVWHOOLQJHQZDDUELMGHKRUL]RQWDOHDVKHW LQSXWVLJQDDOYRRUVWHOWHQGHYHUWLFDOHDVKHWRXWSXW VLJQDDO
136
Surround Mix-scherm 'HSRVLWLHYDQKHWJHOXLGUHJHOWXPHWGHVXUURXQGPL[8 NXQWELMKHWEHSDOHQYDQGHSRVLWLHYDQKHWJHOXLGppQSXQWLQ KHWYODNDDQGXLGHQPHWGHPXLVHQGLWYHUGHUDIUHJHOHQPHW 3$1HQ'(37+
Mixer Condition
1. 0$67(5%DODQFH
ig.13-11 (Surround)
2. 0$67(5)DGHU 3. $8;²$8; $8;0DVWHU/HYHO +LHUPHHUHJHOWXKHWYROXPHYDQGH$8;PDVWHU8NXQW DIZLVVHOHQWXVVHQSUHHQSRVW,QGLWVFKHUPNXQWX DIZLVVHOHQWXVVHQSUHHQSRVWYRRUKHWVLJQDDOYDQHON
2 3 4 5
LQSXWWUDFNHIIHFWUHWXUQPL[HUNDQDDO 4. 021,725 0RQLWRU3DQ
1
6
1. 6XUURXQG)LHOG +LHU]LHWXZDDUKHWJHOXLGGDWXPHW3$1HQ'(37+ LQVWHOW]LFKLQKHWYODNEHYLQGW 2. 3DQ 6XUURXQG3DQ +LHUPHHUHJHOWXGHOLQNVUHFKWVEDODQV
5. 021,725 0RQLWRU/HYHO +LHU]LHWXKHW0RQLWRUOHYHOGDWXUHJHOWPHWGH0RQLWRU NQRS 6. ',5²',5 ',50DVWHU/HYHO +LHUPHHUHJHOWXKHW',5PDVWHUVLJQDDOQLYHDX8NXQW DIZLVVHOHQWXVVHQSUHHQSRVW 7. )XQFWLHWRHWVHQ [F1 (VIEW)] 5RHSWKHW0DVWHU%ORFN(GLW9LHZVFKHUPRS [F2 (FX Ins)] 5RHSWKHW(IIHFW,QVHUWVFKHUPRS
3. 'HSWK 6XUURXQG'HSWK +LHUPHHUHJHOWXGHYRRUDFKWHUEDODQV
[F3 (OUTPUT)] 5RHSWKHW2XWSXW$VVLJQVFKHUPRS
4. /5 & /5 &%DODQFH +LHUPHHUHJHOWXGHEDODQVWXVVHQGH/5OXLGVSUHNHUV HQGH&OXLGVSUHNHU
Effect Insert-scherm
5. 6XE: 6XE:RRIHU/HYHO +LHUPHHUHJHOWXKHWYROXPHYDQGHOXLGVSUHNHU
8NXQWHHQHIIHFWLQYRHJHQRQPLGGHOOLMNQDGHVLJQDDOEURQ LQSXWPL[HUWUDFNPL[HUHHQNDQDDOLQKHWPL[HUEORFN RP KHWHIIHFWRSKHWRULJLQHOHJHOXLG]HOIWRHWHSDVVHQ fig.13-10 (FxInsert)
6. )$'(5 +LHUPHHUHJHOWXKHWVHQGOHYHOQDDUGH6XUURXQG%XV
Master Block Edit +LHUPHHYHUDQGHUWXGHWRHZLM]LQJYDQGHRXWSXWMDFNV 1. +RXG[SHIFT]LQJHGUXNWHQGUXNRS[MASTER EDIT (TR 1-16)]+HW0DVWHU%ORFN(GLWVFKHUPYHUVFKLMQW fig.13-05 (MasterBlockEdit)
1 2
3
(IIHFW,QVHUWKDQGHOLQJHQGRHWXYRRUppQNDQDDOWHJHOLMN$OV XHHQLQVHUWHIIHFWZLOWRHSDVVHQRSHHQDQGHUNDQDDO VHOHFWHHUGDQKHWNDQDDOHQPDDNGHLQVWHOOLQJHQ );²);6ZLWFK +LHUPHHVFKDNHOWX(IIHFW,QVHUWLQXLW 'HJHVHOHFWHHUGHSDWFKQDDPYHUVFKLMQWRQGHUGHVZLWFK
4 6
5 7
$OVHHQHIIHFW EY); UHHGVLQJHYRHJGLVLQHHQNDQDDOGDQ NXQWXGDW]HOIGHHIIHFWQLHWWHJHOLMNHUWLMGRSHHQDQGHUNDQDDO JHEUXLNHQ$OVXKHWHIIHFWLQHHQDQGHUNDQDDOZLOLQYRHJHQ
137
Mixer Condition
GDQPRHWXKHWHHUVWYHUZLMGHUHQYDQKHWNDQDDOZDDULQKHW 6QG ,QVHUW6HQG/HYHO +LHUPHHUHJHOWXKHWVHQGOHYHO ²G% QDDUKHW,QVHUWHIIHFW 5WQ ,QVHUW5HWXUQ/HYHO +LHUPHHUHJHOWXKHWUHWXUQ OHYHO ²G% YDQKHW,QVHUWHIIHFW
GDWQLHWLQJHYRHJGLV,QGLHQHUYRRUHHQEHSDDOGHIIHFW JHHQ96)ERDUGJHwQVWDOOHHUGLVZRUGHQGHVZLWFKHQ GHLQVHUWVHQGOHYHOHQLQVHUWUHWXUQOHYHONQRSSHQQLHW JHWRRQG
Output Assign-scherm ,QGLWVFKHUPNXQWXLQVWHOOHQODQJVZDDUGHVLJQDOHQYDQGH PDVWHUGHPRQLWRUHQGHEXVVHQXLWJHVWXXUGZRUGHQ fig.13-10 (FxInsert)
2 3
4 5 6 8
7 9
1. 021,7256(/ +LHUVWHOWXLQZHONVLJQDDOHUQDDUGHPRQLWRUMDFNZRUGW JHVWXXUG 2. 3+21(6/5 /5 +LHUVWHOWXLQZHONVLJQDDOHUQDDUGHSKRQHVMDFNZRUGW JHVWXXUG 3. $8;$/5 %/5 +LHUVWHOWXLQZHONVLJQDDOHUQDDUGH$8;MDFNZRUGW JHVWXXUG 4. 5%86 5. 5%86 +LHUVWHOWXLQZHONVLJQDDOHUQDDUGH5%86FRQQHFWRU ZRUGWJHVWXXUG 6. &2$;,$//5 7. 237,&$//5 +LHUVWHOWXLQZHONVLJQDDOHUQDDUGHFRD[LDOHRIRSWLVFKH FRQQHFWRUZRUGWJHVWXXUG
138
GHVSRUHQLVRSJHQRPHQXLWVWXXUW 9. 75$&.',5(&76285&( +LHUEHSDDOWXRSZHONHSRVLWLHKHWVLJQDDOYDQGHGLUHFW RXWZRUGWDIJHWDNW
(IIHFW,FRQ (UYHUVFKLMQWHHQLFRRQYRRUGHPRPHQWHHO JHVHOHFWHHUGHSDWFK'LWLFRRQLVEODQFRYRRUHHQHIIHFW
1
8. 75$&.',5(&7287 $OVGLWDDQVWDDW]LWXLQGHPRGXVGLHKHWJHOXLGGDWRS
PRPHQWHHOLVLQJHYRHJG
CD-RW en Mastering CD-RW/Mastering Conditionmenu fig.14-01 (CD-RWCondition)
NXQWXGHJHZRQHVSRUHQ ² QLHWZHHUJHYHQ 3. &'55HF02'( $OVGLWDDQVWDDWVFKULMIWXLQ&'5PRGXVRSGH PDVWHULQJWUDFNV 4. $XWR0DUNHU $OVGLWDDQVWDDWZRUGWHUDXWRPDWLVFKHHQWUDFNQXPEHU PDUNHUWRHJHZH]HQDDQKHWEHJLQYDQGHGDWDGLHX DIPL[W1RUPDDOJH]LHQVWHOWXKLHU´2QµLQ
&'PDUNHUVPRHWHQPLQVWHQVVHFXLWHONDDUVWDDQ$OVX GH]HERRGVFKDSNULMJWGDQVWDDQXZPDUNHUVWHGLFKWELM HONDDU8NXQWGLWYHUKHOSHQGRRUHHQKRJHUH$IWHU5HF ZDDUGHLQWHVWHOOHQ2IXNXQWGHPDUNHUVRRNPDQXHHO YHUSODDWVHQ]LHAantal sporen S 5. 97UDFN +LHUNLHVWXGH97UDFNVYRRUGHPDVWHULQJWUDFNV'H]H SDUDPHWHULVHQNHOEHVFKLNEDDUDOVGHPDVWHULQJWUDFN 0RGH 0DVWHULQJPRGH RS´5HFµRI´3OD\µVWDDW :DQQHHUXHHQQLHXZSURMHFWDDQPDDNWZRUGHQGH067 /597UDFNVWRHJHZH]HQDDQGHPDVWHULQJWUDFNV
[F1 (Mstrng)] 5RHSWKHW0DVWHULQJ5RRPVFKHUPRS [F2 (CDWrit)] 5RHSWKHW&'5:ULWHVFKHUPRS [F3 (CDPlyr)] 5RHSWKHW&'3OD\HUVFKHUPRS
Afmixen voor Mastering (Mastering Room-scherm)
6. );,QVHUW (IIHFW,QVHUW +LHU]LHWXKHW,QVHUWHIIHFWGDW QDKHW0DVWHU%ORFNLVJHSODDWVW2PYDQHIIHFWSDWFKWH YHUDQGHUHQGUXNWXRS[F2 (FX Ins)]+HW(IIHFW,QVHUW VFKHUPYDQGH0L[HU&RQGLWLRQYHUVFKLMQW 9RRUGHWDLOVRYHUKHW(IIHFW,QVHUWVFKHUP]LHEffect Insert-scherm S
fig.14-02 (MasteringCondition)
1
3
4
2 5 6
7. $IWHU5HF +LHUVWHOWXGHWLMGVSRVLWLHLQYRRUGHPDVWHULQJWUDFN ZDDURSXGHHLQGPL[JDDWRSQHPHQ$OVXHHQHLJHQ
7
DXGLR&'PDDNWVWHOWXKLHUEHVW´WR=(52µLQ WR=(52 'HGDWDEHJLQQHQRSKPVI WRODVW3KUV 6 'HGDWDZRUGHQQDKHWHLQGHYDQGH ODDWVWHSKUDVHRSGHPDVWHULQJWUDFNVJHSODDWVW WRODVW3KUV 6 'HGDWDZRUGHQWZHHVHFRQGHQQDKHW HLQGHYDQGHODDWVWHSKUDVHRSGHPDVWHULQJWUDFNV JHSODDWVW
1. 0RGH 0DVWHULQJ0RGH +LHUPHHEHSDDOWXGHZHUNLQJ YDQGHPDVWHULQJWUDFNV 2II 'HJHZRQHVSRUHQ ² ZRUGHQZHHUJHJHYHQ 2Q 'H0DVWHULQJ0RGHLVJHDFWLYHHUG
WRODVW3KUV 6 'HGDWDZRUGHQYLHUVHFRQGHQQDKHW HLQGHYDQGHODDWVWHSKUDVHRSGHPDVWHULQJWUDFNV JHSODDWVW 6WD\+(5( 'HGDWDZRUGHQJHSODDWVWRSGHWLMGVSRVLWLH ZDDU]HZHUGHQRSJHQRPHQ
2. 67$786 5HF 'HVSRUHQZHHUJHYHQWHUZLMOX]HRSQHHPWRS GHPDVWHULQJWUDFNV9RRUGHWDLOVRYHUGHPDVWHULQJ]LH ´'H)LQLVKLQJ7RXFKHVDDQXZVRQJJHYHQµ 4XLFN6WDUW S 3OD\ 'HPDVWHULQJWUDFNVZHHUJHYHQ,QGH]HPRGXV
139
CD-RW en Mastering
$XWRPL[GDWDRSGH]HVSRUHQZRUGHQQLHWPHHRSGH&' JH]HW'XVDOOHJHZHQVWHLQVWHOOLQJHQYRRUYROXPHSDQQLQJ
fig.14-03 (MixerVTrack)
Afgemixte Phrase
Originele Phrase
0
(4HQHIIHFWHQPRHWHQRSJHQRPHQZRUGHQDOVGHHOYDQGH DXGLRYDQGHVSRUHQ0DDNDOOH(4OHYHOSDQHQDQGHUH
t
to ZERO
LQVWHOOLQJHQRSGHEURQVSRUHQWLMGHQVWUDFNERXQFLQJ²X NXQW$XWRPL[JHEUXLNHQWLMGHQVWUDFNERXQFLQJ
to LastPhrs:0s
Effecten 0
t
0
to LastPhrs:2s
0
t to LastPhrs:4s
t
0
t
Stay HERE
0
t
:DWZRUGWZHJJHVFKUHYHQRSGH&'55:GLVF]LMQGH SHUIRUPDQFHGDWDRSJHQRPHQRSGHWZHHJHVHOHFWHHUGH 97UDFNVYDQKHWKXLGLJHSURMHFW 2P]HWHNXQQHQZHJVFKULMYHQRS&'5GLVFPRHWHQ3URMHFW GDWDDDQGHYROJHQGHYRRUZDDUGHQYROGRHQ
Type van project (QNHOVSRUHQGLHRSJHQRPHQ]LMQLQHHQ96SURMHFW NXQQHQRS&'5GLVFZRUGHQZHJJHVFKUHYHQ6RQJVGLH RSJHQRPHQ]LMQRSRXGHUHPRGHOOHQYDQGH96VHULH 96(; 965 NXQWXQLHWDOV GXVGDQLJZHJVFKULMYHQRS&'5GLVF*HEUXLNLQGDWJHYDO HHUVW3URMHFW,PSRUWRPGHVRQJRPWH]HWWHQQDDUHHQ 96SURMHFW
2RNHIIHFWLQVWHOOLQJHQGLHXPHWGH7UDFN0L[HUPDDNWRS GH]HVSRUHQZRUGHQQLHWRYHUJH]HWRSGH&'=HOIVDOVHU UHYHUERIGHOD\LVWRHJHSDVWRSHHQVSRRUGDQZRUGWGH]H UHYHUERIGHOD\QLHWPHHRSGH&'5GLVFRSJHQRPHQ$OOH JHZHQVWHHIIHFWHQPRHWHQRSJHQRPHQZRUGHQDOVGHHOYDQ GH]HVSRUHQ0DDNDOOHHIIHFWLQVWHOOLQJHQWLMGHQVWUDFN ERXQFLQJ
Track Editing 'HWZHHVSRUHQGLHDDQJHGXLG]LMQRPRPGH&'5GLVFWH EUDQGHQZRUGHQYDQDIKHWEHJLQ QRUPDDO´KPVµ WRWKHWHLQGHYDQGHVSRUHQZHJJHVFKUHYHQ$OOHOHJH VHJPHQWHQRIVWLOWHVRSGHVSRUHQYRRUHQQDGHHLJHQOLMNH PX]LHNVWXNNHQZRUGHQDOVVWLOWHZHJJHVFKUHYHQRSGH&'5 GLVF2PGLWWHYHUPLMGHQPRHWXPHW7UDFN&XWDOOH RQJHZHQVWHVWLOWHVELMKHWEHJLQHQRSKHWHLQGHYDQGH VSRUHQYHUZLMGHUHQRIPHW7UDFN,QVHUWZDWUXLPWHODWHQ WXVVHQGHWUDFNV fig.14-04j
00h00m00s00 Lege ruimte
Performance Data
Lege ruimte Voor Region Cut
Sampling-frequentie
Performance Data
(QNHOVRQJV SURMHFWHQ GLHRSJHQRPHQ]LMQPHWHHQVDPSOH UDWHYDQN+]NXQQHQRS&'5GLVFZRUGHQ ZHJJHVFKUHYHQ.LHVGXVN+]YRRUGHVDPSOHUDWH ZDQQHHUXHHQQLHXZHVRQJDDQPDDNW8PDJJHOLMNZHONH RSQDPHPHWKRGHJHEUXLNHQPDDUYRRUKHWEHVWHUHVXOWDDW UDGHQZHDDQRP073&'50$6RI07WHJHEUXLNHQ
De Mastering Tracks
Aantal sporen
(HQHLQGPL[ PL[GRZQ ZRUGWPHHVWDORSJHQRPHQRSHHQ H[WHUQH0'UHFRUGHURI'$7UHFRUGHU
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Na Region Cut
tijd
fig.14-05
VS-2480 Track 1–24 MIX L R
TR1
Master Block Select MASTER OUT L R
DAT
PAN
MD
Mixing 'HDXGLRGLHRSGH&'JHEUDQGZRUGWLVGHDXGLRGDWD]RDOV ]HRSGHKDUGGULYH0L[HU(4HQHIIHFWLQVWHOOLQJHQDOVRRN
140
MASTER
DIGITAL OUT
CD-RW en Mastering
'H96SUHSDUHHUWGHDDQJHGXLGHVSRUHQ PDVWHULQJ WUDFNV YRRUGH]HH[WHUQHUHFRUGHU 0'RI'$7 fig.14-06
VS-2480 Track 1–24 MIX L R
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Mastering Track
Master Block Select MASTER OUT L R
23-16
PAN
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Een audio-CD maken
24-16
MASTER
DIGITAL OUT
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0 0 &'5 073 07 07 /,9 /9
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Master Data van meerdere projecten combineren
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141
CD-RW en Mastering
De CD-R/RW Drive aansluiten 2PGHIHFWHQHQRIVFKDGHDDQOXLGVSUHNHUVRIDQGHUH WRHVWHOOHQWHYRRUNRPHQPRHWXVWHHGVKHWYROXPHGLFKW ]HWWHQHQDOOHDSSDUDWHQXLWVFKDNHOHQDOYRUHQVDDQVOXLWLQJHQ WHPDNHQ
Wat hebt u nodig om een audioCD te maken? 96 &'55:'ULYH JRHGJHNHXUGGRRU5RODQG /HJH&'5 &RPSDFW'LVF5HFRUGDEOH GLVF ,QWHUQH,'(KDUGGLVNGULYH +'3VHULH $XGLRDSSDUDWXXUDDQWHVOXLWHQRSGH0$67(5MDFNV
fig.14-07
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SMPTE IN
PS / 2 KEYBOARD MOUSE
MIDI OUT// THRU
IN
Projecten wegschrijven op CD-R disc 1. =RUJGDWGH&'55:GULYHFRUUHFWLVDDQJHVORWHQ ]LH S 2. 3ODDWVHHQOHJH&'5GLVFLQGH&'55:GULYH
SCSI
VGA OUT
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Wat houdt Write Method in? :DQQHHUXHHQDDQWDOVRQJWHJHOLMNRSHHQGLVFVFKULMIW PRHWXEHSDOHQKRHGHGDWDJHVFKUHYHQPRHWHQZRUGHQ 7UDFNDW2QFH (UZRUGWDXWRPDWLVFKWZHHVHFRQGHQVWLOWHLQJHYRHJGELM GHPDUNHUVGLHWHWUDFNQXPPHUVDDQGXLGHQ QHW]RDOV ZDQQHHUXELMNRPHQGHSURMHFWHQWRHYRHJW $DQHHQ&'5GLVFGLHEHVFKUHYHQLVPHW7UDFNDW2QFH NXQWXQRJSURMHFWHQWRHYRHJHQYRRU]RYHUHUQRJYULMH UXLPWHLVRSGHGLVF fig.14-09
M1
M2
M3
VS-2480 t
0 M1
M2
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Audio CD t
0
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'HSURMHFWHQHQGHWUDFNQXPEHUPDUNHUVGLHHUDDQ WRHJHYRHJG]LMQZRUGHQDOVGXVGDQLJRSGH&'5GLVF JHVFKUHYHQ$DQ&'5GLVFVGLHEHVFKUHYHQ]LMQPHWGH 'LVNDW2QFHPHWKRGHNXQWXHFKWHUQLHWVPHHU WRHYRHJHQ QHWDOVZDQQHHUGHGLVFJHILQDOLVHHUGLV
fig.14-08 (CannotWrite)
=HOIVDOV´)LQDOL]HµRS´2IIµVWDDWNXQWXQDGLHQQLHWV PHHUWRHYRHJHQDDQHHQ&'5GLVFGLHEHVFKUHYHQLVPHW ´'LVFDW2QFHµ fig.14-10
M1
M2
M3
VS-2480 0
t
M1
M2
M3
Audio CD 0
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143
CD-RW en Mastering
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$OVXHHQ&'5:GLVFJHEUXLNWNLHVGDQ´[µ
$OVXDXGLRGDWDRSHHQ&'5:GLVFVFKULMIWGDQNXQWXGH]H QLHWDIVSHOHQRSJHZRQH&'VSHOHUV,QGDWJHYDONXQWXGH GLVFEHOXLVWHUHQPHWGH&'SOD\HUIXQFWLHYDQGH96 'LVF +LHU]LHWXRIGH&'55:GLVFUHHGVGDWDEHYDWRI QLHW 7UDFN +HWDDQWDOWUDFNVQDGDWGHGDWDRSGHGLVF]LMQ JHVFKUHYHQ )UHH 'HYULMHUXLPWHRSGH&'55:GLVF
(HQSURMHFWNDQQLHWRS&'55:GLVFJHVFKUHYHQZRUGHQ DOVGHKRHYHHOKHLGJHKHXJHQGLHKHWRSGHGLVFLQEHVODJ]RX QHPHQJURWHULVGDQGHYULMHUXLPWHRSGHLQWHUQH,'(KDUG GLVNRIGHYULMHUXLPWHRSGH&'55:GLVF
Lengte van de bron-track (in Mbyte) vergeleken met de vrije schijfruimte op de CD-R/RW 'HKRHYHHOKHLGVFKLMIUXLPWHGLHGHEURQWUDFNVLQEHVODJ QHPHQRSGH96NDQYHUVFKLOOHQYDQGHVFKLMI UXLPWHGLH]HLQQHPHQRSHHQ&'55:GLVF'H RPYDQJYDQGHWUDFNRSGH96KDQJWDIYDQKHW DDQWDOVSRUHQHQGHJHEUXLNWHRSQDPHPHWKRGH$DQGH KDQGYDQGHRQGHUVWDDQGHEHUHNHQLQJNXQWXHHQUXZH
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Als “Not 44.1kHz Song!” in de display verschijnt 'HVDPSOLQJIUHTXHQWLHLVQLHWN+]GXVNDQKHW SURMHFWQLHWRSGH&'5GLVFJHVFKUHYHQZRUGHQ'UXN RS[ENTER/YES]RPGHSURFHGXUHWHDQQXOHUHQ=LH Een nieuw project aanmaken (Project New) S =RUJGDWXGHVDPSOLQJIUHTXHQWLHN+]JHEUXLNW YRRUSURMHFWHQGLHXRS&'55:ZLOEUDQGHQ
Als “Please Insert Disc!” in de display verschijnt 'LWEHWHNHQWGDWGHODGHUYDQGH&'55:GULYHQRJ RSHQVWDDWGDWHUJHHQGLVFLQ]LWRIGDWGH&'55: GULYHQLHWNODDULVYRRUJHEUXLN3ODDWVHHQ&'55: GLVFLQGHGULYHZDFKWHYHQWRWGH&'55:GULYHGH GLVFJHOH]HQKHHIWHQGUXNGDQRS[ENTER/YES]
CD Player-functie 8NXQWGH&'55:GULYHJHEUXLNHQRPHHQJHGHHOWHOLMN RSJHQRPHQ&'5GLVF²HHQGLVFGLHQRJQLHWJHILQDOLVHHUGLV ]LHS ²DIWHVSHOHQRIRPFRPPHUFLsOH&'·VWH EHOXLVWHUHQ2PJHGHHOWHOLMNRSJHQRPHQ&'5GLVFVWH EHOXLVWHUHQJHEUXLNWXGH&'3OD\HUIXQFWLH
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CD-RW en Mastering
(QNHOGHRQGHUVWDDQGHWRHWVHQNQRSSHQHQIDGHUVNXQQHQ 'H&'SOD\HUIXQFWLHNDQRRNJHEUXLNWZRUGHQYRRU
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fig.14-11 (CDPlayer)
6+877/(ULQJ
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1
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:DQQHHUXGH&'3OD\HUIXQFWLHJHEUXLNWGLHQHQGH WUDQVSRUWFRQWUROWRHWVHQQLHWYRRUGHVWDQGDDUGWUDQVSRUW IXQFWLHVYDQGH96'HDXGLRGLHGRRUGH&'5&' 5:GULYHDIJHVSHHOGZRUGWNXQWXQLHWRSQHPHQRSGH96 :DQQHHUXHHQJHGHHOWHOLMNRSJHQRPHQ&'5 EHOXLVWHUWNXQQHQGHODDWVWHVHFRQGHQ ELMEHQDGHULQJ YDQGHVRQJQLHWZHHUJHJHYHQZRUGHQ]RODQJGHGLVFQLHW JHILQDOLVHHUGLV fig.14-12
Beluisteren is mogelijk
Beluisteren is onmogelijk (ongev. 0,5 sec.)
Voor finalisatie
Beluisteren is mogelijk
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Als “Blank Disc” in de display verschijnt
Na finalisatie
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145
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Externe MIDI-apparatuur gebruiken
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fig.05-09_50 DISPLAY
F1
PAGE
F2
F3
PATCH BAY
AUTOMIX
F5
F6
HOME
TRACK EDIT
EZ ROUTING
F4
COPY
MOVE
TRIM IN
TRIM OUT
DELETE
SPLIT
NEW
PHRASE
COPY
MOVE
INSERT
CUT
ERASE
COMP / EXP.
IMPORT GRADATION
REGION AUTOMIX
A.PUNCH
IN
OUT
FROM
TO
LOOP
WAVE DISP
UNDO
PROJECT
TRACK
EFFECT
UTILITY
REDO
MENU
CD-RW MASTERING
MIDI / DISK
+
LOCATOR / MARKER / SCENE
ZOOM
LOCATOR
7
8
9
SCENE
BANK
AUX 7
AUX 8
USER
BANK
MARKER
4
5
6
AUX 4
AUX 5
AUX 6
+
8,10, 12,14
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TIME / VALUE
1
2
3
AUX 1
AUX 2
AUX 3
PREVIOUS
0 /-
NEXT
SHUTTLE
SHIFT
PREVIEW SCRUB
TO
THRU
PROJECT TOP
FROM
EXT SYNC
PROJECT END
ZERO
STOP
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REC
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RESTART
AUTOMIX REC
ENTER / YES
EXIT / NO
7,9,11, 13,15
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IN 1-16
IN 17-24
AUX MST
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TR 1-16
TR 17-24
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FADER 17. +RXG[STOP]LQJHGUXNWHQGUXNRS[TRACK STATUS]YDQGH7UDFN 0L[HUNDQDOHQ²GLHXZLODIPL[HQ'H[TRACK STATUS]LQGLFDWRUV YDQGLHNDQDOHQOLFKWHQJURHQRS fig.05-11_45
TRACK STATUS / PHRASE PAD
1 17
2 18
3 19
4 20
5 21
6 22
7 23
8
9
10
11
12
13
14
15
16
24
AUX1MST
AUX 2
AUX 3
AUX 4
AUX 5
AUX 6
AUX 7
AUX 8
FX1RTN
FX 2
FX 3
FX 4
FX 5
FX 6
FX 7
FX 8
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SHUT / EJECT
18. 'UXNRS[PLAY]+HWSURMHFWZRUGWZHHUJHJHYHQ
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fig.05-09_50 PAN / AUX SEND 1-8
AUX SEND
RATIO
THRESHOLD
ATTACK
RELEASE
LEVEL
Dynamics
FREQ
GAIN
Filter
PHRASE SEQ / AUTOMIX
FREQ
GAIN
FREQ
EQ Low
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GAIN
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GAIN
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FREQ
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EQ Hi - Mid
CH EDIT / SELECT / PHRASE SEQ STATUS / AUTOMIX STATUS
IN 1-16
MANUAL WRITE
PHRASE PAD PLAY
PHRASE SEQ
IN 17-24
AUX MST
READ
FROM
TRACK STATUS / PHRASE PAD TO
SOLO
MUTE
TR 1-16
TR 17-24
MASTER EDIT
V.FADER
16
FX RTN
TRACK REC PLAY OFF PHRASE PAD
1 17
2 18
3 19
4
5
20
21
6
7
22
23
8
9
10
11
12
13
14
15
16
24
AUX1MST
AUX 2
AUX 3
AUX 4
AUX 5
AUX 6
AUX 7
AUX 8
FX1RTN
FX 2
FX 3
FX 4
FX 5
FX 6
FX 7
FX 8
(dB)
R
FADER
MASTER
(dB)
6
R
6
4
4
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4
4
8
8
12
12
18
18
24
24
42
42
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19
19. 6FKXLIGHPDVWHUIDGHURSHQQHHUHQJDQDRIKHWYROXPHYDQGHVSRUHQ YHUDQGHUW 20. *HEUXLNGHNDQDDOIDGHUV ² RPGHYROXPHEDODQVYDQGHVSRUHQWH UHJHOHQ+HWJHOXLGGDWYLDGH0$67(5MDFNVZRUGWXLWJHVWXXUG YROXPH QLYHDXVSDQQLQJ ]DOZRUGHQRSJHQRPHQRSGHPDVWHULQJWUDFNV8NXQW EHVWKHWYROXPH]RKRRJPRJHOLMNLQVWHOOHQ]RQGHUGDWKHWJHOXLG YHUYRUPW fig.05-09_50 DISPLAY
F1
PAGE
F2
F3
F4
F5
F6
HOME
TRACK EDIT
EZ ROUTING
PATCH BAY
AUTOMIX
COPY
MOVE
TRIM IN
TRIM OUT
DELETE
SPLIT
NEW
PHRASE
REGION AUTOMIX
UNDO
COPY
MOVE
INSERT
CUT
ERASE
COMP / EXP.
IMPORT GRADATION
A.PUNCH
IN
OUT
FROM
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LOOP
WAVE DISP
PROJECT
TRACK
EFFECT
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REDO
MENU
CD-RW MASTERING
MIDI / DISK
+
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7
8
9
SCENE
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AUX 7
AUX 8
USER
BANK
MARKER
4
5
6
AUX 4
AUX 5
AUX 6
+
TIME / VALUE
1
2
3
AUX 1
AUX 2
AUX 3
PREVIOUS
0 /-
NEXT
SHUTTLE
22
SHIFT
PREVIEW SCRUB
TO
THRU
PROJECT TOP
FROM
EXT SYNC
ENTER / YES
EXIT / NO
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ZERO
STOP
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REC
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RESTART
AUTOMIX REC
23
24 21,25 21. 'UXNRS[STOP]ZDQQHHUXKHWYROXPHKHEWLQJHVWHOG
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Signaalroute (Routing) fig.05-11a
Spoor 1--24 MIX L R
1 17
(dB)
R
(dB)
6
6
4
12 18
L
MST TR L
0
4
TR1
R
4
0
8
Mastering Track
MASTER
4
PAN
8 12 18
24
24
42
42
MST TR R
MASTER OUT MONITOR OUT
L
MASTER
22. *DPHWGH7,0(9$/8(GLDORIPHWGH6+877/(ULQJQDDUGHWLMGVSRVLWLH EYKPVI YDQDIZDDUXZLOEHJLQQHQDIPL[HQ 23. 'UXNRS[REC]'H[REC]LQGLFDWRUOLFKWURRGRS De Finishing Touch aan uw project geven
24. 'UXNRS[PLAY]'H[PLAY]LQGLFDWRUOLFKWJURHQRSHQGHRSQDPHEHJLQW 25. 'UXNRS[STOP]ZDQQHHUXNODDUEHQWPHWRSQHPHQ
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De mastering tracks weergeven 'HDXGLRGLHZHUGDIJHPL[WQDDUGHPDVWHULQJWUDFNVNXQWXDOVYROJWYHULILsUHQ'H VSRUHQ²ZRUGHQQLHWZHHUJHJHYHQ fig.05-12_50
2
DISPLAY
F1
PAGE
F2
F3
F4
PATCH BAY
AUTOMIX
F6
HOME
TRACK EDIT
EZ ROUTING
F5
COPY
MOVE
TRIM IN
TRIM OUT
DELETE
SPLIT
NEW
PHRASE
COPY
MOVE
INSERT
CUT
ERASE
COMP / EXP.
IMPORT GRADATION
REGION AUTOMIX
A.PUNCH
IN
OUT
FROM
TO
LOOP
WAVE DISP
UNDO
PROJECT
TRACK
EFFECT
UTILITY
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1
3,5
MENU
CD-RW MASTERING
MIDI / DISK
+
LOCATOR / MARKER / SCENE
+
ZOOM
LOCATOR
7
8
9
SCENE
BANK
AUX 7
AUX 8
USER
BANK
MARKER
4
5
6
AUX 4
AUX 5
AUX 6
TIME / VALUE
1
2
3
AUX 1
AUX 2
AUX 3
PREVIOUS
0 /-
NEXT
8
SHUTTLE
SHIFT
4,6,7
PREVIEW SCRUB
TO
FROM
THRU
PROJECT TOP
ENTER / YES
EXT SYNC
EXIT / NO
PROJECT END
ZERO
STOP
PLAY
REC
STORE
SHUT / EJECT
RESTART
AUTOMIX REC
9 10 1.
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Spoor 1--24 MIX L R
1 17
Mastering Track
6
6 4 0 4
TR1
8 12 18 24 42 L
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(dB)
(dB)
R
PAN
MST TR L
R
4 0
MASTER OUT MONITOR OUT
4 8 12 18
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82
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10. 'UXNRS[STOP]ZDQQHHUGHZHHUJDYHWHQHLQGHLV
Track Number Markers toevoegen $OVXWZHHRIPHHUSURMHFWHQQDHONDDURSKHW]HOIGHVSRRUSODDWVWNXQWXGH]H SURMHFWHQDFKWHUHHQYROJHQGRSGH&'5GLVFZHJVFKULMYHQ,QGDWJHYDONXQWX WXVVHQGHSURMHFWHQPDUNHUVSODDWVHQGLHDOVWUDFNQXPPHUVGLHQHQQHWDOVRSHHQ YRRUDIRSJHQRPHQDXGLR&''H]HWUDFNQXPPHUVZRUGHQPHHZHJJHVFKUHYHQRS GHDXGLR&'GLHXRSQHHPWRSXZ&'5GULYH fig.05-14_55 DISPLAY
F1
PAGE
F2
F3
AUTOMIX
F6
HOME
COPY
MOVE
TRIM IN
TRIM OUT
DELETE
SPLIT
NEW
PHRASE
COPY
MOVE
INSERT
CUT
ERASE
COMP / EXP.
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OUT
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7
8
9
SCENE
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AUX 7
AUX 8
USER
BANK
MARKER
4
5
6
AUX 4
AUX 5
AUX 6
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1
2
3
AUX 1
AUX 2
AUX 3
PREVIOUS
0 /-
NEXT
SHUTTLE
1
SHIFT
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TO
FROM
THRU
PROJECT TOP
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RESTART
AUTOMIX REC
3
3
1.
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PDUNHUVHQGHHLJHQOLMNHYROJRUGHYDQGHSURMHFWHQ fig.05-15
00h00m00s00 Marker 1
Song 2 (Tweede song)
Song 1 (Eerste song)
Marker 3
Marker 2
Song 3 (Derde song) Tijd
Als u een lege CD-R disc gebruikt
$OVXELMNRPHQGHSURMHFWHQZHJVFKULMIWRSHHQ&'5GLVFGLHUHHGVppQRIPHHUGHUH SURMHFWHQEHYDWGDQZRUGHQGHWUDFNQXPPHUVWRHJHZH]HQYROJHQGRSGHUHHGV ZHJJHVFKUHYHQSURMHFWHQ$OVHUEYUHHGVYLMIVRQJVRSGH&'5GLVFVWDDQGDQ NULMJWGHYROJHQGHVRQJGLHXZHJVFKULMIWQXPPHU]HV fig.05-16
00h00m00s00 Marker 1
Song 2 (Zevende song)
Song 1 (Zesde song)
Marker 3
Marker 2
Song 3 (Achtste song) Tijd
Als er reeds vijf songs op de CD-R disc zijn weggeschreven
■ Track Number Markers wissen fig.05-17_60 DISPLAY
F1
PAGE
F2
F3
PATCH BAY
AUTOMIX
F5
F6
HOME
TRACK EDIT
EZ ROUTING
F4
COPY
MOVE
TRIM IN
TRIM OUT
DELETE
SPLIT
NEW
PHRASE
COPY
MOVE
INSERT
CUT
ERASE
COMP / EXP.
IMPORT GRADATION
REGION AUTOMIX
A.PUNCH
IN
OUT
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TO
LOOP
WAVE DISP
UNDO
PROJECT
TRACK
EFFECT
UTILITY
REDO
MENU
CD-RW MASTERING
MIDI / DISK
+
LOCATOR / MARKER / SCENE
ZOOM
LOCATOR
7
8
9
SCENE
BANK
AUX 7
AUX 8
USER
BANK
MARKER
4
5
6
AUX 4
AUX 5
AUX 6
TIME / VALUE
2
1
2
3
AUX 1
AUX 2
AUX 3
PREVIOUS
0 /-
NEXT
SHUTTLE
1
SHIFT
PREVIEW SCRUB
TO
THRU
PROJECT TOP
84
FROM
EXT SYNC
ENTER / YES
EXIT / NO
PROJECT END
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STOP
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REC
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RESTART
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1.
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2.
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:DQQHHUXGH]HSURFHGXUHXLWYRHUWPDDNWGH96HHUVWHHQ&'55:LPDJH ILOHDDQRS]LMQLQWHUQHKDUGGLVNHQ]DOGDQGLHLPDJHILOHRSGH&'55:GLVF EUDQGHQ'DDURPPRHWHUYROGRHQGHYULMHUXLPWH]LMQRSGHLQWHUQHKDUGGLVNYRRU GHDDQPDDNYDQGH]HLPDJHILOH $OOHRQEHQXWWHFDSDFLWHLWYDQGHKDUGGLVNZRUGWDDQJHZHQGYRRUGHLPDJHILOH RQJHDFKWGHSDUWLWLHLQVWHOOLQJHQ'HLPDJHILOHZRUGWDXWRPDWLVFKYHUZLMGHUGQDGDW KLMRSGH&'55:GLVFLVZHJJHVFKUHYHQ fig.06-01_50
DISPLAY
F1
PAGE
F2
F3
AUTOMIX
F6
HOME
2
COPY
MOVE
TRIM IN
TRIM OUT
DELETE
SPLIT
NEW
PHRASE
COPY
MOVE
INSERT
CUT
ERASE
COMP / EXP.
IMPORT GRADATION
REGION AUTOMIX
A.PUNCH
IN
OUT
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WAVE DISP
UNDO
PROJECT
TRACK
EFFECT
UTILITY
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MENU
CD-RW
3
MASTERING
MIDI / DISK
+
LOCATOR / MARKER / SCENE
ZOOM
LOCATOR
7
8
9
SCENE
BANK
AUX 7
AUX 8
USER
BANK
MARKER
4
5
6
AUX 4
AUX 5
AUX 6
+
TIME / VALUE
1
2
3
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2
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terminatorWHKHEEHQ$DQJH]LHQGH96]LFKDDQKHW HQHXLWHLQGHYDQGH6&6,FKDLQEHYLQGWLVQRUPDDOJH]LHQ
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]LMQLQWHUQHWHUPLQDWRUZHUN]DDP6OXLWHHQWHUPLQDWRUDOOHHQ 'LVNGULYHV]LMQWRHVWHOOHQGLHPHWHHQXLWHUVWHSUHFLVLH ZHUNHQ:DQQHHU]HQLHWRSGHMXLVWHPDQLHUDDQJHVORWHQRI JHEUXLNWZRUGHQLVKHWQLHWDOOHHQPRJHOLMNGDW]HQLHW FRUUHFWZHUNHQPDDURRNGDWGHGDWDRSGHGLVNYHUORUHQ JDDWRI]HOIVGDWGHGLVNGULYHEHVFKDGLJGJHUDDNW5DDGSOHHJ GHKDQGOHLGLQJYDQXZGLVNGULYH
(HQGLVNGULYHGLHYRRUGHHHUVWHPDDOJHEUXLNWZRUGWPHWGH 96PRHWJHwQLWLDOLVHHUGZRUGHQGRRUGH96 :DQQHHUHHQGLVNGULYHJHwQLWLDOLVHHUGZRUGWZRUGWGH YROOHGLJHLQKRXGYDQGHGULYHJHZLVW9RRUDOHHUXHHQGLVN GULYHYDQHHQDQGHUWRHVWHOJDDWJHEUXLNHQNDQXEHVW FRQWUROHUHQRIXGHGDWDZHOPDJXLWZLVVHQ
De aansluitingen 8NDQWRWGLVNGULYHVDDQVOXLWHQRSGH6&6,FRQQHFWRUYDQ GH96*HEUXLNHHQ6&6,NDEHOHQVOXLWGHDSSDUDWHQ DDQ]RDOVLQGHRQGHUVWDDQGHILJXXU%LM6&6,FRQQHFWRUV ZRUGWHUJHHQRQGHUVFKHLGJHPDDNWWXVVHQLQSXWHQRXWSXW VWHNNHUVGXVPDJXJHOLMNZHONXLWHLQGHYDQGHNDEHO DDQVOXLWHQRSGHWRHVWHOOHQ7RHVWHOOHQGLHRSGH]HPDQLHU ]LMQDDQJHVORWHQQRHPHQZHHHQSCSI chainRIdaisy chain
DDQRSGHODDWVWHH[WHUQHGULYHLQGHNHWHQ(UEHVWDDQWZHH VRRUWHQWHUPLQDWRUV LQWHUQHWHUPLQDWRUVGLHXNDQLQHQ XLWVFKDNHOHQHQH[WHUQHWHUPLQDWRUVGLHRSHHQ6&6,SRRUW ZRUGHQDDQJHVORWHQ.LHVGHPHWKRGHGLHJHVFKLNWLVYRRUGH GLVNGULYHZDDUXPHHZHUNW +HW]RXNXQQHQGDWXZGLVNGULYHYRRU]LHQLVYDQHHQ WHUPLQDWRUVFKDNHODDUGLHQRUPDDOJH]LHQLQGH´2Qµ SRVLWLHVWDDW GZ]GHWHUPLQDWRULVJHZRRQOLMNDFWLHI *HEUXLNGLWW\SHWRHVWHODOVGHODDWVWHVFKDNHOLQHHQ NHWHQ *HEUXLNJHHQGXEEHOHWHUPLQDWRUV6OXLWEYJHHQH[WHUQH WHUPLQDWRUDDQRSHHQGLVNGULYHGLHUHHGVHHQLQWHUQH WHUPLQDWRUKHHIW
Actieve Terminators $OVXHHQH[WHUQHWHUPLQDWRUJHEUXLNWUDGHQZLMDDQGDWX RSWHHUWYRRUHHQDFWLHYHWHUPLQDWRU,QGLWJHYDODOVXHHQ GLVNGULYHJHEUXLNWZDDUELMXGHWHUPLQDWRUNXQWLQHQ XLWVFKDNHOHQGLHQWXKHPLQWHVFKDNHOHQ9RRUPHHU LQIRUPDWLHRYHUKHWDDQVOXLWHQYDQHHQDFWLYHWHUPLQDWRU YHUZLM]HQZHXQDDUGHKDQGOHLGLQJYDQXZGLVNGULYH
$FWLHYH7HUPLQDWRU S 7HUPLQDWRU3RZHU S
fig.01-01
SCSI ID-nummers (ONHGLVNGULYHKHHIW]LMQHLJHQ6&6,,'QXPPHU:DQQHHUHU WZHHRIPHHUGLVNGULYHVDDQJHVORWHQ]LMQPRHWXGXV]RUJHQ VS-2480
Disk Drive1 (Zip Drive, enz)
Disk Drive2 (Zip Drive, end)
Disk Drive7 (CD-RW Drive, enz)
'H96LVXLWJHUXVWPHWHHQ'%W\SHFRQQHFWRU YURXZHOLMN .LMNQDZHONW\SHYDQ6&6,FRQQHFWRUXZ GLVNGULYHJHEUXLNWHQVOXLWKHPDDQPHWGHJHSDVWH NDEHO +RX6&6,NDEHOV]RNRUWPRJHOLMNHQJHEUXLNHQNHO YROOHGLJDIJHVFKHUPGHNDEHOVPHWHHQLPSHGDQWLHGLH FRPSDWLEHOLVPHWGH6&6,VWDQGDDUG Ω =RUJGDWGHWRWDOHOHQJWHYDQDOOH6&6,NDEHOVGLHGHGLVN GULYHVPHWHONDDUYHUELQGHQGHPHWHUQLHW RYHUVFKULMGW 0DDNRIYHUEUHHNJHHQDDQVOXLWLQJHQPHW6&6,NDEHOV
4
GDWGH6&6,,'QXPPHUVYDQGHYHUVFKLOOHQGHGULYHVQLHW FRQIOLFWHUHQ VDPHQYDOOHQ ,QGLHQGH6&6,,'QXPPHUV FRQIOLFWHUHQ]DOGH96QLHWLQVWDDW]LMQRPGHGLVN GULYHVFRUUHFWWHKHUNHQQHQ $OVIDEULHNVLQVWHOOLQJKHHIWGH96KHW6&6,,'QXPPHU ´µJHNUHJHQ.LHVGXVYRRUGHDDQJHVORWHQGLVNGULYHVHHQ DQGHU,'QXPPHUGDQ´µ
Problemen oplossen :DQQHHUGH96QLHWZHUNW]RDOVXYHUZDFKWFRQWUROHHU GDQGHYROJHQGHSXQWHQDOVPRJHOLMNHRRU]DNHQYRRUGDWX HUYDQXLWJDDWGDWHUHHQGHIHFWLV,QGLHQGDDUPHHKHW SUREOHHPQLHWYHUKROSHQLVFRQWDFWHHUGDQXZGHDOHURIHHQ 5RODQG6HUYLFH&HQWHU
Opname en weergave Geen geluid 'HDXGLRNDEHOV]LMQQLHWFRUUHFWDDQJHVORWHQ 'HDXGLRNDEHOV]LMQGHIHFW +HWYROXPHYDQGHDDQJHVORWHQPHQJWDIHORIYHUVWHUNHU VWDDWGLFKW 'HPDVWHUIDGHUGHNDQDDOIDGHUVGH021,725 UHJHODDURIGH3+21(6UHJHODDUYDQGH96VWDDQ GLFKW 'HDDQJHVORWHQRXWSXWMDFNV]LMQQLHWGH]HOIGHDOVGH RXWSXWMDFNVGLHJHVHOHFWHHUG]LMQLQKHWPDVWHUJHGHHOWH YDQGHPL[HU 3KUDVHVYDQPLQGHUGDQVHFRQGHQNXQQHQQLHW ZRUGHQZHHUJHJHYHQ +HWYROXPHYDQKHWLQVWUXPHQWGDWRSGH96LV DDQJHVORWHQLVWHODDJ → *HEUXLNWXPLVVFKLHQHHQYHUELQGLQJVNDEHOGLHHHQ UHVLVWRUEHYDW"*HEUXLNHHQNDEHO]RQGHUUHVLVWRU ,NNDQQLHWRSQHPHQRIZHHUJHYHQ]HOIVQLHWDOVLNRS [PLAY]GUXN → .QLSSHUWGH3/$<LQGLFDWRUJHZRRQJURHQ" :DQQHHUGH(;76<1&LQGLFDWRUEUDQGWGDQ RQWYDQJWGH9607&UHFHLYHVWDQGE\PHVVDJHV YDQKHWH[WHUQH0,',WRHVWHO%HGLHQKHWH[WHUQH 0,',WRHVWHORIGUXNRS[STOP] → :DQQHHU´3RZHU2))5(67$57µLQGHGLVSOD\ YHUVFKLMQWGDQEHWHNHQWGLWGDWGHVKXWGRZQ SURFHGXUHEH]LJLV+RXG[SHIFT]LQJHGUXNWHQ GUXNRS[PLAY (RESTART)]'LWKHUVWDUWGH 96
'HLQSXWPL[HURIGHWUDFNPL[HULVQLHWFRUUHFW JHVHOHFWHHUG +HWYROXPHYDQKHWNDQDDOVWDDWGLFKW +HWVSRRULVXLWJHVFKDNHOG GH67$786LQGLFDWRULVXLW 'H0L[6HQG6ZLWFKVWDDWRS´2IIµ 'H6RORRI0XWHIXQFWLHLVLQJHEUXLN (ULVHHQSURMHFWPHWUHFRUGLQJPRGH´0µRI´&'5µ JHVHOHFWHHUG → :DQQHHU´0µJHVHOHFWHHUGLVIXQJHHUWGH96 DOVHHQVSRUHQUHFRUGHU:DQQHHU´&'5µ JHVHOHFWHHUGLVIXQJHHUWGH96DOVDOVHHQ VWHUHRUHFRUGHUPHWDFKWNDQDOHQSDUHQ FKDQQHOOLQN VWDDWDDQ VSRRUD²G 'HVSRUHQ²]LMQEXLWHQ JHEUXLN 9RRUGHWDLOV]LH´'LVN5HFRUGHUJHGHHOWHµ +DQGOHLGLQJS
U kan niet opnemen +HWRSQDPHVSRRULVQLHWJHVHOHFWHHUG GH67$786 LQGLFDWRUNQLSSHUWQLHWURRG 'HEURQVSRUHQYRRUGHRSQDPHGHZHHUJDYHVSRUHQRI GHHIIHFWHQZHUGHQQLHWWRHJHZH]HQ 'HGLVNGULYHKHHIWRQYROGRHQGHFDSDFLWHLW +HWSURMHFWEHVFKLNWRYHUWHZHLQLJHYHQWV +HWDDQWDOVSRUHQGDWXWHJHOLMNHUWLMGNDQRSQHPHQ QHHPWDI → $IKDQNHOLMNYDQGHVWUXFWXXUYDQGHSURMHFWGDWDRI YDQGHSUHVWDWLHVYDQGHGLVNGULYHHQ]NDQKHW DDQWDOVSRUHQGDWXWHJHOLMNHUWLMGNXQWRSQHPHQRI ZHHUJHYHQEHSHUNW]LMQ → $OVGHRSQDPHPHWKRGH´0µRI´&'5µLVNXQWX PD[LPDDOVSRUHQWHJHOLMNHUWLMGRSQHPHQ → $OVGH6DPSOH5DWHKRJHUGDQ´N+]µVWDDWRIDOV GH9DUL3LWFKRS´2QµVWDDWGDQNDQKHWDDQWDO VSRUHQGDWXWHJHOLMNHUWLMGNXQWRSQHPHQEHSHUNW ]LMQ 9RRUGHWDLOV]LH´'LVN5HFRUGHUJHGHHOWHµ +DQGOHLGLQJS
U kan niet digitaal opnemen 'HGLJLWDOHDDQVOXLWLQJYDQGH&'VSHOHUZRUGWQLHW DDQYDDUG 'Hmaster clockVWDDWRS´,17µ 'H',*,7$/,1FRQQHFWRU RSWLVFKFRD[LDDO5%86 LV QLHWMXLVWJHVHOHFWHHUG
Continued 5
Problemen oplossen
'H96HQGHDDQJHVORWHQWRHVWHOOHQVWDDQXLW
Een bepaald kanaal geeft geen geluid
Problemen oplossen
'HVDPSOLQJUDWHYDQKHWRSWHQHPHQSURMHFWYHUVFKLOW YDQGLHYDQKHWGLJLWDOHDXGLRWRHVWHO → 6WHOGHVDPSOHUDWHYDQKHWGLJLWDOHDXGLRWRHVWHOLQ ]RGDWKLMRYHUHHQNRPWPHWGHVDPSOHUDWHYDQKHW SURMHFW$OVGHVDPSOHUDWHYDQKHWGLJLWDOHDXGLR WRHVWHOQLHWJHZLM]LJGNDQZRUGHQGDQGLHQWXHHQ QLHXZHVRQJWHPDNHQPHWGLHVDPSOHUDWH +HWGLJLWDOHVLJQDDOZRUGWQLHWYHU]RQGHQYDQXLWKHW GLJLWDOHDXGLRWRHVWHO → 6RPPLJHGLJLWDOHDXGLRWRHVWHOOHQVWXUHQJHHQ GLJLWDDOVLJQDDOXLWWHQ]LM]HLQSOD\PRGHVWDDQ=HW LQGDWJHYDOXZGLJLWDOHDXGLRWRHVWHOLQVWDQGE\ SDXVH PRGHYRRUGDWXGH96LQUHFRUGPRGH ]HW +HWGLJLWDOHVLJQDDOIRUPDDWYHUVFKLOW → 6RPPLJHGLJLWDOHDXGLRWRHVWHOOHQJHEUXLNHQGLJLWDOH VLJQDOHQPHWHHQVSHFLDDOIRUPDDW8NDQGXVEHVW HHQGLJLWDDODXGLRWRHVWHOJHEUXLNHQGDWFRPSDWLEHO LVPHW63',)
Er zit ruis en vervorming in het opgenomen geluid 'HLQJDQJVJHYRHOLJKHLGLVQLHWFRUUHFWLQJHVWHOG → $OVGHLQSXWJHYRHOLJKHLGWHKRRJVWDDWLQJHVWHOG ]DOKHWRSJHQRPHQJHOXLGYHUYRUPHQ$QGHU]LMGV ZDQQHHUGHJHYRHOLJKHLGWHODDJLQJHVWHOGVWDDW]DO KHWRSJHQRPHQJHOXLGRYHUVWHPGZRUGHQGRRUUXLV 6WHOGH,1387UHJHODDUVLQ]RGDWGHPHWHUVHHQ]R KRRJPRJHOLMNVLJQDDOQLYHDXDDQJHYHQELQQHQKHW EHUHLNYDQG%WRWG% 'HHTXDOL]HUZRUGWJHEUXLNWPHWGHLQSXWPL[HU → %LMVRPPLJHHTXDOL]HULQVWHOOLQJHQ]DOKHWJHOXLG WRFKYHUYRUPHQRRNDOOLFKWGH3($.LQGLFDWRUQLHW RS5HJHOGHHTXDOL]HURSQLHXZDI 'H´$77µLQVWHOOLQJ $WWHQXDWRU LVLQFRUUHFW +DQGOHLGLQJS → $OVGHUXLVRIGHYHUYRUPLQJKHWJHYROJLVYDQWUDFN ERXQFLQJGDQZDUHQGHWUDFNRXWSXWOHYHOVWHKRRJ
De toonhoogte van de weergave klinkt vreemd 'H9DUL3LWFKIXQFWLHVWDDWDDQ KHW9$5,3,7&+LFRRQ VWDDWLQGHGLVSOD\ 'HWLPHFRPSUHVVLRQH[SDQVLRQIXQFWLHLVLQJHEUXLN
Problemen met de disk drive De interne hard disk wordt niet herkend 'HKDUGGLVNLVQLHWFRUUHFWJHwQVWDOOHHUG 4XLFN6WDUWS ´,'('ULYHµVWDDWRS´2IIµ 'H´3DUWLWLRQµLQVWHOOLQJHQ]LMQQLHWMXLVW → :HUDGHQDDQRPGHSDUWLWLHJURRWWHLQWHVWHOOHQRS ´*%µ +RHZHOGH5HJLRQ(UDVHKDQGHOLQJXLWJHYRHUGZHUGLV GHEHVFKLNEDUHRSQDPHWLMGQLHWWRHJHQRPHQ → :DQQHHUXDXGLRGDWDXLWZLVWGRRUPLGGHOYDQ 5HJLRQ&XW5HJLRQ(UDVHRI3KUDVH'HOHWHHQ]GDQ ZRUGHQGH]HGDWDQRJQLHWPHWHHQYDQGHKDUGGLVN YHUZLMGHUG$OVXGHEHVFKLNEDUHRSQDPHWLMGZLO RSGULMYHQOHHVGDQ´(QNHORYHUERGLJHSKUDVHV ZLVVHQ 6RQJ2SWLPL]H µ +DQGOHLGLQJS
De Zip drive wordt niet herkend 'H=LSGULYHLVQLHWFRUUHFWDDQJHVORWHQ +HW]HOIGHGHYLFH,'QXPPHULVWRHJHZH]HQDDQWZHHRI PHHU6&6,WRHVWHOOHQ =LSGULYHV&'5:GULYHVHQ] 'H=LSGULYHLVQLHWJHwQLWLDOLVHHUG (U]LWJHHQ=LSGLVNLQGHGULYH → :DQQHHUXYDQ=LSGLVNYHUDQGHUWYHUJHHWGDQQLHW YDQGHQLHXZLQJHEUDFKWHGLVNDOVKXLGLJHGULYHWH VHOHFWHUHQ (U]LWHHQSURMHFWEDFNXS=LSGLVNLQGHGULYH → 3URMHFWFRSLHVHQSURMHFWEDFNXSFRSLHVKHEEHQHHQ YHUVFKLOOHQGGLVNIRUPDW8NXQWEYWHUKHUNHQQLQJ ODEHOVNOHYHQRSGLVNVGLHGDWDYDQKHWSURMHFW EDFNXSW\SHEHYDWWHQ 'HVRQJGDWDYDQGH96RSJHVODJHQRS=LSGLVNV NXQQHQQLHWJHOH]HQZRUGHQGRRUGHLQWHUQH=LSGULYH YDQGHFRPSXWHU → +HWIRUPDDWYDQGH96VRQJGDWDLVVSHFLILHN YRRUGH96'H]HGDWDNXQQHQQLHWGRRUDQGHUH WRHVWHOOHQJHEUXLNWZRUGHQ 'HLQLWLDOLVDWLHZHUGJHDQQXOHHUGHQHUYHUVFKLMQWHHQ IRXWPHOGLQJ]RDOV´0HGLXP(UURUµ´8QXVDEOH6HFWRUµ ´2SHUDWLRQ)DLOHGµHGLQGHGLVSOD\ → 'H=LSGLVNLVPLVVFKLHQEHNUDVWRIEHVFKDGLJG 3UREHHUPHWHHQDQGHUH QLHXZH GLVNRPWH]LHQRI KHW]HOIGHJHEHXUW → 'H=LSGULYHLVPLVVFKLHQGHIHFW6OXLWGH=LSGULYH DDQRSHHQDQGHUWRHVWHOGDQGH96 EYXZ FRPSXWHU RPWH]LHQRIGHGULYHRSQRUPDOHZLM]H GLVNVNDQLQLWLDOLVHUHQEHVWDQGHQNDQOH]HQHQ DQGHUHKDQGHOLQJHQNDQXLWYRHUHQ
6
Problemen oplossen
Interne effecten De effecten zijn ontoegankelijk 'H96)LVQLHWFRUUHFWJHwQVWDOOHHUG 4XLFN6WDUWS² (ULVVOHFKWVppQ96)JHwQVWDOOHHUG ZDQQHHUX ())(&7²QLHWNDQJHEUXLNHQ 8SUREHHUWKHWDOJRULWPHYRRU5HYHUE*DWHG5HYHUE
8SUREHHUWWHVFKULMYHQRSHHQ&'5GLVFGLHUHHGV JHILQDOLVHHUGLV
Problemen met MIDI-toestellen Met de VS-2480 als master reageert de MIDI sequencer niet op commando’s 'H0,',NDEHOLVQLHWFRUUHFWDDQJHVORWHQ
8KHEWKHWDOJRULWPHYRRU9RFRGHU9RLFH7UDQVIRUPHU RI0DVWHULQJ7RRO.LWUHHGVJHVHOHFWHHUGPHW);); );RI);
'H0,',7KUXVZLWFKVWDDWQLHWRS´2XWµ
,NZLOGHYROJRUGHYDQHHQHIIHFWDOJRULWPHYHUDQGHUHQ → 'HDOJRULWPHVNXQQHQQLHWLQHHQDQGHUHYROJRUGH JHSODDWVWZRUGHQ8NDQ]HHQNHOLQHQ XLWVFKDNHOHQ0HHUGHWDLOVRYHUGHYROJRUGHYDQ DOJRULWPHVYLQGWXLQGH´/LMVWYDQGHDOJRULWPHVµ S
Problemen met de CD-RW Drive I heb een audio-CD gemaakt met de CD-R/RW drive, maar kan hem niet afspelen op een gewone CD-speler. +HWILQDOLVDWLHSURFHVZHUGQLHWXLWJHYRHUG:DQQHHUX DXGLR&'·VPDDNW]HW´)LQDOL]HµGDQRS´2QµRI ´2QO\)LQµ $XGLR&'·VDDQJHPDDNWRSHHQ&'5:GLVFNXQQHQ QLHWDIJHVSHHOGZRUGHQRSHHQJHZRQH&'VSHOHU *HEUXLN&'5GLVFV
De CD-R drive wordt niet herkend 'H&'5:GULYHLVQLHWFRUUHFWDDQJHVORWHQ +HW]HOIGHGHYLFH,'QXPPHULVWRHJHZH]HQDDQWZHHRI PHHU6&6,WRHVWHOOHQ =LSGULYHV&'5:GULYHVHQ]
'H0,',NDEHOLVGHIHFW ´6\QF*HQµ GHV\QFJHQHUDWRU VWDDWQLHWLQJHVWHOGRS GHMXLVWHV\QFKURQLVDWLHPHWKRGH 07&0,',&ORFN 6\QF7UDFN 'H(;7LQGLFDWRUNQLSSHUW ´6<1&02'(µVWDDWRS ´(;7µ 'HWZHHWRHVWHOOHQVWDDQQLHWLQJHVWHOGRSKHW]HOIGHW\SH YDQ07& WLMGHQV07&V\QFKURQLVDWLH 'H0,',FORFNGDWD]LMQQLHWRSJHQRPHQRSGHV\QF WUDFN LQGLHQXGHV\QFWUDFNJHEUXLNWYRRU V\QFKURQLVDWLH 'HLQVWHOOLQJHQYDQGH0,',VHTXHQFHU]LMQQLHWFRUUHFW 'H0,',VHTXHQFHULVQLHWNODDUYRRUZHHUJDYH
Wanneer u synchroniseert met een MIDI sequencer als master, reageert de VS-2480 niet op de sequencerboodschappen 'H0,',NDEHOLVQLHWFRUUHFWDDQJHVORWHQ 'H0,',NDEHOLVGHIHFW 8SUREHHUWWHV\QFKURQLVHUHQYLD0,',FORFN → 'H96NDQQLHWLQVODYHPRGHZHUNHQPHWHHQ DQGHUHPHWKRGHGDQ07& 'H(;7LQGLFDWRULVXLW ´6<1&02'(µVWDDWRS´,17µ
(U]LWJHHQ&'55:GLVFLQGHGULYH
'HWZHHWRHVWHOOHQVWDDQQLHWLQJHVWHOGRSKHW]HOIGHW\SH YDQ07& WLMGHQV07&V\QFKURQLVDWLH
8JHEUXLNWHHQ&'5:GULYHGLHQLHWJRHGJHNHXUGLV GRRU5RODQG
'HLQVWHOOLQJHQYDQGH0,',VHTXHQFHU]LMQQLHWFRUUHFW
U kan niets wegschrijven op CD-R discs 'HVDPSOHUDWHYDQGHVRQJLVQLHWN+] (ULVJHHQ,'(KDUGGLVNJHwQVWDOOHHUG
'H96VWDDWQLHWLQSOD\EDFNVWDQGE\PRGH GH 3/$<LQGLFDWRUNQLSSHUW 'H07&RQWYDQJVWLVVOHFKW → 'LWNDQYHUEHWHUHQGRRUSync Error LevelRS´µRI KRJHUWH]HWWHQ
'HLQWHUQH,'(KDUGGLVNKHHIWRQYROGRHQGHYULMH VFKLMIUXLPWH 'H&'5GLVFKHHIWRQYROGRHQGHYULMHUXLPWH 8SUREHHUWWHVFKULMYHQRSHHQFRPPHUFLsOH&'VRIWZDUH GLVF
7
Problemen oplossen
9RFRGHU9RLFH7UDQVIRUPHURI0DVWHULQJ7RRO.LWWH VHOHFWHUHQPHW);););RI);
Problemen oplossen
Met een video-apparaat als master reageert de VS-2480 niet 'HNDEHODDQGH/FRQQHFWRUGH6<67(0(FRQQHFWRURI GH0,',NDEHOLVQLHWFRUUHFWDDQJHVORWHQ 'H0,',NDEHOLVGHIHFW 'H(;7LQGLFDWRULVXLW ´6<1&02'(µVWDDWRS´,17µ ´6\V(;5[µ 6\VWHP([FOXVLYH5HFHLYH6ZLWFK VWDDWQLHW RS´2Qµ ´00&µ 00&PRGH VWDDWQLHWRS´6/$9(µ 'H07&IUDPHUDWHYDQKHWYLGHRDSSDUDDWYHUVFKLOWYDQ GLHYDQGH6,63 5RODQG9LGHR0,',6\QF,QWHUIDFH RIGHYLGHRHQGH96VWDDQQLHWLQJHVWHOGRS KHW]HOIGHW\SHYDQ07& 07&RQWYDQJVWLVVOHFKW → 'LWNDQYHUEHWHUHQGRRUSync Error LevelRS´µRI KRJHUWH]HWWHQ
Andere problemen De data op de disk drive werden niet goed opgeslagen 'H96ZHUGXLWJHVFKDNHOG]RQGHUGHVKXWGRZQ SURFHGXUHXLWWHYRHUHQ +HWWRHVWHOZHUGXLWJHVFKDNHOGWHUZLMOGHGLVNGULYHLQ ZHUNLQJZDV 'HGLVNGULYHNUHHJHHQ]ZDUHVFKRNWHYHUZHUNHQ 'HGLVNGULYHRIGH6&6,NDEHOZHUGDDQRIDIJHNRSSHOG WHUZLMOKHWWRHVWHODDQVWRQG → ,QLWLDOLVHHUGHGLVNGULYHRSQLHXZ HQYRHURRN SK\VLFDOIRUPDWWLQJXLW +DQGOHLGLQJS² +HW LVRRNDDQWHUDGHQRPHHQ6XUIDFH6FDQXLWWHYRHUHQ +DQGOHLGLQJS
8
Foutmeldingen Aborted Command!
Can’t Set Marker
Illegal Request!
7UDFNQXPEHUPDUNHUVPRHWHQPLVWHQVYLHUVHFRQGHQYDQ
'H]HGLVNGULYHNDQQLHWJHEUXLNWZRUGHQGRRUGH96
Already Selected 'HGLVNGULYHGLHXJHNR]HQKHEWZDVUHHGVGHJHVHOHFWHHUGH GULYH
Arbitration Failed! Busy Status! Check Condition! Drive Status Error! No Drive Found. 'HGLVNGULYHLVQLHWWRHJDQNHOLMN&RQWUROHHURIGHGLVNGULYH FRUUHFWDDQJHVORWHQLV
Blank Disc
HONDDUVWDDQ
Change to Internal Clock? (UZRUGWJHHQGLJLWDDOVLJQDDORQWYDQJHQELMGH',*,7$/,1 FRQQHFWRU$OVXRS[ENT/YES]GUXNWVFKDNHOWGH96 RYHURS]LMQLQWHUQHNORN&RQWUROHHUHHUVWRIDOOHGLJLWDOH WRHVWHOOHQFRUUHFWDDQJHVORWHQ]LMQHQRIGHVDPSOHUDWHVYDQ DOOHWRHVWHOOHQRYHUHHQNRPHQHQYRHUGDQGHKDQGHOLQJ QRJPDDOVXLW
COAXIAL In Lock OPTICAL In Lock R-BUS1 Lock R-BUS2 Lock WORD CLOCK In Lock
COAXIAL In Unlock
Can’t Communicate!
OPTICAL In Unlock
Drive Time Out!
R-BUS1 Unlock
Message Error!
R-BUS2 Unlock
Phase Mismatch!
WORD CLOCK In Unlock
Undefined Sense!
+HWGLJLWDOHVLJQDDONRPWQLHWELQQHQYLDGH',*,7$/,1 FRQQHFWRURIGHVDPSOHUDWHYDQGHVRQJYHUVFKLOWYDQGH VDPSOHUDWHYDQKHWGLJLWDOHWRHVWHODDQJHVORWHQRSGH ',*,7$/,1FRQQHFWRU,QGH]HWRHVWDQGNXQWXJHHQ
Unknown Drive Error! (ULVHHQSUREOHHPPHWGHDDQVOXLWLQJHQRSGHGLVNGULYH =RUJGDWGHGLVNGULYHFRUUHFWDDQJHVORWHQLV
Cannot write in “Track at Once” format on CD-RW Disc! 8KHEWJHWUDFKWGHDXGLRGDWDRSHHQ&'5:GLVFZHJWH VFKULMYHQPHWGH´7DFNDW2QFHµPHWKRGH
Can’t record CD! 0HWGHIDEULHNVLQVWHOOLQJHQNDQXJHHQGLJLWDOHYHUELQGLQJHQ PDNHQPHWHHQ&'VSHOHU=LH+DQGOHLGLQJS
Can’t Recover Project 'HGULYHFKHFN5HFRYHUSURFHGXUHNRQQLHWXLWJHYRHUG ZRUGHQRPGDWHURQYROGRHQGHYULMHUXLPWHZDVRSGHGLVN 9HUZLMGHURYHUERGLJHSURMHFWHQRIYRHUGH3URMHFW2SWLPL]H SURFHGXUHXLW
GLJLWDOHVLJQDOHQRSQHPHQ
Done! 'HKDQGHOLQJZHUGPHWVXFFHVXLWJHYRHUG
Disk Memory Full! (ULVRQYROGRHQGHYULMHUXLPWHRSGHGLVN9HUZLMGHU RYHUERGLJHGDWDRIVHOHFWHHUHHQDQGHUHGLVNGULYH+HW PD[LPDOHDDQWDOVRQJVGDWXRSppQSDUWLWLHNDQRSQHPHQ ZHUGRYHUVFKUHGHQ9HUZLMGHURYHUERGLJHSURMHFWHQRI VHOHFWHHUHHQDQGHUHGLVNGULYH
Drive Busy! $OVGH]HERRGVFKDSYHUVFKLMQWZDQQHHUXHHQGLVNGULYH YRRUGHHHUVWHPDDOJHEUXLNWPHWGH96GDQLVGHGLVN GULYHQLHWVQHOJHQRHJ8NXQWGH]HGH]HGLVNPLVVFKLHQQRJ ZHOJHEUXLNHQYRRUSURMHFWHQGLHHHQODJHUHVDPSOHUDWHRI HHQDQGHUHRSQDPHPHWKRGHKHEEHQ$OVGH]HERRGVFKDS
9
Foutmeldingen
'HUHIHUHQWLHNORNYRRUGHVDPSOHUDWHVWDDWLQJHVWHOGRSKHW GLJLWDOHVLJQDDODINRPVWLJYDQGH',*,7$/,1FRQQHFWRU8 NXQWQXKHWGLJLWDOHVLJQDDORSQHPHQ
8WUDFKWWHGH&'SOD\HUIXQFWLHWHJHEUXLNHQPHWHHQGLVF ZDDURSJHHQSHUIRUPDQFHGDWDVWDDQ3ODDWVHHQJHZRQH PX]LHN&'RIHHQ&'55:ZDDURSUHHGVPDWHULDDO RSJHQRPHQLVLQGHGULYH
Foutmeldingen
YHUVFKLMQWQDGDWXGHGLVNGULYHPHWGH96JHEUXLNW
Lack of IDE Memory!
KHEWGDQ]LMQGHGDWDRSGHGLVNGULYHJHIUDJPHQWHHUG
(ULVRQYROGRHQGHYULMHUXLPWHRSGHLQWHUQH,'(KDUGGLVN
JHUDDNWZDWKHWOH]HQHQVFKULMYHQYDQGDWDYHUWUDDJW1HHP RIZHOYLDWUDFNERXQFLQJGHSOD\EDFNGDWDRSRSHHQDQGHU
RPGHLPDJHGDWDILOHDDQWHPDNHQ
VSRRURIYRHUGHRSWLPL]HKDQGHOLQJXLW$OVGH]HOIGH
MARKER Memory Full!
ERRGVFKDSQRJVWHHGVYHUVFKLMQWQDGDWXGH]HPDDWUHJHOHQ
+HWSURMHFWEHYDWUHHGVPDUNHUV'LWLVKHWPD[LPXP
KHEWJHQRPHQNRSLHHUGDQGHVRQJGDWDQDDUHHQDQGHUH
9HUZLMGHUGHRQQRGLJHPDUNHUV
GLVNGULYHHQLQLWLDOLVHHUGHGLVNGULYHZDDUPHHXGLW SUREOHHPKDG
Event Memory Full! 'H96KHHIWKHWPD[LPDOHDDQWDOHYHQWVGDWHHQSURMHFW NDQEHYDWWHQRSJHEUXLNW9HUZLMGHURQQRGLJHDXWRPL[GDWD RIYRHUGH3URMHFW2SWLPL]HKDQGHOLQJXLW
Finalized CD ! 'H]HERRGVFKDSYHUVFKLMQWZDQQHHUXGDWDWUDFKWZHJWH VFKULMYHQRSHHQJHZRQH&'RIHHQJHILQDOLVHHUGH&'55: GLVF9HUYDQJGHGLVFGRRUHHQEODQFRGLVFRIHHQQRJQLHW JHILQDOLVHHUGHGLVF
Medium Error! (ULVHHQSUREOHHPPHWGHGLVNGULYHPHGLD'H]HGLVNNXQW XQLHWJHEUXLNHQPHWGH96,QVRPPLJHJHYDOOHQLVHHQ UHFRYHU\PRJHOLMNZDQQHHUXHHQ'ULYH&KHFNXLWYRHUW
No CD-R Drive ! 2IZHOLVHUJHHQ5RODQG&'UHFRUGHU &'55:GULYH DDQJHVORWHQRIZHOVWDDWKLMQLHWDDQ
No Data to Write +HWSURMHFWGDWXVHOHFWHHUGHRPZHJWHVFKULMYHQRS &'55:GLVFEHYDWJHHQGDWD
Found Illegal Track Pair!
No Disc
Found Illegal Phrase Pair!
(U]LWJHHQGLVFLQGH5RODQG&'UHFRUGHU &'55:GULYH 3ODDWVHHQGLVFLQGHGULYH
8SUREHHUWHHQ5HJLRQ(GLWRI3KUDVH(GLWKDQGHOLQJ &RS\ 0RYHRI([FKDQJHHQ] XLWWHYRHUHQWXVVHQHHQ9WUDFNGLH ZHUGRSJHQRPHQPHW´&'5µHQHHQJHZRQH9WUDFN *HEUXLN9WUDFNVGLHRSJHQRPHQZHUGHQPHWGH]HOIGH RSQDPHPHWKRGH
Operation Failed! 'HGDWDYHUZHUNLQJZHUGRQGHUEURNHQRPZLOOHYDQ RQYROGRHQGHJHKHXJHQRIGRRUGDWHUHHQIRXWLQGHGLVN GULYH]HOILVRSJHWUHGHQ&RQWUROHHUGHDDQVOXLWLQJHQ
Hardware Error! (ULVHHQSUREOHHPPHWGHGLVNGULYH&RQWDFWHHUGHIDEULNDQW RIGHYHUGHOHUYDQGHGLVNGULYH
Illegal Track! 8SUREHHUWHHQQLHXZHSKUDVHDDQWHPDNHQPHWHHQ9WUDFN GLHRSJHQRPHQLVPHW´&'5µHQHHQ9WUDFNGLHPHWHHQ DQGHUHPHWKRGHLVRSJHQRPHQ*HEUXLN9WUDFNVGLH RSJHQRPHQ]LMQPHWGH]HOIGHPHWKRGH
Lack of CD-R Memory! (ULVRQYROGRHQGHYULMHUXLPWHRSGH&'55:GLVFRPGH VRQJVWHNXQQHQZHJVFKULMYHQ
Lack of EVENT !! 8KHEWJHSUREHHUGRP81'2RI5('2XLWWHYRHUHQWHUZLMO KHWUHVWHUHQGHDDQWDO(YHQWVPLQGHUGDQEHGUDDJW8NDQ GHKXLGLJHKDQGHOLQJQLHWYHUGHU]HWWHQ
10
No Disk Drive (ULVJHHQGLVNGULYHDDQJHVORWHQ2IHULVJHHQLQWHUQHKDUG GLVNJHwQVWDOOHHUG&RQWUROHHURIGHGLVNGULYHZHOFRUUHFW DDQJHVORWHQLV
No IDE Drive ! (U]LWJHHQGLVNGULYHYDQKHW,'(W\SHLQKHWWRHVWHO ,QVWDOOHHUHHQLQWHUQHKDUGGLVN
Wrong Sample Rate! 'HVDPSOHUDWHYDQKHWSURMHFWLVQLHWN+]GXVGHGDWD NXQQHQQLHWZHJJHVFKUHYHQZRUGHQRSGH&'55:GLVF
Unusable Sector 'HGLVNGLHXJHEUXLNWEHYDWJHHQE\WHVSHUVHFWRU'H]H GLVNLVQLHWEUXLNEDDURSGH96
Drive Not Ready! 'HGLVNGULYHLVQLHWNODDU:DFKWHYHQWMHV
Obey Copyrights ? 'H]HERRGVFKDSYUDDJWRIXDNNRRUGJDDWPHWGH YRRUZDDUGHQLQ]DNHUHSURGXFWLHXLW]HQGLQJHQYHUNRRSYDQ GHVRIWZDUH/HHVDDQGDFKWLJGHOLFHQWLHRYHUHHQNRPVW
Please Insert CD-R Disc ! 2IZHOVWDDWGHODGHUYDQGH5RODQG&'UHFRUGHU &'55: GULYH QRJRSHQRIZHO]LWHUJHHQ&'55:GLVFLQRIGH
Foutmeldingen
&'55:GULYHLVRPHHQDQGHUHUHGHQQLHWNODDU
Please Wait... (ULVHHQKDQGHOLQJLQXLWYRHULQJ*HOLHYHHYHQWHZDFKWHQ
SCSI ID Error! (ULVHHQFRQIOLFWWXVVHQGH6&6,,'QXPPHUVYDQWZHHRI PHHUGLVNGULYHV6WHOGH6&6,,'QXPPHUVLQ]RGDW]HQLHW FRQIOLFWHUHQ
SCSI Not Available! (ULVHHQGHIHFWDDQGH6&6,FRPSRQHQWHQYDQGH96 /DDWGLWQDNLMNHQGRRUXZGHDOHURIGRRUHHQEHYRHJGH 5RODQGWHFKQLFXV
Project Protected! $DQJH]LHQ3URMHFW3URWHFWDDQVWDDWNDQGHKDQGHOLQJQLHW XLWJHYRHUGZRUGHQ
TOC Read Error! Foutmeldingen
(UKHHIW]LFKHHQIRXWYRRUJHGDDQELMKHWOH]HQYDQGH&'5 5:GLVF(ULVHHQSUREOHHPPHWGH5RODQG&'UHFRUGHU &'55:GULYH RIPHWGH&'55:GLVF
Too Many Markers! 8KHEWJHSUREHHUGRPPHHUGDQ WUDFNQXPEHUPDUNHUVWH SODDWVHQ(HQ&'NDQPD[LPDDO WUDFNQXPEHUPDUNHUV EHYDWWHQ
Drive Unformatted! 'HGLVNGULYHLVQLHWJHwQLWLDOLVHHUGGRRUGH96 ,QLWLDOLVHHUGHGLVNGULYH $OVGH]HPHOGLQJYHUVFKLMQWYRRUHHQGLVNGULYHGLHZHO JHwQLWLDOLVHHUGLVGRRUGH96GDQLVHUHHQSUREOHHP PHWGHDDQVOXLWLQJHQYDQGHGLVNGULYH&RQWUROHHURIGHGLVN GULYHFRUUHFWDDQJHVORWHQLV
Operation Cancelled! 'HSURFHGXUHZHUGDIJHEURNHQGRRURS[EXIT/NO]WH GUXNNHQ
Write Another CD? +HWZHJVFKULMYHQRSGHGLVFLVYROWRRLG.LHVRIXGH]HOIGH GDWDDOGDQQLHWQDDUHHQDQGHUHGLVFZLOZHJVFKULMYHQ'UXN RS[ENT/YES]RI[EXIT/NO]
Write Protected! 'HGLVNGULYHLVEHYHLOLJG
11
Verklarende woordenlijst Actieve Terminator
DAT
(HQHLQGZHHUVWDQGGLH]LFKDDQHONXLWHLQGHYDQHHQ6&6, NHWHQEHYLQGW'LWLVHHQQLHXZHOHPHQWLQGH6&6, VSHFLILFDWLHVHQYHUJHOHNHQPHWJHZRQHWHUPLQDWRUVELHGW GH]HZHHUVWDQGHHQJURWHUHVWDELOLWHLWYRRU6&6,DSSDUDWHQ ZDWGHNZDOLWHLWYDQGHVLJQDDOWUDQVPLVVLHWHQJRHGHNRPW
$INRUWLQJYDQDigital Audio Tape'HWHUP´'$7µYHUZLMVW ]RZHOQDDUKHWRSQDPHV\VWHHP JHGLJLWDOLVHHUGJHOXLGRS PDJQHWLVFKHEDQG DOVQDDUGHJHOXLGVGUDJHUV FDVVHWWHV %HKDOYHGLJLWDOHDXGLRVLJQDOHQZRUGHQRRNDOOHVRQJGDWD RSJHQRPHQRSGHEDQGLQFOXVLHIVWDUWFRPPDQGR·VHQ VSRRUGDWDGDWDGLHKHWFRSLsUHQYHUKLQGHUHQRIWRHODWHQHQ]
Analyzer (HQWRHVWHOGDWKHWIUHTXHQWLHVSHFWUXPLQVPDOOHEDQGHQ YHUGHHOWHQYRRUHONHEDQGHHQOHYHOPHWHUWRRQW]RGDWXGH YHUGHOLQJYDQGHIUHTXHQWLHVNXQWDQDO\VHUHQ
CD-R $INRUWLQJYDQCompact Disc Recordable0HWGLWV\VWHHP NDQXGLVFVOH]HQHQVFKULMYHQLQKHWIRUPDDWGDWJHEUXLNW ZRUGWYRRU&'·V &'520·VHQPX]LHN&'·V 0HWHHQ&' 5GULYHNDQXHHQPDOLJGDWDZHJVFKULMYHQRS&'5GLVFV +RHZHO]RODQJGHGDWDQLHWJHILQDOLVHHUG]LMQHQHUQRJ YROGRHQGHUXLPWHRYHUEOLMIWRSGHGLVFNDQXPHWGH&'5 GULYHPHHUGHUHWRHYRHJLQJHQGRHQRIZLM]LJLQJHQ DDQEUHQJHQ 6RPVZRUGWHURRNZHOJHVSURNHQYDQ¶:ULWH2QFH&'· ¶&':ULWH2QFH·HQ]
CD-RW $INRUWLQJYDQCompact Disc ReWritable'HGLVFVGLHX PHWGLWV\VWHHPVFKULMIWNXQQHQJHOH]HQZRUGHQGRRU PLGGHOYDQKHW]HOIGHIRUPDDWDOVJHZRQH&'·V &'520·V HQPX]LHN&'·V 'LWOLMNWRSKHW&'5V\VWHHPLQGLH]LQGDW HUHHQVSHFLDOH&'5:GULYHZRUGWJHEUXLNWPDDU&'5: GLVFVNXQQHQRQEHSHUNWKHUVFKUHYHQZRUGHQ
Dynamics (effecten) (IIHFWHQGLHKHWEHUHLNYDQGHYROXPHYHUDQGHULQJHQ VDPHQGUXNNHQRIXLWUHNNHQ'H]HHIIHFWHQZRUGHQJHEUXLNW RPGHUXLVWHRQGHUGUXNNHQZDQQHHUXRSHHQEDQG RSQHHPWRIRPKHWG\QDPLVFKHEHUHLNYDQHHQEDQGRSQHPHU RIHHQGUDDGOR]HPLFURIRRQWHYHUJURWHQ'H'\QDPLFV HIIHFWHQGLHLQGLWV\VWHHPYRRU]LHQ]LMQ (QKDQFHU ([SDQGHU&RPSUHVVRUHQ/LPLWHU
DSP $INRUWLQJYDQDigital Signal Processing 'LJLWDOHVLJQDDO YHUZHUNLQJ (HQWHFKQRORJLHGLHJHEUXLNPDDNWYDQVSHFLDOH FLUFXLWVRIVRIWZDUHRPJHGLJLWDOLVHHUGHDXGLRRIYLGHR VLJQDOHQWHYHUZHUNHQPHWKHWRRJRSGHWRHSDVVLQJHUYDQLQ HHQILOWHUHHQPL[HURIHHQHIIHFWSURFHVVRU,QUXLPHUH EHWHNHQLVYHUZLMVW'63RRNQDDUKHWJHKHHOYDQHIIHFW DSSDUDWXXUHQHIIHFWIXQFWLHVGLHGH]HWHFKQRORJLHJHEUXLNHQ
Expander (HQHIIHFWGDWKHWYHUVFKLOWXVVHQODJHHQKRJHYROXPH QLYHDXV YROJHQVHHQYDVWHYHUKRXGLQJ YHUJURRWGRRUODJH VLJQDDOQLYHDXVQRJWHYHUODJHQHQKRJHVLJQDDOQLYHDXVWH YHUKRJHQ
Compressor
Fantoomvoeding
(HQHIIHFWGDWYROXPHVFKRPPHOLQJHQRQGHUGUXNW:DQQHHU KHWLQJDQJVVLJQDDOHHQEHSDDOGHGUHPSHOZDDUGH WKUHVKROG RYHUVFKULMGWZRUGWGHJDLQYHUPLQGHUGQDDUPDWHKHW LQJDQJVVLJQDDOWRHQHHPWRPRYHUEHODVWLQJWHYRRUNRPHQ +HW]HOIGHDOJRULWPHNDDQRRNJHEUXLNWZRUGHQDOV/LPLWHU HHQHIIHFWGDWVLJQDDOSLHNHQRQPLGGHOOLMNRQGHUGUXNW 9DQGHHIIHFWHQLQGLWV\VWHHPLVGHFRPSUHVVRUYDQGH *XLWDU0XOWL·V²GHHQLJHGLHHHQFRPSDFWHFRPSUHVVRU YRRUJLWDDUVLPXOHHUWHQYHUVFKLOOHQGZHUNWYDQHHQ/LPLWHU +LMRQGHUGUXNWVLJQDDOSLHNHQHQWUHNWRRNKHWYROXPHJHOLMN GRRU]ZDNNHVLJQDOHQRSWHGULMYHQ
'LWLVHHQPDQLHURPFRQGHQVDWRUPLFURIRRQVYDQHOHNWULVFKH VWURRPWHYRRU]LHQYLDGHPLFURIRRQNDEHOV'HLQWHUQH IDQWRRPYRHGLQJYDQHHQPL[HUOHYHUWJHZRRQOLMN²YROW '& $OVHUIDQWRRPYRHGLQJJHEUXLNWZRUGWELMG\QDPLVFKH PLFURIRRQVDXGLRDSSDUDWHQRIDQGHUH]XONHWRHVWHOOHQGDQ NXQQHQGH]HEHVFKDGLJGJHUDNHQ6FKDNHOGHIDQWRRP YRHGLQJHQNHOLQZDQQHHUXFRQGHQVDWRUPLFURIRRQVJHEUXLNW GLHGLWQRGLJKHEEHQ ODDW]HDQGHUVXLWVWDDQ
COSM 6WDDWYRRUComposite Object Sound Modeling'LWLV´HHQ WHFKQRORJLHGLHYHUVFKHLGHQHJHOXLGVPRGHOOHQFRPELQHHUW RPQLHXZHJHOXLGHQWHFUHsUHQµGLHYRRUKHWHHUVWJHEUXLNW ZHUGRS5RODQG·V9*9*XLWDU6\VWHP %LMYRRUEHHOGGHJHOXLGHQJHFUHsHUGRSGH9*]LMQKHW UHVXOWDDWYDQHHQUHHNVJHOXLGVPRGHOOHQ HOHPHQWHQ ]RDOVGH SLFNXSGHNODQNNDVWGHJLWDDUYHUVWHUNHUPLFURIRRQV OXLGVSUHNHUVHQ]
12
Finaliseren 'LWLVGHKDQGHOLQJGLHGH72& LQKRXGVWDIHO UHJLVWUHHUWRS HHQRSJHQRPHQDXGLRGLVF%LMGLVFVGLHQRJQLHWJHILQDOLVHHUG ]LMQNDQXQRJZLM]LJLQJHQHQWRHYRHJLQJHQGRRUYRHUHQ PDDUXNDQ]HQLHWDIVSHOHQRSJHZRQH&'VSHOHUV
Formanten (HQIRUPDQWLVHHQEHODQJULMNHOHPHQWGDWKHWNDUDNWHUYDQ HHQVWHPJHOXLGEHSDDOW+HWLVHHQYDVWHERYHQWRRQZDDUYDQ GHSODDWVEHSDDOGZRUGWGRRUGHJURRWWHYDQGHVWHPEDQGHQ &RQYHQWLRQHOHSLWFKVKLIWHUVZLM]LJHQGHWRRQKRRJWH]RGDQLJ GDW]HOIVGHSODDWVYDQGHIRUPDQWHQ GLHYDQQDWXUHXLW RQYHUDQGHUOLMNLV YHUDQGHUW%LMYRRUEHHOGZDQQHHUHHQ
Verklarende woordenlijst
FRQYHQWLRQHOHSLWFKVKLIWHUGHWRRQKRRJWHRSGULMIWYHUNULMJWX HHQNZDNHQGVWHPJHOXLGQHWDOVRIXZVWHPEDQGHQ JHNURPSHQ]LMQ:DQQHHUGHWRRQKRRJWHYHUODDJGZRUGW NOLQNWXZVWHPDOVGLHYDQHHQUHXVQHWDOVRIXZ VWHPEDQGHQXLWJHURNNHQ]LMQ 'H9RLFH7UDQVIRUPHUZLM]LJWGHEDVLVWRRQHQGHIRUPDQW DI]RQGHUOLMNZDWGHPRJHOLMNKHLGELHGWRPKHWNDUDNWHUYDQ HHQVWHPKHOHPDDOWHZLM]LJHQ
Frame 'HWDOULMNHVWLOVWDDQGHEHHOGHQGLHLQVQHOOHRSHHQYROJLQJHHQ EHZHJHQGYLGHREHHOGZHHUJHYHQQRHPHQZH´IUDPHVµQHW ]RDOVGHLQGLYLGXHOHEHHOGMHVRSHHQUROELRVFRRSILOP,QppQ VHFRQGHEHZHJHQGEHHOG]LWWHQRQJHYHHUYDQGH]HIUDPHV :DQQHHUKDUGGLVNUHFRUGHUVVHTXHQFHUVHQDQGHUH JHOLMNDDUGLJHDSSDUDWHQJHV\QFKURQLVHHUGZRUGHQPHW YLGHRZRUGWHUYHURQGHUVWHOGGDWPHQZHUNWPHWIUDPHV SHUVHFRQGH
GUITAR (Hi-Z) (HQLQSXWMDFNPHWKRJHLPSHGDQWLHYRRUUHFKWVWUHHNVH DDQVOXLWLQJYDQHHQHOHNWULVFKHJLWDDU
GPI
Huidig project +HWSURMHFWGDWPRPHQWHHOZRUGWRSJHQRPHQDIJHVSHHOGRI EHZHUNWQRHPHQZHKHWKXLGLJSURMHFW
IDE ,'(VWDDWYRRUIntegrated Device and Electronics'LWLVGH VWDQGDDUGPHWKRGHYRRUGDWDWUDQVPLVVLHGLHJHEUXLNWZRUGW GRRUGHKDUGGLVNGULYHVYDQUHFHQWH3&·V'HKDUGGLVN GULYHYDQGH+'3VHULH DSDUWYHUNRFKW GLHXNDQ LQVWDOOHUHQLQGH96]LMQ,'(FRPSDWLEHO
Limiter (HQHIIHFWGDWRQJHYHHU]RDOVHHQFRPSUHVVRUZHUNW :DQQHHUKHWLQJDQJVVLJQDDOHHQEHSDDOGHGUHPSHOZDDUGH 7KUHVKROG RYHUVFKULMGWGDQYHUODDJWGH/LPLWHU RQPLGGHOOLMNGHJDLQRPKHWRXWSXWOHYHOWHEHSHUNHQ'H KRHYHHOKHLGFRPSUHVVLHZRUGWEHSDDOGGRRUGH5DWLR%LM YHUKRXGLQJHQYDQ RIPLQGHUVSUHNHQZHPHHVWDOYDQ FRPSUHVVLHRPKHWRQGHUVFKHLGWHPDNHQPHWOLPLWLQJ
00&VWDDWYRRUMIDI Machine Control'LWV\VWHHP GHILQLHHUWKRHX0,',V\VWHPH[FOXVLYHPHVVDJHVNDQ JHEUXLNHQRPYHUVFKHLGHQHRSQDPHDSSDUDWHQDDQWHVWXUHQ YDQXLWppQHQNHOWRHVWHO'H96RQGHUVWHXQW00& 1DDVWKHWDIVSHOHQVWRSSHQHQYRRUWVSRHOHQYDQVRQJVNDQ XRQGHUPHHUGHRSWHQHPHQVSRUHQVHOHFWHUHQ
MTC 07&VWDDWYRRUMIDI Time Code'LWLVHHQUHHNV ERRGVFKDSSHQGLHYHU]RQGHQHQRQWYDQJHQZRUGHQWXVVHQ 0,',WRHVWHOOHQRPKXQZHUNLQJWHV\QFKURQLVHUHQ,Q WHJHQVWHOOLQJWRW0,',&ORFNPHVVDJHVJHHIW07&HHQ DEVROXWHWLMGVZDDUGHDDQ1HW]RDOVGH6037(WLMGFRGH RQGHUVWHXQW07&RRNHHQDDQWDOIUDPHVQHOKHGHQ IUDPH UDWHV $OVXGHZHUNLQJYDQWZHHDSSDUDWHQZLOV\QFKUR QLVHUHQGRRUPLGGHOYDQ07&GDQPRHWRSEHLGHDSSDUDWHQ GH]HOIGHIUDPHVQHOKHLGLQJHVWHOG]LMQ
NTSC-formaat )RUPDDWYRRUNOHXUHQWHOHYLVLHGDWJHEUXLNWZRUGWLQRP -DSDQHQGH86$%DQGHQGLHRSJHQRPHQ]LMQLQKHW176& IRUPDDWNXQQHQQLHWDIJHVSHHOGZRUGHQRSHHQYLGHRWRHVWHO GDWPHWKHW6(&$03$/IRUPDDWZHUNW
Oscillator (HQWRHVWHOGDWHHQDOWHUQHUHQGVLJQDDORSZHNW,QGLW V\VWHHPYHUZLMVWGH]HWHUPQDDUGHLQWHUQHRVFLOODWRUGLHHHQ UHIHUHQWLHWRRQJHQHUHHUWYRRUGHPHWLQJHQYDQGHVSHFWUXP DQDO\]HU+LMNDQHHQVLQXVJROIYDQ+]²N+]URVHUXLV HQZLWWHUXLVJHQHUHUHQ ➙$QDO\]HU ➙6LQXVJROI ➙5RVHUXLV ➙:LWWHUXLV
PS/2-klavier, PS/2-muis 'LWLVKHWW\SHYDQNODYLHUHQPXLVGDWJHEUXLNWZRUGWRS 36FRPSXWHUV RQWZLNNHOGGRRU,%0 8NXQW]XONHHQ NODYLHUHQRIPXLVRRNDDQVOXLWHQRSGH96RP UHFKWVWUHHNVWHNVWLQWHJHYHQRIRPEHZHUNLQJHQXLWWH YRHUHQPHWGHPXLV
R-BUS 0HWKRGHRQZLNNHOGGRRU5RODQGYRRUGLJLWDOHXLWZLVVHOLQJ YDQDXGLRHQFRQWUROGDWDWXVVHQWRHVWHOOHQ0XOWLNDQDDOV DXGLRVLJQDOHQZRUGFORFNHQ0,',FRPSDWLEHOHEHGLHQLQJV GDWDHQV\QFKURQLVDWLHVLJQDOHQNXQQHQDOGXVXLWJHZLVVHOG ZRUGHQ9LDppQHQNHOH5%86FRQQHFWRUNXQQHQWHJHOLMNHU WLMGDFKWNDQDOHQPHWGLJLWDOHDXGLRGDWDLQWZHHULFKWLQJHQ YHU]RQGHQZRUGHQ'HFRQQHFWRULVYDQKHW'%W\SHHQ JHEUXLNWHHQVSHFLDOHNDEHO6OXLWGH]H1,(7DDQRSDQGHUH W\SHVYDQSRRUWHQPHWJHOLMNDDUGLJHFRQQHFWRUV
13
Verklarende woordenlijst
*3,VWDDWYRRUGeneral Purpose Interface'LWLVHHQMDFN FRQQHFWRUZDDUPHH]RZHOSURIHVVLRQHOHDOVFRPPHUFLsOH YLGHRDSSDUDWXXU]RDOVYRRUPRQWDJHHQRQGHUWLWHOLQJ XLWJHUXVW]LMQ$OVXGH]HMDFNDDQVOXLWRSGHIRRWVZLWFKMDFN YDQGH96HQGH)RRW6ZLWFK$VVLJQLQVWHOWRS´*3,µ GDQNDQKHWDDQJHVORWHQDSSDUDDWGHZHHUJDYHRSGH 96VWDUWHQHQVWRSSHQ
MMC
Verklarende woordenlijst
Rose ruis
Sinusgolf
5XLVGLHJHOLMNHKRHYHHOKHGHQHQHUJLHEHYDWLQHONRFWDDIYDQ KHWIUHTXHQWLHVSHFWUXP,QGLWV\VWHHPNDQGHLQWHUQH RVFLOODWRUJHEUXLNWZRUGHQRPURVHUXLVRSWHZHNNHQLQGH DXGLREDQGEUHHGWH
(HQVLQXVRwGDOHJROIYRUP'LWLVGHHHQYRXGLJVWHJROIYRUP HQEHYDWVOHFKWVppQVSHFLILHNHIUHTXHQWLH]RQGHU ELMNRPHQGHIUHTXHQWLHFRPSRQHQWHQ,QGLWV\VWHHPNDQGH LQWHUQHRVFLOODWRUHHQVLQXVJROIJHQHUHUHQYDQJHOLMNZHONH IUHTXHQWLHWXVVHQ+]HQN+]
➙2VFLOODWRU ➙$QDO\]HU
RSS 566VWDDWYRRURoland Sound System'LWLVHHQHIIHFWGDW GHPRJHOLMNKHLGELHGWRPHHQJHOXLGVEURQLQHHQ GULHGLPHQVLRQHOHUXLPWHWHSODDWVHQELMZHHUJDYHRSHHQ JHZRQHVWHUHRLQVWDOODWLH8NDQKHWJHOXLGGLUHFWYRRU DFKWHUQDDVWERYHQRIRQGHUGHOXLVWHUDDUSODDWVHQ
S/P DIF 63',)VWDDWYRRUSony/Philips Digital Interface Format 'LWLVHHQVHWVSHFLILFDWLHVYRRUGHXLWZLVVHOLQJYDQVWHUHR GLJLWDOHDXGLRVLJQDOHQWXVVHQGLJLWDOHDXGLRDSSDUDWHQ'H 96LVYRRU]LHQYDQFRD[LDOHFRQQHFWRUVGLH63',) RQGHUVWHXQHQ
SCMS 6&06VWDDWYRRUSerial Copy Management System'LWLV HHQIXQFWLHGLHGHDXWHXUVUHFKWHQEHVFKHUPWGRRURSQDPH YLDHHQGLJLWDOHYHUELQGLQJRQPRJHOLMNWHPDNHQYDQDIGH WZHHGHJHQHUDWLH (HQNRSLHPDNHQYDQHHQNRSLHNDQGXV QLHW :DQQHHUXHHQGLJLWDOHYHUELQGLQJPDDNWWXVVHQ GLJLWDOHUHFRUGHUVGLHGH]HIXQFWLHWRHSDVVHQZRUGHQGH 6&06GDWDVDPHQPHWGHDXGLRGDWDRSJHQRPHQ'LJLWDOH DXGLRGDWDGLH]XONH6&06GDWDEHYDWWHQNXQQHQQLHW RSQLHXZRSJHQRPHQZRUGHQYLDHHQGLJLWDOHYHUELQGLQJ
SCSI 6&6,VWDDWYRRUSmall Computer System Interface'LWLV HHQPHWKRGHYRRUGDWDWUDQVPLVVLHZDDUPHHXRSNRUWHWLMG JURWHKRHYHHOKHGHQLQIRUPDWLHNDQYHU]HQGHQ$DQJH]LHQGH 96HHQ6&6,FRQQHFWRUKHHIWNDQXH[WHUQH6&6, DSSDUDWHQ]RDOVKDUGGLVNVRIYHUZLMGHUEDUHGLVNGULYHVHQ] DDQVOXLWHQ
SECAM Formats/PAL Formats )RUPDWHQYRRUNOHXUHQWHOHYLVLHGLHRPLQ(XURSDZRUGHQ JHEUXLNW2SQDPHQLQKHW6(&$0RI3$/IRUPDDWNDQX QLHWZHHUJHYHQRS176&WRHVWHOOHQ
Shutdown 2PKHWWRHVWHORSHHQYHLOLJHPDQLHUXLWWHVFKDNHOHQGLHQWX HHUVWWH]RUJHQGDWGHSHUIRUPDQFHRSGHKDUGGLVNZRUGW RSJHVODJHQHQGDWGHNRSSHQYDQGHKDUGGLVNLQKXQ ´UXVWSRVLWLHµVWDDQ'H]HSURFHGXUHQRHPHQZH6KXWGRZQ
14
SMPTE-tijdcode 'LWLVHHQVLJQDDOIRUPDDWJHGHILQLHHUGGRRUGH$PHULNDDQVH RUJDQLVDWLH6037( 6RFLHW\RI0RWLRQ3LFWXUHDQG7HOHYLVLRQ (QJLQHHUV HQGDWJHEUXLNWZRUGWRPGHZHUNLQJYDQYLGHR RIDXGLRDSSDUDWXXUWHV\QFKURQLVHUHQ6037(UHNHQWPHW ´XUHQ PLQXWHQ VHFRQGHQ IUDPHVµRPGHORFDWLHYDQHON IUDPHYDQHHQYLGHREHHOGDDQWHGXLGHQ'DDURPEHVWDDQHU YHUVFKLOOHQGHIUDPHUDWHV
Spoorminuut (HQKHLGZDDULQGHEHVFKLNEDUHRSQDPHWLMGZRUGWXLWJH GUXNW(HQVSRRUPLQXXWNRPWRYHUHHQPHWHHQFRQWLQX PRQRVLJQDDOYDQppQPLQXXWRSJHQRPHQRSppQVSRRU
TOC 6WDDWYRRUTable of Contents LQKRXGVWDIHO 'LWLVGHSODDWV RSGH&'5GLVFZDDULQIRUPDWLH]RDOVVRQJWLMGHQ HLQGWLMGHQYROJRUGHHQ]LVRSJHVODJHQ$OVXHHQDXGLR&' LQHHQ&'VSHOHUSODDWVWNDQXGHGXXUYDQGHVRQJV]LHQLQ GHGLVSOD\RPGDWGLHJHJHYHQVDXWRPDWLVFKNXQQHQZRUGHQ DIJHOH]HQYDQGH72&'H72&ZRUGWDQGHUVJHUHJLVWUHHUG GDQPX]LHNGDWDHQZRUGWJHNHQPHUNWGRRUKDDUWRHJDQJWRW GHGLVFEYRQPLGGHOOLMNRYHUJDDQQDDUJHOLMNZHONHVRQJ
Vermogen van een Terminator +HWYHUPRJHQGDWJHOHYHUGZRUGWDDQHHQH[WHUQHDFWLHYH WHUPLQDWRU
Verwijderbare Disk Drives 'LVNGULYHVZDDUELMKHWPRJHOLMNLVRPGHGLVNWHYHUZLM GHUHQ]RDOVELMHHQ=LSGULYHQRHPHQZH´YHUZLMGHUEDUH GLVNGULYHVµ
VGA 'LWV\VWHHPZHUGLQ$PHULNDGRRU,%0RQWZLNNHOGDOVHHQ JUDSKLFVV\VWHHPPHWHHQUHVROXWLHYDQ[SL[HOVGDW ]HVWLHQNOHXUHQNRQZHHUJHYHQ9HUVFKHLGHQHILUPD·VKHEEHQ 9*$FRPSDWLEHOHPRGHVYHUGHURQWZLNNHOGZDWEHHOGHQ PHWKRJHUHVROXWLHHQYHOHNOHXUHQPRJHOLMNPDDNWH9DQGDDJ GHGDJYHUZLMVW9*$QLHWPHHUORXWHUQDDUGDWJUDILVFKH V\VWHHPPDDUKHWYHUWHJHQZRRUGLJWHHQKHXVHVWDQGDDUGLQ KLJKUHVROXWLRQJUDSKLFV'H96LVXLWJHUXVWPHWHHQ 9*$RXWSXWFRQQHFWRUZDDURSXHHQ9*$PRQLWRUNXQW DDQVOXLWHQGLHXGHLQIRUPDWLHWRRQWPHWHHQUHVROXWLHYDQ [SL[HOVHQLQNOHXUHQ
Verklarende woordenlijst
Witte ruis 5XLVGLHRSHONHIUHTXHQWLHGH]HOIGHKRHYHHOKHLGHQHUJLH EHYDW,QGLWV\VWHHPNDQGHLQWHUQHRVFLOODWRUJHEUXLNW ZRUGHQRPZLWWHUXLVWHJHQHUHUHQLQGHDXGLREDQGEUHHGWH :DQQHHUXGLWKRRUWRIEHNLMNWRSHHQVSHFWUXPDQDO\]HUOLMNW KHWDOVRIGHUXLVWRHQHHPWQDDUPDWHGHIUHTXHQWLHKRJHU ZRUGW
Zip Drive (HQPDJQHWLVFKGLVNGULYHIRUPDDWJHVWDQGDDUGLVHHUGGRRU ,RPHJD&RUSRUDWLRQ'HGLVNVGLHYRRU=LSGULYHVJHEUXLNW ZRUGHQQRHPHQZH=LSGLVNV:DWGHDIPHWLQJHQHQKHW JHEUXLNEHWUHIWOLMNHQ]HRSLQFKIORSS\GLVNV(HQ=LS GLVNNDQHHQFDSDFLWHLWYDQRI0%KHEEHQ
Verklarende woordenlijst
15
Sneltoetsen +LHURQGHUYLQGWXHHQOLMVWYDQIXQFWLHVGLHXNXQWXLWYRHUHQGRRUPHHUGHUHWRHWVHQLQWHGUXNNHQRIGRRUGHTIME/ VALUEGLDOWHJHEUXLNHQLQFRPELQDWLHPHWHHQWRHWV
CH EDIT/SELECT/PHRASE SEQ STATUS/AUTOMIX STATUS-toetsen [STATUS] ingedrukt houden: [SHIFT] + [SOLO (IN1-16)]: [CLEAR] + [SOLO (IN1-16)]: [SHIFT] + [MUTE (IN 17-24 AUX MST)]: [CLEAR] + [MUTE (IN 17-24 AUX MST)]: [AUTOMIX] + [AUTOMIX STATUS] (*1): [SHIFT] + [MASTER EDIT (TR1-16)]: [SHIFT] + [V.FADER] (TR17-24): (*1)
+HW4XLFN5RXWLQJVFKHUPRSURHSHQ 6RORPRGHDDQXLW 6RORIXQFWLHXLW YRRUDOOHNDQDOHQ 0XWHPRGHDDQXLW 0XWHIXQFWLHXLW YRRUDOOHNDQDOHQ 'H$XWRPL[VWDWXVYDQGHNDQDOHQYHUDQGHUHQ DOV$XWRPL[DDQVWDDW +HWVFKHUPPHWGH0DVWHUEORFNLQVWHOOLQJHQRSURHSHQ 'H9)DGHU0RGHRSURHSHQ
,1387,1387$8;06775$&.75$&.);571
Transport Control-toetsen [SHIFT] + [STORE (ZERO)]: [SHIFT] + [SHUT/EJECT (STOP)]: [SHIFT] + [RESTART (PLAY)]: [REC] + [TRACK STATUS] (1–24): [STOP] + [TRACK STATUS] (1–24):
'HKXLGLJHSURMHFWGDWDRSVODDQRSGHGLVNGULYH $IVOXLWHQ +HUVWDUWHQ QD6KXWGRZQ 'HVWDWXVYDQKHWVSRRURS5(&]HWWHQ 5(&LQGLFDWRUNQLSSHUWURRG 'HVWDWXVYDQKHWVSRRURS3/$< 3/$<LQGLFDWRUOLFKWJURHQRS
LOCATOR/MARKER/SCENE-toetsen [LOCATOR (BANK)] → [CLEAR] + [0]—[9]: 'HLQVWHOOLQJHQYDQGHORFDWRUVZLVVHQ [SHIFT] + [BANK (LOCATOR)] → [0]—[9]: 9DQORFDWRUEDQNYHUDQGHUHQ [SCENE (BANK)] → [CLEAR] + [0]—[9]: 'HLQVWHOOLQJHQYDQGHVFHQHVZLVVHQ [SHIFT] + [BANK (SCENE)] → [0]—[9] 9DQVFHQHEDQNYHUDQGHUHQ [CLEAR] + [TAP]: (HQPDUNHUZLVVHQ [SHIFT] + [CLEAR] + [TAP] → [ENTER/YES]:$OOHPDUNHUVZLVVHQ [AUTOMIX] + [SNAPSHOT (TAP)]: 6QDSVKRWPDNHQ ZDQQHHU$XWRPL[DDQVWDDW [AUTOMIX] + [REC]: $XWRPL[5HDOWLPHUHFRUGLQJ ZDQQHHU$XWRPL[DDQVWDDW [CLEAR] + [IN]: [CLEAR] + [OUT]: [CLEAR] + [FROM]: [CLEAR] + [TO]:
+HWWUDFNHGLWLQSRLQWZLVVHQ +HWWUDFNHGLWRXWSRLQWZLVVHQ +HWWUDFNHGLWIURPSRLQWZLVVHQ +HWWUDFNHGLWWRSRLQWZLVVHQ
[SHIFT] + [IN]: [SHIFT] + [OUT]: [SHIFT] + [FROM]: [SHIFT] + [TO]:
1DDUKHWLQSRLQWJDDQ 1DDUKHWRXWSRLQWJDDQ 1DDUKHWIURPSRLQWJDDQ 1DDUKHWWRSRLQWJDDQ
[PREVIOUS]:
$OVHU]LFKRSGHKXLGLJHWLMGVSRVLWLHHHQSKUDVHEHYLQGWGDQJDDWXQDDU KHWEHJLQYDQGLHSKUDVH=RQLHWJDDWXQDDUKHWHLQGHYDQGHYRULJH SKUDVH DOVGH35(9,2861(;76ZRS´3+5$6(µVWDDW 2IXJDDWQDDU GHYRULJHPDUNHU DOVGH35(9,2861(;76ZRS´0$5.(5µVWDDW $OVHU]LFKRSGHKXLGLJHWLMGVSRVLWLHHHQSKUDVHEHYLQGWGDQJDDWXQDDU KHWHLQGHYDQGLHSKUDVH=RQLHWJDDWXQDDUKHWEHJLQYDQGHYROJHQGH SKUDVH DOVGH35(9,2861(;76ZRS´3+5$6(µVWDDW 2IXJDDWQDDU GHYROJHQGHPDUNHU DOVGH35(9,2861(;76ZRS´0$5.(5µVWDDW
[NEXT]:
[CD-RW MASTERING] + [TAP]:
16
(HQPDUNHUSODDWVHQYRRUHHQWUDFNQXPPHURSHHQDXGLR&'
Sneltoetsen
■ Andere +HW0DVWHULQJ5RRPVFKHUPRSURHSHQ 'HLQKRXGYDQGHGLVSOD\YHUDQGHUHQ LQ+RPH&RQGLWLRQ 'HSDJLQDPHWGH5HGRLQVWHOOLQJHQRSURHSHQ ZDQQHHUGH81'2 LQGLFDWRUEUDQGW [SHIFT] + [TAP]: +HWVFKHUPPHWGH7HPSRPDSLQVWHOOLQJHQRSURHSHQ [SHIFT] + [PROJECT TOP (PREVIEW TO)]: 1DDUKHWEHJLQYDQGHDXGLRGLHLQKHWSURMHFWLVRSJHQRPHQ [SHIFT] + [PROJECT END (PREVIEW FROM)]: 1DDUKHWHLQGHYDQGHDXGLRGLHLQKHWSURMHFWLVRSJHQRPHQ [SHIFT] + [EXT SYNC]: +HWVFKHUPPHWGH6\QFSDUDPHWHULQVWHOOLQJHQRSURHSHQ [SHIFT] + [LOOP]: +HWVFKHUPPHWGHORRSVWDUWHQGSRLQWLQVWHOOLQJHQRSURHSHQ [SHIFT] + [AUTO PUNCH]: +HWVFKHUPPHWGHSXQFKLQRXWSRLQWLQVWHOOLQJHQRSURHSHQ [SHIFT] + [ ][ ]: ,QHQXLW]RRPHQRSGHSOD\OLVW KLHUPHHEHSDDOWXKRHYHHOVSRUHQX WHJHOLMNHUWLMGLQGHSOD\OLVW]LHW [SHIFT] + [ ][ ]: ,QHQXLW]RRPHQRSGHWLMGDVYDQGHSOD\OLVW [SHIFT] + TIME/VALUE dial: 'HZDDUGH[VQHOOHUGDQQRUPDDOZLM]LJHQ$OVLQGH3OD\ FRQGLWLRQGHFXUVRURSGHVXEIUDPHSRVLWLHYDQGHWLPHFRGHGLVSOD\ VWDDWGDQYHUDQGHUWGHKXLGLJHWLMGVSRVLWLHPHWVWDSMHVYDQRQJHYHHU YDQHHQIUDPH [SHIFT] + [MARKER]: +HWVFKHUPPHWGH0DUNHULQVWHOOLQJHQRSURHSHQ [SHIFT] + [EZ ROUTING]: +HW3DWFK%D\VFKHUPRSURHSHQ [SHIFT] + [AUTOMIX]: +HW$XWRPL[VFKHUPRSURHSHQ [SHIFT] + [CH EDIT]: 'HG%SRVLWLHYRRUGHNDQDDOIDGHUVHQGH&HQWHUSRVLWLHYRRUGH 3$1NQRSSHQLQVWHOOHQ [SHIFT] + [MASTERIG (CD-RW)]: [SHIFT] + [DISPLAY (HOME)]: [SHIFT] + [REDO (UNDO)]:
Sneltoetsen
17
Parameterlijst, MIDI-implementatie, ... Een overzicht van alle parameters van de verschillende functies (Input Mixer, Track Mixer, Effectgedeelte, Master Block, enz.) vindt u in: “Parameter List” (Engelstalige Appendices p. 18 – 26).
Alle informatie over de MIDI-implementatie vindt u in: “MIDI Implementation” (Engelstalige Appendices p. 88 – 94).
Een blokdiagram van het Mixer-gedeelte (Input Mixer, Track Mixer, Master Block) is los bijgeleverd bij de Engelstalige handleiding.
De Track Sheets vindt u op p. 95 – 97 van de Engelstalige Appendices. 'LW]LMQEODQFRWDEHOOHQZDDURSXNDQQRWHUHQZDWXRSGHYHUVFKLOOHQGHVSRUHQ HQ97UDFNVKHEWRSJHQRPHQ]RGDWXVWHHGVHHQRYHU]LFKWYDQXZZHUNKHEW 'H]HWDEHOOHQPDJXNRSLsUHQ]RYHHODOVXZLO
18
Preset Patch-lijst
Preset Patch-lijst
2SGH96NXQWXEHVFKLNNHQRYHUGHHIIHFWHQXLWGHRQGHUVWDDQGHOLMVW Loop: +HW'LUHFW/HYHOVWDDWRS´µ:LMVGH]HSDWFKWRHDDQGHHIIHFWEXV Insert: 'H]HSDWFKPL[WKHWGLUHFWHJHOXLGHQKHWHIIHFWJHOXLG9RHJKHPLQLQHHQNDQDDO
'HSDWFKHVGLHGHYROJHQGHDOJRULWPHVJHEUXLNHQNXQWXQLHWVHOHFWHUHQYRRU())(&7HQ 5HYHUE*DWH5HYHUE9RFRGHU 9RLFH7UDQVIRUPHU0DVWHULQJ7RRO.LW
'HSDWFKHV]LMQQLHWEHVFKLNEDDUYRRU())(&7HQZDQQHHUGHYROJHQGHDOJRULWPHVUHHGVJHEUXLNWZRUGHQRS())(&7HQ 9RFRGHU 9RLFH7UDQVIRUPHU0DVWHULQJ7RRO.LW
'HSDWFKHVGLHGHRQGHUVWDDQGHDOJRULWPHVJHEUXLNHQ]LMQQLHWEHVFKLNEDDUYRRUSURMHFWHQPHWHHQVDPSOLQJUDWHYDQN+]RIKRJHU 5HYHUE*DWH5HYHUE9RFRGHU 9RLFH7UDQVIRUPHU0LF0RGHOLQJ6SHDNHU0RGHOLQJ0DVWHULQJ7RRO.LW
■ Idem als Algoritme (36 presets) Nr.
Patch-naam
Algoritme
Type
Input
Omschrijving
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
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19
Preset Patch-lijst
■ Reverb (18 presets) Nr.
Patch-naam
Algoritme
Type
Input
Omschrijving
3 3 3 3 3 3 3 3 3 3 3 3 3
59 /DUJH+DOO 59 6PDOO+DOO 59 6WULQJV 59 3LDQR+DOO 59 2UFK5RRP 59 9RFDO5RRP 59 0HGLXP5P 59 /DUJH5RRP 59 &RRO3ODWH 59 6KRUW3OW 59 9RFDO3OW 59 6RIW$PE 59 5RRP$PE
5HYHUE 5HYHUE 5HYHUE 5HYHUE 5HYHUE 5HYHUE 5HYHUE 5HYHUE 5HYHUE 5HYHUE 5HYHUE 5HYHUE 5HYHUE
/RRS /RRS /RRS /RRS /RRS /RRS /RRS /RRS /RRS /RRS /RRS /RRS /RRS
0RQR 0RQR 0RQR 0RQR 0RQR 0RQR 0RQR 0RQR 0RQR 0RQR 0RQR 0RQR 0RQR
3 3 3 3 3
59 &DWKHGUDO 59 /RQJ&DYH 59 *DUDJH'U 59 5RFN.LFN 59 5RFN6QDUH
5HYHUE 5HYHUE 5HYHUE 5HYHUE 5HYHUE
/RRS /RRS /RRS /RRS /RRS
0RQR 0RQR 0RQR 0RQR 0RQR
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■ Reverb2 (20 presets)
5HYHUEHQ5HYHUEJHEUXLNHQYHUVFKLOOHQGHDOJRULWPHVPHWHHQYHUVFKLOOHQGNODQNNDUDNWHU
Nr.
Patch-naam
Algoritme
Type
Input
Omschrijving
3 3 3 3 3 3 3 3 3 3 3 3 3
5 /DUJH+DOO 5 6PDOO+DOO 5 6WULQJV 5 3LDQR+DOO 5 2UFK5RRP 5 9RFDO5RRP 5 0HGLXP5P 5 /DUJH5RRP 5 &RRO3ODWH 5 6KRUW3OW 5 9RFDO3OW 5 6RIW$PE 5 5RRP$PE
5HYHUE 5HYHUE 5HYHUE 5HYHUE 5HYHUE 5HYHUE 5HYHUE 5HYHUE 5HYHUE 5HYHUE 5HYHUE 5HYHUE 5HYHUE
/RRS /RRS /RRS /RRS /RRS /RRS /RRS /RRS /RRS /RRS /RRS /RRS /RRS
0RQR 0RQR 0RQR 0RQR 0RQR 0RQR 0RQR 0RQR 0RQR 0RQR 0RQR 0RQR 0RQR
3 3 3 3 3 3 3
5 &DWKHGUDO 5 /RQJ&DYH 5 *DUDJH'U 5 5RFN.LFN 5 5RFN6QDUH 5 %ULWH*WH 5 )DW*DWH
5HYHUE 5HYHUE 5HYHUE 5HYHUE 5HYHUE 5HYHUE 5HYHUE
/RRS /RRS /RRS /RRS /RRS /RRS /RRS
0RQR 0RQR 0RQR 0RQR 0RQR 0RQR 0RQR
*DOP]RDOVLQHHQJURWHFRQFHUW]DDO *DOP]RDOVLQHHQNOHLQH]DDO *DOPJHRSWLPDOLVHHUGYRRUGHGHOLFDWHKRJHWRQHQYDQVWULMNHUV 5LMNHHQZDUPHJDOPJHRSWLPDOLVHHUGYRRUSLDQR·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
■ Gate Reverb (4 presets) Nr.
Patch-naam
Algoritme
Type
Input
Omschrijving
3 3 3 3
59 %ULWH*DWH 59 )DW*DWH 59 5HYHUVH*W 59 3DQQLQJ*W
*DWH5HYHUE *DWH5HYHUE *DWH5HYHUE *DWH5HYHUE
/RRS /RRS /RRS /RRS
0RQR 0RQR 0RQR 0RQR
+HOGHUHJDWHUHYHUE '\QDPLVFKHJDOPPHWNUDFKWLJHPLGGHQHQODJHWRQHQ (HQDDQ]ZHOOHQGHJDOPPHHVWDOJHEUXLNWDOVVSHFLDDOHIIHFW (HQVSHFLDDOHIIHFWZDDUELMGHJDOPYDQOLQNVQDDUUHFKWVEHZHHJW
■ Delay (9 presets)
20
Nr.
Patch-naam
Algoritme
Type
Input
Omschrijving
3 3 3 3 3 3 3
'/ 6KRUW'O\ '/ 0HGLXP'O\ '/ /RQJ'HOD\ '/ $QDORJ'O\ '/ 7DSH(FKR '/ .DUDRNH '/ 0XOWL7DS
'HOD\ 'HOD\ 'HOD\ 'HOD\ 6WHUHR'HOD\&KRUXV 6WHUHR'HOD\&KRUXV 6WHUHR'HOD\&KRUXV
/RRS /RRS /RRS /RRS /RRS /RRS /RRS
0RQR 0RQR 0RQR 0RQR 6WHUHR 6WHUHR 6WHUHR
3 3
'/ 0OW7DS$PE 0XOWL7DS'HOD\ '/ 3LQJ3RQJ 0XOWL7DS'HOD\
/RRS /RRS
0RQR 0RQR
'LWHIIHFWJHHIWPHHUGLHSJDQJDDQKHWJHOXLGGRRUKHWWHYHUGXEEHOHQ 1DWXXUOLMNHHFKRJHRSWLPDOLVHHUGYRRUVWHPPHQ /DQJHGHOD\JHVFKLNWYRRUNRSHUEOD]HUVHQV\QWKVROR·V $QDORJHGHOD\ZDDUELMKRJHIHHGEDFNWRQHQZHJHEEHQ 6LPXODWLHYDQHHQEDQGHFKRPHWELMKRUHQGHQHYHQHIIHFWHQ ZRZIOXWWHU ,QWHQVHNDUDRNHJDOP ,QGLYLGXHOHZHHUNDDWVLQJHQGLHYDQYHUVFKLOOHQGHSODDWVHQLQKHW VWHUHREHHOGNRPHQ (HQDPELHQFHHIIHFWGDWXLWDSDUWHKHUKDOLQJHQEHVWDDW (HQVSHFLDDO7DS'HOD\HIIHFW
Preset Patch-lijst
■ Tape Echo 201 (4 presets) Patch-naam
Algoritme
Type
Input
Omschrijving
3 3 3 3
7( 6KRUW(FKR 7( /RQJ(FKR 7( 2OG7DSH 7( 3DQ(FKR
7DSH(FKR 7DSH(FKR 7DSH(FKR 7DSH(FKR
/RRS /RRS /RRS /RRS
0RQR 0RQR 0RQR 0RQR
6LPXOHHUWHHQNRUWHEDQGHFKR 6LPXOHHUWHHQODQJHEDQGHFKR 6LPXOHHUWHHQEDQGHFKRPHWHHQRXGHEDQG 6LPXOHHUWHHQVWHUHREDQGHFKR
Preset Patch-lijst
Nr.
■ Chorus (6 presets) Nr.
Patch-naam
Algoritme
Type
Input
Omschrijving
3
&+ /W&KRUXV
6WHUHR'HOD\&KRUXV
,QVHUW
6WHUHR
3 3 3 3 3
&+ 'HHS&KR &+ 'HWXQH&KR 63&+2 02'( 63&+2 02'( 63&+2 02'(
6WHUHR'HOD\&KRUXV 6WHUHR3LWFK6KLIWHU'HOD\ 6SDFH&KRUXV 6SDFH&KRUXV 6SDFH&KRUXV
,QVHUW ,QVHUW ,QVHUW ,QVHUW ,QVHUW
6WHUHR 6WHUHR 6WHUHR 6WHUHR 6WHUHR
1DWXXUOLMNHVWHUHRFKRUXVGLH´GXQµJHQRHJLVRPHHQKHOGHUJHOXLGRYHUWH KRXGHQ ,QWHQVHVWHUHRFKRUXVGLHKHWJHOXLGGLHSHUHQEUHGHUPDDNW &KRUXVZDDUELMKHWOLQNHUHQUHFKWHUNDQDDOYHUVFKLOOHQGRQWVWHPG]LMQ 6LPXOHHUW02'(YDQGHNODVVLHNH6''DPELHQFHSURFHVVRU 6LPXOHHUW02'(YDQGHNODVVLHNH6''DPELHQFHSURFHVVRU 6LPXOHHUW02'(YDQGHNODVVLHNH6''DPELHQFHSURFHVVRU
■ /Phaser (3 presets) Nr.
Patch-naam
Algoritme
Type
Input
Omschrijving
3 3 3
3+ /W3KDVHU 3+ 'HHS3KDVH $3 )%3KDVHU
6WHUHR3KDVHU 6WHUHR3KDVHU $QDORJ3KDVHU
,QVHUW ,QVHUW ,QVHUW
6WHUHR 6WHUHR 6WHUHR
/LFKWHWUDSVVWHUHRSKDVHUJHVFKLNWYRRUV\QWKVWULQJV 'LHSHSKDVHUJHVFKLNWYRRUHOHFWURQLVFKHSLDQRHQFODYLQHW 6LPXOHHUWHHQDQDORJHSKDVHUPHWRS]HWWHOLMNHRVFLOODWLH
■ /Flanger (3 presets) Nr.
Patch-naam
Algoritme
Type
Input
Omschrijving
3 3 3
)/ /W)ODQJHU )/ 'HHS)O $) 6%)
6WHUHR)ODQJHU 6WHUHR)ODQJHU $QDORJ)ODQJHU
,QVHUW ,QVHUW ,QVHUW
6WHUHR 6WHUHR 6WHUHR
6WHUHRIODQJHUPHWOLFKWHPRGXODWLH 'LHSHVWHUHRIODQJHUGLHNOLQNWDOVHHQRYHUYOLHJHQGHVWUDDOMDJHU 6LPXOHHUWGH5RODQG6%)DQDORJIODQJHU
■ Pitch Shifter (7 presets) Nr.
Patch-naam
Algoritme
Type
Input
Omschrijving
3 3
36 WK9RLFH 36 6KLPPHU8'
9RFDO0XOWL ,QVHUW 6WHUHR3LWFK6KLIWHU'HOD\ ,QVHUW
0RQR 6WHUHR
3 3 3 3 3
97 0WR)P 97 )PWR0 97 0DOH'XR 97 )HPDOH'XR 97 5RERW
9RLFH7UDQVIRUPHU 9RLFH7UDQVIRUPHU 9RLFH7UDQVIRUPHU 9RLFH7UDQVIRUPHU 9RLFH7UDQVIRUPHU
0RQR 0RQR 0RQR 0RQR 0RQR
9RHJWHHQJHOXLGGDWHHQNZDUWODJHUNOLQNWWRHDDQKHWGLUHFWHJHOXLG (IIHFWZDDUELMGHWRRQKRRJWHYDQKHWOLQNHUNDQDDOJHOHLGHOLMNVWLMJWHQGLH YDQKHWUHFKWHUNDQDDOJHOHLGHOLMNGDDOW 9RUPWHHQPDQQHQVWHPRPWRWHHQYURXZHQVWHP 9RUPWHHQYURXZHQVWHPRPWRWHHQPDQQHQVWHP 0DDNWYDQHHQPDQQHQVWHPHHQGXHW YRHJWHHQYURXZHQVWHPWRH 0DDNWYDQHHQYURXZHQVWHPHHQGXHW YRHJWHHQPDQQHQVWHPWRH 5RERWVWHP
,QVHUW ,QVHUW ,QVHUW ,QVHUW ,QVHUW
36' 3LWFK6KLIWHU'HOD\
■ Mic Modeling (29 presets) Nr.
Patch-naam
Algoritme
Type
Input
Omschrijving
3 3 3
06 → 06 → 06 →
0LF0RGHOLQJ 0LF0RGHOLQJ 0LF0RGHOLQJ
,QVHUW ,QVHUW ,QVHUW
FK FK FK
3
06 →
0LF0RGHOLQJ
,QVHUW
FK
3
06 →
0LF0RGHOLQJ
,QVHUW
FK
3 3
06 →/LQH 06 '5→
0LF0RGHOLQJ 0LF0RGHOLQJ
,QVHUW ,QVHUW
FK FK
3
06 '5→
0LF0RGHOLQJ
,QVHUW
FK
3
06 '5→
0LF0RGHOLQJ
,QVHUW
FK
3 3 3 3 3 3 3 3 3 3 3
06 → 06 → 06 0LQL→ 06 0LQL→ 00 &.%→ 00 &.%→ 00 &.%→ 00 &.%→ 00 &.%→ 00 &.%→ 00 &.%→/LQH
0LF0RGHOLQJ 0LF0RGHOLQJ 0LF0RGHOLQJ 0LF0RGHOLQJ 0LF0RGHOLQJ 0LF0RGHOLQJ 0LF0RGHOLQJ 0LF0RGHOLQJ 0LF0RGHOLQJ 0LF0RGHOLQJ 0LF0RGHOLQJ
,QVHUW ,QVHUW ,QVHUW ,QVHUW ,QVHUW ,QVHUW ,QVHUW ,QVHUW ,QVHUW ,QVHUW ,QVHUW
FK FK FK FK FK FK FK FK FK FK FK
0DDNWHHQ'PLFURIRRQVSHFLDDOJHVFKLNWYRRU]DQJ 0DDNWHHQ'PLFURIRRQVSHFLDDOJHVFKLNWYRRUGUXPVHQJLWDDUYHUVWHUNHUV 0DDNWHHQ'PLFURIRRQVSHFLDDOJHVFKLNWYRRUDNRHVWLVFKHJLWDDUHQ FLPEDOHQ 0DDNWYDQHHQ'PLFURIRRQHHQJURWH&PLFURIRRQYRRU]DQJHQ DNRHVWLVFKHLQVWUXPHQWHQ 0DDNWYDQHHQ'PLFURIRRQHHQ¶YLQWDJH·&PLFURIRRQYRRU]DQJHQ DNRHVWLVFKHLQVWUXPHQWHQ 6WULMNWGHIUHTXHQWLHFXUYHYDQGH'PLFURIRRQJODG 0DDNWYDQHHQ5RODQG'5HHQLQVWUXPHQWDOH'PLFURIRRQYRRUGUXPV HQJLWDDUYHUVWHUNHUV 0DDNWYDQHHQ5RODQG'5HHQNOHLQH&PLFURIRRQYRRUDNRHVWLVFKH JLWDDUHQFLPEDOHQ 0DDNWYDQHHQ5RODQG'5HHQJURWH&PLFURIRRQYRRU]DQJHQ DNRHVWLVFKHLQVWUXPHQWHQ 0DDNWYDQHHQ¶KHDGVHW·PLFURIRRQHHQ'PLFURIRRQYRRU]DQJ 0DDNWYDQHHQ¶KHDGVHW·PLFURIRRQHHQJURWH&PLFURIRRQ 0DDNWYDQHHQPLQL&PLFURIRRQHHQ'PLFURIRRQ 0DDNWYDQHHQPLQL&PLFURIRRQHHQJURWH&PLFURIRRQ 0DDNWYDQHHQ$.*&%HHQ'PLFURIRRQYRRUDOJHPHHQJHEUXLN 0DDNWYDQHHQ$.*&%HHQ'PLFURIRRQYRRUDOJHPHHQJHEUXLN 0DDNWYDQHHQ$.*&%HHQ'PLFURIRRQYRRULQVWUXPHQWHQ 0DDNWYDQHHQ$.*&%HHQNOHLQH&PLFURIRRQ 0DDNWYDQHHQ$.*&%HHQJURWH&PLFURIRRQ 0DDNWYDQHHQ$.*&%HHQYLQWDJH&PLFURIRRQ $QQXOHHUWGHHLJHQVFKDSSHQYDQHHQ$.*&%ZDDUGRRUKHWJHOXLG
21
Preset Patch-lijst
3
06 .LFN 6QU
0LF0RGHOLQJ
,QVHUW
FK
3
06 .LFN 6QU
0LF0RGHOLQJ
,QVHUW
FK
3 3
06 ++DW 7RP 0LF0RGHOLQJ 06 'U2YU7RS 0LF0RGHOLQJ
,QVHUW ,QVHUW
FK FK
3 3 3 3
06 'U2YU$OO 06 $F*XLWDU 06 6WXGLR9FO 06 6WHUHR0LF
0LF0RGHOLQJ 0LF0RGHOLQJ 0LF0RGHOLQJ 0LF0RGHOLQJ
,QVHUW ,QVHUW ,QVHUW ,QVHUW
FK FK FK FK
3
06 $PELHQFH
0LF0RGHOLQJ
,QVHUW
FK
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
'PLF G\QDPLFPLFURSKRQH&PLF FRQGHQVHUPLFURSKRQH
■ Vocal (10 presets) Nr.
Patch-naam
Algoritme
Type
Input
Omschrijving
3 3 3 3 3 3
92 9RFDO)[ 92 -D]]9RFDO 92 5RFN9RFDO 92 1DUUDWLRQ 92 %LJ&KRUXV 92 &OXE'-
9RFDO0XOWL 9RFDO0XOWL 9RFDO0XOWL 9RFDO0XOWL 9RFDO0XOWL 9RFDO0XOWL
,QVHUW ,QVHUW ,QVHUW ,QVHUW ,QVHUW ,QVHUW
0RQR 0RQR 0RQR 0RQR 0RQR 0RQR
3 3
92 $05DGLR 92 3OXV7ZR
9RFDO0XOWL ,QVHUW 6WHUHR3LWFK6KLIWHU'HOD\ ,QVHUW
0RQR 6WHUHR
3 3
92 5RERW)[ 92 %XOO+RUQ
6WHUHR3LWFK6KLIWHU'HOD\ ,QVHUW *XLWDU0XOWL ,QVHUW
6WHUHR 0RQR
$OOHEDVLVHIIHFWHQYRRUKHWRSQHPHQDIPL[HQYDQVWHPPHQ :DUPHNODQNNOHXUJHVFKLNWYRRU-D]]VWHPPHQ 'LWHIIHFWJHEUXLNWRDHHQOLPLWHUHQKDQFHUHQHHQXQLVRQHIIHFW =ZDDUJHFRPSULPHHUGJHOXLGJHVFKLNWYRRUYHUWHOVWHPPHQ %UHHGVWHUHRHIIHFWDOVRIHUYHUVFKHLGHQHPHQVHQWHJHOLMN]LQJHQ 'HSLWFKVKLIWHUYDQGLWHIIHFWGRHWXZVWHPODJHUNOLQNHQXLWHUVWJHVFKLNW YRRUFOXE'-·V *HOXLGPHWHHQKDUGHFRPSUHVVLHHQHHQVPDOIUHTXHQWLHEHUHLN 'LWHIIHFWYRHJWGRRUPLGGHOYDQGHSLWFKVKLIWHUWZHHVWHPPHQWRHDDQKHW RULJLQHHO 6)DFKWLJHURERWVWHP PHWSLWFKVKLIWHU 6LPXODWLHYDQKHWJHOXLGYDQHHQJRHGNRRSWUDQVLVWRUUDGLRRWMH
36' 3LWFK6KLIWHU'HOD\
■ Guitar (11 presets) Nr.
Patch-naam
Algoritme
Type
Input
Omschrijving
3 3 3 3 3 3 3
*7 5RFN/HDG *7 /$/HDG *7 0HWDO/HDG *7 0HWDO-HW *7 &OHDQ5WKP *7 ',HG&OHDQ *7 'HOD\5LI
*XLWDU0XOWL *XLWDU0XOWL *XLWDU0XOWL *XLWDU0XOWL *XLWDU0XOWL 9RFDO0XOWL *XLWDU0XOWL
,QVHUW ,QVHUW ,QVHUW ,QVHUW ,QVHUW ,QVHUW ,QVHUW
0RQR 0RQR 0RQR 0RQR 0RQR 0RQR 0RQR
3 3 3 3
*7 $FRXVWLF *7 %OXHV'UY *7 /LYHUSRRO *7 &RXQWU\
9RFDO0XOWL *XLWDU0XOWL *XLWDU0XOWL *XLWDU0XOWL
,QVHUW ,QVHUW ,QVHUW ,QVHUW
0RQR 0RQR 0RQR 0RQR
9HUYRUPLQJPHWGHOD\ /HDGNODQNPHWHHQKDUWLJHFRPSUHVVLHHQFKRUXV 0HWDOJHOXLGPHW]ZDUHYHUYRUPLQJ 9HUYRUPLQJDDQJHYXOGPHWHHQPHWDDODFKWLJIODQJHUJHOXLG &OHDQJHOXLGPHWFRPSUHVVLHHQFKRUXV 6XSHUFOHDQJHOXLGDOVRIXUHFKWVWUHHNVLQGHPHQJWDIHORSQHHPW 'HOD\ZDDUELMGHKHUKDOLQJHQRSJHSXQWHHQRWHQYDOOHQDOVXHHQULIIPHW %30VSHHOW *HRSWLPDOLVHHUGYRRUHOHNWURDNRHVWLVFKHJLWDUHQ &UXQFK\RYHUVWXXUGJHOXLGJHVFKLNWYRRUEOXHVHQ5 5 &UXQFK\JHOXLGW\SLVFKYRRU%ULWVHURFNXLWGHMDUHQ¶ &OHDQJHOXLGPHWFRPSUHVVLHHQGHOD\
■ Guitar Amp Modeling (9 presets) Nr.
Patch-naam
Algoritme
Type
Input
Omschrijving
3 3 3 3 3 3 3 3 3
*$ -D]&KRUXV *$ &OHDQ7ZLQ *$ 9LQ7ZHHG *$ %OXHV'UY *$ 0DWFK/HDG *$ 6WXGLR&PE *$ -036WDFN *$ 6/'1/HDG *$ /HDG
*XLWDU$PS0RGHOLQJ *XLWDU$PS0RGHOLQJ *XLWDU$PS0RGHOLQJ *XLWDU$PS0RGHOLQJ *XLWDU$PS0RGHOLQJ *XLWDU$PS0RGHOLQJ *XLWDU$PS0RGHOLQJ *XLWDU$PS0RGHOLQJ *XLWDU$PS0RGHOLQJ
,QVHUW ,QVHUW ,QVHUW ,QVHUW ,QVHUW ,QVHUW ,QVHUW ,QVHUW ,QVHUW
0RQR 0RQR 0RQR 0RQR 0RQR 0RQR 0RQR 0RQR 0RQR
5RODQG-&YHUVWHUNHU.OLQNWDXWKHQWLHNHUPHWHHQEHHWMHFKRUXV 86´EODFNSDQHOµEXL]HQYHUVWHUNHU 2YHUVWXULQJYDQHHQ$PHULNDDQVHEXL]HQYHUVWHUNHUXLWGHMDUHQ· &UXQFK\RYHUVWXULQJYDQHHQRXGH%ULWVHYHUVWHUNHU ´+RWURGGHGµ%ULWVHFRPERYHUVWHUNHU )DYRULHWHYHUVWHUNHUYDQVWXGLRPX]LNDQWHQRSKHWHLQGHYDQGHMDUHQ¶ %ULWVHVWDFNVXLWGHODWHMDUHQ¶ 9HUVWHUNHUXLWGHMDUHQ¶JHNHQGYRRU]LMQYHHO]LMGLJHYHUYRUPLQJ 6WDQGDDUGEXL]HQYHUVWHUNHUYRRU$PHULNDDQVHKHDY\PHWDO
0GO 0RGHOLQJ
■ Bass (6 presets) Nr.
Patch-naam
Algoritme
Type
Input
Omschrijving
3 3 3 3
%6 ',·HG%DVV %6 0LNHG%DVV %6 &RPS%DVV %6 )DW%DVV
9RFDO0XOWL *XLWDU$PS0RGHOLQJ 6WHUHR0XOWL 0DVWHULQJ7RRO.LW
,QVHUW ,QVHUW ,QVHUW ,QVHUW
0RQR 0RQR 6WHUHR 6WHUHR
3 3
%6 $XWR:DK %6 );%DVV
*XLWDU0XOWL 6WHUHR'HOD\&KRUXV
,QVHUW ,QVHUW
0RQR 6WHUHR
*HRSWLPDOLVHHUGPHWOLFKWHOLPLWLQJHQ(4LGHDDOYRRURSQDPHV /XLGVSUHNHUNDELQHWPHW[µPHWHHQPLFURIRRQHUYRRU =ZDDUJHFRPSULPHHUGJHOXLGJHVFKLNWYRRU´VODSSLQJµ 1DGUXNRSODJHIUHTXHQWLHV8NXQWGH/R0LG(4DDQSDVVHQDDQKHW EURQLQVWUXPHQW (HQW\SLVFKV\QWKEDVVJHOXLGXLWGH¶VIXQN %DVJHOXLGPHWGHOD\HQFKRUXVJHVFKLNWYRRUVROR·V
0GO 0RGHOLQJ
22
Preset Patch-lijst
■ Special Effects (11 presets) Patch-naam
Algoritme
Type
Input
Omschrijving
3
/)3 %UHDN%WV
/R)L3URFHVVRU
,QVHUW
6WHUHR
3 3 3 3 3 3 3 3 3 3
/)3 ELW'LVW /)3 7HNQR)OW /)3 5HVR)OW /)3 )DW%RWRP 923 0 %DQG 923 6 %DQG +& 4XLHW+] +& 4XLHW+] 9& 9RFDO&QO 9& &HQWHU&QO
/R)L3URFHVVRU /R)L3URFHVVRU /R)L3URFHVVRU /R)L3URFHVVRU 9RFRGHU 9RFRGHU +XP&DQFHOHU +XP&DQFHOHU 9RFDO&DQFHOHU 9RFDO&DQFHOHU
,QVHUW ,QVHUW ,QVHUW /RRS ,QVHUW ,QVHUW ,QVHUW ,QVHUW ,QVHUW ,QVHUW
6WHUHR 6WHUHR 6WHUHR 6WHUHR 0RQR 0RQR 6WHUHR 6WHUHR 6WHUHR 6WHUHR
6LPXOHHUWGHNODQNGLHXNULMJWZDQQHHUXGHELWUDWHYDQHHQJHVDPSOHG JHOXLGYHUODDJW ([WUHPHYHUYRUPLQJGLHXNULMJWGRRUKHWDDQWDOELWVWHYHUODJHQ %RRWVWGHDOLDVLQJUXLVYDQODJHVDPSOLQJUDWHVQD )LOWHUV\QWKDFKWLJHUHVRQDQWLHHQHHQUHJHOEDUHDIVQLMIUHTXHQWLH *URRYHPHW]ZDUHEDVVHQ0L[GLWPHWKHWRULJLQHOHVLJQDDO +HOGHUYRFRGHUHIIHFW 6SHFLDOHVWHUHRYRFRGHUPHWODQJHXLWVWHUIWLMG 2QGHUGUXNW+]EURP 2QGHUGUXNW+]EURP 9HUZLMGHUWHHQVWHPGLHFHQWUDDOVWDDWLQKHWVWHUHREHHOG 9HUZLMGHUWDOOHJHOXLGGDW]LFKFHQWUDDOLQKHWVWHUHREHHOGEHYLQGW
■ Parametric Equalizer (26 presets) Nr.
Patch-naam
Algoritme
Type
Input
Omschrijving
3 3 3
3(4 %DVV'UXP 3(4 5RFN%' 3(4 5RFN6'
3DUDPHWULF(TXDOL]HU 3DUDPHWULF(TXDOL]HU 3DUDPHWULF(TXDOL]HU
,QVHUW ,QVHUW ,QVHUW
6WHUHR 6WHUHR 6WHUHR
3 3 3 3
3(4 5LP6KRW 3(4 7RPV 3(4 +L+DW 3(4 &\PEDOV
3DUDPHWULF(TXDOL]HU 3DUDPHWULF(TXDOL]HU 3DUDPHWULF(TXDOL]HU 3DUDPHWULF(TXDOL]HU
,QVHUW ,QVHUW ,QVHUW ,QVHUW
6WHUHR 6WHUHR 6WHUHR 6WHUHR
3 3 3 3 3 3 3 3
3(4 2YHUKHDG 3(4 %DVV 3(4 %DVV 3(4 6ODS%DVV 3(4 6D[ 3(4 %DUL6D[ 3(4 (OHF*WU 3(4 1\ORQ*WU
3DUDPHWULF(TXDOL]HU 3DUDPHWULF(TXDOL]HU 3DUDPHWULF(TXDOL]HU 3DUDPHWULF(TXDOL]HU 3DUDPHWULF(TXDOL]HU 3DUDPHWULF(TXDOL]HU 3DUDPHWULF(TXDOL]HU 3DUDPHWULF(TXDOL]HU
,QVHUW ,QVHUW ,QVHUW ,QVHUW ,QVHUW ,QVHUW ,QVHUW ,QVHUW
6WHUHR 6WHUHR 6WHUHR 6WHUHR 6WHUHR 6WHUHR 6WHUHR 6WHUHR
3 3 3 3 3 3 3 3 3 3 3
3(4 %OXHV*WU 3(4 6OLGH*WU 3(4 /LQH*WU 3(4 0DOH 3(4 5RFN0DOH 3(4 )HPDOH 3(4 5RFN)HPO 3(4 1DUUDWRU 3(4 2UJDQ 3(4 6W3LDQR 3(4 6PDOO&KR
3DUDPHWULF(TXDOL]HU 3DUDPHWULF(TXDOL]HU 3DUDPHWULF(TXDOL]HU 3DUDPHWULF(TXDOL]HU 3DUDPHWULF(TXDOL]HU 3DUDPHWULF(TXDOL]HU 3DUDPHWULF(TXDOL]HU 3DUDPHWULF(TXDOL]HU 3DUDPHWULF(TXDOL]HU 3DUDPHWULF(TXDOL]HU 3DUDPHWULF(TXDOL]HU
,QVHUW ,QVHUW ,QVHUW ,QVHUW ,QVHUW ,QVHUW ,QVHUW ,QVHUW ,QVHUW ,QVHUW ,QVHUW
6WHUHR 6WHUHR 6WHUHR 6WHUHR 6WHUHR 6WHUHR 6WHUHR 6WHUHR 6WHUHR 6WHUHR 6WHUHR
9RRUEDVGUXP5HJHO/RZ4HQ+L*ELM 9RRUEDVGUXP1DGUXNRSODJHPLGGHQWRQHQYRRUHHQJRHGURFNJHOXLG 9RRUVQDUHGUXP/DDWGHODJHPLGGHQWRQHQZHJHQDFFHQWXHHUWKHWJHOXLG YDQGHDDQVODJHQGHVQDUHQ 9RRUULPVKRWV9HUVWHUNWGHDDQVODJ 9RRUWRPV5HJHO/RZ)HQ/RZ0LG)ELM 9RRUHHQKHOGHUHKLKDW5HJHO+L0LG*ELM 9RRUFLPEDOHQ$FFHQWXHHUWGHW\SLVFKHNODQNNOHXUYDQGHYHUVFKLOOHQGH FLPEDOHQ *HVFKLNWRPHHQYROOHGLJHGUXPNLWWHEHZHUNHQ 9RRUHHQEUHHGHQVWUDNEDVJHOXLG 9RRUHHQYHWHQSXQFK\URFNEDVJHOXLG $FFHQWXHHUWGH¶JHVODSWH·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
■ Graphic Equalizer (3 presets) Nr.
Patch-naam
Algoritme
Type
Input
Omschrijving
3 3 3
*(4 7RWDO(4 *(4 7RWDO(4 *(4 6SDFH(4
*UDSKLF(TXDOL]HU *UDSKLF(TXDOL]HU *UDSKLF(TXDOL]HU
,QVHUW ,QVHUW ,QVHUW
6WHUHR 6WHUHR 6WHUHR
9HUVWHUNWGHODJHHQKRJHWRQHQ 9HU]ZDNWGHKRJHHQODJHWRQHQZDWHHQVWUDNNHUJHOXLGJHHIW 0DDNWYDQHHQPRQRVLJQDDOHHQVWHUHRVLJQDDO
■ Stereo Multi (5 presets) Nr.
Patch-naam
Algoritme
Type
Input
Omschrijving
3 3 3 3 3
&/ &RPS &/ /LPLWHU (4 /RXGQHVV (4 )DW'DQFH (4 7KLQ-LQJO
6WHUHR0XOWL 6WHUHR0XOWL 6WHUHR0XOWL 6WHUHR0XOWL 6WHUHR0XOWL
,QVHUW ,QVHUW ,QVHUW ,QVHUW ,QVHUW
6WHUHR 6WHUHR 6WHUHR 6WHUHR 6WHUHR
6WHUHRFRPSUHVVLHJHRSWLPDOLVHHUGYRRUHHQUDGLRPL[ %HJUHQVWVLJQDDOSLHNHQLQWHUHVVDQWYRRUDQDORJHPDVWHULQJ (4FXUYHZDDUELMGHODJHHQKRJHWRQHQOLFKWMHVJHDFFHQWXHHUGZRUGHQ +DUGHFRPSUHVVLHHQ(4JHVFKLNWYRRUGDQFHPXVLF /LPLWHUHQ(4YRRU)0UDGLRHQ79XLW]HQGLQJHQ
23
Preset Patch-lijst
Nr.
Preset Patch-lijst
■ Speaker Modeling (11 presets) Nr.
Patch-naam
Algoritme
Type
Input
Omschrijving
3
630 6XSHU)OW
6SHDNHU0RGHOLQJ
,QVHUW
6WHUHR
3
630 3*HQ%ON
6SHDNHU0RGHOLQJ
,QVHUW
6WHUHR
3 3
630 3(%V 630 30DFN
6SHDNHU0RGHOLQJ 6SHDNHU0RGHOLQJ
,QVHUW ,QVHUW
6WHUHR 6WHUHR
3 3
630 6PDO&XEH 630 :KLWH&RQ
6SHDNHU0RGHOLQJ 6SHDNHU0RGHOLQJ
,QVHUW ,QVHUW
6WHUHR 6WHUHR
3
630 :&WLVV
6SHDNHU0RGHOLQJ
,QVHUW
6WHUHR
3 3 3 3
630 65DGLR 630 6PDOO79 630 %RRP%R[ 630 %%/RZ%V
6SHDNHU0RGHOLQJ 6SHDNHU0RGHOLQJ 6SHDNHU0RGHOLQJ 6SHDNHU0RGHOLQJ
,QVHUW ,QVHUW ,QVHUW ,QVHUW
6WHUHR 6WHUHR 6WHUHR 6WHUHR
9HUYXOWGHIXQFWLHYDQGH'6 JHHIWHHQQRJYODNNHUJHOXLGPHWHHQQRJ EUHGHUEHUHLN (HQYHHOJHEUXLNWPRGHOYDQDFWLHYHPRQLWRUV WZHHZHJW\SHPHWHHQ ZRRIHUGLDPHWHUYDQPP LQFKHV $FWLHYHPRQLWRUVJHNDUDNWHULVHHUGGRRUHHQKHOGHUHNODQN $FWLHYHPRQLWRUVJHNHQPHUNWGRRUHHQYHUJURWHUHVSRQVRSGHODJH IUHTXHQWLHV .OHLQHIXOOUDQJHVSHDNHUVDORPJHEUXLNWLQRSQDPHVWXGLR·V 7ZHHZHJOXLGVSUHNHUVLQHHQJHVORWHQEHKXL]LQJJHNHQGYRRUKXQZLWWH ZRRIHUVHQDORPJHEUXLNWLQRSQDPHVWXGLR·V (HQPLOGHUJHOXLGPHW]LMGHSDSLHURYHUGHWZHHWHUVYDQGH ERYHQJHQRHPGH´:KLWH&RQHµVSHDNHUV /XLGVSUHNHUYDQHHQ]DNUDGLRRWM /XLGVSUHNHUVYDQHHQ79WRHVWHO LQFKVFKHUP /XLGVSUHNHUYDQHHQFDVVHWWHUHFRUGHU /XLGVSUHNHUYDQHHQFDVVHWWHUHFRUGHUPHWGH/RZ%RRVWLQJHVFKDNHOG
■ Mastering Tool Kit (19 presets)
24
Nr.
Patch-naam
Algoritme
Type
Input
Omschrijving
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
07. 0L[GRZQ 07. 3UH0DVWU 07. /LYH0L[ 07. 3RS0L[ 07. 'DQFH0L[ 07. -LQJO0L[ 07. +DUG&RPS 07. 6RIW&RPS 07. &OQ&RPS 07. 'QFH&RPS 07. 2UFK&RPS 07. 9RFDO&PS 07. $FRXVWLF 07. 5RFN%DQG 07. 2UFKHVWU 07. /R%RRVW 07. %ULJKWHQ 07. '-V9RLFH 07. 3KRQH9R[
0DWHULQJ7RRO.LW 0DWHULQJ7RRO.LW 0DWHULQJ7RRO.LW 0DWHULQJ7RRO.LW 0DWHULQJ7RRO.LW 0DWHULQJ7RRO.LW 0DWHULQJ7RRO.LW 0DWHULQJ7RRO.LW 0DWHULQJ7RRO.LW 0DWHULQJ7RRO.LW 0DWHULQJ7RRO.LW 0DWHULQJ7RRO.LW 0DWHULQJ7RRO.LW 0DWHULQJ7RRO.LW 0DWHULQJ7RRO.LW 0DWHULQJ7RRO.LW 0DWHULQJ7RRO.LW 0DWHULQJ7RRO.LW 0DWHULQJ7RRO.LW
,QVHUW ,QVHUW ,QVHUW ,QVHUW ,QVHUW ,QVHUW ,QVHUW ,QVHUW ,QVHUW ,QVHUW ,QVHUW ,QVHUW ,QVHUW ,QVHUW ,QVHUW ,QVHUW ,QVHUW ,QVHUW ,QVHUW
6WHUHR 6WHUHR 6WHUHR 6WHUHR 6WHUHR 6WHUHR 6WHUHR 6WHUHR 6WHUHR 6WHUHR 6WHUHR 6WHUHR 6WHUHR 6WHUHR 6WHUHR 6WHUHR 6WHUHR 6WHUHR 6WHUHR
(LQGPL[YRRU&' 3UHPDVWHULQJYRRUYLGHRPRQWDJH (LQGPL[YDQHHQOLYHRSQDPH 9RRUSRSPX]LHN 9RRU'DQFHPX]LHN -LQJOHYRRU)0UDGLR =ZDUHFRPSUHVVLH /LFKWHFRPSUHVVLH (OLPLQHHUWDFKWHUJURQGUXLVHQ]XLYHUWKHWJHOXLG &RPSUHVVLHYRRU'DQFHPX]LHN &RPSUHVVLHYRRUHHQRUNHVW &RPSUHVVLHYRRU]DQJ $NRHVWLVFKHJLWDDU 9RRUHHQURFNEDQG 9RRUHHQRUNHVW $FFHQWXHHUWKHWODJHIUHTXHQWLHJHELHG $FFHQWXHHUWKHWKRJHIUHTXHQWLHJHELHG '-PLFURIRRQ 6LPXODWLHYDQHHQWHOHIRRQVWHP
Overzicht van de Algoritmes 'LWKRRIGVWXNEHVFKULMIWGHHIIHFWHQGLHVDPHQKDQJHQPHWGHUHVSHFWLHYHDOJRULWPHVHQLQWHUQHVLJQDDOURXWHV /HHVGLWKRRIGVWXNZDQQHHUXGHDOJRULWPHVLQGHLQJHERXZGHOLEUDU\ SUHVHWOLEUDU\ ZLOFKHFNHQRIYRRUGDWX HHQQLHXZHOLEUDU\JDDWDDQPDNHQ
● Galm toevoegen (Reverb)
● Effecten voor gitaar/bas toevoegen
5HYHUE S *DWH5HYHUE S 5HYHUE S
● Echo toevoegen (Delay) 'HOD\ S 6W36'HOD\ S 0XOWL7DS'O\ S 7DSH(FKR S
● De klank verruimen (Chorus)
*XLWDU0XOWL S *XLWDU0XOWL S *XLWDU0XOWL S *XLWDU$PS6LP S
● Effecten voor stemmen toevoegen 9RFDO0XOWL S 9RFDO&DQFHO S 9RLFH7UDQV S
● Beweging geven aan het geluid
6W'O\&KRUXV S 6SDFH&KRUXV S
● De klank moduleren (Modulation-related) 6W3KDVHU S 6W)ODQJHU S $QDORJ)OQJHU S $QDORJ3KDVHU S
● De volume-toename wijzigen (Compressor) 'XDO&RPS/LPL S
● De levels verhogen/verlagen per frequentieband (Filter) 3DUDPHWULF(4 S *UDSKLF(4 S %DQG,VRODWRU S
5RWDU\ S
● Het geluid 3-dimensioneel plaatsen FK566 S 'HOD\566 S &KRUXV566 S
● Andere 9RFRGHU S 6WHUHR0XOWL S +XP&DQFHOHU S 0LF6LPXODWRU S 9RFRGHU S 6SHDNHU0RGHOLQJ S 0DVWHULQJ7RRO.LW S
● De klankkwaliteit ruw maken (Lo-Fi) /R)L3URFHVV S
fig.08-01e Overzicht van de Algoritmes
Effectblok Parameters binnen hetzelfde effect (linker- en rechterkanaal gelinkt) Audiosignaal
Controlesignaal
25
Overzicht van de Algoritmes
Reverb 'H]HIXQFWLHYRHJWJDOPWRHDDQKHWJHOXLGRPGHJURRWWHYDQHHQUXLPWHWHVLPXOHUHQ EYHHQ]DDORIHHQNDPHU fig.08-04
Direct Level
Input L
3BAND EQ
Input R
Output L
Reverb
Output R
Direct Level
Types van geluid 'HJHOXLGHQURQGRPRQVNXQQHQZHDQDO\VHUHQHQLQGHOHQLQGULHW\SHV GLUHFWJHOXLGYURHJHZHHUNDDWVLQJHQHQ JDOP'LUHFWJHOXLGLVJHOXLGGDWGHOXLVWHUDDUUHFKWVWUHHNVEHUHLNWYDQXLWGHEURQ(HQYURHJHZHHUNDDWVLQJLVKHW JHOXLGGDWppQWZHHRIPHHUGHUHNHUHQGRRUGHPXXULVWHUXJJHNDDWVW'HJDOPLVKHWJHOXLGGDWZHKRUHQ ZDQQHHUGHJHOXLGVZHHUNDDWVLQJHQYHOHPDOHQKHUKDDOGZRUGHQ fig.08-05e
Vroege weerkaatsingen
Latere galm
Direct geluid
Geluidsbron
Luisteraar
Verband tussen geluid en tijd :HHUNDDWVWJHOXLGEHUHLNWGHOXLVWHUDDUDOVYROJW'HSUHGHOD\LVGHWLMGYDQZDQQHHUPHQKHWGLUHFWHJHOXLGKRRUW WRWZDQQHHUPHQGHHHUVWHZHHUNDDWVLQJKRRUW'HUHYHUEWLPHLVGHWLMGZDDURYHUGHUHYHUEZHJVWHUIW fig.08-06e Level
Direct geluid Vroege weerkaatsingen
Latere galm
Pre Delay
Tijd
Reverb Time
Geluidskwaliteit van de Reverb 'HJHOXLGVNZDOLWHLWYDQHHQUHYHUEZRUGWEHw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
26
Overzicht van de Algoritmes
Parameter (volledige naam)
Instelling
Functie
Sw (Switch)
On, Off
Zet de equalizer aan of uit.
Low Type
Shlv, Peak
Bepaalt het type van equalizer voor de lage frequentieband (Shelving-type of peaking-type).
Low Gain
-12– +12 dB
Bepaalt de hoeveelheid boost/cut in de lage frequentieband.
Low Freq (Low Frequency)
20 - 2000 Hz
Bepaalt de centrale frequentie in de lage frequentieband.
Low Q
0.3–10.0
Bepaalt de breedte van het gebied rond de lage frequentie dat beïnvloed wordt door de gain-instellingen.1 *1
Mid Gain (Middle Gain)
-12– +12 dB
Bepaalt de hoeveelheid boost/cut in de middenband.
Mid Freq (Middle Frequency)
200–8000 Hz
Bepaalt de centrale frequentie in de middenband.
Mid Q (Middle Q)
0.3–10.0
Bepaalt de breedte van het gebied rond de middelste frequentie dat beïnvloed wordt door de gain-instellingen.
Hi Type (High Type)
Shlv, Peak
Bepaalt het type van equalizer voor de hoge frequentieband (shelving-type of peaking-type).
High Gain
-12– +12 dB
Bepaalt de hoeveelheid boost/cut in de hoge frequentieband.
High Freq (High Frequency)
1.4–20.0 kHz
Bepaalt de centrale frequentie in de hoge frequentieband.
High Q
0.3–10.0
Bepaalt de breedte van het gebied rond de hoge frequentie dat beïnvloed wordt door de gain-instellingen.1 *1
Level (Output Level)
0–100
Bepaalt het volume van het signaal na de equalizer.
EQ (Equalizer)
Reverb:
Voegt galm toe. RoomSize (Room Size)
5–40 m
Bepaalt de grootte van de kamer.
Time (Reverb Time)
0.1–32.0 sec.
Bepaalt de tijdsduur van het galmgeluid.
FX Lvl (Effect Level)
-100–100
Bepaalt het volume van het reverb-geluid.
Dir Lvl (Direct Level)
-100–100
Bepaalt het volume van het directe geluid.
0–200 ms
Bepaalt na hoeveel tijd het galmgeluid verschijnt.
Diffusi (Diffusion)
0–100
Bepaalt hoe ver het geluid van de vroege weerkaatsing verspreid wordt.
Densty (Density)
0–100
Bepaalt de densiteit van het galmgeluid.
ERLvl (Early Reflection Level)
0 to100
Bepaalt het volume van de vroege weerkaatsing.
LF Damp Gain (LF-Damp Gain)
-36–0 dB
Bepaalt de verzwakkingsgraad voor de reverb in de lage frequentieband.
LF Damp Freq (LF-Damp Frequency)
50–4000 Hz
Bepaalt bij welke frequentie de reverb begint te verzwakken in de lage frequentieband.
HF Damp Gain (HF-Damp Gain)
-36–0 dB
Bepaalt de verzwakkingsgraad voor de reverb in de hoge frequentieband.
HF Damp Freq (HF-Damp Frequency)
1.0–20.0 kHz
Bepaalt bij welke frequentie de reverb begint te verzwakken in de hoge frequentieband.
HiCF (High Cut Frequency)
0.2–20.0 kHz
Bepaalt voor welke frequentie de elementen van de hoge frequentieband van de reverb afgesneden worden.
,QGLHQ/RZ7\SH /R7\SH RI+LJK7\SH +L7\SH RS´6KOY 6KOYLQJ7\SH µVWDDWLQJHVWHOGGDQLVGH LQVWHOOLQJYRRU/R4RI+LJK4RQJHOGLJ
´5HYHUEµNDQQLHWJHEUXLNWZRUGHQRS())(&7HQ GHHYHQHIIHFWHQ
´5HYHUEµNDQQLHWJHEUXLNWZRUGHQLQSURMHFWHQPHWHHQVDPSOHUDWHYDQN+]RIKRJHU
27
Overzicht van de Algoritmes
PreDLY (Pre-Delay)
Overzicht van de Algoritmes
Delay 'HOD\LVHHQHIIHFWGDWHHQYHUWUDDJGJHOXLGWRHYRHJWDDQKHWGLUHFWHJHOXLGRPKHWJHOXLGGLNNHUWHODWHQNOLQNHQ RIRPHHQVSHFLDDOHIIHFWWHYHUNULMJHQ fig.08-08
Input L
Direct Level
Output L 3BAND EQ
Feedback Level Lch
Delay
FeedbackLevel Rch 3BAND EQ Input R
Direct Level
Output R
Delay-geluiden en de verspreiding van geluid :DQQHHUHHQGHOD\ZRUGWXLWJHVWXXUGLQVWHUHRNOLQNWKLM]RZHOYDQGHUHFKWHUDOVYDQGHOLQNHUNDQW'H]H GHOD\JHOXLGHQNXQQHQDDQJHSDVWZRUGHQGRRU'HOD\6KLIW 6KLIW LQWHVWHOOHQ$OVXHHQZDDUGHYRRUGH/]LMGH LQVWHOWEOLMIWKHWGHOD\JHOXLGYDQGHOLQNHUNDQWDFKWHUHQDOVXHHQZDDUGHYRRUGH5]LMGHLQVWHOWEOLMIWKHWGHOD\ JHOXLGYDQGHUHFKWHUNDQWDFKWHU$OVX6KLIWRS´µLQVWHOWNOLQNHQGHGHOD\JHOXLGHQDDQEHLGHNDQWHQWHJHOLMNHU WLMG$OVXYRRUGHUHFKWHUHQOLQNHUGHOD\WLPHVYHUVFKLOOHQGHZDDUGHQLQVWHOWNULMJWXHHQJURWHUHVSUHLGLQJ
'HVRPYDQGH'HOD\7LPHZDDUGHHQGH'HOD\6KLIWZDDUGHPDJQLHWJURWHU]LMQGDQKHWLQVWHOOLQJVEHUHLN YDQGH'HOD\7LPH$OVEYKHWLQVWHOOLQJVEHUHLNYDQGH'HOD\7LPHYDQWRWPVJDDWHQGH'HOD\7LPH LVLQJHVWHOGRSPVGDQPRHWXGH'HOD\6KLIWLQVWHOOHQWXVVHQ/HQ5PV
Delay-herhaling 'HOD\IHHGEDFNEHWHNHQWGDWKHWGHOD\JHOXLGWHUXJQDDUGH'HOD\LQSXWZRUGWJHVWXXUG'HKRHYHHOKHLGIHHGEDFN VWHOWXLQPHW´)HHGEDFN/HYHOµ+RHKRJHUGH]HZDDUGHKRHYDNHUKHWGHOD\JHOXLGKHUKDDOGZRUGW$OVXYRRUGLW OHYHOHHQQHJDWLHYHZDDUGHLQVWHOWGDQNHHUWGHIDVHRP(HQWHKRJHZDDUGHNDQRVFLOODWLHYHURRU]DNHQ
Parameter (volledige naam)
Instelling
Functie
DLY(Delay):Voegt een vertraagd geluid bij het directe geluid, voor een diepere klank of speciale effecten.
28
Sw (Switch)
On, Off
Zet de delay aan of uit.
Time (Delay Time)
0–1200 ms
Bepaalt de tijd vanaf het directe geluid tot wanneer het delay-geluid te horen is. *1
Shft (Delay Shift)
L1200–0–R1200 ms
Bepaalt het verschil in delay time tussen het rechter en het linker delay-geluid.
Lch FeedbackLvl (Lch Feedback Level)
-100–100
Bepaalt hoeveel delay van het linkerkanaal er wordt teruggestuurd naar de delay input.
Rch FeedbackLvl (Rch Feedback Level)
-100–100
Bepaalt hoeveel delay van het rechterkanaal er wordt teruggestuurd naar de delay input.
Lch FXLvl (Lch Effect Level)
-100–100
Bepaalt het volume van het delay-geluid links.
Rch FXLvl (Rch Effect Level)
-100–100
Bepaalt het volume van het delay-geluid rechts.
DirLvl (Direct Level)
-100–100
Bepaalt het volume van het directe geluid.
LF Damp Gain (LF-Damp Gain)
-36–0 dB
Bepaalt de verzwakkingsgraad in de lage frequentieband voor het teruggekoppelde delay-geluid.
LF Damp Freq (LF-Damp Frequency)
50–4000 Hz
Bepaalt bij welke frequentie de verzwakking voor het teruggekoppelde delay-geluid in de lage frequentieband begint.
HF Damp Gain (HF-Damp Gain)
-36–0 dB
Bepaalt bij welke frequentie de verzwakking voor het teruggekoppelde delay-geluid in de hoge frequentieband begint.
HF Damp Freq (HF-Damp Frequency)
1.0–20.0 kHz
Bepaalt bij welke frequentie de verzwakking voor het teruggekoppelde delay-geluid in de hoge frequentieband begint.
Overzicht van de Algoritmes
EQ (Equalizer) Sw (Switch)
On, Off
Zet de equalizer aan of uit.
Low Type
Shlv, Peak
Bepaalt het type van equalizer voor de lage frequentieband (Shelving-type of peaking-type).
Low Gain
-12– +12 dB
Bepaalt de hoeveelheid boost/cut in de lage frequentieband.
Low Freq (Low Frequency)
20 - 2000 Hz
Bepaalt de centrale frequentie in de lage frequentieband.
Low Q
0.3–10.0
Bepaalt de breedte van het gebied rond de lage frequentie dat beïnvloed wordt door de gain-instellingen.1 *2
Mid Gain (Middle Gain)
-12– +12 dB
Bepaalt de hoeveelheid boost/cut in de middenband.
Mid Freq (Middle Frequency)
200–8000 Hz
Bepaalt de centrale frequentie in de middenband.
Mid Q (Middle Q)
0.3–10.0
Bepaalt de breedte van het gebied rond de middelste frequentie dat beïnvloed wordt door de gain-instellingen.
Hi Type (High Type)
Shlv, Peak
Bepaalt het type van equalizer voor de hoge frequentieband (shelving-type of peaking-type).
High Gain
-12– +12 dB
Bepaalt de hoeveelheid boost/cut in de hoge frequentieband.
High Freq (High Frequency)
1.4–20.0 kHz
Bepaalt de centrale frequentie in de hoge frequentieband.
High Q
0.3–10.0
Bepaalt de breedte van het gebied rond de hoge frequentie dat beïnvloed wordt door de gain-instellingen.1 *2
Level (Output Level)
0–100
Bepaalt het volume van het signaal na de equalizer.
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Overzicht van de Algoritmes
29
Overzicht van de Algoritmes
Stereo Delay Chorus 'HOD\HQ&KRUXVNXQQHQJHFRPELQHHUGZRUGHQRPHHQUXLPHUJHOXLGWHFUHsUHQ fig.08-10
Output L
Input L Delay L
Chorus L
Cross FB Level Lch
Cross FB Level Lch
Cross FB Level Rch
Cross FB Level Rch
Chorus R
Delay R
3BAND EQ
3BAND EQ
Input R
Output R
Hoe werkt de feedback voor Delay en Chorus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Parameter (volledige naam)
Instelling
Functie
DLY(Delay):Voegt een vertraagd geluid bij het directe geluid, voor een diepere klank of speciale effecten.
30
Sw (Switch)
On, Off
Zet de delay aan of uit.
Time (Delay Time)
0–500 ms
Bepaalt de tijd vanaf het directe geluid tot wannneer het Delay-geluid te horen is. *1
Shift (Delay Shift)
L500–0–R500 ms
Bepaalt het verschil in delay time tussen het rechter en het linker delay-geluid.
Lch FeedbackLvl (Lch Feedback Level)
-100–100
Bepaalt hoeveel linker-delay er wordt teruggestuurd naar de linker-delay input.
Rch FeedbackLvl (Rch Feedback Level)
-100–100
Bepaalt hoeveel rechter-delay er wordt teruggestuurd naar de rechter-delay input.
Lch CrossFeedbackLvl (Lch Cross-Feedback Level)-100–100
Bepaalt hoeveel linker-delay er wordt teruggestuurd naar de rechter-delay input.
Rch CrossFeedbackLvl (Rch Cross-Feedback Level)-100–100
Bepaalt hoeveel rechter-delay er wordt teruggestuurd naar de linker-delay input.
FX Lvl (Effect Level)
-100–100
Bepaalt het volume van het delay-geluid.
DirLvl (Direct Level)
-100–100
Bepaalt het volume van het directe geluid.
Overzicht van de Algoritmes
CHO (Chorus):
Maakt het geluid ruimer en dieper.
Sw (Switch)
On, Off
Zet de chorus aan of uit.
Rate (Rate)
0.1–10.0 kHz
Bepaalt de modulatiesnelheid.
Depth (Depth)
0–100
Bepaalt de modulatiediepte.
FX Lvl (Effect Level)
-100–100
Bepaalt het volume van het chorus-geluid.
DirLvl (Direct Level)
-100–100
Bepaalt het volume van het directe geluid.
PreDLY (Pre-Delay)
0–50 ms
Bepaalt het tijdsinterval van wanneer het directe geluid begint tot wanneer het verwerkte geluid te horen is.
Lch FeedbackLvl (Lch Feedback Level)
-100–100
Bepaalt hoeveel linker chorus-geluid er wordt teruggestuurd naar de linker chorus input.
Rch FeedbackLvl (Rch Feedback Level)
-100–100
Bepaalt hoeveel rechter chorus-geluid er wordt teruggestuurd naar de rechter chorus input.
Lch CrossFeedbackLvl (Lch Cross-Feedback Level)-100–100
Bepaalt hoeveel linker chorus-geluid er wordt teruggestuurd naar de rechter chorus input.
Rch CrossFeedbackLvl (Rch Cross-Feedback Level)-100–100
Bepaalt hoeveel rechter chorus-geluid er wordt teruggestuurd naar de linker chorus input.
EQ (Equalizer) On, Off
Zet de equalizer aan of uit.
Low Type
Shlv, Peak
Bepaalt het type van equalizer voor de lage frequentieband (Shelving-type of peaking-type).
Low Gain
-12– +12 dB
Bepaalt de hoeveelheid boost/cut in de lage frequentieband.
Low Freq (Low Frequency)
20 - 2000 Hz
Bepaalt de centrale frequentie in de lage frequentieband.
Low Q
0.3–10.0
Bepaalt de breedte van het gebied rond de lage frequentie dat beïnvloed wordt door de gain-instellingen.1 *2
Mid Gain (Middle Gain)
-12– +12 dB
Bepaalt de hoeveelheid boost/cut in de middenband.
Mid Freq (Middle Frequency)
200–8000 Hz
Bepaalt de centrale frequentie in de middenband.
Mid Q (Middle Q)
0.3–10.0
Bepaalt de breedte van het gebied rond de middelste frequentie dat beïnvloed wordt door de gain-instellingen.
Hi Type (High Type)
Shlv, Peak
Bepaalt het type van equalizer voor de hoge frequentieband (shelving-type of peaking-type).
High Gain
-12– +12 dB
Bepaalt de hoeveelheid boost/cut in de hoge frequentieband.
High Freq (High Frequency)
1.4–20.0 kHz
Bepaalt de centrale frequentie in de hoge frequentieband.
High Q
0.3–10.0
Bepaalt de breedte van het gebied rond de hoge frequentie dat beïnvloed wordt door de gain-instellingen.1 *2
Level (Output Level)
0–100
Bepaalt het volume van het signaal na de equalizer.
Overzicht van de Algoritmes
Sw (Switch)
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$OV/R7\SH /RZ7\SH RI+L7\SH +LJK7\SH LQJHVWHOGVWDDWRS´6KHOY 6KHOYLQJ7\SH µGDQLVGHLQVWHOOLQJ YRRU/R4RI+LJK4RQJHOGLJ
31
Overzicht van de Algoritmes
Stereo Pitch Shifter Delay 9HUDQGHUWGHWRRQKRRJWHYDQKHWGLUHFWHJHOXLG&RUULJHHUWVWHPPHQGLHXLWGHWRRQ]LQJHQRIODDWKHWJHOXLG GLNNHUNOLQNHQGRRUKHWGLUHFWHJHOXLGWHPL[HQPHWHHQJHOXLGPHWYHUVFKRYHQWRRQKRRJWH fig.08-12
Input L
Output L
Direct Level 3BAND EQ Pitch Shifter L
Delay L
Delay R
Pitch Shifter R
3BAND EQ Input R
Output R
Direct Level
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Parameter (volledige naam) Pitch Shifter Delay
32
Instelling
Functie
: Verschuift de toonhoogte.
Sw (Switch)
On, Off
Zet de pitch shifter aan of uit.
Lch Croma Pitch (Lch Chromatic Pitch)
-12–12
Bepaalt de de toonhoogteverschuiving langs links (per halve toon).
Rch Croma Pitch (Rch Chromatic Pitch)
-12–12
Bepaalt de de toonhoogteverschuiving langs rechts (per halve toon).
Lch Fine Pitch
-100–100
Bepaalt de toonhoogteverschuiving langs links (per cent).
Rch Fine Pitch
-100–100
Bepaalt de toonhoogteverschuiving langs rechts (per cent).
Lch PreDly (Lch Pre-Delay)
0–50 ms
Bepaalt het tijdsinterval van wanneer het directe geluid wordt uitgestuurd totdat het pitch shift-geluid langs links wordt uitgestuurd.
Rch PreDly (Rch Pre-Delay)
0–50 ms
Bepaalt het tijdsinterval van wanneer het directe geluid wordt uitgestuurd totdat het pitch shift-geluid langs rechts wordt uitgestuurd.
Lch FBDly (Lch Feedback Delay Time)
0–500 ms
Bepaalt de herhalingscyclus van de feedback voor het linker delay-geluid.
Rch FBDly (Rch Feedback Delay Time)
0–500 ms
Bepaalt de herhalingscyclus van de feedback voor het rechter delay-geluid.
Lch FeedbackLvl (Lch Feedback Level)
-100–100
Bepaalt hoeveel pitch shift-geluid van de linkerkant er wordt teruggestuurd naar de linker pitch shifter input.
Rch FeedbackLvl (Rch Feedback Level)
-100–100
Bepaalt hoeveel pitch shift-geluid van de rechterkant er wordt teruggestuurd naar de rechter pitch shifter input.
Lch CrossFeedbackLvl (Lch Cross-Feedback Level)
-100–100
Bepaalt hoeveel pitch shift-geluid van de linkerkant er wordt teruggestuurd naar de rechter pitch shifter input.
Rch CrossFeedbackLvl (Rch Cross-Feedback Level)
-100–100
Bepaalt hoeveel pitch shift-geluid van de rechterkant er wordt teruggestuurd naar de linker pitch shifter input.
FX Lvl (Effect Level)
-100–100
Bepaalt het volume van het pitch shift-geluid.
DirLvl (Direct Level)
-100–100
Bepaalt het volume van het directe geluid.
Overzicht van de Algoritmes
EQ (Equalizer) Sw (Switch)
On, Off
Zet de equalizer aan of uit.
Low Type
Shlv, Peak
Bepaalt het type van equalizer voor de lage frequentieband (Shelving-type of peaking-type).
Low Gain
-12– +12 dB
Bepaalt de hoeveelheid boost/cut in de lage frequentieband.
Low Freq (Low Frequency)
20 - 2000 Hz
Bepaalt de centrale frequentie in de lage frequentieband.
Low Q
0.3–10.0
Bepaalt de breedte van het gebied rond de lage frequentie dat beïnvloed wordt door de gain-instellingen.1 *1
Mid Gain (Middle Gain)
-12– +12 dB
Bepaalt de hoeveelheid boost/cut in de middenband.
Mid Freq (Middle Frequency)
200–8000 Hz
Bepaalt de centrale frequentie in de middenband.
Mid Q (Middle Q)
0.3–10.0
Bepaalt de breedte van het gebied rond de middelste frequentie dat beïnvloed wordt door de gain-instellingen.
Hi Type (High Type)
Shlv, Peak
Bepaalt het type van equalizer voor de hoge frequentieband (shelving-type of peaking-type).
High Gain
-12– +12 dB
Bepaalt de hoeveelheid boost/cut in de hoge frequentieband.
High Freq (High Frequency)
1.4–20.0 kHz
Bepaalt de centrale frequentie in de hoge frequentieband.
High Q
0.3–10.0
Bepaalt de breedte van het gebied rond de hoge frequentie dat beïnvloed wordt door de gain-instellingen.1 *1
Level (Output Level)
0–100
Bepaalt het volume van het signaal na de equalizer.
$OV/RZ7\SH /R7\SH RI+LJK7\SH +L7\SH LQJHVWHOGLVRS´6KOY 6KOYLQJ7\SH µGDQLVGHLQVWHOOLQJYRRU /R4RI+LJK4RQJHOGLJ
Overzicht van de Algoritmes
33
Overzicht van de Algoritmes
Vocoder 'HYRFRGHUFUHsHUWKHWHIIHFWYDQHHQ´VSUHNHQGLQVWUXPHQWµ2PGH9RFRGHUWHJHEUXLNHQPRHWXHHQ LQVWUXPHQWJHOXLGLQKHWOLQNHUNDQDDOVWXUHQHQHHQVWHPJHOXLGLQKHWUHFKWHUNDQDDO+HWLQVWUXPHQWJHOXLGZRUGW RSJHVSOLWVWLQWLHQIUHTXHQWLHEDQGHQGLHYHUZHUNWZRUGHQYROJHQVGHIUHTXHQWLHFRPSRQHQWHQ fig.08-14
Output L Input L (Instrument) Chorus
10 Band Vocoder
Input R (Mic)
Output R
,QVWUXPHQWJHOXLGHQZRUGHQLQKHW/NDQDDOYDQKHWHIIHFWLQJHYRHUG'DDURPGLHQWX´/FKµYDQKHWHIIHFWDDQ WHVOXLWHQRSKHWNDQDDOGDWGHLQVWUXPHQWJHOXLGHQYHUZHUNW2SGH]HOIGHPDQLHUZRUGHQGHVWHPJHOXLGHQLQ KHW5NDQDDOYDQKHWHIIHFWLQJHYRHUG6OXLW´5FKµYDQKHWHIIHFWDDQRSKHWNDQDDOGDWGHVWHPJHOXLGHQ YHUZHUNW
Tips bij het gebruik van de Vocoder *HEUXLNELMYRRUNHXULQVWUXPHQWJHOXLGHQPHWYHHOERYHQWRQHQ%LM]RQGHUJHVFKLNW]LMQJHOXLGHQPHWHHQ ]DDJWDQGJROIYRUP]RDOVYDQVWULMNLQVWUXPHQWHQHQYHUYRUPGHJLWDDUNODQNHQ
Parameter (volledige naam)
Instelling
Functie
VOC (Vocoder): De toonhoogte wordt gespecifieerd met het instrumentgeluid terwijl de tone wordt weergegeven als een stem. Char 1–10 (Voice Characters)
CHO (Chorus):
34
0–100
Bepaalt het volume per frequentieband. Hiermee verandert u de toon van de vocoder.
Maakt het geluid ruimer en dieper.
Sw (Switch)
On, Off
Zet de chorus aan of uit.
Rate (Rate)
0.1–10.0 kHz
Bepaalt de modulatiesnelheid.
Depth (Depth)
0–100
Bepaalt de modulatiediepte.
FX Lvl (Effect Level)
-100–100
Bepaalt het volume van het chorus-geluid.
DirLvl (Direct Level)
-100–100
Bepaalt het volume van het directe geluid.
PreDLY (Pre-Delay)
0–50 ms
Bepaalt het tijdsinterval van wanneer het directe geluid begint tot wanneer het verwerkte geluid te horen is.
FBLvl (Feedback Level)
-100–100
Bepaalt hoeveel chorus-geluid er wordt teruggestuurd naar de chorus input.
Overzicht van de Algoritmes
2ch RSS 3ODDWVWGHJHOXLGHQGLHLQGHUHVSHFWLHYHNDQDOHQZRUGHQLQJHYRHUGLQHHQGULHGLPHQVLRQHOHUXLPWH fig.08-16
Output L
Input A RSS
RSS Input B
Output R
,QSXW$ZRUGWLQJHYRHUGLQKHW/NDQDDOYDQKHWHIIHFW'DDURPGLHQWX´/FKµYDQKHWHIIHFWDDQWHVOXLWHQRS KHWNDQDDOGDW,QSXW$YHUZHUNW2SGH]HOIGHPDQLHUZRUGW,QSXW%LQJHYRHUGLQKHW5NDQDDOYDQKHWHIIHFW 6OXLW´5FKµYDQKHWHIIHFWDDQRSKHWNDQDDOGDW,QSXW%YHUZHUNW 6WXXUKHWGLUHFWHJHOXLGQLHWXLW
Wat is RSS? 'H]HDINRUWLQJVWDDWYRRU5RODQG6RXQG6SDFH'LWLVHHQYDQ5RODQG·VHLJHQHIIHFWWHFKQRORJLHsQGLHKHWPRJHOLMN PDDNWRPGHJHOXLGVEURQLQKHWJHZRQHVWHUHRV\VWHHPGULHGLPHQVLRQHHOWHVLWXHUHQ8NDQQLHWHQNHOKHWHIIHFW YRRUHQQDDVWKHWSXEOLHNEHSDOHQPDDURRNGHULFKWLQJHQ D]LPXWK ]RDOVRPKRRJRPODDJHQDFKWHUXLWDOVRRN GHDIVWDQGWRWGHJHOXLGVEURQ fig.08-17e Boven
Elevation Achter Rechts
Links 0° Voor
Azimuth
Overzicht van de Algoritmes
Onder
Parameter (volledige naam) RSS:
Instelling
Functie
Plaatst het geluid in een driedimensionele ruimte. Azimuth
-180–180˚
Bepaalt de output-richtingen, voor, achter, rechts en links voor het Input A-kanaal.
Elevation
-90–90˚
Bepaalt de output-richtingen boven en onder voor het Input A-kanaal.
Type
A
Hiermee kunt u dezelfde effecten verkrijgen als op de oudere VS-modellen (VS-880/880EX/890/1680/1880/ VSR-880) Meer distinctieve effecten dan met Type A.
B Phones
Off, On
Kies “On” als u een hoofdtelefoon gebruikt. Kies “Off” als u luidsprekers gebruikt.
35
Overzicht van de Algoritmes
Voorzorgen bij het gebruik van RSS 2PHHQPD[LPDDOHIIHFWWHEHNRPHQYDQ566GLHQWXGHYROJHQGHSXQWHQLQDFKWWHQHPHQ $NRHVWLVFK´GRGHµUXLPWHV GZ]]RQGHUUHIOHFWLHV ]LMQKHWPHHVWJHVFKLNW +HWEHVWHUHVXOWDDWNULMJWXPHWZHJOXLGVSUHNHUVRIPHWFRD[LDOHRIYLUWXHHOFRD[LDOHOXLGVSUHNHUV 3ODDWVGHOXLGVSUHNHUV]RYHUPRJHOLMNYDQGH]LMPXUHQ =HWGHOLQNHUHQUHFKWHUOXLGVSUHNHUVQLHWWHYHUXLWHONDDU 'HLGHDOHOXLVWHUSRVLWLHYRRU566LVGHYROJHQGH fig.08-17b
30°
30°
Labeling op de RSS productverpakking 2PKHWPD[LPDOHHIIHFWYDQ566WHYHUNULMJHQLVKHWEHODQJULMNRPGHOXLVWHUUXLPWHQDGHUWHVSHFLILsUHQ:HUDGHQ DDQGDWELMGHYHUNRRSGHRQGHUVWDDQGHODEHOLQJ 566VWLFNHU RSGHYHUSDNNLQJZRUGWDDQJHEUDFKW ■ Als u luidsprekers gebruikt
■ Als u een hoofdtelefoon gebruikt
fig.08-18e
Voor Stereo Speakers Dit geluid is speciaal bedoeld om door luidsprekers weer te geven. Met een hoofdtelefoon kunt u niet het bedoelde effect verkrijgen. Zorg dat het geluid zo weinig mogelijk tegen de muren of de vloer weerkaatst. Hang een gordijn voor harde muren nabij de luidsprekers.
r ke pre ids Lu
24 tot 30°
36
De luidsprekers staan best zo ver mogelijk van de muren of van de vloer.
Lu ids pre ker
Voor een hoofdtelefoon Dit geluid is speciaal bedoeld om door een hoofdtelefoon weer te geven. Met luidsprekers kunt u niet het bedoelde effect verkrijgen.
Overzicht van de Algoritmes
Delay RSS 8NDQGH'HOD\JHOXLGHQYRRUUHFKWVOLQNVHQPLGGHQDI]RQGHUOLMNLQVWHOOHQ$DQJH]LHQ566DDQJHVORWHQLVRS ]RZHOGHOLQNHUDOVGHUHFKWHURXWSXWVZRUGWKHWJHOXLGYDQKHWOLQNHUNDQDDO ÝQDDUOLQNVJHSODDWVWHQKHWJHOXLG YDQKHWUHFKWHUNDQDDO ÝQDDUUHFKWV'HFHQWHU'HOD\RXWSXWNDQKHW)HHGEDFNHIIHFWRQWYDQJHQ fig.08-20
Input L
Output L
Direct Level
Feedback Level
L ch Delay 3 Tap Delay
Center Delay
R ch Delay
Input R
RSS
RSS
Output R
Direct Level
'HSODDWVLQJVWDDWYDVW HUNDQJHHQD]LPXWKRIHOHYDWLRQJHVSHFLILHHUGZRUGHQ
Parameter (volledige naam) DRS (Delay RSS):
Instelling
Functie
Plaatst Delay-geluiden in een driedimensionele ruimte.
Time (Delay Time)
0–1200 ms
Bepaalt het tijdsinterval vanaf het directe geluid tot wanneer het delay-geluid van links en rechts te horen is.
Shft (Delay Shift)
L1200–0–R1200 ms
Bepaalt de balans tussen de delay times van links en rechts.
C. Time (Center Delay Time)
0–1200 ms
Bepaalt het tijdsinterval tussen het directe geluid en het moment dat u het center delay-geluid hoort.
0–100
Bepaalt het volume van het RSS-geluid.
C-Lvl (Center Level)
0–100
Bepaalt het volume voor het center delay-geluid.
FBLvl (Feedback Level)
-100–100
Bepaalt de hoeveelheid center delay-geluid die wordt teruggestuurd naar de delay input.
Overzicht van de Algoritmes
RSS Lvl (RSS Level)
FX Lvl (Effect Level)
-100–100
Bepaalt het volume van het delay RSS-geluid.
DirLvl (Direct Level)
-100–100
Bepaalt het volume van het directe geluid.
LF Damp Gain (LF-Damp Gain)
-36–0 dB
Bepaalt de verzwakkingsgraad in de lage frequentieband voor het center delay-geluid dat terug naar de input gaat.
LF Damp Freq (LF-Damp Frequency)
50–4000 Hz
Bepaalt bij welke frequentie de verzwakking in de lage frequentieband begint voor het center delay-geluid dat terug naar de input gaat.
HF Damp Gain (HF-Damp Gain)
-36–0 dB
Bepaalt de verzwakkingsgraad in de hoge frequentieband voor het center delay-geluid dat terug naar de input gaat.
HF Damp Freq (HF-Damp Frequency)
1.0–20.0 kHz
Bepaalt bij welke frequentie de verzwakking in de hoge frequentieband begint voor het center delay-geluid dat terug naar de input gaat.
Phones
On, Off
Kies “On” als u een hoofdtelefoon gebruikt. Kies “Off” als u luidsprekers gebruikt.
*1
=LHVoorzorgen bij het gebruik van RSS S
37
Overzicht van de Algoritmes
Chorus RSS 566LVDDQJHVORWHQRSGH&KRUXVRXWSXW+HWDNRHVWLVFKHEHHOGZRUGWJHGHILQLHHUGPHWKHWJHOXLGYDQKHW OLQNHUNDQDDOGDWRS ÝOLQNVVWDDWHQKHWJHOXLGYDQKHWUHFKWHUNDQDDOGDWRS ÝUHFKWVVWDDW fig.08-22
Input L
Output L
Direct Level
RSS Chorus RSS
Input R
Output R
Direct Level
'HSODDWVLQJVWDDWYDVW HUNDQJHHQD]LPXWKRIHOHYDWLRQJHVSHFLILHHUGZRUGHQ =LHLabeling op de RSS productverpakking S
Parameter (volledige naam) ChoRSS (Chorus RSS)
Instelling
: Plaatst chorus-geluiden in een driedimensionele ruimte.
Rate (Chorus Rate)
0.1–10.0 Hz
Bepaalt de modulatiesnelheid.
Depth (Chorus Depth)
0–100
Bepaalt de modulatiediepte.
FX Lvl (Effect Level)
-100–100
Bepaalt het volume van het chorus RSS-geluid.
DirLvl (Direct Level)
-100–100
Bepaalt het volume van het directe geluid.
Phones
On, Off
Kies “On” als u een hoofdstelefoon gebruikt. Kies “Off” als u luidsprekers gebruikt.
=LHVoorzorgen bij het gebruik van RSS S
38
Functie
*1
Overzicht van de Algoritmes
GuitarMulti 1–3 'LWLVHHQPXOWLHIIHFWYRRU URFN JLWDDU*XLWDU0XOWLWHPKHEEHQHHQYHUVFKLOOHQGHYHUYRUPLQJVJUDDG *XLWDU0XOWLYHUYRUPWKHWJHOXLGKHWPHHVWHQ*XLWDU0XOWLKHWPLQVW fig.08-26
Input L Compressor
Heavy Metal
Noise Suppressor
Output L Auto Wah
GAmp Mdl
Flanger
Delay Output R
Input R fig.08-27
Input L Compressor
Distortion
Noise Suppressor
Output L Auto Wah
GAmp Mdl
Flanger
Delay Output R
Input R fig.08-28
Input L Compressor
OverDrive
Noise Suppressor
Output L Auto Wah
GAmp Mdl
Flanger
Delay Output R
Input R
Gebruik van Guitar Multi 1 t.e.m. 3 'HEDVLVFRQILJXUDWLHLVELMQDLGHQWLHNYRRUDOOHGULHGH*XLWDU0XOWLHIIHFWHQ+HWHQLJHYHUVFKLOLVKHWW\SHYDQ KHWWZHHGHHIIHFW KHDY\PHWDOGLVWRUWLRQHQRYHUGULYH .LHV*XLWDU0XOWLDOVXKHWJLWDDUJHOXLG]ZDDUZLO YHUYRUPHQHQNLHV*XLWDU0XOWLYRRUHHQOLFKWHYHUYRUPLQJ]RDOVGLHYDQHHQYDFXXPEXL]HQYHUVWHUNHU
Een Wah-effect toevoegen door het input-volume te wijzigen
Overzicht van de Algoritmes
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39
Overzicht van de Algoritmes
Parameter (volledige naam)
Instelling
Functie
Comp (Compressor):Comprimeert het volledige output-signaal wanneer het input-volume een bepaalde waarde overschrijdt. Sw (Switch)
On, Off
Zet de compressor aan of uit.
Attack (Attack)
0–100
Bepaalt de aanslagsterkte wanneer er geluid geïnput wordt.
Level (Level)
0–100
Bepaalt het volume van het compressor-geluid.
Sustain (Sustain)
0–100
Bepaalt de tijd waarin zwakke signalen opgedreven worden tot een constant volume.
Tone (Tone)
-50–50
Bepaalt de klankkleur.
Metal (Heavy Metal) / Dstr (Distortion) / Ovd (Overdrive): Vervormt het geluid. Sw (Switch)
On, Off
Zet de metal, distortion of overdrive aan of uit.
Gain (Gain)
0–100
Bepaalt de sterkte (graad) van de vervorming.
Level (Level)
0–100
Bepaalt het volume van het metal-, distortion- of overdrivegeluid.
HighGain (High Gain)
-100–100
Bepaalt de hoeveelheid boost/cut in de hoge frequentieband. (enkel voor Metal)
MidGain (Middle Gain)
-100–100
Bepaalt de hoeveelheid boost/cut in de middelste frequentieband. (enkel voor Metal)
LowGain (Low Gain)
-100–100
Bepaalt de hoeveelheid boost/cut in de lage frequentieband. (enkel voor Metal)
Tone (Tone)
0–100
Bepaalt de klankkleur. (enkel voor Distortion/Overdrive)
NS (Noise Suppressor):
Onderdrukt ruis.
Sw (Switch)
On, Off
Zet de noise suppressor aan of uit.
Thresh (Threshold)
0–100
Bepaalt vanaf welk level de ruisonderdrukking begint.
Release (Release)
0–100
Bepaalt de tijd waarin het volume naar 0 zakt, nadat de ruisonderdrukking begonnen is.
Wah (Auto Wah):
Voegt het wah-effect toe.
Sw (Switch)
On, Off
Zet de auto wah aan of uit.
Mode (Mode)
LPF, BPF
Stel dit in op “BPF” voor een wah-effect in een smal frequentiebereik en op “LPF” voor een wah-effect in een breed frequentiebereik.
Pol (Polarity)
Up, Down
Wordt enkel geactiveerd omhet wah-effect toe te passen volgens de veranderingen in het input-volume. Kiest u “Up”, dan gaat de filter naar een hogere frequentie en bij “Down” gaat hij naar een lagere frequentie.
Freq (Frequency)
0–100
Bepaalt bij welke frequentie het wah-effect in werking treedt.
Level (Level)
0–100
Bepaalt het volume van het wah-geluid.
Peak (Peak)
0–100
Bepaalt hoe sterk het wah-effect wordt toegepast rondom de frequentie.
Sens (Sense)
0–100
Normaal is dit “0.” Bepaalt de gevoeligheid voor veranderingen in het input- volume om het wah-effect toe te passen aan de hand van deze veranderingen.
Rate (Rate)
0.1–10.0 Hz
Bepaalt de snelheid voor de cyclische modulatie van het waheffect.
Depth (Depth)
0–100
Bepaalt de diepte voor de cyclische modulatie van het wah-effect.
Mdl (Guitar Amplifier Simulator): Simuleert een gitaarversterker.
40
Sw (Switch)
On, Off
Zet de guitar amplifier simulator aan of uit.
Mode (Mode)
Zie kader op de vorige pagina.
Type van gitaarversterker.
Overzicht van de Algoritmes
Flg (Flanger):
Een effect dat lijkt op het geluid van een overvliegende jet.
Sw (Switch)
On, Off
Zet de flanger aan of uit.
Rate (Rate)
0.1–10.0 Hz
Bepaalt de modulatiesnelheid voor de flanger.
Depth (Depth)
0–100
Bepaalt de modulatiediepte voor de flanger.
Manual (Manual)
0–100
Bepaalt de centrale frequentie waarop het flanger effect wordt toegepast.
Reso (Resonance)
0–100
Versterkt de frequentiecomponenten rondom de centrale frequentie die u met Manual instelde.
Dly (Delay):Voegt een vertraagd geluid bij het directe geluid, voor een diepere klank of speciale effecten. Sw (Switch)
On, Off
Zet de delay aan of uit.
Time (Delay Time)
0–1000 ms
Bepaalt de tijd vanaf het directe geluid tot wanneer het delay-geluid te horen is.* *1
Shft (Shift)
L1000–0–R1000 ms
Bepaalt het verschil in delay time tussen het linker en rechter delay-geluid.
FBTim (Feedback Delay Time)
0–1000 ms
Bepaalt de herhalingscyclus van de feedback.
FBLvl (Feedback Level)
-100–100
Bepaalt de hoeveelheid delay-geluid die teruggestuurd wordt naar de delay input.
FX Lvl (Effect Level)
-100–100
Bepaalt het volume van het delay-geluid.
DirLvl (Direct Level)
-100–100
Bepaalt het volume van het directe geluid.
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Overzicht van de Algoritmes
41
Overzicht van de Algoritmes
Vocal Multi 'LWLVHHQPXOWLHIIHFWYRRUVWHPPHQ fig.08-30
Input L Noise Suppressor
Output L Limiter/ De-esser
Enhancer
3BAND EQ
Pitch Shifter
Delay
Chorus Output R
Input R
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Parameter (volledige naam) NS (Noise Suppressor):
Functie
Onderdrukt ruis.
Sw (Switch)
On, Off
Zet de noise suppressor aan of uit.
Thresh (Threshold)
0–100
Bepaalt vanaf welk level de ruisonderdrukking begint.
Release (Release)
0–100
Bepaalt de tijd waarin het volume naar 0 zakt, nadat de ruisonderdrukking begonnen is.
Lmt (Limiter / De-esser):
Onderdrukt sterke signalen om vervorming tegen te gaan / Onderdrukt de storende s-consonant.
Sw (Switch)
On, Off
Zet de limiter/de-esser aan of uit.
Mode (Mode)
Limiter, De-esser
Kiest tussen limiter en de-esser.
Thresh (Limiter Threshold)
0–100
Bepaalt bij welk volume de onderdrukking van de vervorming begint.
Release (Limiter Release)
0–100
Bepaalt na hoeveel tijd de limiter wordt uitgeschakeld nadat het input level onder de limiter Threshold (Thresh) gezakt is.
Level (Limiter Level)
0–100
Bepaalt het volume van het limiter-geluid.
ENH (Enhancer): Sw (Switch)
42
Instelling
Accentueert het geluid en plaatst het op de voorgrond. On, Off
Zet de enhancer aan of uit.
Sens (Sense)
0–100
Bepaalt de sterkte van het enhancer-effect.
Freq (Frequency)
1.0–10.0 kHz
Bepaalt bij welke frequentie het enhancer-effect in werking treedt.
MixLvl (Mix Level)
0–100
Bepaalt de hoeveelheid enhancer-geluid die in het directe geluid gemixt wordt.
Level (Level)
0–100
Bepaalt het volume van het enhancer-geluid.
Overzicht van de Algoritmes
EQ (Equalizer) Sw (Switch)
On, Off
Zet de equalizer aan of uit.
Low Type
Shlv, Peak
Bepaalt het type van equalizer voor de lage frequentieband (Shelving-type of peaking-type).
Low Gain
-12– +12 dB
Bepaalt de hoeveelheid boost/cut in de lage frequentieband.
Low Freq (Low Frequency)
20 - 2000 Hz
Bepaalt de centrale frequentie in de lage frequentieband.
Low Q
0.3–10.0
Bepaalt de breedte van het gebied rond de lage frequentie dat beïnvloed wordt door de gain-instellingen.1 *1
Mid Gain (Middle Gain)
-12– +12 dB
Bepaalt de hoeveelheid boost/cut in de middenband.
Mid Freq (Middle Frequency)
200–8000 Hz
Bepaalt de centrale frequentie in de middenband.
Mid Q (Middle Q)
0.3–10.0
Bepaalt de breedte van het gebied rond de middelste frequentie dat beïnvloed wordt door de gain-instellingen.
Hi Type (High Type)
Shlv, Peak
Bepaalt het type van equalizer voor de hoge frequentieband (shelving-type of peaking-type).
High Gain
-12– +12 dB
Bepaalt de hoeveelheid boost/cut in de hoge frequentieband.
High Freq (High Frequency)
1.4–20.0 kHz
Bepaalt de centrale frequentie in de hoge frequentieband.
High Q
0.3–10.0
Bepaalt de breedte van het gebied rond de hoge frequentie dat beïnvloed wordt door de gain-instellingen.1 *1
Level (Output Level)
0–100
Bepaalt het volume van het signaal na de equalizer.
Pshift (Pitch Shifter):
Verschuift de toonhoogte.
Sw (Switch)
On, Off
Zet de pitch shifter aan of uit.
Chromatic Pitch
-12–12
Toonhoogteverandering (per halve toon)
Fine Pitch
-100–100
Toonhoogteverandering (per cent)
FX Lvl (Effect Level)
-100–100
Bepaalt het volume van het pitch shift-geluid.
DirLvl (Direct Level)
-100–100
Bepaalt het volume van het directe geluid.
Dly (Delay):Voegt een vertraagd geluid bij het directe geluid, voor een diepere klank of speciale effecten. On, Off
Zet de delay aan of uit.
Time (Delay Time)
0–1000 ms
Bepaalt de tijd vanaf het directe geluid tot wanneer het delay-geluid te horen is.
FBLvl (Feedback Level)
-100–100
Bepaalt de hoeveelheid delay-geluid die teruggestuurd wordt naar de delay input.
FX Lvl (Effect Level)
-100–100
Bepaalt het volume van het delay-geluid.
DirLvl (Direct Level)
-100–100
Bepaalt het volume van het directe geluid.
Cho (Chorus): Sw (Switch)
Overzicht van de Algoritmes
Sw (Switch)
Laat het geluid ruimer en dikker klinken. On, Off
Zet de chorus aan of uit.
Rate (Rate)
0.1–10.0 Hz
Bepaalt de modulatiesnelheid.
Depth (Depth)
0–100
Bepaalt de modulatiediepte.
FX Lvl (Effect Level)
-100–100
Bepaalt het volume van het chorus-geluid.
DirLvl (Direct Level)
-100–100
Bepaalt het volume van het directe geluid.
PreDLY (Pre-Delay)
0–50 ms
Bepaalt het tijdsinterval van wanneer het directe geluid begint tot het verwerkte geluid te horen is.
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43
Overzicht van de Algoritmes
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Input L Output L Noise Suppressor
Over Drive
Rotary Speaker Output R
Input R
Parameter (volledige naam) NS (Noise Suppressor):
Instelling
Functie
Onderdrukt ruis.
Sw (Switch)
On, Off
Zet de noise suppressor aan of uit.
Thresh (Threshold)
0–100
Bepaalt vanaf welk level de ruisonderdrukking begint.
Release (Release)
0–100
Bepaalt de tijd waarin het volume naar 0 zakt, nadat de ruisonderdrukking begonnen is.
Ovd (Overdrive):
Vervormt het geluid.
Sw (Switch)
On, Off
Zet de overdrive aan of uit.
Gain (Gain)
0–100
Bepaalt de sterkte (graad) van de vervorming.
Level (Level)
0–100
Bepaalt het volume van het overdrive-geluid.
Rot (Rotary Speaker):
Simuleert een rotary speaker.
LRate (Low Rate)
0.1–10.0 Hz
Bepaalt de rotary-frequentie van de rotor voor de lage frequentieband.
HRate (High Rate)
0.1–10.0 Hz
Bepaalt de rotary-frequentie van de rotor voor de hoge frequentieband.
Guitar Amp Modeling (Guitar Amplifier Modeling) 6LPXOHHUWHHQJLWDDUYHUVWHUNHU fig.08-34
Input L Output L Noise Suppressor
G-Amp
Speaker Modeling Output R
Input R
44
Overzicht van de Algoritmes
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Overzicht van de Algoritmes
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45
Overzicht van de Algoritmes
Parameter (volledige naam) NS (Noise Suppressor):
Instelling
Functie
Onderdrukt ruis.
Sw (Switch)
On, Off
Zet de noise suppressor aan of uit.
Thresh (Threshold)
0–100
Bepaalt vanaf welk level de ruisonderdrukking begint.
Release (Release)
0–100
Bepaalt de tijd waarin het volume naar 0 zakt, nadat de ruisonderdrukking begonnen is.
AMP (Pre-Amplifier):
Simuleert het voorversterker-gedeelte van een gitaarversterker.
Sw (Switch)
On, Off
Amp Type (Pre-amplifier type)
Zie kader op de vorige pagina.
Volume (Volume)
0–100
Bepaalt het volume en de vervormingsgraad van de versterker.
Master (Master)
0–100
Bepaalt het volume van de hele voorversterker.
Gain (Gain)
Low, Middle, High
Bepaalt de vervormingsgraad van de voorversterker.
Bass (Bass)
0–100
Regelt de toon voor het lage frequentiegebied.
Middle (Middle)
0–100
Regelt de toon voor het middengebied.
Treble (Treble)
0–100
Regelt de toon voor het hoge frequentiegebied.
Presence (Presence)
0–100 (-100–0)
Regelt de toon voor het ultra-hoge frequentiegebied.
*3
Bright (Bright)
On, Off
Dit kan u aanzetten voor een scherp, helder geluid.
*1
SP (Speaker Simulator):
Zet de compressor aan of uit. Bepaalt het type van gitaarversterker.
*2
Simuleert een luidspreker.
Sw (Switch)
On, Off
Sp Type (Speaker Type)
Zie kader op de vorige pagina.
Zet de speaker simulator aan of uit.
Mic Setting (Microphone Setting)
1, 2, 3
Bepaalt de plaats van de microfoon die het geluid van de luidspreker opneemt. Dit is regelbaar in drie stappen, waarbij de microfoon verder van de luidspreker staat naargelang u 1, 2 of 3.
MicLvl (Microphone Level)
0–100
Bepaalt het microfoonvolume.
DirLvl (Direct Level)
0–100
Bepaalt het volume van het directe geluid.
Bepaalt het luidsprekertype.
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46
Overzicht van de Algoritmes
St Phaser (Stereo Phaser) (HQSKDVHUYRHJWHHQJHOXLGPHWYHUVFKRYHQIDVHWRHDDQKHWGLUHFWHJHOXLGHQZHNWDOGXVHHQGUDDLHQGH PRGXODWLHRSGLHKHWJHOXLGUXLPHUHQGLHSHUODDWNOLQNHQ fig.08-36
Input L
Output L Phaser L
3BAND EQ
Phaser R
3BAND EQ
Input R
Output R
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Parameter (volledige naam) Phs (Phaser):
Instelling
Functie
Voegt een geluid met verschoven fase bij het directe geluid voor een ruimere klank.
Sw (Switch)
On, Off
Zet de phaser aan of uit.
Mode (Mode)
4, 8, 12, 16
Bepaalt het aantal trappen voor de phaser (p. 74).
Rate (Rate)
0.1–10.0 Hz
Bepaalt de modulatiesnelheid van de phaser.
Depth (Depth)
0–100
Bepaalt de modulatiediepte.
Pol (Polarity)
Sync, Inv
Bepaalt de rechter- en linkerfase van de modulatie.
Manual (Manual)
0–100
Bepaalt de referentiefrequentie voor de toevoeging van het golf-effect aan het geluid.
Reso (Resonance)
0–100
Versterkt frequentiecomponenten rondom de centrale frequentie die u met Manual instelde. *1
CrossFBLvl (Cross-Feedback Level)
0–100
Bepaalt de hoeveelheid phaser-geluid die naar het tegenovergestelde kanaal van de input wordt gestuurd. *2
-100–100
Bepaalt het volume van het phaser-geluid.
DirLvl (Direct Level)
-100–100
Bepaalt het volume van het directe geluid.
Continued...
47
Overzicht van de Algoritmes
FX Lvl (Effect Level).
*3
Overzicht van de Algoritmes
EQ (Equalizer) Sw (Switch)
On, Off
Zet de equalizer aan of uit.
Low Type
Shlv, Peak
Bepaalt het type van equalizer voor de lage frequentieband (Shelving-type of peaking-type).
Low Gain
-12– +12 dB
Bepaalt de hoeveelheid boost/cut in de lage frequentieband.
Low Freq (Low Frequency)
20 - 2000 Hz
Bepaalt de centrale frequentie in de lage frequentieband.
Low Q
0.3–10.0
Bepaalt de breedte van het gebied rond de lage frequentie dat beïnvloed wordt door de gain-instellingen.1 *4
Mid Gain (Middle Gain)
-12– +12 dB
Bepaalt de hoeveelheid boost/cut in de middenband.
Mid Freq (Middle Frequency)
200–8000 Hz
Bepaalt de centrale frequentie in de middenband.
Mid Q (Middle Q)
0.3–10.0
Bepaalt de breedte van het gebied rond de middelste frequentie dat beïnvloed wordt door de gain-instellingen.
Hi Type (High Type)
Shlv, Peak
Bepaalt het type van equalizer voor de hoge frequentieband (shelving-type of peaking-type).
High Gain
-12– +12 dB
Bepaalt de hoeveelheid boost/cut in de hoge frequentieband.
High Freq (High Frequency)
1.4–20.0 kHz
Bepaalt de centrale frequentie in de hoge frequentieband.
High Q
0.3–10.0
Bepaalt de breedte van het gebied rond de hoge frequentie dat beïnvloed wordt door de gain-instellingen.1 *4
Level (Output Level)
0–100
Bepaalt het volume van het signaal na de equalizer.
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Stereo Flanger fig.08-38Parameter (full name)SettingFunction
Input L
Input R
48
Output L Flanger L
3BAND EQ
Flanger R
3BAND EQ Output R
Overzicht van de Algoritmes
Flg (Flanger):
Een effect dat lijkt op het geluid van een overvliegende jet.
Sw (Switch)
On, Off
Zet de flanger aan of uit.
Rate (Rate)
0.1–10.0 Hz
Bepaalt de modulatiesnelheid voor de flanger.
Depth (Depth)
0–100
Bepaalt de modulatiediepte voor de flanger.
Pol (Polarity)
Sync, Inv
Bepaalt de rechter- en linkerfase van de modulatie.
Manual (Manual)
0–100
Bepaalt de centrale frequentie waarop het flanger effect wordt toegepast.
*3
Reso (Resonance)
0–100
Versterkt de frequentiecomponenten rondom de centrale frequentie die u met Manual instelde. *1
CrossFBLvl (Cross-Feedback Level)
0–100
Bepaalt de hoeveelheid flanger-geluid die naar het tegenovergestelde kanaal van de input wordt gestuurd. *2
FX Lvl (Effect Level).
-100–100
Bepaalt het volume van het flanger-geluid.
DirLvl (Direct Level)
-100–100
Bepaalt het volume van het directe geluid.
Sw (Switch)
On, Off
Zet de equalizer aan of uit.
Low Type
Shlv, Peak
Bepaalt het type van equalizer voor de lage frequentieband (Shelving-type of peaking-type).
Low Gain
-12– +12 dB
Bepaalt de hoeveelheid boost/cut in de lage frequentieband.
Low Freq (Low Frequency)
20 - 2000 Hz
Bepaalt de centrale frequentie in de lage frequentieband.
Low Q
0.3–10.0
Bepaalt de breedte van het gebied rond de lage frequentie dat beïnvloed wordt door de gain-instellingen.1 *4
EQ (Equalizer)
Mid Gain (Middle Gain)
-12– +12 dB
Bepaalt de hoeveelheid boost/cut in de middenband.
Mid Freq (Middle Frequency)
200–8000 Hz
Bepaalt de centrale frequentie in de middenband.
Mid Q (Middle Q)
0.3–10.0
Bepaalt de breedte van het gebied rond de middelste frequentie dat beïnvloed wordt door de gain-instellingen.
Hi Type (High Type)
Shlv, Peak
Bepaalt het type van equalizer voor de hoge frequentieband (shelving-type of peaking-type).
High Gain
-12– +12 dB
Bepaalt de hoeveelheid boost/cut in de hoge frequentieband.
High Freq (High Frequency)
1.4–20.0 kHz
Bepaalt de centrale frequentie in de hoge frequentieband.
High Q
0.3–10.0
Bepaalt de breedte van het gebied rond de hoge frequentie dat beïnvloed wordt door de gain-instellingen.1 *4
Level (Output Level)
0–100
Bepaalt het volume van het signaal na de equalizer.
Overzicht van de Algoritmes
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49
Overzicht van de Algoritmes
Dual Compressor/Limiter &RPSUHVVRUVRQGHUGUXNNHQVLJQDDOSLHNHQ(HQ/LPLWHUGLHQWRPHHQRYHUGUHYHQJURWHLQSXWWHJHQWHJDDQ%HLGH ZRUGHQ]HJHEUXLNWRPYHUYRUPLQJYDQKHWJHOXLGWHYRRUNRPHQHQRPGHG\QDPLHNWHFRQWUROHUHQ fig.08-40
Output L
Input A Compressor/Limiter A
Noise Suppressor A
Detector in
Detector in
Detector in
Detector in
Compressor/Limiter B
Noise Suppressor B
Input B
Output R
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Verschil tussen Compressor en Limiter (HQ&RPSUHVVRUHQHHQ/LPLWHUZHUNHQRQJHYHHURSGH]HOIGHPDQLHU%HLGHFRPSULPHUHQ]HKHWJHKHOHRXWSXW VLJQDDOZDQQHHUGHLQSXWVLJQDOHQHHQEHSDDOGOHYHO WKUHVKROGOHYHO RYHUVFKULMGHQQDDUJHODQJKHWLQSXWOHYHO (HQ&RPSUHVVRUYHUNOHLQWDXWRPDWLVFKGHDPSOLWXGHHQRQGHUGUXNWDOOHOHYHOVLQKHWJHGHHOWHZDDUHU RYHUVFKULMGLQJLV(HQ/LPLWHURQGHUGUXNWHQNHOKHWKRRJVWHOHYHOYDQGHLQSXWVLJQDOHQ
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50
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Overzicht van de Algoritmes
Parameter (volledige naam)
Instelling
Functie
CmpA, CmpB (Compressor):
Comprimeert het gehele output-signaal wanneer het input-volume een bepaalde waarde overschrijdt.
Limiter:
Onderdrukt het volume van het gedeelte waarin het input-volume een bepaalde waarde heeft overschreden. Sw (Switch)
On, Off
Zet de compressor/limiter aan of uit.
Detect (Detect In)
A, B, Link
Selecteert Input A of B voor de aansturing van de compressor/limiter. Stel hier “Link” in voor aansturing aan de hand van de input bij een hoger level.
Level (Output Level)
-60–12 dB
Bepaalt het volume van het compressor/limiter-geluid.
Thrsh (Threshold Level)
-60 - 0 dB
Bepaalt bij welk level de compressor/limiter in werking treedt.
Attack (Attack Time)
0–100
Bepaalt het tijdsinterval tussen het moment dat het input level de drempelwaarde (threshold level) overschrijdt en het moment dat het effect in werking treedt.
Release (Release Time)
0–100
Bepaalt hoelang het effect nog blijft werken nadat het input level weer onder het threshold level is gezakt.
Ratio (Ratio)
1.5:1, 2:1, 4:1, 100:1
Bepaalt welke compressieverhouding er wordt toegepast wanneer het threshold level (Thresh) overschreden wordt.
Noise Suppressor:
Onderdrukt ruis.
Sw (Switch)
On, Off
Zet de noise suppressor aan of uit.
Detect (Detect In)
A, B, Link
Selecteert de input (Input A/Input B) die de Noise Suppressor aanstuurt. Stel dit in op “Link” voor aansturing aan de hand van de input bij een hoger level.
Thresh (Threshold)
0–100
Bepaalt vanaf welk level de ruisonderdrukking begint.
Release (Release)
0–100
Bepaalt de tijd waarin het volume naar 0 zakt, nadat de ruisonderdrukking begonnen is.
Overzicht van de Algoritmes
51
Overzicht van de Algoritmes
Gate Reverb 'LWLVHHQUHYHUEZDDUELMGHJDOPZRUGWXLWJHVFKDNHOGWHUZLMOKLMZHJVWHUIW$OVXGHUHYHUVHPRGHJHEUXLNWLQ FRPELQDWLHPHW$FFHQWJHOXLGHQNDQXJHOXLGHQYHUNULMJHQ]RDOVGDWYDQHHQFDVVHWWHGLHDFKWHUXLWZRUGW DIJHVSHHOG fig.08-42
Input L
Output L
Direct Level 3BAND EQ
Gate Reverb
3BAND EQ Input R
Direct Level
Output R
Gate Reverb fig.08-43e Level Direct geluid (DirLvl) Accentgeluid
Reverb-geluid
Reverb Level (EfxLvl)
Accent Level (AcLvl)
Tijd Gate Time (Time) Pre Delay (PreDLY)
Accent Delay Time (AcDLY)
Toepassingen van de Reverb 8NDQNLH]HQKRHGHUHYHUEJHOXLGHQWRHJHSDVWZRUGHQGRRUGH*DWH0RGH 0RGH LQWHVWHOOHQ 1RUPDO /!5 5!/ 5HYHUVH 5HYHUVH
52
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Overzicht van de Algoritmes
Parameter (volledige naam) GRev (Gate Reverb):
Instelling
Functie
Schakelt het reverb-geluid halverwege uit.
Sw (Switch)
On, Off
Zet de gate reverb aan of uit.
Time (Gate Time)
10–400 s
Bepaalt de tijd van wanneer het reverb-geluid begint tot het uitgeschakeld wordt.
PreDLY (Pre-Delay)
0–300 ms
Bepaalt na hoeveel tijd het reverb-geluid verschijnt.
Mode (Gate Mode)
Zie kader op de vorige pagina.
Definieert hoe het reverb-geluid toegepast wordt.
FX Lvl (Effect Level).
-100–100
Bepaalt het volume van het gate reverb-geluid.
DirLvl (Direct Level)
-100–100
Bepaalt het volume van het directe geluid.
Thick (Thickness)
0–100
Bepaalt de dikte van het reverb-geluid.
Densty (Density)
0–100
Bepaalt de densiteit van het reverb-geluid.
AcDLY (Accent Delay Time)
0–200 ms
Bepaalt het tijdsinterval van wanneer het reverb-geluid uitgeschakeld wordt totdat het accent-geluid te horen is.
AcLvl (Accent Level)
0–100
Bepaalt het volume van het accent-geluid.
AcPan (Accent Pan)
L63–R63
Bepaalt de panning van het accent-geluid.
EQ (Equalizer) On, Off
Zet de equalizer aan of uit.
Low Type
Shlv, Peak
Bepaalt het type van equalizer voor de lage frequentieband (Shelving-type of peaking-type).
Low Gain
-12– +12 dB
Bepaalt de hoeveelheid boost/cut in de lage frequentieband.
Low Freq (Low Frequency)
20 - 2000 Hz
Bepaalt de centrale frequentie in de lage frequentieband.
Low Q
0.3–10.0
Bepaalt de breedte van het gebied rond de lage frequentie dat beïnvloed wordt door de gain-instellingen.1 *1
Mid Gain (Middle Gain)
-12– +12 dB
Bepaalt de hoeveelheid boost/cut in de middenband.
Mid Freq (Middle Frequency)
200–8000 Hz
Bepaalt de centrale frequentie in de middenband.
Mid Q (Middle Q)
0.3–10.0
Bepaalt de breedte van het gebied rond de middelste frequentie dat beïnvloed wordt door de gain-instellingen.
Hi Type (High Type)
Shlv, Peak
Bepaalt het type van equalizer voor de hoge frequentieband (shelving-type of peaking-type).
High Gain
-12– +12 dB
Bepaalt de hoeveelheid boost/cut in de hoge frequentieband.
High Freq (High Frequency)
1.4–20.0 kHz
Bepaalt de centrale frequentie in de hoge frequentieband.
High Q
0.3–10.0
Bepaalt de breedte van het gebied rond de hoge frequentie dat beïnvloed wordt door de gain-instellingen.1 *1
Level (Output Level)
0–100
Bepaalt het volume van het signaal na de equalizer.
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53
Overzicht van de Algoritmes
Sw (Switch)
Overzicht van de Algoritmes
Multi-Tap Delay 'LWLVHHQ'HOD\GLHPHWRQDIKDQNHOLMNHYHUWUDJLQJVOLMQHQNDQZHUNHQ fig.08-45
Output L
Diret Level
Input L
3BAND EQ
Pan 1 Pan 2
Pan 10 Multi Tap Delay
Feedback Level 3BAND EQ Input R
Parameter (volledige naam) MTD (Multi-Tap Delay):
54
Output R
Diret Level
Instelling
Functie
Geeft tien afzonderlijke delay-signalen.
Time Ch1 - Ch10 (Delay Time 1 - 10)
0–1200 ms
Bepaalt het tijdsinterval vanaf het directe geluid tot wanneer het delay-geluid voor de kanalen 1–10 te horen is.
Level Ch1 - Ch10 (Delay Level 1 - 10)
0–100
Bepaalt de volumes van de delay-geluiden voor de kanalen 1–10.
Pan Ch1 - Ch10 (Pan 1 - 10)
L63–R63
Bepaalt de panning van de delay-geluiden voor de kanalen 1–10.
FB Tim (Feedback Delay Time)
0–1200 ms
Bepaalt de herhalingsfrequentie voor feedback.
FBLvl (Feedback Level)
-100–100
Bepaalt de hoeveelheid delay-geluid die wordt teruggestuurd naar de delay input.
FX Lvl (Effect Level).
-100–100
Bepaalt het volume van het delay-geluid.
DirLvl (Direct Level)
-100–100
Bepaalt het volume van het directe geluid.
Overzicht van de Algoritmes
EQ (Equalizer) Sw (Switch)
On, Off
Zet de equalizer aan of uit.
Low Type
Shlv, Peak
Bepaalt het type van equalizer voor de lage frequentieband (Shelving-type of peaking-type).
Low Gain
-12– +12 dB
Bepaalt de hoeveelheid boost/cut in de lage frequentieband.
Low Freq (Low Frequency)
20 - 2000 Hz
Bepaalt de centrale frequentie in de lage frequentieband.
Low Q
0.3–10.0
Bepaalt de breedte van het gebied rond de lage frequentie dat beïnvloed wordt door de gain-instellingen.1 *1
Mid Gain (Middle Gain)
-12– +12 dB
Bepaalt de hoeveelheid boost/cut in de middenband.
Mid Freq (Middle Frequency)
200–8000 Hz
Bepaalt de centrale frequentie in de middenband.
Mid Q (Middle Q)
0.3–10.0
Bepaalt de breedte van het gebied rond de middelste frequentie dat beïnvloed wordt door de gain-instellingen.
Hi Type (High Type)
Shlv, Peak
Bepaalt het type van equalizer voor de hoge frequentieband (shelving-type of peaking-type).
High Gain
-12– +12 dB
Bepaalt de hoeveelheid boost/cut in de hoge frequentieband.
High Freq (High Frequency)
1.4–20.0 kHz
Bepaalt de centrale frequentie in de hoge frequentieband.
High Q
0.3–10.0
Bepaalt de breedte van het gebied rond de hoge frequentie dat beïnvloed wordt door de gain-instellingen.1 *1
Level (Output Level)
0–100
Bepaalt het volume van het signaal na de equalizer.
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Overzicht van de Algoritmes
55
Overzicht van de Algoritmes
Stereo Multi fig.08-47
Input L
Input R
Compressor/ Limiter
Enhancer
3BAND EQ
Noise Suppressor
Compressor/ Limiter
Enhancer
3BAND EQ
Parameter (volledige naam) NS (Noise Suppressor):
Output L
Noise Suppressor
Instelling
Output R
Functie
Onderdrukt ruis.
Sw (Switch)
On, Off
Zet de noise suppressor aan of uit.
Thresh (Threshold)
0–100
Bepaalt vanaf welk level de ruisonderdrukking begint.
Release (Release)
0–100
Bepaalt de tijd waarin het volume naar 0 zakt, nadat de ruisonderdrukking begonnen is.
Cmp (Compressor/Limiter): Comprimeert het gehele output-signaal wanneer het input-volume een bepaalde waarde overschrijdt. Sw (Switch)
On, Off
Zet de compressor/limiter aan of uit.
Level (Output Level)
-60–12 dB
Bepaalt het volume van het compressor/limiter-geluid.
Thrsh (Threshold Level)
-60 - 0 dB
Bepaalt bij welk level de compressor/limiter in werking treedt.
Attack (Attack Time)
0–100
Bepaalt het tijdsinterval tussen het moment dat het input level de drempelwaarde (threshold level) overschrijdt en het moment dat het effect in werking treedt.
Release (Release Time)
0–100
Bepaalt hoelang het effect nog blijft werken nadat het input level weer onder het threshold level is gezakt.
Ratio (Ratio)
1.5:1, 2:1, 4:1, 100:1
Bepaalt welke compressieverhouding er wordt toegepast wanneer het threshold level (Thresh) overschreden wordt.
Enh (Enhancer):
56
Accentueert het geluid en plaatst het op de voorgrond.
Sw (Switch)
On, Off
Zet de enhancer aan of uit.
Sens (Sense)
0–100
Bepaalt de sterkte van het enhancer-effect.
Freq (Frequency)
1.0–10.0 kHz
Bepaalt bij welke frequentie het enhancer-effect in werking treedt.
MixLvl (Mix Level)
0–100
Bepaalt de hoeveelheid enhancer-geluid die in het directe geluid gemixt wordt.
Level (Level)
0–100
Bepaalt het volume van het enhancer-geluid.
Overzicht van de Algoritmes
EQ (Equalizer) Sw (Switch)
On, Off
Zet de equalizer aan of uit.
Low Type
Shlv, Peak
Bepaalt het type van equalizer voor de lage frequentieband (Shelving-type of peaking-type).
Low Gain
-12– +12 dB
Bepaalt de hoeveelheid boost/cut in de lage frequentieband.
Low Freq (Low Frequency)
20 - 2000 Hz
Bepaalt de centrale frequentie in de lage frequentieband.
Low Q
0.3–10.0
Bepaalt de breedte van het gebied rond de lage frequentie dat beïnvloed wordt door de gain-instellingen.1 *1
Mid Gain (Middle Gain)
-12– +12 dB
Bepaalt de hoeveelheid boost/cut in de middenband.
Mid Freq (Middle Frequency)
200–8000 Hz
Bepaalt de centrale frequentie in de middenband.
Mid Q (Middle Q)
0.3–10.0
Bepaalt de breedte van het gebied rond de middelste frequentie dat beïnvloed wordt door de gain-instellingen.
Hi Type (High Type)
Shlv, Peak
Bepaalt het type van equalizer voor de hoge frequentieband (shelving-type of peaking-type).
High Gain
-12– +12 dB
Bepaalt de hoeveelheid boost/cut in de hoge frequentieband.
High Freq (High Frequency)
1.4–20.0 kHz
Bepaalt de centrale frequentie in de hoge frequentieband.
High Q
0.3–10.0
Bepaalt de breedte van het gebied rond de hoge frequentie dat beïnvloed wordt door de gain-instellingen.1 *1
Level (Output Level)
0–100
Bepaalt het volume van het signaal na de equalizer.
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Overzicht van de Algoritmes
57
Overzicht van de Algoritmes
Reverb 2 'H]HJDWHUHYHUENDQRSWZHHPDQLHUHQZHUNHQ *DWH'XFNLQJ ,QGH*DWHPRGHJDDWGHJDWHRSHQZDQQHHU HHQEHSDDOGYROXPH 7KUHVKROG/HYHO RYHUVFKUHGHQZRUGWWHUZLMOLQGH'XFNLQJPRGHGHJDWHRSHQJDDW ZDQQHHUKHWYROXPHWRWRSRIRQGHUKHW7KUHVKROG/HYHO]DNW8NDQWZHHUHYHUEV );HQ); PHWYHUVFKLOOHQGH LQVWHOOLQJHQJHEUXLNHQRILQFRPELQDWLHPHWHHQYRULJHUHYHUE fig.08-49
Input L
Direct Level
Output L 3BAND EQ
Reverb 2
3BAND EQ Input R
Direct Level
Output R
Reverb-types (U]LMQYLMIUHYHUEW\SHV +HWW\SHNLHVWXPHW5HYHUE7\SH 5RRP 5RRP +DOO +DOO 3ODWH
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58
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Overzicht van de Algoritmes
Parameter (volledige naam) Rev 2 (Reverb 2):
Instelling
Functie
Gate reverb die op twee manieren kan werken
Sw (Switch)
On, Off
Zet de reverb aan of uit.
Type (Reverb Type)
Zie kader op de vorige pagina.
Bepaalt het reverb-type.
Time (Reverb Time)
0.1–10.0 sec.
Bepaalt de (tijds)duur van het reverb-geluid.
PreDLY (Pre-Delay)
0–200 ms
Bepaalt na hoeveel tijd het reverb-geluid wordt uitgestuurd.
Densty (Density)
0–100
Bepaalt de densiteit van het reverb-geluid.
HPF (High Pass Filter)
Thru, 20 - 2000 Hz
Bepaalt bij welke frequentie de HPF in werking treedt. Stel hier “Thru” in om de HPF uit te schakelen.
LPF (Low Pass Filter)
1.0–20.0 kHz, Thru
Bepaalt bij welke frequentie de LPF in werking treedt. Stel hier “Thru” in om de LPF uit te schakelen.
FX Lvl (Effect Level).
0–100
Bepaalt het volume van het reverb-geluid.
DirLvl (Direct Level)
0–100
Bepaalt het volume van het directe geluid.
Gate (Gate)
On, Off
Opent of sluit de gate.
Mode (Gate Mode)
Gate, Duckn
Bepaalt de werking van de gate.
Thresh (Threshold)
0–100
Bepaalt bij welk volume de gate geopend of gesloten moet worden.
Attack (Attack)
1–100
Bepaalt het tijdsinterval tussen het moment dat het level van het directe geluid het threshold level overschrijdt en het moment dat de gate volledig open is.
Release (Release)
1–100
Bepaalt hoelang het duurt om het geluid volledig uit te schakelen nadat de Hold Time verstreken is.
HoldT (Hold Time)
1–100
Bepaalt het tijdsinterval vanaf het moment dat de input weer onder het threshold level zakt tot wanneer de release begint.
EQ (Equalizer) On, Off
Zet de equalizer aan of uit.
Low Type
Shlv, Peak
Bepaalt het type van equalizer voor de lage frequentieband (Shelving-type of peaking-type).
Low Gain
-12– +12 dB
Bepaalt de hoeveelheid boost/cut in de lage frequentieband.
Low Freq (Low Frequency)
20 - 2000 Hz
Bepaalt de centrale frequentie in de lage frequentieband.
Low Q
0.3–10.0
Bepaalt de breedte van het gebied rond de lage frequentie dat beïnvloed wordt door de gain-instellingen.1 *1
Mid Gain (Middle Gain)
-12– +12 dB
Bepaalt de hoeveelheid boost/cut in de middenband.
Mid Freq (Middle Frequency)
200–8000 Hz
Bepaalt de centrale frequentie in de middenband.
Mid Q (Middle Q)
0.3–10.0
Bepaalt de breedte van het gebied rond de middelste frequentie dat beïnvloed wordt door de gain-instellingen.
Hi Type (High Type)
Shlv, Peak
Bepaalt het type van equalizer voor de hoge frequentieband (shelving-type of peaking-type).
High Gain
-12– +12 dB
Bepaalt de hoeveelheid boost/cut in de hoge frequentieband.
High Freq (High Frequency)
1.4–20.0 kHz
Bepaalt de centrale frequentie in de hoge frequentieband.
High Q
0.3–10.0
Bepaalt de breedte van het gebied rond de hoge frequentie dat beïnvloed wordt door de gain-instellingen.1 *1
Level (Output Level)
0–100
Bepaalt het volume van het signaal na de equalizer.
Overzicht van de Algoritmes
Sw (Switch)
$OV/RZ7\SH /R7\SH RI+LJK7\SH +L7\SH LQJHVWHOGVWDDWRS´6KHOY 6KHOYLQJ7\SH µGDQLVGHLQVWHOOLQJ YRRU/R4RI+LJK4RQJHOGLJ
59
Overzicht van de Algoritmes
Space Chorus 'LWLVHHQFKRUXVHIIHFWGDWGH5RODQG6''VLPXOHHUW+HWWHZLM]LJHQHIIHFWNDQXUHSURGXFHUHQGRRUGHYLHU NQRSSHQWRWDDQRIXLWWH]HWWHQ fig.08-51
Output L
Input L Space Chorus Input R
Output R
Parameter (volledige naam) Spcho (Space Chorus):
60
Instelling
Functie
Voegt een chorus-effect toe dat de SDD-320 simuleert.
Sw (Switch)
On, Off
Zet de space chorus aan of uit.
InMod (Input Mode)
Mono, Stereo
Specifieert of het input-signaal stereo of mono is.
Mode (Space Mode)
1, 2, 3, 4, 1+4, 2+4, 3+4
Bepaalt de chorus variation style.
MixBal (Mix Balance)
0–100
Bepaalt de volumebalans tussen het chorus-geluid en het directe geluid.
Overzicht van de Algoritmes
Lo-Fi Process (Lo-Fi Processor) +LHUPHHYHUNULMJWXHHQ´ORILµJHOXLGGRRUGHVDPSOHUDWHHQRIKHWDDQWDOELWVWHYHUODJHQ fig.08-53Parameter (full name)SettingFunction
Output L
Input L
Input R
Lo-Fi Processor
Realtime Modify Filter
Noise Suppressor
Lo-Fi Processor
Realtime Modify Filter
Noise Suppressor
Output R
“Lo-fi”-geluid creëren 9ROJGHRQGHUVWDDQGHVWDSSHQRPORILVRXQGVWHYHUNULMJHQ YRRUDOYRRUGDQFHPXVLFKLSKRSHQ'-PXVLF
Lo-fi Processor =HW3UH)LOWHUHQ3RVW)LOWHUXLW'LWJHHIWNUDFKWLJHORILVRXQGVPHWGLJLWDOHYHUYRUPLQJ 6WHO5DWHHQ%LWLQRSUHODWLHIODJHZDDUGHQ+RXHUHFKWHUUHNHQLQJPHHGDWHHQWHODJHZDDUGHYRRU%LW ]HOIVLQGHVLOHQWPRGHYHHOUXLVNDQYHURRU]DNHQ9HUKRRJLQGDWJHYDOGH7KUHVKROG 7KUHVK YDQGH 1RLVH6XSSUHVVRU
Realtime Modify Filter 9HUKRRJGHUHVRQDQWLHRPKHWJHOXLGHHQH[WUDGUDDLWHJHYHQ(HQWHKRJHUHVRQDQWLHNDQHFKWHURVFLOODWLH YHURRU]DNHQ
Lo-Fi (Lo-Fi Processor):
Creëert lo-fi sounds.
Sw (Switch)
On, Off
Zet de lo-fi processor aan of uit.
Pre Filter (Pre Filter Switch)
On, Off
Zet de filter die de digitale vervorming reduceert, aan of uit.
Rate (Rate)
Off, 1/2 - 1/32
Bepaalt de sample rate. Stel Rate in op “Off” indien u geen verandering wenst.
Bit (Bit)
Off, 15 bits - 1 bit
Bepaalt het aantal bits in de data. Stel Bit in op “Off” indien u geen verandering wenst.
Post Filter (Post Filter Switch)
On, Off
Zet de filter die de digitale vervorming te wijten aan wijzigingen van lo-fi sounds, aan of uit.
0–100
Bepaalt het volume van het lo-fi-geluid.
DirLvl (Direct Level)
0–100
Bepaalt het volume van het directe geluid.
Overzicht van de Algoritmes
FX Lvl (Effect Level).
RMF (Realtime Modify Filter): Geeft het geluid een extra draai. Sw (Switch)
On, Off
Zet de realtime modify filter aan of uit.
Type (Type)
LPF, BPF, HPF
Bepaalt het filter-type.
CutOff (Cutoff Frequency)
0–100
Bepaalt de afsnijfrequentie.
Reso (Resonance)
0–100
Versterkt de frequentiecomponenten rondom de afsnijfrequentie.
Gain (Gain)
0–24 dB
Bepaalt het volume van de realtime modify filter.
NS (Noise Suppressor):
Onderdrukt ruis.
Thresh (Threshold)
0–100
Bepaalt vanaf welk level de ruisonderdrukking begint.
Release (Release)
0–100
Bepaalt de tijd waarin het volume naar 0 zakt, nadat de ruisonderdrukking begonnen is.
61
Overzicht van de Algoritmes
ParametricEQ (4-Band Parametric Equalizer) 'LWLVHHQHTXDOL]HUZDDUELMXGHDIVQLMIUHTXHQWLHRIGHEDQGEUHHGWH 4 YULMNDQUHJHOHQ0HWGH]HHTXDOL]HUNDQ XHHQ]HHUVXEWLHOJHOXLGYHUNULMJHQ fig.08-55
Input A
Output A 4Band EQ A Link 4Band EQ B
Input B
Output B
Ruis elimineren. 'H%DQG3DUDPHWULF(TXDOL]HUNDQGHDIVQLMIUHTXHQWLHRIGHEDQGEUHHGWH 4 YULMZLM]LJHQRSYLHUSXQWHQ]LMQGH LQGHKRJHIUHTXHQWLHEDQGGHKRJHHQODJHPLGGHQEDQGHQGHODJHIUHTXHQWLHEDQG 'DQN]LMGH]HIXQFWLHNDQXSUHFLHVKHWSXQWORFDOLVHUHQZDDUGHUXLVRIURQG]DQJ]LFKYRRUGRHW2P]XONHHQSXQW WHYLQGHQNDQXEHVWHHUVWGHJDLQYHUKRJHQ]RGDWXYDULDWLHVLQKHWJHOXLGEHWHUNDQLGHQWLILFHUHQHQYHUVFKXLI GHDIVQLMIUHTXHQWLHEHHWMHELMEHHWMH)LOWHUYHUYROJHQVKHWVLJQDDOGRRU´4µWHYHUVPDOOHQ
Kanalen A en B afzonderlijk aansturen $OV/LQNDDQVWDDWNDQXGH%DQG3DUDPHWULF(TXDOL]HUYRRUEHLGHNDQDOHQWHJHOLMNHUWLMGDDQVWXUHQYLDNDQDDO %PHWGHLQVWHOOLQJHQYDQNDQDDO$=HW/LQNXLWRPGHNDQDOHQ$HQ%DI]RQGHUOLMNDDQWHVWXUHQ
Parameter (volledige naam) Lnk (Link):
Instelling
Functie
Laat kanaal B de instellingen van kanaal A volgen.
Link (Link Switch)
On, Off
Specifieert of kanaal B de instellingen van kanaal A al dan niet overneemt.
PEQ A / PEQ B (4 Band Parametric Equalizer): Parametrische equalizer met vier banden.
62
Sw (Switch)
On, Off
Zet de parametrische equalizer aan of uit.
InputG (Input Gain)
-60– +12 dB
Bepaalt het globale volume voordat het signaal door de equalizer passeert.
LowType (Low Type)
Shlv, Peak
Bepaalt het type van equalizer voor de lage frequentieband (shelving-type of peaking-type).
Low Gain (Low Gain)
-12– +12 dB
Bepaalt de hoeveelheid boost/cut in de lage frequentieband.
Low Freq (Low Frequency)
20 - 2000 Hz
Bepaalt de centrale frequentie in de lage frequentieband.
Low Q (Low Q)
0.3–10
Bepaalt de breedte van het gebied rond de lage frequentie dat beïnvloed wordt door de gain-instellingen. *1
LowMid Gain (Low Middle Gain)
-12– +12 dB
Bepaalt de hoeveelheid boost/cut in de lage middenband.
LoMid Freq (Low Middle Frequency)
200–8000 Hz
Bepaalt de centrale frequentie in de lage middenband.
LoMid Q (Low Middle Q)
0.3–10
Bepaalt de breedte van het gebied rond de lage middenfrequentie dat beïnvloed wordt door de gain-instellingen.
HiMid Gain (High Middle Gain)
-12– +12 dB
Bepaalt de hoeveelheid boost/cut in de hoge middenband.
HiMid Freq (High Middle Frequency)
200–8000 Hz
Bepaalt de centrale frequentie in de hoge middenband.
HiMid Q (High Middle Q)
0.3–10
Bepaalt de breedte van het gebied rond de hoge middenfrequentie dat beïnvloed wordt door de gain-instellingen.
Hi Type (High Type)
Shlv, Peak
Bepaalt het type van equalizer voor de hoge frequentieband (shelving-type of peaking-type).
High Gain (High Gain)
-12– +12 dB
Bepaalt de hoeveelheid boost/cut in de hoge frequentieband.
High Freq (High Frequency)
1.4–20.0 kHz
Bepaalt de centrale frequentie in de hoge frequentieband.
Overzicht van de Algoritmes
High Q (High Q)
0.3–10
Bepaalt de breedte van het gebied rond de hoge frequentie dat beïnvloed wordt door de gain-instellingen. *1
Level (Output Level)
-60– +12 dB
Bepaalt het globale volume nadat het signaal door de equalizer is gepasseerd.
$OV/RZ7\SH /R7\SH RI+LJK7\SH +L7\SH LQJHVWHOGVWDDWRS´6KHOY 6KHOYLQJ7\SH µGDQLVGHLQVWHOOLQJ YRRU/R4RI+LJK4RQJHOGLJ
Graphic EQ (10-Band Graphic Equalizer) 'H]H(TXDOL]HUEHSDDOWGHKRHYHHOKHLGERRVWFXWYRRUHONVHJPHQWYDQKHWIUHTXHQWLHEHUHLNGDWLQWLHQEDQGHQ LVRSJHVSOLWVW:DQQHHUXGH96LQHHQ3$JHEUXLNWELMHHQOLYHHYHQHPHQWNDQXPHWGH]HIXQFWLHURQG]DQJ YRRUNRPHQGRRUGHVSHFLILHNHUHVRQDQWLHIUHTXHQWLHYDQGHUXLPWHZHJWHILOWHUHQ ILJ Input A
Output A 10BAND EQ A Link 10BAND EQ B
Input B
Output B
Rondzang voorkomen %LMJHEUXLNLQHHQ3$RSHHQOLYHHYHQHPHQWYROJWXGHRQGHUVWDDQGHVWDSSHQRPURQG]DQJWHYRRUNRPHQ ,GHQWLILFHHUHHUVWGHVSHFLILHNHUHVRQDQWLHIUHTXHQWLHYDQGHUXLPWHHQRQGHUGUXNGH]HIUHTXHQWLH
Kanalen A en B afzonderlijk aansturen $OV/LQNDDQVWDDWNDQXGH%DQG*UDSKLF(TXDOL]HUYRRUEHLGHNDQDOHQWHJHOLMNHUWLMGDDQVWXUHQYLDNDQDDO% PHWGHLQVWHOOLQJHQYDQNDQDDO$ =HW/LQNXLWRPGHNDQDOHQ$HQ%DI]RQGHUOLMNDDQWHVWXUHQ
Parameter (volledige naam)
Link (Link Switch)
Functie
Laat kanaal B de instellingen van kanaal A volgen. On, Off
Specifieert of kanaal B de instellingen van kanaal A al dan niet overneemt.
GEQA / GEQB (10-Band Graphic Equalizer): Simuleert een 10-band grafische equalizer. Sw (Switch)
On, Off
Zet de grafische equalizer aan of uit.
InputG (Input Gain)
-60– +15 dB
Bepaalt het globale volume voordat het signaal door de equalizer passeert.
31.2 - 16 k (Gain)
-15– +15 dB
Bepaalt de hoeveelheid boost/cut voor de respectieve frequenties.
Level (Output Level)
-60– +15 dB
Bepaalt het globale volume nadat het signaal door de equalizer is gepasseerd.
63
Overzicht van de Algoritmes
LNK (Link):
Instelling
Overzicht van de Algoritmes
Hum Canceler (OLPLQHHUWYHUYHOHQGJHEURP fig.08-59
Input A Hum Canceler
Noise Suppressor
Hum Canceler
Noise Suppressor
Input B
Output A
Output B
Brom elimineren %URPLVHHQJHOXLGPHWHHQEHSDDOGHODJHIUHTXHQWLH%URPRQWVWDDWPHHVWDOGRRUGDWHHQGHHOYDQGHZLVVHOVWURRP LQKHWVLJQDDOWHUHFKWNRPWZDQQHHUZLVVHOVWURRPZRUGWRPJH]HWQDDUJHOLMNVWURRPLQKHWVWURRPFLUFXLW6WHO )UHTXHQF\ )UHT LQRSGHIUHTXHQWLHYDQGHVWURRPEURQ +]+] GDQNDQXEURPJHOXLGHQPHWGLH IUHTXHQWLHHQYHHOYRXGHQYDQGLHIUHTXHQWLHYHUZLMGHUHQ 0HW5DQJH/RHQ5DQJH+LNDQXGHIUHTXHQWLHEDQGYDQKHWWHYHUZLMGHUHQEURPVLJQDDOEHSDOHQ
Parameter (volledige naam) HC (Hum Canceler):
Instelling
Functie
Elimineert brom.
Sw (Switch)
On, Off
Zet de hum canceler aan of uit.
Freq (Frequency)
20.0–800.0 Hz
Bepaalt de frequentie van de te verwijderen brom.
Width (Width)
10–40%
Bepaalt de breedte van de filter die de brom verwijdert.
Depth (Depth)
0–100
Bepaalt de diepte van de filter die de brom verwijdert.
Thresh (Threshold)
0–100
Bepaalt bij welk level de brom moet worden verwijderd.
RangeLo (Range Low)
Unlimit, 20 - 2000 Hz
Bepaalt de ondergrens voor de frequentie van de te verwijderen brom
RangeHi (Range High)
1.0 - 20.0 kHz, Unlimit Bepaalt de bovengrens voor de frequentie van de te verwijderen brom.
NS (Noise Suppressor):
Onderdrukt ruis.
Sw (Switch)
On, Off
Zet de noise suppressor aan of uit.
Thresh (Threshold)
0–100
Bepaalt vanaf welk level de ruisonderdrukking begint.
Release (Release)
0–100
Bepaalt de tijd waarin het volume naar 0 zakt, nadat de ruisonderdrukking begonnen is.
%LM´8QOLPLWµLVGHRQGHUJUHQVGHODDJVWHIUHTXHQWLHGLHGLWDSSDUDDWNDQZHHUJHYHQ
%LM´8QOLPLWµLVGHERYHQJUHQVGHKRRJVWHIUHTXHQWLHGLHGLWDSSDUDDWNDQZHHUJHYHQ
64
*1 *2
Overzicht van de Algoritmes
Vocal Canceler :DQQHHUHUHHQVWHUHRVLJQDDOYDQ&'RI'$7HQ]LQGHLQSXWELQQHQNRPWNDQXKLHUPHHKHWJHOXLGGDW]LFKLQ KHWPLGGHQYDQKHWVWHUHREHHOGEHYLQGW]RDOVGHVWHPRIGHEDVXLWVFKDNHOHQ fig.08-61
Output L Input L
3BAND EQ Vocal Canceler 3BAND EQ
Input R
Output R
$IKDQNHOLMNYDQGHPX]LHNEURQNDQKHWJHEHXUHQGDWJHOXLGHQGLHXQLHWZHQVWXLWWHVFKDNHOHQWRFKPHH YHUZLMGHUGZRUGHQ9RRUDODOVGHPX]LHNHHQ]ZDUHUHYHUEEHYDWRIDOVKHWJHOXLGGDWXZHQVWWHYHUZLMGHUHQ ]LFKQLHWFHQWUDDOLQKHWVWHUHREHHOGEHYLQGWLVKHWPRJHOLMNGDWGHYRFDOFDQFHOHUQLHWKHWJHZHQVWHUHVXOWDDW JHHIW
Enkel de stem verwijderen 9RFDO&DQFHOHUYHUZLMGHUWKHWJHOXLGLQKHWPLGGHQYDQKHWVWHUHREHHOG'LWEHWHNHQWGXVGDWKHWJHOXLGYDQGH EDVKHWVRORLQVWUXPHQWHQGHVWHPPHQYHUZLMGHUGZRUGHQ$OVXHQNHOGHVWHPZLOYHUZLMGHUHQRP]RNDUDRNH PX]LHNWHYHUNULMJHQVWHO5DQJH/RGDQLQRSRQJHYHHU+]HQ5DQJH+LRSRQJHYHHUN+]
Parameter (volledige naam) VC (Vocal Canceler):
Instelling
Functie
Verwijdert geluiden die centraal in het stereobeeld staan, zoals stem en bas.
Sw (Switch)
On, Off
Zet de vocal canceler aan of uit.
Balance (Balance)
0–100
Als het geluid dat u wil verwijderen, zich niet in het midden bevindt, zoek dan het punt waar u het meeste effect krijgt.
RangeLo (Range Low)
Unlimit, 20 - 2000 Hz
Bepaalt de ondergrens voor de te verwijderen frequentieband. *1
RangeHi (Range High)
1.0 - 20.0 kHz, Unlimit Bepaalt de bovengrens van de te verwijderen frequentieband. *2
EQ (Equalizer) On, Off
Zet de equalizer aan of uit.
Low Type
Shlv, Peak
Bepaalt het type van equalizer voor de lage frequentieband (Shelving-type of peaking-type).
Low Gain
-12– +12 dB
Bepaalt de hoeveelheid boost/cut in de lage frequentieband.
Low Freq (Low Frequency)
20 - 2000 Hz
Bepaalt de centrale frequentie in de lage frequentieband.
Low Q
0.3–10.0
Bepaalt de breedte van het gebied rond de lage frequentie dat beïnvloed wordt door de gain-instellingen.1 *3
Mid Gain (Middle Gain)
-12– +12 dB
Bepaalt de hoeveelheid boost/cut in de middenband.
Mid Freq (Middle Frequency)
200–8000 Hz
Bepaalt de centrale frequentie in de middenband.
Mid Q (Middle Q)
0.3–10.0
Bepaalt de breedte van het gebied rond de middelste frequentie dat beïnvloed wordt door de gain-instellingen.
Hi Type (High Type)
Shlv, Peak
Bepaalt het type van equalizer voor de hoge frequentieband (shelving-type of peaking-type).
High Gain
-12– +12 dB
Bepaalt de hoeveelheid boost/cut in de hoge frequentieband.
High Freq (High Frequency)
1.4–20.0 kHz
Bepaalt de centrale frequentie in de hoge frequentieband.
65
Overzicht van de Algoritmes
Sw (Switch)
Overzicht van de Algoritmes
High Q
0.3–10.0
Bepaalt de breedte van het gebied rond de hoge frequentie dat beïnvloed wordt door de gain-instellingen.1 *3
Level (Output Level)
0–100
Bepaalt het volume van het signaal na de equalizer.
%LM´8QOLPLWµLVGHRQGHUJUHQVGHODDJVWHIUHTXHQWLHGLHGLWDSSDUDDWNDQZHHUJHYHQ
%LM´8QOLPLWµLVGHERYHQJUHQVGHKRRJVWHIUHTXHQWLHGLHGLWDSSDUDDWNDQZHHUJHYHQ
$OV/RZ7\SH /R7\SH RI+LJK7\SH +L7\SH LQJHVWHOGVWDDWRS´6KHOY 6KHOYLQJ7\SH µGDQLVGHLQVWHOOLQJ YRRU/R4RI+LJK4RQJHOGLJ
Voice Transformer 8NDQPDQQHQVWHPPHQRPYRUPHQWRWYURXZHQVWHPPHQRIRPJHNHHUG8NDQHHQPHQVHOLMNHVWHPRPYRUPHQ WRWHHQPHFKDQLVFKHVWHPHQDOOHUKDQGHJHOXLGHQFUHsUHQGRRUGHEDVLVWRRQKRRJWHHQGHIRUPDQWHQDI]RQGHUOLMN WHEHZHUNHQ fig.08-63
Input L Output L Voice Transformer
Reverb Output R
Input R
*HEUXLNGHVWHPYDQppQSHUVRRQ'LWHIIHFWZHUNWQLHWEHKRRUOLMNZDQQHHUHUPHHUGHUHVWHPPHQWHJHOLMNLQGH LQSXWELQQHQNRPHQ =RUJHUYRRUGDWGHJHEUXLNWHPLFURIRRQJHHQJHOXLGYDQGHOXLGVSUHNHUVRSYDQJW'LWJHHIWKHW]HOIGHUHVXOWDDW DOVZDQQHHUHUPHHUGHUHVWHPPHQLQGHLQSXWELQQHQNRPHQ *HEUXLNELMYRRUNHXUHHQXQLGLUHFWLRQHOHPLFURIRRQ'HSHUVRRQGLHVSUHHNW]LQJWPRHWRRN]RGLFKWPRJHOLMN ELMGHPLFURIRRQVWDDQ ´9RLFH7UDQVIRUPHUµNDQQLHWJHEUXLNWZRUGHQRS())(&7HQ GHHYHQHIIHFWHQ :DQQHHUX´9RLFH7UDQVIRUPHUµJHEUXLNWRS())(&7HQ GHRQHYHQHIIHFWHQ GDQNXQWX())(&7 HQ GHHYHQHIIHFWHQ QLHWJHEUXLNHQ ´9RLFH7UDQVIRUPHUµNDQQLHWJHEUXLNWZRUGHQLQSURMHFWHQPHWHHQVDPSOHUDWHYDQN+]RIKRJHU
Parameter (volledige naam) VT (Voice Transformer):
66
Instelling
Functie
Creëert verschillende stemkarakters.
Sw (Switch)
On, Off
Zet de Voice Transformer aan of uit.
Robot (Robot)
On, Off
Wanneer dit aan staat, krijgt het output-signaal een vaste toonhoogte, ongeacht de toonhoogte van de input.
Chromatic Pitch
-12– +12
Bepaalt de toonhoogteverandering voor de output-stem (per halve toon).
Fine Pitch
-100–100
Bepaalt de toonhoogteverandering voor de output-stem (per cent).
Overzicht van de Algoritmes
Chromatic Formant
-12– +12
Bepaalt de verschuiving van de formanten voor de outputstem (per halve toon).
Fine Formant
-100– +100
Bepaalt de verschuiving van de formanten voor de outputstem (per cent).
MixBal (Mix Balance)
0–100
Bepaalt de volumebalans tussen de output-stem en de input-stem.
REV (Reverb):
Voegt galm toe.
Sw (Switch)
On, Off
Zet de reverb aan of uit.
Time (Reverb Time)
0.1–32.0 sec
Bepaalt de (tijds)duur van het reverb-geluid.
PreDLY (Pre-Delay)
0–200 ms
Bepaalt na hoeveel tijd het galmgeluid verschijnt.
Densty (Density)
0–100
Bepaalt de densiteit van het reverb-geluid.
FX Lvl (Effect Level).
0–100
Bepaalt het volume van het reverb-geluid.
)RUPDQWV S
Vocoder 2 (19) 'LWLVHHQ EDQGYRFRGHU3URGXFHHUWKHOGHUHJHOXLGHQGLHPHWHHUGHUHYRFRGHUVQLHWUHDOLVHHUEDDUZDUHQ fig.08-65
Input L (Instrument) VOCODER Input R(Mic)
Output L
+
+
Chorus Output R
Noise Suppressor
Overzicht van de Algoritmes
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67
Overzicht van de Algoritmes
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“Envelope” voor het definiëren van de geluidseigenschappen (ONJHOXLGKHHIW]LMQHLJHQHQYHORSH(HQHQYHORSHJHHIWHLJHQVFKDSSHQDDQKHWJHOXLGHQLVYRRUKHWPHQVHOLMN RRUHHQEHODQJULMNHIDFWRURPYHUVFKLOOHQGHW\SHVYDQJHOXLGHQYDQHONDDUWHRQGHUVFKHLGHQ%LM9RFRGHUNDQX GRRUPLGGHOYDQ(QYHORSHGHYROJHQGHNDUDNWHULVWLHNHQJHYHQ 6KDUS 6RIW /RQJ
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Plaatsing van het geluid 0HW3DQ0RGH 3DQ0RGH NDQXEHSDOHQKRHGH9RFRGHUJHOXLGHQJHSODDWVWZRUGHQ 0RQR 6WHUHR
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Instrumentgeluiden weergeven met een vaste formant 7HUZLMOXLQGHPLFURIRRQ]LQJWNDQXLQVWUXPHQWJHOXLGHQZHHUJHYHQPHWGH]HOIGHVWHPIRUPDQW$OVX ELMYRRUEHHOG´DLXHRµLQGHPLFURIRRQ]HJWHQX]HW´+ROGµDDQRSKHWPRPHQWGDWGHOXLGVSUHNHUGH´Lµ ZHHUJHHIWYHUNULMJWXHHQLQVWUXPHQWJHOXLGPHWGHIRUPDQWYDQGH´LµNODQN
Parameter (volledige naam) VOC (Vocoder 2):
68
Instelling
Functie
De toonhoogte wordt gespecifieerd met het instrumentgeluid terwijl de tone wordt weergegeven als een stem.
Envelope (Envelope)
Sharp, Soft, Long
Definieert de karakteristieken van het geluid.
PanMode (Pan Mode)
Mono, Stereo
Definieert hoe het geluid geplaatst wordt.
Hold (Hold)
On, Off
Bepaalt of een instrumentgeluid wel of niet wordt weergegeven met de vaste formant.
MicSens (Microphone Sensitivity)
0–100
Bepaalt de input-gevoeligheid van de microfoon.
SynInLev (Synthesizer In Level)
0–100
Bepaalt het input level van het instrumentgeluid.
Character Ch 1 - 19 (Voice Character Channels 1 - 19)
0–100
Bepaalt de tone van de vocoder.
MicHPF (Microphone HPF)
Thru, 1.0–20.0 kHz
Bepaalt bij welke frequentie de HPF voor het stemgeluid van de microfoon in werking treedt. Stel hier “Thru” in als u geen HPF wenst.
MicPan (Microphone Pan)
L63–R63
Bepaalt de panning van het stemgeluid van de microfoon.
Mic (Microphone Mix)
0–100
Bepaalt hoeveel van het geluid dat door de microfoon-HPF gepasseerd is, er in de Vocoder output moet worden gemixt.
NSThresh (Noise Suppressor Threshold)
0–100
Bepaalt bij welk volume de ruisonderdrukking op de input van het instrumentgeluid in werking treedt.
Overzicht van de Algoritmes
Cho (Chorus):
Maakt het geluid ruimer en dieper.
Sw (Switch)
On, Off
Zet de chorus aan of uit.
Rate (Rate)
0.1–10.0 kHz
Bepaalt de modulatiesnelheid.
Depth (Depth)
0–100
Bepaalt de modulatiediepte.
PreDLY (Pre-Delay)
0–50 ms
Bepaalt het tijdsinterval van wanneer het directe geluid begint tot wanneer het chorus-geluid te horen is.
MixBal (Mix Balance)
0–100
Bepaalt de volumebalans tussen het chorus-geluid en het directe geluid.
MicSimulator (Microphone Simulator) 'LWHIIHFWPRGLILHHUWJHOXLGGDWZHUGRSJHQRPHQPHWHHQJHZRQHG\QDPLVFKHPLFURIRRQHHQGDVVSHOG PLFURIRRQRIHHQGLUHFWOLQHZDDUGRRUKHWJDDWNOLQNHQDOVRIKHWZHUGRSJHQRPHQPHWHHQGXUHFRQGHQVDWRU PLFURIRRQRIHHQVSHFLDOHVWXGLRPLFURIRRQ'HPLFVLPXODWRUNDQHHQHIIHFWYDQQDELMKHLGRIDIVWDQGFUHsUHQ fig.08-67
Input A
Output A Mic Converter A
BassCut A
Distance A
Limiter A
Distance B
Limiter B
Link
Mic Converter B
Bass Cut B
Input B
Output B
Parameter (volledige naam) Lnk (Link): Link (Link Switch)
Instelling
Functie
Kanaal B volgt de instellingen van kanaal A. On, Off
Bepaalt of kanaal B al dan niet de instellingen van kanaal A volgt.
CnvA, CnvB(Mic Converter):Vormt de eigenschappen van een microfoon voor algemeen gebruik om tot de eigenschappen van een studiomicrofoon. On, Off
Zet de microphone converter aan of uit.
Input (Input)
Zie kader op de volgende pagina.
Bepaalt het type van de opnamemicrofoon.
Zie kader op de volgende pagina.
Bepaalt welk microfoontype gesimuleerd wordt.
Norm, Inv
Bepaalt de fase van de microfoon.
Output (Output) Phase (Phase)
Overzicht van de Algoritmes
Sw (Switch)
BCutA, BCutB (Bass Cut Filter): Snijdt ongewenste lage frequenties af, zoals plofgeluiden. Sw (Switch)
On, Off
Zet de bass cut filter aan of uit.
Freq (Frequency)
Thru, 20 - 2000 Hz
Bepaalt de afsnijfrequentie voor het wegfilteren van ongewenste lage frequenties zoals plofgeluiden.
DstnA, DstnB (Distance):
Simuleert de frequentiekarakteristieken en het tijdsverschil door het verschil in afstand.
Sw (Switch)
On, Off
Zet distance aan of uit.
Prox.Fx (Proximity Effect)
-12– +12
Corrigeert de eigenschappen van de lage frequentieband die ontstaan door de afstand tot de geluidsbron.
Time (Time)
0–3000 cm
Simuleert het tijdsverschil dat veroorzaakt wordt door de afstand tot de geluidsbron.
69
Overzicht van de Algoritmes
LmtA, LmtB (Limiter):
Voorkomt vervorming door signaalpieken te onderdrukken.
Sw (Switch)
On, Off
Zet de limiter aan of uit.
Thrsh (Threshold)
-60–0 dB
Bepaalt vanaf welk volumeniveau de excessieve input onderdrukt wordt.
Attack (Attack Time)
0–100
Bepaalt het tijdsinterval van wanneer het input level de drempelwaarde (threshold level) overschrijdt tot wanneer het effect in werking treedt.
Release (Release Time)
0–100
Bepaalt hoelang het effect nog blijft doorwerken nadat het input level weer onder het threshold level is gezakt.
Detect HPF Freq (Detect HPF Frequency)
Thru, 20 - 2000 Hz
Normaal gezien stelt u hier “Thru” in. Bepaalt de afsnijfrequentie voor het level detectiongedeelte.
Output Level (Output Level)
-60– +24 dB
Bepaalt het volume van het compressor-geluid.
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Nabijheidseffect van de microfoon 9DQQDWXUHXLWJHYHQPLFURIRRQVGHODJHIUHTXHQWLHEDQGEHWHUGRRUZDQQHHU]H]LFKGLFKWELMGHJHOXLGVEURQ EHYLQGHQ'LWQRHPHQZHKHWQDELMKHLGVHIIHFWHQKHWNDQJHVLPXOHHUGZRUGHQPHW3UR[LPLW\(IIHFW 3UR[(IHFW 6WHOGHSDUDPHWHULQRSHHQSRVLWLHYH YRRUHHQNRUWHUHDIVWDQGWRWGHJHOXLGVEURQHQNLHVHHQQHJDWLHYH ZDDUGHYRRUHHQODQJHUHDIVWDQG7LPHRI'LVWDQFHVLPXOHHUWKHWWLMGVYHUVFKLOGRRUGHDIVWDQGWRWGHJHOXLGVEURQ
Kanalen A en B afzonderlijk aansturen $OVX/LQNDDQ]HWNDQXGH%DQG3DUDPHWULF(TXDOL]HUYLDNDQDDO%DDQVWXUHQPHWGHLQVWHOOLQJHQYDQNDQDDO $2PGHNDQDOHQ$HQ%DI]RQGHUOLMNDDQWHVWXUHQGLHQWX/LQNXLWWH]HWWHQ
70
Overzicht van de Algoritmes
3Band Isolator 6QLMGWFRPSRQHQWHQVFKHUSDISHUIUHTXHQWLHEDQGRPRQJHZHQVWHJHOXLGHQWHHOLPLQHUHQ0HWGLWHIIHFWNDQXRRN VSHFLILHNHJHOXLGHQYDQHHQ&'LVROHUHQ,VRODWRUNDQJHOXLGHQFRPSOHHWGRHQYHUGZLMQHQGDDUZDDUPHWJHZRQH HTXDOL]HUVJHOXLGHQDDQZH]LJEOLMYHQ]HIVPHWGHJDLQVYDQGHUHVSHFWLHYHIUHTXHQWLHEDQGHQRSKHWPLQLPXP fig.08-69
Input L
Input R
3 Band Isolator L
3 Band Isolator R
Output L
Output R
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Ruis uitschakelen =RHNGHIUHTXHQWLHEDQGYDQGHUXLVHQ]HWKHWRYHUHHQNRPVWLJH/HYHO /R/HYHO0LG/HYHORI+L/HYHO RSG%
Parameter (volledige naam) ISO (3-band Isolator):
Instelling
Functie
Verdeelt het input-signaal in drie frequentiebanden om geluiden te isoleren of te verwijderen. On, Off
Zet de 3-band isolator aan of uit.
Hi Lvl (High Level)
-60– +4 dB
Versterkt of verzwakt frequenties in de hoge frequentieband.
Mid Lvl (Middle Level)
-60– +4 dB
Versterkt of verzwakt frequenties in de middenband.
Low Lvl (Low Level)
-60– +4 dB
Versterkt of verzwakt frequenties in de lage frequentieband.
MidMixSw (Anti-phase Middle Mix Switch)
On, Off
Elimineert geluiden uit de middenband of laat ze ongemoeid.
AntiPhase MidLev (Anti-phase Middle Level)
0–100
Bepaalt in welke mate de middenfrequenties moeten worden uitgeschakeld.
LoMixSw (Anti-phase Low Mix Switch)
On, Off
Elimineert laagfrequente geluiden of laat ze ongemoeid.
AntiPhase LoLev (Anti-phase Low Level)
0–100
Bepaalt in welke mate de lage frequenties moeten worden uitgeschakeld.
71
Overzicht van de Algoritmes
Sw (Switch)
Overzicht van de Algoritmes
TapeEcho201 'LWHIIHFWVLPXOHHUWKHW´WDSHHFKRµJHGHHOWHYDQGH5RODQG5(6SDFH(FKR+HWUHSURGXFHHUWVXEWLHOH YHUDQGHULQJHQLQWRRQKRRJWHYHURRU]DDNWGRRUKHWYHUVOLMWHQYDQGHEDQGRIGRRUHHQRQUHJHOPDWLJHURWDWLH VQHOKHLGYDQGHEDQG fig.08-71
Output L
Input L TapeEcho201 Input R
Output R
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Parameter (volledige naam) Tape Echo 201:
72
Instelling
Functie
Simuleert het “tape echo”-gedeelte van de Roland RE-201 Space Echo.
Sw (Switch)
On, Off
Zet de tape echo aan of uit.
Mode (Mode Selector)
1–7
Hiermee kiest u een combinatie van de drie weergavekoppen.
Repeat Rate (Repeat Rate)
0–100
Bepaalt de snelheid van de band.
Intnsty (Intensity)
0–100
Bepaalt het aantal herhalingen van het delay-geluid.
FX Lvl (Effect Level)
0–100
Bepaalt het volume van het “tape echo”-geluid.
DirLvl (Direct Level)
0–100
Bepaalt het volume van het directe geluid.
Tone Bass (Tone Bass)
-100– +100
Regelt de toon van de lage frequentieband voor het “tape echo”-geluid.
Tone Treble (Tone Treble)
-100– +100
Regelt de toon van de hoge frequentieband voor het “tape echo”-geluid.
Pan HeadS (Pan Head S)
L63–R63
Bepaalt de pan-instellingen van de weergavekop voor de korte delay.
Pan HeadM (Pan Head M)
L63–R63
Bepaalt de pan-instellingen van de weergavekop voor de middellange delay.
Pan HeadL (Pan Head L)
L63–R63
Bepaalt de pan-instellingen van de weergavekop voor de lange delay.
TapeDist (Tape Distortion)
0–100
Voegt de specifieke vervorming van de band toe.
WahFlutter Rate (Wah-Flutter Rate)
0–100
Bepaalt de fluttering rate van de toonhoogte die bepaald wordt door het verslijten van de band of door een onregelmatige draaisnelheid.
WahFlutter Depth (Wah-Flutter Depth)
0–100
Bepaalt de fluttering-diepte van de toonhoogte die bepaald wordt door het verslijten van de band of door een onregelmatige draaisnelheid.
Overzicht van de Algoritmes
AnalogFlnger (Analog Flanger) 6LPXOHHUWGH5RODQG6%)$QDORJ)ODQJHU'H]HEHYDWGULHW\SHVYDQIODQJHUHIIHFWHQHHQFKRUXVDFKWLJ HIIHFW fig.08-73
Input L
Input R
Analog Flanger L
Analog Flanger R
Output L
Output R
Types van Flanger-effect $QDORJ)ODQJHUEHYDWYHUVFKLOOHQGHIODQJHUHQRIFKRUXVHIIHFWHQ+HWJHZHQVWHHIIHFWW\SHNLHVWXLQ0RGH )/ )/ )/ &+2
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Parameter (volledige naam) AFL (Analog Flanger):
Instelling
Functie
Simuleert de SBF-325 Analog Flanger.
Sw (Switch)
On, Off
Zet de analog flanger aan of uit.
Mode (Mode)
FL1, FL2, FL3, CHO
Bepaalt het type van flanger-effect.
Feedback (Feedback Level)
0–100
Bepaalt de hoeveelheid delay-geluid die wordt teruggestuurd naar de flanger input. *1, *2
Modulation Rate (Modulation Rate)
0–100
Bepaalt de modulatiesnelheid van de flanger.
0–100
Bepaalt de modulatiediepte van de flanger.
Modulation Freq (Modulation Frequency)
0–100
Bepaalt de centrale frequentie die beïnvloed wordt door het flanger effect.
ChB (Channel B Inverse)
Nor, Inv
“Inv” betekent dat het Flanger-effect op kanaal B wordt omgekeerd. “Nor” betekent dat het niet wordt omgekeerd.
Phase ChA (Mix A Inverse)
Nor, Inv
“Inv” betekent dat de fase omgekeerd wordt wanneer u flanger-geluid van kanaal A door het directe geluid mixt. “Nor” betekent dat de fase niet wordt omgekeerd.
Phase ChB (Mix B Inverse)
Nor, Inv
“Inv” betekent dat de fase omgekeerd wordt wanneer u flanger-geluid van kanaal B door het directe geluid mixt. “Nor” betekent dat de fase niet wordt omgekeerd.
Overzicht van de Algoritmes
Modulation Depth (Modulation Depth)
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73
Overzicht van de Algoritmes
AnalogPhaser (UVWDDQWZHHDQDORJHSKDVHUVLQSDUDOOHORPVWHUHRJHOXLGHQYRRUWWHEUHQJHQ'HJROYLQJHQGLHHQLJ]LMQYRRU GH3KDVHUZRUGHQJHFUHsHUGGRRUJHOXLGHQPHWHHQSHULRGLHNYHUVFKRYHQIDVHWRHWHYRHJHQ fig.08-75
Input L
Input R
Analog Phaser L
Analog Phaser R
Output L
Output R
Aantal trappen van de Phaser 1DDUPDWHKHWDDQWDOWUDSSHQYDQGH3KDVHUWRHQHHPWZRUGHQHURRNPHHUIUHTXHQWLHSXQWHQRQGHUGUXNWZDWHHQ VFKHUSHUHIIHFWRSOHYHUW fig.08-76e Level
4 stage
Frequency Level
8 stage
Frequency
Parameter (volledige naam) APH (Analog Phaser):
74
Instelling
Functie
Twee analoge phasers staan in parallel om stereo-geluiden voort te brengen.
Sw (Switch)
On, Off
Zet de analog phaser aan of uit.
Mode (Mode)
8STAGE, 4STAGE
Bepaalt het aantal trappen van de phaser.
Freq (Frequency)
0–100
Bepaalt de centrale frequentie waarop het phase-effect wordt toegepast.
Reso (Resonance)
0–100
Versterkt de frequentiecomponenten romdom de centrale frequentie die u bepaalt met “Frequency.”
LFO1/2 Rate (LFO1/2 Rate)
0–100
Bepaalt de lengte van de cyclus van het phase-effect.
LFO1/2 Dep (LFO1/2 Depth)
0–100
Bepaalt de diepte van de cyclus van het phase-effect.
LFO1/2 ChB (LFO1/2 Channel B Inverse)
Nor, Inv
“Inv” betekent dat de golffase omgekeerd wordt en “Nor” betekent dat ze niet omgekeerd wordt.
Overzicht van de Algoritmes
Speaker Modeling 0RGHOOHHUWHHQUHHNVHLJHQVFKDSSHQYDQOXLGVSUHNHUVJDDQGHYDQSURIHVVLRQHOHPRQLWRUVSHDNHUVGLH ZHUHOGZLMGDOVVWDQGDDUGJHOGHQLQVWXGLR·VWRWOXLGVSUHNHUVYDQNOHLQH79·VHQWUDQVLVWRUUDGLR·V fig.08-81
Input L
Output L SP Modeling
BassCut Freq
Lo Freq Trim
Hi Freq Trim
Limiter
SP Modeling
BassCut Freq
Lo Freq Trim
Hi Freq Tim
Limiter
Input R
Output R
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Beschikbare luidsprekertypes 8NDQGHHLJHQVFKDSSHQYDQGHYROJHQGHOXLGVSUHNHUW\SHVLQVWHOOHQ.LHVKHWJHZHQVWHW\SHPHW0RGHO 7+58 6XSHU)/$7 3RZHUHG*HQ%ON 3RZHUHG(%DV 3RZHUHG0DFN 6PDOO&XEH :KLWH&RQH :KLWH&7LVXH 6PDOO5DGLR 6PDOO79 %RRP%R[ %%R[/%RRVW
(UZRUGWJHHQPRGHOLQJWRHJHSDVW 0RGHOLQJVWXXUWGH'6 ELMYRRUHHQEUHGHUEHUHLNHQHHQHHQYODNNHUHUHVSRQVFXUYH 7\SLVFKPRGHOYDQHHQDFWLHYHPRQLWRU ZHJZRRIHUGLDPHWHU PP LQFKHV $FWLHYHPRQLWRUPHWHHQXLWVWHNHQGHJHOXLGVNZDOLWHLW $FWLHYHPRQLWRUPHWHHQXLWJHEUHLGHODJHIUHTXHQWLHEDQG .OHLQHIXOOUDQJHOXLGVSUHNHUGLHDORPJHEUXLNWZRUGWLQRSQDPHVWXGLR·V *HVORWHQZHJOXLGVSUHNHUYDDNJHEUXLNWLQRSQDPHVWXGLR·VJHNHQPHUNWGRRU]LMQ ZLWWHZRRIHUV +HWPLOGHJHOXLGYDQHHQ´:KLWH&RQHµ7ZHHWHUEHGHNWPHW]LMGHSDSLHU /XLGVSUHNHUYDQHHQNOHLQ]DNUDGLRRWMH /XLGVSUHNHUYDQHHQLQFK79WRHVWHO 5DGLRFDVVHWWHUHFRUGHU 5DGLRFDVVHWWHUHFRUGHUPHWHHQYHUVWHUNWHODJHIUHTXHQWLHEDQG
*HEUXLN´7+58µYRRUHHQGXLGHOLMNHYHUJHOLMNLQJYDQKHWJHOXLGPHWHQ]RQGHUPRGHOLQJ
Instelling
Overzicht van de Algoritmes
Parameter (volledige naam)
Functie
SpMod (Speaker Modeling): Bepaalt welke luidspreker er nagebootst wordt. Sw (Modeling)
Off, On
Model (Model)
Zie kader hierboven.
Phase (Phase)
Nor, Inv
Zet Speaker Modeling aan of uit. Specifieert welke luidspreker het geluid werkelijk produceert. Bepaalt de fase van de luidspreker. “NRM” voor dezelfde fase, en “INV” voor de omgekeerde fase.
BCut (Bass Cut Filter): Snijdt ongewenste lage frequenties af, zoals plofgeluiden. Sw (Switch)
On, Off
Zet de bass cut filter aan of uit.
Freq (Frequency)
Thru, 20 - 2000 Hz
Bepaalt de afsnijfrequentie voor het wegfilteren van ongewenste lage frequenties zoals plofgeluiden.
75
Overzicht van de Algoritmes
LFT (Low Frequency Trimmer): Regelt het geluid in de lage frequentieband. Sw (Switch)
On, Off
Zet de low frequency trimmer aan of uit.
Gain (Gain)
-12– +12dB
Bepaalt de hoeveelheid boost/cut.
Freq (Frequency)
20–2000 Hz
Bepaalt de centrale frequentie van de trimmer.
HFT (High Frequency Trimmer): Regelt het geluid in de hoge frequentieband. Sw (Switch)
On, Off
Zet de high frequency trimmer aan of uit.
Gain (Gain)
-12– +12dB
Bepaalt de hoeveelheid boost/cut.
Freq (Frequency)
1.0–20.0 kHz
Bepaalt de centrale frequentie.
Lmt (Limiter):
Voorkomt vervorming door signaalpieken te onderdrukken.
Sw (Switch)
On, Off
Zet de limiter aan of uit.
Thresh (Threshold)
-60–0 dB
Bepaalt bij welk volume de limiter in werking teedt.
Release (Release)
1–100
Bepaalt hoelang het effect nog blijft werken nadat het input level weer onder het threshold level is gezakt.
Level (Level)
-60– +24 dB
Bepaalt het volume van het signaal na de limiter.
Mastering Tool Kit 'H]H.LWLVHHQFRPSUHVVRUGLHJHOXLGHQRSVSOLWVWLQYHUVFKLOOHQGHIUHTXHQWLHEDQGHQRPKXQYROXPHVJHOLMNWH VWHOOHQ+LHUPHHNDQXHHQRSQDPHPDVWHUHQELMHHQJHRSWLPDOLVHHUGOHYHOZDQQHHUXDIPL[WQDDUHHQ0'RIHHQ &'RIZDQQHHUXXZHLJHQRULJLQHOHDXGLR&'PDDNWPHWGH&'5GULYH fig.08-78
H Input L 4Band EQ
Bass Cut
Enhancer
Input
M
Expander
Compressor
Expander
Compressor
Expander
Compressor
Expander
Compressor
Expander
Compressor
Expander
Compressor
Output L Mixer
Limiter
Output
Mixer
Limiter
Output
L H 4Band EQ
Bass Cut
Enhancer
Input
Input R
M
Output R
L
Effect van “Detect Time” onder Input %LMJHZRQHFRPSUHVVRUVLVHUHHQPRPHQWYDQGHOD\RPHHQOHYHOWHRQGHUGUXNNHQWLMGHQVGHPRPHQWHQQDGDW KHWJHGHWHFWHHUGZRUGW0HWGLWDOJRULWPHZRUGWGLWSUREOHHPYHUPHGHQGRRUGDWKHWLQSXWJHOXLGHQNHOYRRU OHYHOGHWHFWLHGLHQWHQHUHHQEHSDDOGHGHOD\OHQJWHZRUGWWRHJHYRHJGDDQKHWJHOXLGYRRUYHUZHUNLQJHQRXWSXW ´'HWHFW7LPHµRQGHU,QSXWLVGHLQVWHOOLQJYDQGHGHOD\WLPHYRRUGLWGRHO'H]H'HWHFW7LPHYHURRU]DDNWHHQ WLMGVYHUVFKLOWXVVHQLQSXWHQRXWSXWYDQDXGLRVLJQDOHQGXVPRHWXZHORSOHWWHQDOVXGLWYRRUDQGHUHGRHOHLQGHQ GDQPDVWHULQJ EYFKDQQHOLQVHUWLRQ JHEUXLNW
Opsplitsen in frequentiebanden 2PKHWVLJQDDORSWHVSOLWVHQLQHHQKRJHHHQPLGGHOVWHHQHHQ ODJHIUHTXHQWLHEDQGEHSDDOWXGHIUHTXHQWLHVPHW/RZ6SOLW 3RLQW /R6SOLW3RLQW HQ+LJK6SOLW3RLQW +L6SOLW3RLQW RQGHU ,QSXW fig.08-79
Level
L-SplitP
Low
H-SplitP
Mid
High
Freq
76
Overzicht van de Algoritmes
Parameter (volledige naam)
Instelling
Functie
EQ (Equalizer) Sw (Switch)
On, Off
Zet de equalizer aan of uit.
InputG (Input Gain)
-24– +12 dB
Bepaalt het globale volume voordat het signaal door de equalizer passeert.
LowType (Low Type)
Shlv, Peak
Bepaalt het type van equalizer voor de lage frequentieband (shelving-type of peaking-type).
Low Gain (Low Gain)
-12– +12 dB
Bepaalt de hoeveelheid boost/cut in de lage frequentieband.
Low Freq (Low Frequency)
20 Hz–2.00 kHz
Bepaalt de centrale frequentie in de lage frequentieband.
Low Q (Low Q)
0.3–16.0
Bepaalt de breedte van het gebied rond de lage frequentie dat beïnvloed wordt door de gain-instellingen. *1
LoMid Gain (Low Middle Gain)
-12– +12 dB
Bepaalt de hoeveelheid boost/cut in de lage middenband.
LoMid Freq (Low Middle Frequency)
20–20 kHz
Bepaalt de centrale frequentie in de lage middenband.
LoMid Q (Low Middle Q)
0.36–16
Bepaalt de breedte van het gebied rond de lage middenfrequentie dat beïnvloed wordt door de gain-instellingen.
HiMid Gain (High Middle Gain)
-12– +12 dB
Bepaalt de hoeveelheid boost/cut in de hoge frequentieband.
HiMid Freq (High Middle Frequency)
20–20 kHz
Bepaalt de centrale frequentie in de hoge middenband.
HiMid Q (High Middle Q)
0.3–16.0
Bepaalt de breedte van het gebied rond de hoge middenfrequentie dat beïnvloed wordt door de gain-instellingen.
Hi Type (High Type)
Shlv, Peak
Bepaalt het type van equalizer voor de hoge frequentieband (shelving-type of peaking-type).
High Gain (High Gain)
-12– +12 dB
Bepaalt de hoeveelheid boost/cut in de hoge frequentieband.
High Freq (High Frequency)
1–20 kHz
Bepaalt de centrale frequentie in de hoge frequentieband.
High Q (High Q)
0.3–16.0
Bepaalt de breedte van het gebied rond de hoge frequentie dat beïnvloed wordt door de gain-instellingen. *1
Lvl (Level)
-24– +12 dB
Bepaalt het globale volume nadat het signaal door de equalizer is gepasseerd.
BCut (Bass Cut Filter):
Snijdt ongewenste lage frequenties af, zoals plofgeluiden.
Sw (Switch)
On, Off
Zet de bass cut filter aan of uit.
Freq (Frequency)
Thru, 20 - 2000 Hz
Bepaalt de afsnijfrequentie voor het wegfilteren van ongewenste lage frequenties zoals plofgeluiden.
Enh (Enhancer):
Accentueert het geluid en plaatst het op de voorgrond. On, Off
Zet de enhancer aan of uit.
Sens (Sensitivity)
0–100
Bepaalt de gewenste graad van het enhancer-effect.
Freq (Frequency)
1.0–10.0 kHz
Bepaalt bij welke frequentie het enhancer-effect in werking treedt.
MixLvl (Mix Level)
-24– +12dB
Bepaalt hoeveel enhancer-geluid er wordt toegevoegd aan het directe geluid.
In (Input):
Splitst het directe geluid op in drie frequentiebanden, nl. laag, midden en hoog.
InputG (Input Gain)
-24– +12dB
Bepaalt het globale volume voordat het signaal door de expander/ compressor gaat.
D-Time (Detect Time)
0–10 ms
Bepaalt de lengte van de delay die aan de input van het directe geluid wordt toegevoegd.
L-SplitP (Low Split Point)
20–800 Hz
Bepaalt bij welke frequentie het directe geluid in drie banden wordt gesplitst (aan de kant van de lage frequentieband).
H-SplitP (High Split Point)
1.6–16 kHz
Bepaalt bij welke frequentie het directe geluid in drie banden wordt gesplitst (aan de kant van de hoge frequentieband).
77
Overzicht van de Algoritmes
Sw (Switch)
Overzicht van de Algoritmes
Exp (Expander):
Vergroot het dynamisch bereik volgens een bepaalde verhouding.
Sw (Switch)
On, Off
Zet de expander aan of uit.
Low Thre (Low Threshold)
-80–0 dB
Bepaalt bij welk volume de expander voor de lage frequentieband in werking treedt.
Low Ratio (Low Ratio)
1:1–16:1, INF:1
Bepaalt volgens welke verhouding de output in de lage frequentieband verhoogd wordt wanneer het input level onder het low threshold level zakt.
Low Atck (Low Attack)
0–100 ms
Bepaalt na hoeveel tijd de expander van de lage frequentieband in werking treedt wanneer het input level onder het low threshold level zakt.
Low Rel (Low Release)
50–5000 ms
Bepaalt hoelang de expander van de lage frequentieband blijft werken nadat het input level weer boven het low threshold level is gestegen.
Mid Thre (Middle Threshold)
-80–0 dB
Bepaalt bij welk volume de expander voor de middenband in werking treedt.
Mid Ratio (Middle Ratio)
1:1–16:1, INF:1
Bepaalt volgens welke verhouding de output in de middenband verhoogd wordt wanneer het input level onder het middle threshold level zakt.
Mid Atck (Middle Attack)
0–100 ms
Bepaalt na hoeveel tijd de expander van de middenband in werking treedt wanneer het input level onder het middle threshold level zakt.
Mid Rel (Middle Release)
50–5000 ms
Bepaalt hoelang de expander van de middenband blijft werken nadat het input level weer boven het middle threshold level is gestegen.
High Thre (High Threshold)
-80–0 dB
Bepaalt bij welk volume de expander voor de hoge frequentieband in werking treedt.
High Ratio (High Ratio)
1:1–16:1, INF:1
Bepaalt volgens welke verhouding de output in de hoge frequentieband verhoogd wordt wanneer het input level onder het high threshold level zakt.
High Atck (High Attack)
0–100 ms
Bepaalt na hoeveel tijd de expander van de hoge frequentieband in werking treedt wanneer het input level onder het high threshold level zakt.
High Rel (High Release)
50–5000 ms
Bepaalt hoelang de expander van de hoge frequentieband blijft werken nadat het input level weer boven het high threshold level is gestegen.
Cmp (Compressor):Comprimeert het gehele output-signaal wanneer het input-volume een bepaalde waarde overschrijdt.
78
Sw (Switch)
On, Off
Zet de compressor aan of uit.
Low Thre (Low Threshold)
-24–0 dB
Bepaalt bij welk volume de compressor voor de lage frequentieband in werking treedt.
Low Ratio (Low Ratio)
1:1–16:1, INF:1
Bepaalt volgens welke verhouding de output in de lage frequentieband onderdrukt wordt wanneer het input level het low threshold level overschrijdt.
Low Atck (Low Attack)
0–100 ms
Bepaalt na hoeveel tijd de compressor van de lage frequentieband in werking treedt wanneer het input level het low threshold level overschrijdt.
Low Rel (Low Release)
50–5000 ms
Bepaalt hoelang de compressor van de lage frequentieband blijft werken nadat het input level weer onder het low threshold level is gezakt.
Mid Thre (Middle Threshold)
-24–0 dB
Bepaalt bij welk volume de compressor voor de middenband in werking treedt.
Mid Ratio (Middle Ratio)
1:1–16:1, INF:1
Bepaalt volgens welke verhouding de output in de middenband onderdrukt wordt wanneer het input level het middle threshold level overschrijdt.
Mid Atck (Middle Attack)
0–100 ms
Bepaalt na hoeveel tijd de compressor van de middenband in werking treedt wanneer het input level het middle threshold level overschrijdt.
Mid Rel (Middle Release)
50–5000 ms
Bepaalt hoelang de compressor van de middenband blijft werken nadat het input level weer onder het middle threshold level is gezakt.
High Thre (High Threshold)
-24–0 dB
Bepaalt bij welk volume de compressor voor de hoge frequentieband in werking treedt.
High Ratio (High Ratio)
1:1–16:1, INF:1
Bepaalt volgens welke verhouding de output in de hoge frequentieband onderdrukt wordt wanneer het input level het high threshold level overschrijdt.
High Atck (High Attack)
0–100 ms
Bepaalt na hoeveel tijd de compressor van de hoge frequentieband in werking treedt wanneer het input level het high threshold level overschrijdt.
High Rel (High Release)
50–5000 ms
Bepaalt hoelang de compressor van de hoge frequentieband blijft werken nadat het input level weer onder het high threshold level is gezakt.
Overzicht van de Algoritmes
Mix (Mixer):
Regelt het volume per frequentieband.
Low Level (Low Level)
-80– +6 dB
Bepaalt het volume in de lage frequentieband nadat het signaal door de expander en de compressor is gepasseerd.
Mid Level (Middle Level)
-80– +6 dB
Bepaalt het volume in de middenband nadat het signaal door de expander en de compressor is gepasseerd.
High Level (High Level)
-80– +6 dB
Bepaalt het volume in de hoge frequentieband nadat het signaal door de expander en de compressor is gepasseerd.
Lmt (Limiter):
Voorkomt vervorming door signaalpieken te onderdrukken.
Sw (Switch)
On, Off
Zet de limiter aan of uit.
Thresh (Threshold)
-24–0 dB
Bepaalt bij welk volume de limiter in werking treedt.
Attack (Attack)
0–100 ms
Bepaalt na hoeveel tijd de limiter in werking treedt wanneer het input level het threshold level overschrijdt.
Release (Release)
50–5000 ms
Bepaalt hoelang de limiter blijft werken nadat het input level weer onder het threshold level is gezakt.
Output Level:
Bevat instellingen voor de globale output.
SoftClip (Soft Clip)
On, Off
Onderdrukt de opvallende vervorming die kan voorkomen wanneer het effect van de compressor/limiter te sterk wordt toegepast.
Dither (Dither)
Off, 8–24 bit
Zorgt voor een naadloze overgang, daar waar het geluid verdwijnt.
Level (Level)
-80– +6 dB
Bepaalt het globale volume nadat het signaal door de limiter is gepasseerd.
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Overzicht van de Algoritmes
79
Technische specificaties VS-2480
Frequentierespons
24Tr, 24bit, 96kHz Sampling Digital Studio Workstation
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Sporen Sporen: V-Tracks:
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Sample Rate
Projecten
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Markers PDUNHUVSHUSURMHFW
Opnamemethoden
Locators
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Maximale bruikbare capaciteit 1024G bytes:
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Uitgangsimpedantie 44.1kHz 32kHz
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80
Ingangsimpedantie
0DVWHU2XW $8;$ /5 8;% /5 0RQLWRU2XW
Opnametijd (met partities van 10GB, conversie in 1 spoor, eenheid: minuten) Sample Rate 64kHz 48kHz
G%X PD[LPXPG%X JHEDODQFHHUG PD[LPXPG%X RQJHEDODQFHHUG Input 9-16: G%X PD[LPXPG%X JHEDODQFHHUG PD[LPXPG%X RQJHEDODQFHHUG Guitar (Hi-Z): G%X PD[LPXPG%X Input 1-8:
Nominaal Uitgangsniveau
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Recording Mode 96kHz 88.2kHz
Nominaal Ingangsniveau (variabel)
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RKP RKP RKP RKP RKP
Aanbevolen laadimpedantie 0DVWHU2XW $8;$ /5 $8;% /5 0RQLWRU2XW 3KRQHV
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Technische specificaties
Residuele ruis (input met eindweerstand van 1k ohm, INPUT SENS: LINE, IHF-A, typ.) 0DVWHU2XW $8;$ $8;% 0RQLWRU2XW
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81
Index A
F
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B
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82
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Index
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V 9$5,3,7&+ 9HUPRJHQYDQHHQ7HUPLQDWRU 9HUZLMGHUEDUH'LVN'ULYHV
83
Index
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Index
YLGHRDSSDUDDW 9RFDO 96)
W :ULWH$QRWKHU&'" :ULWH3URWHFWHG :URQJ6DPSOH5DWH
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84
Gids voor aansluiting en instellingen van R-BUSapparatuur
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50'%,,50'%HQ5%86]LMQEHQDPLQJHQYRRUGH]HOIGH5RODQGVWDQGDDUG
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Inhoud ■ VM-7200/7100 (1)(pQVSR-880DDQVOXLWHQRSGH90 (2)0HHUGHUH VSR-880’sDDQVOXLWHQRSHQV\QFKURQLVHUHQPHWGH90 (3)(HQADATDDQVOXLWHQRSHHQ90HQKHWV\VWHHPDDQVWXUHQPHWGH90&& (4)0HHUGHUH ADAT’sDDQVOXLWHQRSHQV\QFKURQLVHUHQPHWGH90PHWZRUGFORFN (5)0HHUGHUH ADAT’sDDQVOXLWHQRSHQV\QFKURQLVHUHQPHWGH90 (6)(HQUHFRUGHUYDQGHTASCAM DA-serieDDQVOXLWHQRSGH90HQKHWV\VWHHPDDQVWXUHQ PHWGH90&& (7)0HHUGHUH TASCAM DA-recordersDDQVOXLWHQRSHQYLDZRUGFORFNV\QFKURQLVHUHQPHWGH 90 (8)0HHUGHUH TASCAM DA-recordersDDQVOXLWHQRSHQV\QFKURQLVHUHQPHWGH90 (9)(HQADA-7000DDQVOXLWHQRSGH90 (10)ProTools en twee 888 I/O’sDDQVOXLWHQRSGH90YLD$(6(%8 (11)(HQcomputer-gebaseerd opnamesysteemDDQVOXLWHQRSGH90YLDHHQ$'$7LQWHUIDFH
■ VM-3100Pro (12)(HQVSR-880DDQVOXLWHQRSGH903UR (13)(HQADATDDQVOXLWHQRSGH903UR (14)(HQTASCAM DA-recorderDDQVOXLWHQRSGH903UR (15)(HQADA-7000DDQVOXLWHQRSGH903UR (16)ProTools en de 888 I/ODDQVOXLWHQRSGH903URYLD$(6(%8 (17)(HQcomputer-gebaseerd opnamesysteemDDQVOXLWHQRSGH903URYLDHHQ$'$7LQWHUIDFH
■ VSR-880 (18)(HQADATDDQVOXLWHQRSGH965 (19)(HQTASCAM DA-recorderDDQVOXLWHQRSGH965
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■ Andere %DVLVYRRUZDDUGHQYRRUHHQGLJLWDOHDXGLRYHUELQGLQJ
2
(1) Eén VSR-880 aansluiten op de VM-7200/7100 $XGLRRYHUGUDJHQYLDHHQGLJLWDOHYHUELQGLQJWXVVHQGH965HQGH90 8NXQWGH965DDQVWXUHQPHWGH7UDQVSRUW&RQWUROWRHWVHQ 3OD\6WRS YDQGH90& ■ Aansluiting fig.02
1-8 S
VSR-880
R-BUS
C T
T
M-LINK
S C
Controlesignaal
T
Tijdcode
■ Benodigde apparatuur 90>XLWJHUXVWPHW90( DSDUWYHUNRFKW @90&&965>PHWLQWHUQH,'(KDUGGLVN@ 5%&5%86NDEHOV DSDUWYHUNRFKW ■ Het systeem opstarten 6OXLWGHDSSDUDWHQDDQHQ]HW]HDDQLQGH]HYROJRUGH 965➔903URFHVVRUV➔90&&&RQVROH ■ Instellingen 90&& 6<6',*,7$/SDJLQD >6+,)7@>6<67(0 352-(&7 @→ &85625 →>)@ ',*,7$/,2 :25'&/2&.6285&( ,17(51$/ ,17(51$/6$03/,1*5$7( LQRYHUHHQVWHPPLQJPHWGH965VRQJ 6<66<1&00&SDJLQD >6+,)7@>6<67(0 352-(&7 @→ &85625 →>)@ 6<1&&/2&. 6<1&0$67(5 (;708/7, )5$0(7<3( LQRYHUHHQVWHPPLQJPHW6\Q 07&7\SHRSGH965 00&0$67(5 ,17 0$&+,1(7<3( +' 'UXNRS>/(9(/0(7(5@RPWHUXJWHNHUHQQDDUGHEDVLVSDJLQD 965 >6+,)7@>6<67(0 @→→´6<66\VWHP350"µ→>(17<(6@→ 3$5$0(7(5> @> @ 6<60DVWHU&ON 5%86→>(17<(6@ >6+,)7@>6<67(0 @→→´6<60,',350"µ→>(17<(6@→ 3$5$0(7(5> @> @ 6<60,' 00& 2II5%86RI0$67(5 >6+,)7@>6<67(0 @→→´6<66\QF7HPSR"µ→>(17<(6@→ 3$5$0(7(5> @> @ 6<66\Q 6285&( ,17 6<66\Q *HQ 5%86 6<66\Q 07&7<3( LQRYHUHHQVWHPPLQJPHW)5$0(7<3(RSGH90&& >/(9(/%$/$1&(@→ 3$5$0(7(5> @> @ 067'LUHFW287 2Q >6+,)7@>,10,; /(9(/%$/$1&( @→ 3$5$0(7(5> @> @ →´,QSXW µ→>6+,)7@67$786>@²>@ ,1 ,QSXW 5%86 'UXNRS>3/$< ',63/$< @RPWHUXJWHNHUHQQDDUGHEDVLVSDJLQD
• $OVXGHWUDFNVWDWXVYDQGH965ZLOEHGLHQHQYDQXLWGH90&&]HWGDQ&+67$78602'(>$8',2@HQ 6(&7,21>08/7,287@RSGH90&&RS´2Qµ
$OVGHVDPSOHUDWHRSN+]VWDDWGDQNXQWXRSGH965VOHFKWV]HVVSRUHQWHJHOLMNHUWLMGRSQHPHQ • 'HYROJHQGHIXQFWLHLVJHwPSOHPHQWHHUGLQGH90&&9HURIODWHU 5%86&21),*SDJ>6+,)7@>6<67(0 352-(&7 @→ &85625 →>)@ 6<67(0&21),* →>3$*('2:1@ 5%86 6RQJ6HOHFW • 6RQJ6WRUH • 6KXW'RZQ %DVLVSDJLQD >6+,)7@>3/$<@ 6FUXE3OD\EDFNVWRSPHW>)@ (;,7
3
(2) Meerdere (6) VSR-880’s aansluiten op en synchroniseren met de VM-7200/7100 $XGLRRYHUGUDJHQYLDHHQGLJLWDOHYHUELQGLQJWXVVHQPHHUGHUH965·VHQGH90 8NXQWGH965DDQVWXUHQPHWGH7UDQVSRUW&RQWUROWRHWVHQ 3OD\6WRS YDQGH90& ■ Aansluiting fig.01
VSR-880 (1ste toestel) TC VM C7200/C7100
S C S C S C
LINK
MIDI OUT
R-BUS 1-8 R-BUS 9-16
VSR-880 (2de toestel)
MIDI IN TC MIDI THRU
17-24 R-BUS
CASCADE
VSR-880 (3de toestel)
MIDI IN
DIGITAL A IN/OUT MIDI THRU
TC
MIDI IN
MIDI THRU
DIGITAL IN/OUT
TC
VSR-880 (4de toestel) MIDI IN
DAT Recorder
MIDI IN TC
MIDI INTERFACE
CASCADE
COMPUTER (MIDI-sequencer)
MIDI THRU
R-BUS 8
S C
R-BUS 9-16
VSR-880 (5de toestel)
S C
-24
MIDI IN
MIDI THRU
S C R-BUS
TC
VSR-880 (6de toestel)
S
Sampling Clock
MIDI IN
C
Controlesignaal
T
Tijdcode
MIDI THRU C T
■ Benodigde apparatuur 90 VWHHQGHWRHVWHO >XLWJHUXVWPHW90(HQ90& DSDUWYHUNRFKW @90&&965>PHW LQWHUQH,'(KDUGGLVN@5%&5%86NDEHOV0,',NDEHOV
'$7UHFRUGHU0,',VHTXHQFHU LQGLHQQRGLJ ■ Het systeem opstarten 6OXLWGHDSSDUDWHQDDQHQ]HW]HDDQLQGH]HYROJRUGH 965 VWHWHPGHWRHVWHO ➔903URFHVVRUV➔90&&&RQVROH ■ Instellingen 90&& 6<6',*,7$/SDJLQD >6+,)7@>6<67(0 352-(&7 @→ &85625 →>)@ ',*,7$/,2 :25'&/2&.6285&( ,17(51$/ ,17(51$/6$03/,1*5$7( LQRYHUHHQVWHPPLQJPHWGH965VRQJ 6<66<1&00&SDJLQD >6+,)7@>6<67(0 352-(&7 @→ &85625 →>)@ 6<1&&/2&. 6<1&0$67(5 (;707& )5$0(7<3( LQRYHUHHQVWHPPLQJPHW6\Q 07&7\SHRSGH965 00&0$67(5 ,17 0$&+,1(7<3( +' 6<60,',SDJLQD >6+,)7@>6<67(0 352-(&7 @→ &85625 →>)@ 0,', 0,',7+58&2162/( 7+58 'UXNRS>/(9(/0(7(5@RPWHUXJWHNHUHQQDDUGHEDVLVSDJLQD
4
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5
(3) Een ADAT aansluiten op een VM-7200/7100 en het systeem aansturen met de VM-C7200/C7100 $XGLRRYHUGUDJHQYLDHHQGLJLWDOHYHUELQGLQJWXVVHQGH$'$7HQGH90 8NXQWGH$'$7DDQVWXUHQPHWGH7UDQVSRUWWRHWVHQ 3OD\6WRS YDQGH90& ■ Aansluiting fig.03
VM-C720 1-8 S
DIF-AT
R-BUS
SYNC S
C T -LINK
POWER
T
C
OUT
IN
OPTICAL IN
OUT
T
SYNC IN adat S
Sampling Clock
C
Controlesignaal
T
Tijdcode
■ Benodigde apparatuur 90>XLWJHUXVWPHW90( DSDUWYHUNRFKW @90&&',)$7$'$7$'$7RSWLVFKHNDEHOV$'$76\QF NDEHO ■ Het systeem opstarten 6OXLWGHWRHVWHOOHQDDQHQ]HW]HDDQLQGH]HYROJRUGH $'$7➔903URFHVVRUV➔90&&&RQVROH ■ Instellingen 90&& 5%86&21),*SDJLQD
>6+,)7@>6<67(0 352-(&7 @→ &85625 →>)@ 6<67(0&21),* → >3$*('2:1@ 5%86 ',)$7&21752/7$5*(7 $'$7 6<6',*,7$/SDJLQD >6+,)7@>6<67(0 352-(&7 @→ &85625 →>)@ ',*,7$/,2 :25'&/2&.6285&( ,17(51$/ 6<66<1&00&SDJLQD >6+,)7@>6<67(0 352-(&7 @→ &85625 →>)@ 6<1&&/2&. 6<1&0$67(5 (;708/7, 00&0$67(5 ,17 0$&+,1(7<3( 7$3( $'$7 ,1387
',*,7$/
$OVHUHQNHODXGLRZRUGWRYHUJHGUDJHQ]RQGHUHHQ$'$76<1&NDEHOYHUELQGLQJGDQZRUGWKHWVDPSOHFORFNVLJQDDOQDDUGH $'$7JHVWXXUGYLDGH$'$7RSWLVFKHNDEHO=HWLQGLWJHYDO&/2&.6(/(&7RSGH$'$7RS´',*µ
$OVHUHHQ$'$76<1&NDEHOLVDDQJHVORWHQ]RDOVLQGHERYHQVWDDQGHLOOXVWUDWLHGDQRQWYDQJWGH$'$7DXWRPDWLVFKGHVDPSOH FORFNYLDGH6<1&NDEHOHQYHUVFKLMQWHU´&/2&. (;7µLQ]LMQGLVSOD\ $'$7;7/; $OVGLWQLHWYHUVFKLMQWNLMNGDQGH DDQVOXLWLQJHQQDHQVWDUWGHDSSDUDWXXURSQLHXZRS
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6
(4) Meerdere (2) ADAT’s aansluiten op en synchroniseren met de VM-7200/7100 met word clock $XGLRRYHUGUDJHQYLDHHQGLJLWDOHYHUELQGLQJWXVVHQPHHUGHUH$'$7·VHQGH90 8NXQWGH$'$7·VDDQVWXUHQPHWGH7UDQVSRUWWRHWVHQ 3OD\6WRS YDQGH%5& ■ Aansluiting fig.05
TC S WORD CLOCK MASTER
S
48kHz IN
MIDI OUT
ALESIS BRC
REMOTE OUT T TO ADAT
MIDI THRU C T
LOCK IN 1-8
R-BUS S
CS
DIF-AT POWER
9-16
OUT OPTICAL IN
IN
-LINK S
OUT
(AES/EBU) IN/OUT of DIGITAL A IN/OUT
SYNC IN SYNC OUT T CS
adat DIGITAL IN/OUT MIDI IN
DIF-AT
MIDI INTERFACE
R-BUS POWER
COMPUTER (MIDI-sequencer)
DAT Recorder
IN
OUT OPTICAL IN
OUT S
Sampling Clock
C
Controlesignaal
T
Tijdcode
SYNC IN SYNC OUT adat
■ Benodigde apparatuur 90>XLWJHUXVWPHW90( DSDUWYHUNRFKW @90&&',)$7$'$7·V$/(6,6%5&:RUG&ORFN0DVWHU WRHVWHO$'$7RSWLVFKHNDEHOV$'$76\QFNDEHO '$7UHFRUGHU0,',VHTXHQFHU LQGLHQQRGLJ ■ Het systeem opstarten 6OXLWGHWRHVWHOOHQDDQHQ]HW]HDDQLQGH]HYROJRUGH %5&➔$'$7·V VWHHQGHWRHVWHO ➔903URFHVVRUV➔90&&&RQVROH ■ Instellingen 90&& 5%86&21),*SDJLQD >6+,)7@>6<67(0 352-(&7 @→ &85625 →>)@ 6<67(0&21),* →>3$*('2:1@ 5%86 ',)$7&21752/7$5*(7 $'$7 6<6',*,7$/SDJLQD >6+,)7@>6<67(0 352-(&7 @→ &85625 →>)@ ',*,7$/,2 :25'&/2&.6285&( :25'&/2&.,1 6<66<1&00&SDJLQD >6+,)7@>6<67(0 352-(&7 @→ &85625 →>)@ 6<1&&/2&. 6<1&0$67(5 (;707& 00&0$67(5 0,', 6<60,',SDJLQD >6+,)7@>6<67(0 352-(&7 @→ &85625 →>)@ 0,', 0,',7+58&2162/( 7+58 %5& &ORFN6RXUFH /RFDWH5HIHUHQFH (;76<1&
N+],QSXW ,QWHUQDO 2Q
• *HQHUDWH6\QF • *(16<1&
07& 2Q
• (HQ%5&YHU]HQGWHHQ00&3DXVHZDQQHHUXppQNHHURS>6723@GUXNWHQHHQ00&6WRSZDQQHHUXQRJPDDOVRS >6723@GUXNW2PGH90&&RS´VWRSµWH]HWWHQGUXNWXWZHHPDDORS>6723@YDQGH%5& • :25'&/2&.287RSGH90NDQDOVZRUGFORFNPDVWHUJHEUXLNWZRUGHQ,QGDWJHYDOPRHWXRSGH 90&&GHYROJHQGHLQVWHOOLQJHQPDNHQ :25'&/2&.6285&(
,17(51$/
7
(5) Meerdere (2) ADAT’s aansluiten op en synchroniseren met de VM-7200/7100 $XGLRRYHUGUDJHQYLDHHQGLJLWDOHYHUELQGLQJWXVVHQGH$'$7·VHQGH90 8NXQWGH$'$7DDQVWXUHQPHWGH7UDQVSRUWWRHWVHQ 3OD\6WRS YDQGH90& ■ Aansluiting fig.04
VM-C720
DIF-AT
R-BUS
1-8 S C T
POWER
9-16
-LINK
T
IN
SYNC S C
OUT
S OPTICAL
(AES/EBU) IN/OUT of DIGITAL A IN/OUT
T
OUT
IN
T SYNC IN SYNC OUT TC
MIDI IN MIDI INTERFACE
S
adat DIGITAL IN/OUT
DAT Recorder
DIF-AT R-BUS
COMPUTER (MIDI-sequencer)
POWER
IN
OUT OPTICAL
S
Sampling Clock
C
Controlesignaal
T
Tijdcode
OUT
IN
SYNC IN
adat
■ Benodigde apparatuur 90>XLWJHUXVWPHW90( DSDUWYHUNRFKW @90&&',)$7$'$7·V$'$7RSWLVFKHNDEHOV$'$7 6\QFNDEHO '$7UHFRUGHU0,',VHTXHQFHU LQGLHQQRGLJ ■ Het systeem opstarten 6OXLWGHWRHVWHOOHQDDQHQ]HW]HDDQLQGH]HYROJRUGH $'$7·V VWHHQGHWRHVWHO ➔903URFHVVRUV➔90&&&RQVROH ■ Instellingen 90&& 5%86&21),*SDJLQD >6+,)7@>6<67(0 352-(&7 @→ &85625 →>)@ 6<67(0&21),* →>3$*('2:1@ 5%86 ',)$7&21752/7$5*(7 $'$7 6<6',*,7$/SDJLQD >6+,)7@>6<67(0 352-(&7 @→ &85625 →>)@ ',*,7$/,2 :25'&/2&.6285&( ,17(51$/ 6<66<1&00&SDJLQD >6+,)7@>6<67(0 352-(&7 @→ &85625 →>)@ 6<1&&/2&. 6<1&0$67(5 (;708/7, 0,',6<1&7[6: 07& 00&&21752/ 21 00&0$67(5 ,17 0$&+,1(7<3( 7$3( 6<60,',SDJLQD >6+,)7@>6<67(0 352-(&7 @→ &85625 →>)@ 0,', 0,',7+58&2162/( 287 $'$7 ,1387
',*,7$/
$OVHUHHQ$'$76<1&NDEHODDQJHVORWHQLV]RDOVLQGHERYHQVWDDQGHLOOXVWUDWLHGDQRQWYDQJWGH$'$7DXWRPDWLVFK GHVDPSOHFORFNYLDGH6<1&NDEHOHQYHUVFKLMQWHU´&/2&. (;7µLQ]·QGLVSOD\ $'$7;7/; $OVGLWQLHW YHUVFKLMQWNLMNGDQGHDDQVOXLWLQJHQQDHQVWDUWGHDSSDUDWXXURSQLHXZRS
8
(6) Een recorder van de TASCAM DA-serie aansluiten op de VM-7200/7100 en het systeem aansturen met de VM-C7200/C7100 $XGLRRYHUGUDJHQYLDHHQGLJLWDOHYHUELQGLQJWXVVHQGH7$6&$0'$HQGH90 8NXQWGH7$6&$0'$DDQVWXUHQPHWGH7UDQVSRUWWRHWVHQ 3OD\6WRS YDQGH90&
7$6&$0'$UHFRUGHU '$ ■ Aansluiting fig.06
VM-C720 1-8
DIF-AT
R-BUS
SYNC
S C -LINK
T
POWER
C
T TDIF
S T SYNC IN
TASCAM DA-serie
S
Sampling Clock
C
Controlesignaal
T
Tijdcode
■ Benodigde apparatuur 90>XLWJHUXVWPHW90( DSDUWYHUNRFKW @90&&',)$77$6&$0'$ 7',)NDEHO 3:' 6<1&NDEHO 3:6 ■ Het systeem opstarten 6OXLWGHWRHVWHOOHQDDQHQ]HW]HDDQLQGH]HYROJRUGH '$ ➔903URFHVVRUV➔90&&&RQVROH ■ Instellingen 90&& 5%86&21),*SDJLQD
>6+,)7@>6<67(0 352-(&7 @→ &85625 →>)@ 6<67(0&21),* → >3$*('2:1@ 5%86 ',)$7&21752/7$5*(7 '$ 6<6',*,7$/SDJLQD >6+,)7@>6<67(0 352-(&7 @→ &85625 →>)@ ',*,7$/,2 :25'&/2&.6285&( 08/7, 6<66<1&00&SDJLQD >6+,)7@>6<67(0 352-(&7 @→ &85625 →>)@ 6<1&&/2&. 6<1&0$67(5 (;708/7, 00&0$67(5 ,17 0$&+,1(7<3( 7$3( 7$6&$0'$ 0$&+,1(,' &/2&. ',*,7$/,1
'$ '$ ,17 21
9
(7) Meerdere (2) TASCAM DA-recorders aansluiten op en via word clock synchroniseren met de VM-7200/7100 7UDQVIHUULQJDXGLRYLDGLJLWDOFRQQHFWLRQEHWZHHQWKH7$6&$0'$VHULHVDQGWKH90 8NXQWGH7$6&$0'$UHFRUGHUDDQVWXUHQPHWGH7$6&$05&
7$6&$0'$UHFRUGHU '$ ■ Aansluiting fig.08
COMPUTER (MIDI-sequencer)
WORD CLOCK MASTER
MIDI INTERFACE
TASCAM RC-848
S C
MIDI IN MIDI IN
T
1-8
DIF-AT R-BUS POWER
9-16 -LINK
TDIF S
(AES/EBU) IN/OUT of DIGITAL A IN/OUT
WORD SYNC IN SYNC IN SYNC OUT
DIGITAL IN/OUT
TCS S
DAT-recorder
MIDI OUT
TASCAM DA-serie
T DIF-AT R-BUS POWER
S
Sampling Clock
C
Controlesignaal
T
Tijdcode
TDIF
SYNC IN
TASCAM DA-serie (CHASE)
■ Benodigde apparatuur 90>XLWJHUXVWPHW90( DSDUWYHUNRFKW @90&&',)$77$6&$0'$ 7',)NDEHOV 3:' 6<1&NDEHOV 3:6 5&5&5HPRWHNDEHO0,',NDEHO
6<6\QFKURQL]HU%RDUGLVQRRG]DNHOLMNRP0,',WHJHEUXLNHQPHWGH'$
'$7UHFRUGHU0,',VHTXHQFHU LQGLHQQRGLJ ■ Het systeem opstarten 6OXLWGHWRHVWHOOHQDDQHQ]HW]HDDQLQGH]HYROJRUGH '$ VWHHQGHWRHVWHO ➔903URFHVVRUV➔90&&&RQVROH ■ Instellingen 90&& 5%86&21),*SDJLQD >6+,)7@>6<67(0 352-(&7 @→ &85625 →>)@ 6<67(0&21),* →>3$*('2:1@ 5%86 ',)$7&21752/7$5*(7 '$ VWHHQGHWRHVWHO 6<6',*,7$/SDJLQD >6+,)7@>6<67(0 352-(&7 @→ &85625 →>)@ ',*,7$/,2 :25'&/2&.6285&( 08/7, 6<66<1&00&SDJLQD >6+,)7@>6<67(0 352-(&7 @→ &85625 →>)@ 6<1&&/2&. 6<1&0$67(5 (;707& )5$0(7<3( LQRYHUHHQVWHPPLQJPHWGH'$ 6WDQGDDUGLQVWHOOLQJRSGH'$ LV ') ' 6<60,',SDJLQD >6+,)7@>6<67(0 352-(&7 @→ &85625 →>)@ 0,', 0,',7+58&2162/( 7+58 'UXNRS>3/$<@HQZDFKWRSGHELQQHQNRPHQGHWLMGFRGH
10
7$6&$0'$ VWHWRHVWHO 0$&+,1(,' &/2&. ',*,7$/,1 GHWRHVWHO FKDVH
'$ '$ :25' 21
0$&+,1(,' '$ '$ &+$6( 21 ',*,7$/,1 21 'H90&&NDQQLHWDDQJHVWXXUGZRUGHQPHWGH>3/$<@HQ>6723@WRHWVHQYDQGH5&2P]H V\QFKURRQWHODWHQORSHQGUXNWXRS>3/$<@RSGH90&&HQZDFKWXRSGHWLPHFRGHHQYHUYROJHQVGUXNW XRS>3/$<@YDQGH5& ■ De DA-98 en de VM-7200/7100 met elkaar verbinden via word clock 'HVDPSOLQJFORFNYDQGH7$6&$0'$UHFRUGHUHQGH90V\QFKURQLVHUHQGRRUPLGGHOYDQHHQH[WHUQ:25' &/2&.0$67(5WRHVWHOLVPRJHOLMNRSGHYROJHQGHPDQLHU,QGLWJHYDO]LMQGHURXWLQJVYDQGHGLJLWDOHDXGLRGDWD YLD5%86HQ7',) HQYDQGHVDPSOLQJFORFN YLDZRUGFORFNNDEHO YHUVFKLOOHQG$OVGHYHUWUDJLQJYDQGHVLJQDOHQLQHHQ YDQGHURXWLQJVWHJURRWLVGDQNXQQHQGHWRHVWHOOHQXLWV\QFJHUDNHQHQRQJHZHQVWHJHOXLGHQSURGXFHUHQ • 2PPHHUGHUH'$UHFRUGHUVDDQWHVOXLWHQYLDZRUGFORFNV\QFKURQLVDWLHUDGHQZHGHPHWKRGHYDQSDDQ • *HEUXLNYRRUGHYHUELQGLQJWXVVHQ:25'&/2&.287YDQGH90HQ:25'6<1&,1YDQGH '$ HHQZRUGFORFNNDEHOGLHNRUWHULVGDQPHWHU fig.082
WORD CLOCK MASTER S S (Korter dan 5meter) WORD
WORD 1-8
DIF-AT R-BUS POWER
VM-LINK TDIF
S
Sampling Clock
WORD SYNC IN
TASCAM DA-serie
,QGLWJHYDOPRHWXGHFORFNVRXUFHRSGH90DOVYROJWLQVWHOOHQ 6<6',*,7$/SDJLQD >6+,)7@>6<67(0 352-(&7 @→ &85625 →>)@ ',*,7$/,2 :25'&/2&.6285&( :25'&/2&.,1 'HDQGHUHLQVWHOOLQJHQ]LMQKHW]HOIGHDOVKLHUERYHQYHUPHOG $OVKHWZRUGFORFNVLJQDDOYDQGH:25'&/2&.0$67(5UHFKWVWUHHNVQDDUGH'$ ZRUGWJHVWXXUGGDQKLV GHIDVHYHUVFKLOOHQGHYDQGHGLJLWDOHDXGLRGDWDHQNDQHUQLHWJHV\QFKURQLVHHUGZRUGHQ6WXXUKHWYDQXLW:25' &/2&.287RSGH90QDDU:25'6<1&,1RSGH'$ +LHURQGHU]LHWXGHIDVHVYDQ:25'&/2&.,1287RSGH90HQGHGLJLWDOHDXGLRGDWDYDQGH5%867',) fig.083
WORD CLOCK MASTER OUT / VM-7200/7100 WORD CLOCK IN VM-7200/7100 WORD CLOCK OUT / DA-98 WORD SYNC IN R-BUS / TDIF DIGITAL AUDIO DATA MSB van oneven kanaal
MSB van even kanaal
$OVHUJHHQH[WHUQZRUGFORFNWRHVWHOZRUGWJHEUXLNWYHUELQGGDQGH:25'&/2&.287RSGH90 PHWGH:25'6<1&,1RSGH'$ HQVWHOWORD CLOCK SOURCE op de VM-7200/7100 LQRS INTERNAL
11
(8) Meerdere (2) TASCAM DA-recorders aansluiten op en synchroniseren met de VM-7200/7100 $XGLRRYHUGUDJHQYLDHHQGLJLWDOHYHUELQGLQJWXVVHQGH7$6&$0'$UHFRUGHUHQGH90 8NXQWGH7$6&$0'$UHFRUGHUDDQVWXUHQPHWGH7UDQVSRUWWRHWVHQ 3OD\6WRS YDQGH90&
7$6&$0'$UHFRUGHU '$ ■ Aansluiting fig.07
VM-C720 1-8
DIF-AT
SYNC
R-BUS
C
POWER
C
T
T 9-16
-LINK
TDIF
TC
MIDI OUT
(AES/EBU) IN/OUT of DIGITAL A IN/OUT
S T SYNC IN SYNC OUT
MIDI IN DIGITAL IN/OUT S
MIDI INTERFACE
T CS TASCAM DA-recorder (1ste toestel) DIF-AT
DAT-recorder R-BUS
POWER
COMPUTER (Sequencer) TDIF
S
Sampling Clock
C
Controlesignaal
T
Tijdcode
SYNC IN TASCAM DA-recorder (2de toestel) (CHASE)
■ Benodigde apparatuur 90>XLWJHUXVWPHW90( DSDUWYHUNRFKW @90&&',)$77$6&$0'$ 7',)NDEHOV 3:' 6<1&NDEHOV 3:6
'$7UHFRUGHU0,',VHTXHQFHU LQGLHQQRGLJ ■ Het systeem opstarten 6OXLWGHWRHVWHOOHQDDQHQ]HW]HDDQLQGH]HYROJRUGH '$ VWHHQGHWRHVWHO ➔903URFHVVRUV➔90&&&RQVROH ■ Instellingen 90&& 5%86&21),*SDJLQD >6+,)7@>6<67(0 352-(&7 @→ &85625 →>)@ 6<67(0&21),* →>3$*('2:1@ 5%86 ',)$7&21752/7$5*(7 '$ VWHHQGHWRHVWHO 6<6',*,7$/SDJLQD >6+,)7@>6<67(0 352-(&7 @→ &85625 →>)@ ',*,7$/,2 :25'&/2&.6285&( 08/7, 6<66<1&00&SDJLQD >6+,)7@>6<67(0 352-(&7 @→ &85625 →>)@ 6<1&&/2&. 6<1&0$67(5 (;708/7, 0,',6<1&7[6: 07& 00&&21752/ 21 00&0$67(5 ,17 0$&+,1(7<3( 7$3( 6<60,',SDJLQD >6+,)7@>6<67(0 352-(&7 @→ &85625 →>)@ 0,', 0,',7+58&2162/( 287 7$6&$0'$ VWHWRHVWHO 0$&+,1(,'
12
'$ '$
GHWRHVWHO FKDVH • 0$&+,1(,' • &+$6(
'$ '$ 21
(9) Een ADA-7000 aansluiten op de VM-7200/7100 (HQ$'$DDQVOXLWHQRSGH90RPDQDORJHLQSXWVHQRXWSXWVWRHWHYRHJHQ ■ Aansluiting fig.10
VM-C7200/C7100
ADA-7000
VM-7200/7100 1-8 VM-LINK
S
R-BUS
S S 17-24
9-16 R-BUS
ADA-7000
R-BUS ADA-7000
S
Sampling Clock
■ Benodigde apparatuur 90>XLWJHUXVWPHW90( DSDUWYHUNRFKW @90&&$'$ ■ Het systeem opstarten 6OXLWGHWRHVWHOOHQDDQHQ]HW]HDDQLQGH]HYROJRUGH $'$➔903URFHVVRUV➔90&&&RQVROH ■ Instellingen 90&& 6<6',*,7$/SDJLQD >6+,)7@>6<67(0 352-(&7 @→ &85625 →>)@ ',*,7$/,2 :25'&/2&.6285&( ,17(51$/
8NXQWGH$'$LQVWHOOHQYLDGHGLVSOD\YDQGH90&&9HURIODWHU 5%86&21),*SDJLQD &/2&.6285&( $'$
>6+,)7@>6<67(0 352-(&7 @→ &85625 →>)@ 6<67(0&21),* →>3$*('2:1@ 5%86 5%86
&/2&.6285&( 5%86
13
(10) ProTools en twee 888 I/O’s aansluiten op de VM-7200/7100 via AES/EBU $XGLRRYHUGUDJHQYLDHHQGLJLWDOHYHUELQGLQJWXVVHQGH,2HQGH90 ■ Aansluiting fig.09
S
WORD CLOCK IN
WORD CLOCK MASTER
USD S
S
N
R-BUS 1-8
SUPER CLOCK OUT
DIGITAL INPUT (AES/EBU) AE-7000
S DIGITAL OUTPUT (AES/EBU)
VM-LINK 9-16
of DIGITAL A IN/OUT
S
SLAVE CLOCK IN
AES/EBU IN 888 I/O
S DIGITAL IN/OUT
AES/EBU OUT DIGITAL INPUT (AES/EBU) AE-7000
DAT Recorder
R-BUS DIGITAL OUTPUT (AES/EBU) SLAVE CLOCK IN
AES/EBU IN 888 I/O(CASCADE)
S
Sampling Clock AES/EBU OUT
ProTools
■ Benodigde apparatuur 90>XLWJHUXVWPHW90( DSDUWYHUNRFKW @90&&$(,2 3UR7RROVV\VWHP 86':25' &/2&.0$67(5WRHVWHO
0,',LQWHUIDFH0,',NDEHO'$7UHFRUGHU LQGLHQQRGLJ ■ Het systeem opstarten 6OXLWGHWRHVWHOOHQDDQHQ]HW]HDDQLQGH]HYROJRUGH 3UR7RROV➔903URFHVVRUV➔90&&&RQVROH ■ Instellingen 90&& 6<6',*,7$/SDJLQD >6+,)7@>6<67(0 352-(&7 @→ &85625 →>)@ ',*,7$/,2 :25'&/2&.6285&( :25'&/2&.
8NXQWGH$(LQVWHOOHQYLDGHGLVSOD\YDQGH90&&9HURIODWHU 5%86&21),*SDJLQD >6+,)7@>6<67(0 352-(&7 @→ &85625 →>)@ 6<67(0&21),* →>3$*('2:1@ 5%86 &/2&.6285&( 5%86 $( &/2&.6285&(
5%86
3UR7RROV86' 6WHOGHUHIHUHQWLHNORNYDQGH86'LQRSZRUGFORFN &ORFN5HI
14
'LJLWDO :RUG&ORFN
$OVXKHWH[WHUQHZRUGFORFNWRHVWHOQLHWJHEUXLNWYHUELQGGDQ:25'&/2&.287RSGH90PHWGH86'HQVWHO WORD CLOCK SOURCE op de VM-7200/7100 LQRS INTERNAL ■ Instellingen voor Time Code (MTC)-synchronisatie 9HUELQG0,',287YDQGH3UR7RROVPHW0,',,1YDQGH90&&YLDHHQ0,',NDEHO 90&& 6<66<1&00&SDJLQD >6+,)7@>6<67(0 352-(&7 @→ &85625 →>)@ 6<1&&/2&. 6<1&0$67(5 (;707& 'UXNRS>3/$<@HQZDFKWRSGHELQQHQNRPHQGHWLMGFRGH 3UR7RROV 6WHOLQZHONW\SHYDQ07& 0,',7,0(&2'( XZLOYHU]HQGHQ
15
(11) Een computer-gebaseerd opnamesysteem aansluiten op de VM-7200/7100 via een ADAT-interface $XGLRRYHUGUDJHQYLDHHQGLJLWDOHYHUELQGLQJWXVVHQHHQFRPSXWHUJHEDVHHUGRSQDPHV\VWHHPPHW$'$7LQWHUIDFHHQGH 90 ■ Aansluiting fig.11
WORD CLOCK MASTER VM-C720 K OUT M-LINK
1-8 POWER
R-BUS IN adat OPTICAL OUT AUDIO INTERFACE (adat OPTICAL INTERFACE)
T T
Time Code
MIDI OUT
OUT IN
WORD CLOCK IN
Opnamesysteem op PC
MIDI INTERFACE
■ Benodigde apparatuur 90>XLWJHUXVWPHW90( DSDUWYHUNRFKW @90&&',)$7FRPSXWHUJHEDVHHUGRSQDPHV\VWHHP $'$7LQWHUIDFH :25'&/2&.0$67(5WRHVWHO0,',LQWHUIDFH0,',NDEHOHQ]
$'$7LQWHUIDFH 'LJLGHVLJQ$'$7%ULGJH,20DUNRIWKH8QLFRUQ$8',2,17(5)$&(HQ] ■ Het systeem opstarten 6OXLWGHWRHVWHOOHQDDQHQ]HW]HDDQLQGH]HYROJRUGH &RPSXWHUJHEDVHHUGRSQDPHV\VWHHP➔903URFHVVRUV➔90&&&RQVROH ■ Instellingen 90&& 5%86&21),*SDJLQD >6+,)7@>6<67(0 352-(&7 @→ &85625 →>)@ 6<67(0&21),* →>3$*('2:1@ 5%86 ',)$7&21752/7$5*(7 $'$7 2 Sampling clock master: External word clock 90&& 6<6',*,7$/SDJLQD >6+,)7@>6<67(0 352-(&7 @→ &85625 →>)@ ',*,7$/,2 :25'&/2&.6285&( :25'&/2&.,1 &RPSXWHUJHEDVHHUGRSQDPHV\VWHHP 6WHOGHVDPSOLQJFORFNVRXUFHLQRS:25'&/2&.,1RI237,&$/,1 2 Sampling clock master: VM-7200/7100 90&& 6<6',*,7$/SDJLQD >6+,)7@>6<67(0 352-(&7 @→ &85625 →>)@ ',*,7$/,2 :25'&/2&.6285&( ,17(51$/ &RPSXWHUJHEDVHHUGRSQDPHV\VWHHP 6WHOGHVDPSOLQJFORFNVRXUFHLQRS237,&$/,1$OVGHZRUGFORFNDDQJHVORWHQLV]RDOVGHVWLSSHOOLMQLQERYHQVWDDQGH ILJXXUDDQJHHIWVWHOGDQGHVDPSOLQJFORFNVRXUFHLQRS:25'&/2&.,1 2 Sampling clock master: Computer-gebaseerd opnamesysteem 90&& 6<6',*,7$/SDJLQD >6+,)7@>6<67(0 352-(&7 @→ &85625 →>)@ ',*,7$/,2 :25'&/2&.6285&( 08/7, &RPSXWHUJHEDVHHUGRSQDPHV\VWHHP 6WHOGHVDPSOLQJFORFNVRXUFHLQRS,17(51$/ ● De MTC (MIDI Time Code) ontvangen van het opnamesysteem 90&& 6<66<1&00&SDJLQD>6+,)7@>6<67(0 352-(&7 @→ &85625 →>)@ 6<1&&/2&. 6<1&0$67(5 (;707& 'UXNRS>3/$<@HQZDFKWRSGHELQQHQNRPHQGHWLMGFRGH &RPSXWHUJHEDVHHUGRSQDPHV\VWHHP 6WHOLQZHONW\SHYDQ07& 0,',7LPH&RGH XZLOYHU]HQGHQ
16
(12) Een VSR-880 aansluiten op de VM-3100Pro $XGLRRYHUGUDJHQYLDHHQGLJLWDOHYHUELQGLQJWXVVHQGH965HQGH903UR 8NXQWGH965DDQVWXUHQPHWGH7UDQVSRUWWRHWVHQ 3OD\6WRS YDQGH903UR ■ Aansluiting fig.12
VM-3100Pro VSR-880 R-BUS S S
Sampling Clock
C
Controlesignaal
T
Tijdcode
C T
■ Benodigde apparatuur 903UR965>LQWHUQH,'(KDUGGLVNJHwQVWDOOHHUG@ ■ Het systeem opstarten 6OXLWGHWRHVWHOOHQDDQHQ]HW]HDDQLQGH]HYROJRUGH 965➔903UR ■ Instellingen 903UR 6<67(035()SDJLQD >6<67(0@ 0DVWHU&ON ,17(51$/ /RFDWRU7\SH 7,0(&2'( 5HFRUGHU7\SH +' 6<67(00,',SDJLQD >6<67(0@→>))212))@→>)@ 0,', 'HYLFH,' LQRYHUHHQVWHPPLQJPHW0,' 'HYLFH,'RSGH965 7LPLQJ0RQ 7,0(&2'( 7&)PW 1' LQRYHUHHQVWHPPLQJPHW6\Q 07&7\SHRSGH965 7UDQVSRUW 5(&25'(5 (=5287SDJLQD >(=5287,1*@→>))212))@→>)@ 287 → &85625 'HRXWSXWYDQGHNDQDOHQUHFKWVWUHHNVQDDU5%86]HQGHQ 7U &+ • 7U &+ 7U &+ • 7U &+ 965 >6+,)7@>6<67(0 @→→´6<66\VWHP350"µ→>(17<(6@→ 3$5$0(7(5> @> @ 6<6 0DVWHU&ON 5%86 >6+,)7@>6<67(0 @→→´6<60,',350"µ→>(17<(6@→ 3$5$0(7(5> @> @ 0,' 'HYLFH,' LQRYHUHHQVWHPPLQJPHW0,' 'HYLFH,'RSGH965 0,' 00& 2II5%86 >6+,)7@>6<67(0 @→→´6<66\QF7HPSR350"µ→>(17<(6@→ 3$5$0(7(5> @> @ 6\Q 6RXUFH ,17 6\Q *HQ 5%86 6\Q 07&7\SH LQRYHUHHQVWHPPLQJPHW7&)PWRSGH903UR >/(9(/%$/$1&(@→ 3$5$0(7(5> @> @ 067'LUHFW2XW 2Q >6+,)7@>,10,; /(9(/%$/$1&( @→ 3$5$0(7(5> @> @ →´,QSXW µ→>6+,)7@67$786>@²>@ ,1 ,QSXW 5%86
1DDVW3OD\HQ6WRSNXQWXRRNGHYROJHQGHIXQFWLHVYDQGH965DDQVWXUHQYDQXLWGH903UR 9RRUGHWDLOV]LH´965 'H903URDDQVOXLWHQµ +DQGOHLGLQJ965 3OD\EDFN7LPH >6+,)7@>/(9(/0(7(5 %,*7& @→9DOXHGLDO 6FUXE >6+,)7@>/(9(/0(7(5 %,*7& @→+ROG> @→6ZLWFKWUDFNVZLWK>6(/(&7@ 6RQJ6HOHFW 9RHUGH]HIXQFWLHXLWPHWDOOHIDGHUVGLFKW >/(9(/0(7(5@→>))212))@→>)@ 075 →>))212))@→>)@ 621* → 6HOHFWHHUHHQVRQJPHWGHYDOXHGLDO→>(17(5<(6@ 6RQJ6WRUH >6+,)7@> @→>(17(5<(6@
17
(13) Een ADAT aansluiten op de VM-3100Pro $XGLRRYHUGUDJHQYLDHHQGLJLWDOHYHUELQGLQJWXVVHQGH$'$7HQGH903UR 8NXQWGH$'$7DDQVWXUHQPHWGH7UDQVSRUWWRHWVHQ 3OD\6WRS YDQGH903UR ■ Aansluiting fig.13
VM-3100Pro R-BUS
DIF-AT
SYNC S
S C
POWER
C
T IN
OUT OPTICAL
OUT
IN
T
SYNC IN S
Sampling Clock
C
Controlesignaal
T
Tijdcode
adat
■ Benodigde apparatuur 903UR',)$7$'$7 ■ Het systeem opstarten 6OXLWGHWRHVWHOOHQDDQHQ]HW]HDDQLQGH]HYROJRUGH $'$7➔903UR ■ Instellingen 903UR 6<67(035()SDJLQD >6<67(0@ 0DVWHU&ON ,17(51$/ /RFDWRU7\SH 7,0(&2'( 5HFRUGHU7\SH 7$3( 1DGDWXGH903URKHEWRSJHVWDUW]HOIVDOVGH0DVWHU&ONRS´,17(51$/µVWDDWPRHWXPHWGHYDOXHGLDOHHUVW HHQDQGHUHLQVWHOOLQJNLH]HQHQGDQRSQLHXZ´,17(51$/µLQVWHOOHQRPGHLQVWHOOLQJDFWLHIWHPDNHQ 6<67(00,',SDJLQD >6<67(0@→>))212))@→>)@ 0,', 7LPLQJ0RQ 7,0(&2'( 7UDQVSRUW 5(&25'(5 ',)$735() >/(9(/0(7(5@→>))212))@→>)@ 075 →>))212))@→>)@ 35() &ORFN6HO 50'% $XGLR6HO DGDW 7&0DVWHU DGDW 'HWLMGFRGHYDQGH',)$7RYHUEUHQJHQQDDUGH903URHQ]HDOV07& 0,',WLPHFRGH XLWVWXUHQYLDGH0,', 287YDQGH903UR 7KUX7R07& 21 8NXQWGHWUDFNVWDWXVYDQGH$'$7YHUDQGHUHQYDQXLWGH903UR 5(&75$&.6(/SDJLQD>/(9(/0(7(5@→>))212))@→>)@ 075 →>6(/(&7@ (=5287SDJLQD >(=5287,1*@→>))212))@→>)@ 287 → &85625 'HRXWSXWYDQGHNDQDOHQUHFKWVWUHHNVQDDU5%86VWXUHQ 7U &+ 7U &+ 7U &+ 7U &+ $'$7 ,1387
',*,7$/
'H903URZHUNWHQNHOPHWHHQVDPSOHUDWHYDQN+]HQHU]LMQHQNHOHEHSHUNLQJHQYRRUKHWGLJLWDDO DDQVOXLWHQYDQGH$'$7YLDGH',)$79RRUGHGHWDLOV]LHKDQGOHLGLQJ903URS
18
(14) Een TASCAM DA-recorder aansluiten op de VM-3100Pro $XGLRRYHUGUDJHQYLDHHQGLJLWDOHYHUELQGLQJWXVVHQGH7$6&$0'$UHFRUGHUHQGH903UR 8NXQWGH7$6&$0'$UHFRUGHUDDQVWXUHQPHWGH7UDQVSRUWWRHWVHQ 3OD\6WRS YDQGH903UR
7$6&$0'$UHFRUGHU '$ ■ Aansluiting fig.14
VM-3100Pro R-BUS
DIF-AT SYNC
S C
POWER
C
T TDIF
S T
SYNC IN S
Sampling Clock
C
Controlesignaal
T
Tijdcode
TASCAM DA-recorder
■ Benodigde apparatuur 903UR',)$77$6&$0'$ 7',)NDEHO 3:' 6<1&NDEHO 3:6 ■ Het systeem opstarten 6OXLWGHWRHVWHOOHQDDQHQ]HW]HDDQLQGH]HYROJRUGH 7$6&$0'$UHFRUGHU➔903UR ■ Instellingen 903UR ',)$735() &ORFN6HO $XGLR6HO 7&0DVWHU
>/(9(/0(7(5@→>))212))@→>)@ 075 →>))212))@→>)@ 35() '$ '$ '$
'HWLMGFRGHYDQGH',)$7RYHUEUHQJHQQDDUGH903URHQ]HDOV07& 0,',WLPHFRGH XLWVWXUHQYLDGH0,', 287YDQGH903UR 7KUX7R07& 21 6<67(035()SDJLQD >6<67(0@ 0DVWHU&ON 50'% /RFDWRU7\SH 7,0(&2'( 5HFRUGHU7\SH 7$3( 6<67(00,',SDJLQD >6<67(0@→>))212))@→>)@ 0,', 7LPLQJ0RQ 7,0(&2'( 7UDQVSRUW 5(&25'(5 (=5287SDJLQD >(=5287,1*@→>))212))@→>)@ 287 → &85625 'HRXWSXWYDQGHNDQDOHQUHFKWVWUHHNVQDDU5%86VWXUHQ 7U &+ 7U &+ 7U &+ 7U &+ 8NXQWGHWUDFNVWDWXVYDQGH7$6&$0'$UHFRUGHUYHUDQGHUHQYDQXLWGH903UR 5(&75$&.6(/SDJLQD>/(9(/0(7(5@→>))212))@→→>)@ 075 →>6(/(&7@ 7$6&$0'$ &/2&. ',*,7$/,1
,17 21
'H903URZHUNWHQNHOPHWHHQVDPSOHUDWHYDQN+]'HFDVVHWWHYRRUGH7$6&$0'$UHFRUGHUPRHWGXV JHIRUPDWWHHUGZRUGHQYRRUN+]
19
(15) Een ADA-7000 aansluiten op de VM-3100Pro 'H$'$DDQVOXLWHQRSGH903URRPDQDORJHLQSXWVHQRXWSXWVWRHWHYRHJHQ ■ Aansluiting fig.16
VM-3100Pro ADA-7000 R-BUS S
S
Sampling Clock
■ Benodigde apparatuur 903UR$'$ ■ Het systeem opstarten 6OXLWGHWRHVWHOOHQDDQHQ]HW]HDDQLQGH]HYROJRUGH $'$➔903UR ■ Instellingen 903UR 6<67(035()SDJLQD>6<67(0@ 0DVWHU&ON $'$
&/2&.6285&( 5%86
20
,17(51$/
(16) ProTools en de 888 I/O aansluiten op de VM-3100Pro via AES/EBU $XGLRRYHUGUDJHQYLDHHQGLJLWDOHYHUELQGLQJWXVVHQGH,2 3UR7RROV HQGH903UR ■ Aansluiting fig.15
DIGITAL OUTPUT (AES/EBU) VM-3100Pro AE-7000 R-BUS
B/C/D
S DIGITAL INPUT A (AES/EBU)
S AES/EBU OUT 888 I/O
AES/EBU IN
S
Sampling Clock
ProTools
■ Benodigde apparatuur 903UR$(,2 3UR7RROVV\VWHHP ■ Het systeem opstarten 6OXLWGHWRHVWHOOHQDDQHQ]HW]HDDQLQGH]HYROJRUGH 3UR7RROV➔903UR ■ Instellingen 903UR 6<67(035()SDJLQD 0DVWHU&ON $( &/2&.6285&(
>6<67(0@ 50'% ,1387$
,2 3UR7RROV 6WHOGHVDPSOLQJFORFNVRXUFHLQRSInternal.
'H903URZHUNWHQNHOPHWHHQVDPSOHUDWHYDQN+]'HDDQJHVORWHQDSSDUDWXXUPRHWHYHQHHQVPHWHHQVDPSOHUDWH YDQN+]ZHUNHQ
21
(17) Een computer-gebaseerd opnamesysteem aansluiten op de VM-3100Pro via een ADAT-interface $XGLRRYHUGUDJHQYLDHHQGLJLWDOHYHUELQGLQJWXVVHQHHQFRPSXWHUJHEDVHHUGRSQDPHV\VWHHPPHW$'$7LQWHUIDFHHQGH 903UR ■ Aansluiting fig.17
VM-3100Pro R-BUS POWER
S IN
OUT
adat OPTICAL S OUT
IN AUDIO INTERFACE (adat OPTICAL INTERFACE)
PC-based Recorder
S
Sampling Clock
■ Benodigde apparatuur 903UR',)$7FRPSXWHUJHEDVHHUGRSQDPHV\VWHHP XLWJHUXVWPHW$'$7LQWHUIDFH 0,',LQWHUIDFH0,',NDEHO ■ Het systeem opstarten 6OXLWGHWRHVWHOOHQDDQHQ]HW]HDDQLQGH]HYROJRUGH &RPSXWHUJHEDVHHUGRSQDPHV\VWHHP➔903UR ■ Instellingen 903UR ',)$735() >/(9(/0(7(5@→>))212))@→>)@ 075 →>))212))@→>)@ 35() &ORFN6HO 50'% $XGLR6HO $'$7 6<67(035()SDJLQD >6<67(0@ 0DVWHU&ON ,17(51$/ (=5287SDJLQD >(=5287,1*@→>))212))@→>)@ 287 → &85625 'HRXWSXWYDQGHNDQDOHQUHFKWVWUHHNVQDDU5%86VWXUHQ 7U &+ 7U &+ 7U &+ 7U &+ &RPSXWHUJHEDVHHUGRSQDPHV\VWHHP 6WHOGHVDPSOLQJFORFNVRXUFHLQRS$'$7237,&$/ 2 Sampling clock master: Computer-based recording system 903UR ',)$735() >/(9(/0(7(5@→>))212))@→>)@ 075 →>))212))@→>)@ 35() &ORFN6HO $'$7 $XGLR6HO $'$7 6<67(035()SDJLQD >6<67(0@ 0DVWHU&ON 50'% &RPSXWHUJHEDVHHUGRSQDPHV\VWHHP 6WHOGHVDPSOLQJFORFNVRXUFHLQRS´,QWHUQDOµ
'H903URZHUNWHQNHOPHWHHQVDPSOHUDWHYDQN+]'HDDQJHVORWHQDSSDUDWXXUPRHWHYHQHHQVPHWHHQVDPSOHUDWH YDQN+]ZHUNHQ
22
(18) Een ADAT aansluiten op de VSR-880 $XGLRRYHUGUDJHQYLDHHQGLJLWDOHYHUELQGLQJWXVVHQGH$'$7HQGH965 8NXQWGH$'$7DDQVWXUHQPHWGH7UDQVSRUWWRHWVHQ 3OD\6WRS YDQGH965 ■ Aansluiting fig.18
VSR-880
R-BUS
DIF-AT
SYNC
S C
POWER
T
S C
OUT
IN
OPTICAL
S
Sampling Clock
C
Controlesignaal
T
Tijdcode
IN
OUT
T
SYNC IN adat
■ Benodigde apparatuur 965>LQWHUQH,'(KDUGGLVNJHwQVWDOOHHUG@',)$7$'$7 ■ Het systeem opstarten 6OXLWGHWRHVWHOOHQDDQHQ]HW]HDDQLQGH]HYROJRUGH $'$7➔965 ■ Instellingen 965 >6+,)7@>6<67(0 @→→´6<66\VWHP350"µ→>(17<(6@→ 3$5$0(7(5> @> @ 6<6 0DVWHU&ON ,17→>(17<(6@ >6+,)7@>6<67(0 @→→´6<60,',350"µ→>(17<(6@→ 3$5$0(7(5> @> @ 0,' 00& 0$67(5 >6+,)7@>6<67(0 @→→´6<66\QF7HPSR350"µ→>(17<(6@→ 3$5$0(7(5> @> @ 6\Q 6RXUFH (;7 6\Q ,Q6HO 5%86 >/(9(/%$/$1&(@→ 3$5$0(7(5> @> @ 067'LUHFW2XW 2Q >6+,)7@>,10,; /(9(/%$/$1&( @→ 3$5$0(7(5> @> @ →´,QSXW µ→>6+,)7@67$786>@²>@ ,1 ,QSXW 5%86 $'$7 ,1387
',*,7$/
=RUJGDWGH$'$7HQGH965GH]HOIGHVDPSOHUDWHKHEEHQ 2 Opnemen van de VSR-880 naar de ADAT 1. =HWGHWUDFNVWDWXVYDQGH965RS3/$< 2. =HWGHWUDFNVWDWXVYDQGH$'$7RS5(& 3. 6WDUWGHZHHUJDYHRSGH965 4. :DQQHHUGH$'$7LQSLNWRSKHW6\QFVLJQDDOHQGH>3/$<@LQGLFDWRUVWRSWPHWNQLSSHUHQHQJHZRRQEOLMIWEUDQGHQKRXG GDQRSGH$'$7>3/$<@LQJHGUXNWHQGUXNRS>5(&25'@ 5. 2PGHRSQDPHWHVWRSSHQGUXNWXRS>6723@RSGH965 2 Opnemen van de ADAT naar de VSR-880 1. =HWGHWUDFNVWDWXVYDQGH965RS5(& 2. =HWGHVWDWXVYDQDOOHVSRUHQRSGH$'$7RS3/$< $OVHUHHQRS5(&VWDDW]DOGH$'$7EHJLQQHQRSQHPHQ 3. =HWGHLQSXWNDQDOHQYDQGHRSQDPHVSRUHQRS21 >6+,)7@>750,; (;76<1& @→ 3$5$0(7(5> @> @ →´$VVLJQµ 8YHUDQGHUWYDQVSRRUPHW>6+,)7@67$786>@²>@75$VVLJQ,1 2Q75$VVLJQ,1 2Q 4. 'UXNRS>5(&@HQ>3/$<@RSGH965 5. 2PGHRSQDPHWHVWRSSHQGUXNWXRS>6723@RSGH965 :DQQHHUGH965EHJLQWWHVSHOHQGXXUWKHWRQJHYHHUVHFYRRUGDWGH$'$7LQSLNWRSKHW6\QFVLJQDDO3DV YDQDIGDQNXQWXJHV\QFKURQLVHHUGRSQHPHQHQZHHUJHYHQ6WDUWGH965VRQJGXVPLQVWHQVVHFHHUGHUGDQKHW SXQWZDDUXHLJHQOLMNZLOEHJLQQHQRSQHPHQZHHUJHYHQ
23
(19) Een TASCAM DA-recorder aansluiten op de VSR-880 $XGLRRYHUGUDJHQYLDHHQGLJLWDOHYHUELQGLQJWXVVHQGH7$6&$0'$UHFRUGHUHQGH965 8NXQWGH7$6&$0'$UHFRUGHUDDQVWXUHQPHWGH7UDQVSRUWWRHWVHQ 3OD\6WRS YDQGH965
7$6&$0'$UHFRUGHU '$ ■ Aansluiting fig.19
VSR-880
R-BUS
DIF-AT SYNC
S C
POWER
T
C
TDIF S T S
Sampling Clock
C
Controlesignaal
T
Tijdcode
SYNC IN
TASCAM DA-recorder
■ Benodigde apparatuur 965>LQWHUQH,'(KDUGGLVNJHwQVWDOOHHUG@',)$7'$ ■ Het systeem opstarten 6OXLWGHWRHVWHOOHQDDQHQ]HW]HDDQLQGH]HYROJRUGH 7$6&$0'$UHFRUGHU➔965 ■ Instellingen 965 >6+,)7@>6<67(0 @→→´6<66\VWHP350"µ→>(17<(6@→ 3$5$0(7(5> @> @ 6<6 0DVWHU&ON 5%86→>(17<(6@ >6+,)7@>6<67(0 @→→´6<60,',350"µ→>(17<(6@→ 3$5$0(7(5> @> @ 0,' 00& 0$67(5 >6+,)7@>6<67(0 @→→´6<66\QF7HPSR350"µ→>(17<(6@→ 3$5$0(7(5> @> @ 6\Q 6RXUFH (;7 6\Q ,Q6HO 5%86 >/(9(/%$/$1&(@→ 3$5$0(7(5> @> @ 067'LUHFW2XW 2Q >6+,)7@>,10,; /(9(/%$/$1&( @→ 3$5$0(7(5> @> @ →´,QSXW µ→>6+,)7@67$786>@²>@ ,1 ,QSXW 5%86 '$ &/2&. ,17 ',*,7$/,1 21
)RUPDWWHHUGHFDVVHWWHYDQGH'$ YRRUGH]HOIGHVDPSOHUDWHDOVGLHYDQGH965 2 Opnemen van de VSR-880 naar de DA-98/88 1. =HWGHWUDFNVWDWXVYDQGH965RS3/$< 2. =HWGHWUDFNVWDWXVYDQGH'$ RS5(& 3. 6WDUWGHZHHUJDYHRSGH965 4. :DQQHHUGH'$ LQSLNWRSKHW6\QFVLJQDDOHQ>3/$<@EOLMIWEUDQGHQGUXNGDQRS>5(&25'@RSGH'$ 5. 2PGHRSQDPHWHVWRSSHQGUXNWXRS>6723@RSGH965 2 Opnemen van de DA-98/88 naar de VSR-880 1. =HWGHWUDFNVWDWXVYDQGH965RS5(& 2. =HWGHWUDFNVWDWXVYDQGH'$ RS3/$< 3. =HWGHLQSXWNDQDOHQYDQGHRSQDPHVSRUHQRS21 >6+,)7@>750,; (;76<1& @→ 3$5$0(7(5> @> @ →´$VVLJQµ 8YHUDQGHUWYDQVSRRUPHW>6+,)7@67$786>@²>@TR1 Assign IN1=On, TR2 Assign IN2=On, ... 4. 'UXNRS>5(&@HQ>3/$<@RSGH965 5. 2PGHRSQDPHWHVWRSSHQGUXNWXRS>6723@RSGH965 :DQQHHUGH965EHJLQWWHVSHOHQGXXUWKHWRQJHYHHUppQVHFRQGHYRRUGDWGH'$ LQSLNWRSKHW6\QF VLJQDDO3DVYDQDIGDQNXQWXJHV\QFKURQLVHHUGRSQHPHQHQZHHUJHYHQ6WDUWGH965VRQJHQNHOHVHFRQGHQ HHUGHUGDQKHWSXQWZDDUXHLJHQOLMNZLOEHJLQQHQRSQHPHQZHHUJHYHQ
24
(20) Een VSR-880 aansluiten op de VS-2480 $XGLRRYHUGUDJHQYLDHHQGLJLWDOHYHUELQGLQJWXVVHQGH965HQGH96 8NXQWGH965DDQVWXUHQYDQXLWGH96 ■ Aansluiting fig.19
VS-2480
VSR-880
R-BUS R-BUS1
S C T
S
Sampling Clock
C
Controlesignaal
T
Tijdcode
■ Benodigde apparatuur 96>LQWHUQH,'(KDUGGLVNJHwQVWDOOHHUG@965>LQWHUQH,'(KDUGGLVNJHwQVWDOOHHUG@ ■ Het systeem opstarten 6OXLWGHWRHVWHOOHQDDQHQ]HW]HDDQLQGH]HYROJRUGH 965➔96 ■ Instellingen 96 3URMHFWVVHWWLQJVFKHUP 0DVWHU&ORFN 0,',3DUDPHWHUVFKHUP 00&0RGH
>87,/,7<@→ 3DJH >) 3URM @→ ([ 5%86
][
>87,/,7<@→ 3DJH >) 0,', @→ ([ 0$67(5
][
][ ][
]) ][
][
]
6\QF7HPSRVFKHUP >87,/,7<@→ 3DJH >) 6<1& @→ ([ ][ ][ ][ ]) 6\QF0RGH (;7 (;76\QF6285&( 5%86 965 >6+,)7@>6<67(0 @→→´6<66\VWHP350"µ→>(17<(6@→ 3$5$0(7(5> @> @ 6<6 0DVWHU&ON ,17→>(17<(6@ >6+,)7@>6<67(0 @→→´6<60,',350"µ→>(17<(6@→ 3$5$0(7(5> @> @ 0,' 00& 2II5%86 >6+,)7@>6<67(0 @→→´6<66\QF7HPSR"µ→>(17<(6@→ 3$5$0(7(5> @> @ 6\Q 6RXUFH ,17 >/(9(/%$/$1&(@→ 3$5$0(7(5> @> @ 067'LUHFW2XW 2Q >6+,)7@>,10,; /(9(/%$/$1&( @→ 3$5$0(7(5> @> @ →´,QSXW µ→>6+,)7@67$786>@²>@ ,1 ,QSXW 5%86
=RUJGDWGH965HQGH96GH]HOIGHVDPSOHUDWHKHEEHQ 2 Opnemen van de VS-2480 naar de VSR-880 1. =HWGHWUDFNVWDWXVYDQGH96RS3/$< 2. =HWGHLQSXWNDQDOHQYDQGHRSQDPHVSRUHQYDQGH965RS21 >6+,)7@>750,; (;76<1& @→ 3$5$0(7(5> @> @ →´$VVLJQµ 8YHUDQGHUWYDQNDQDDOPHW>6+,)7@67$786>@²>@TR1 Assign IN1=On, TR2 Assign IN2=On, ... 3. 'UXNRS>5(&25'@RSGH965 4. 'UXNRS>3/$<@RSGH96 5. 2PGHRSQDPHWHVWRSSHQGUXNWXRS>6723@RSGH96 2 Opnemen van de VSR-880 naar de VS-2480 1. =HWGHWUDFNVWDWXVYDQGH96RS5(& 2. =HWGHWUDFNVWDWXVYDQGH965RS3/$< 3. 'UXNRS>5(&@HQGDQRS>3/$<@RSGH96 4. 2PGHRSQDPHWHVWRSSHQGUXNWXRS>6723@RSGH96
25
(21) Een XV-5080 aansluiten op de VS-2480 $XGLRRYHUGUDJHQYLDHHQGLJLWDOHYHUELQGLQJWXVVHQGH96HQGH;9 ■ Aansluiting fig.18
XV-5080
VS-2480
R-BUS1
S R-BUS
S
Sampling Clock
■ Benodigde apparatuur ;996>LQWHUQH,'(KDUGGLVNJHwQVWDOOHHUG@5%&5%86NDEHOV DSDUWYHUNRFKW ■ Het systeem opstarten 6OXLWGHWRHVWHOOHQDDQHQ]HW]HDDQLQGH]HYROJRUGH ;9➔96 ■ Instellingen ;9 6<67(02XWSXWSDJLQD >6<67(0@→ >) 2XWS (4 @ 0DVWHU&ORFN ,17(51$/ 0DVWHU)UHT ,QRYHUHHQVWHPPLQJPHWGHVDPSOHUDWHV N+] YDQGHSURMHFWHQRSGH96 'UXNRS>(;,7@RPWHUXJWHNHUHQQDDUGHSOD\SDJLQD 96 3URMHFWVVHWWLQJVFKHUP 0DVWHU&ORFN
>87,/,7<@→ 3DJH >) 3URM @→ ([ 5%86
][
][
][
])
5RXWLQJVHWWLQJVFKHUP >(=5287,1*@→ ([ ][ ][ ][ ] ,13870,;(5 9HUELQGYDQ5%86PHWJHOLMNZHONLQSXWNDQDDO 'UXNRS>+20( ',63/$< @RPWHUXJWHNHUHQQDDUKHW+RPH&RQGLWLRQVFKHUP
0DDNHHQVDPSOHYRRUHHQ963URMHFWPHWPDWHULDDOGDWJHVDPSOHGZHUGPHWHHQVDPSOHUDWHYDQN+]RIN+](HQ GLJLWDOHYHUELQGLQJPHWGH;9LVQLHWPRJHOLMNDOVGHJHEUXLNWHSURMHFWHQHHQDQGHUHVDPSOHUDWHKHEEHQ
26
(22) Een VM-7200/7100 aansluiten op de VS-2480 via word clock $XGLRRYHUGUDJHQYLDHHQGLJLWDOHYHUELQGLQJWXVVHQGH96HQGH90 8NXQWGH96DDQVWXUHQPHWGH7UDQVSRUWWRHWVHQ 3OD\6WRS YDQGH90& ■ Aansluiting DAT-recorder
S S WORD CLOCK MASTER
DIGITAL IN/OUT S
LOCK IN C 1-8
WORD CLOCK IN R-BUS1
T
T R-BUS
-LINK
S
Sample Clock
C
Controlesignaal
T
Tijdcode
VS-2480
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27
(23) Een ADA-7000 aansluiten op de VS-2480 $XGLRRYHUGUDJHQYLDHHQGLJLWDOHYHUELQGLQJWXVVHQGH96HQGH$'$ ■ Aansluiting VS-2480 ADA-7000
S R-BUS1
R-BUS
S
Sampling Clock
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S R-BUS1
AE-7000
DIGITAL INPUT A (AES/EBU)
R-BUS
DIGITAL OUTPUT (AES/EBU)
S AES/EBU OUT 888 I/O
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S
Sampling Clock ProTools
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29
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30
Version 2.0
Nieuwe Functies
Lees, voordat u dit toestel gebruikt, aandachttig de pagina’s getiteld: “VEILIG GEBRUIK VAN HET TOESTEL” (Handleiding p. 3, 4) en “BELANGRIJKE OPMERKINGEN” (Handleiding p. 5). Deze pagina’s bevatten belangrijke informatie over de correcte bediening van dit toestel. Om zeker te zijn dat u alle functies van uw nieuwe toestel goed begrijpt, dient u de gebruiksaanwijzing en dit addendum volledig te lezen. Bewaar ze ter referentie.
Copyright © 2002 ROLAND BENELUX N.V. Alle rechten voorbehouden. Geen enkel deel van deze publicatie mag in gelijk welke vorm gereproduceerd worden, zonder voorafgaande schriftelijke toestemming van ROLAND BENELUX N.V. Roland Web site: http://www.roland.be
Inhoud Inhoud ..................................................................................................... 2 Wat ziet u in de VGA display? .............................................................. 3 Common area.............................................................................................................................................. 3 Menu ................................................................................................................................................. 3 Tijd- en Transport-functies ............................................................................................................ 5 Knoppen ........................................................................................................................................... 6 INPUT CLIP-indicators .................................................................................................................. 6 HOME-scherm ............................................................................................................................................ 6 Level Meter ...................................................................................................................................... 7 IN-OUT-FROM-TO Point Display................................................................................................ 7 Playlist .............................................................................................................................................. 8 “F”-knoppen (Functie) & Status area ......................................................................................... 10 MIXER-scherm / Channel View ............................................................................................................ 10 Common area................................................................................................................................. 10 Channel View (INPUT/TRACK MIXER).................................................................................. 12 Channel View (EFFECT RETURN MIXER)............................................................................... 14 MIXER-scherm / Mixer View................................................................................................................. 14 Mixer View (INPUT MIXER / MASTER BLOCK)................................................................... 14 Mixer View (TRACK MIXER / EFFECT RETURN MIXER)................................................... 16 MIXER-scherm / Multi Channel Strip View........................................................................................ 17 INPUT MIXER 1–16, 17–24/AUX MST ..................................................................................... 17 TRACK MIXER 1–16, 17–24/FX RTN ........................................................................................ 18 INPUT MIXER 1–16, 17–24/AUX MST ..................................................................................... 20 UTILITY-scherm ....................................................................................................................................... 21 ANALYZER-scherm ..................................................................................................................... 21 EZ ROUTING-scherm.............................................................................................................................. 22 CD-RW MASTERING-scherm................................................................................................................ 24
Nieuwe functies in Versie 2.00............................................................ 25 De VS-2480 bedienen via een externe VGA display............................................................................ 25 De bedieningsdisplay kiezen .................................................................................................................. 25 Bediening via de VGA display.................................................................................................... 25 Bediening via de interne LCD ..................................................................................................... 25 De bedieningsdisplay onmiddellijk omschakelen ................................................................... 25 Het volume van een phrase aanpassen (Phrase Parameter) .............................................................. 26 Fade-in toepassen op een phrase ................................................................................................ 26 Audiodata opnemen van een audio-CD (CD Capture) ...................................................................... 28 De Capture-handeling annuleren ............................................................................................... 30 Capture-tijd .................................................................................................................................... 30 Diverse automix data opslaan ................................................................................................................ 30 Automix data inladen .............................................................................................................................. 31 Phrase TRIM-IN/TRIM-OUT uitvoeren met de muis....................................................................................................................................................... 31 Verbeterde Grid-functie .......................................................................................................................... 31 Grid Mode-instelling .................................................................................................................... 31 Grid Resolution ............................................................................................................................. 32 Nieuwe sneltoetsen .................................................................................................................................. 32 Nieuwe parameters .................................................................................................................................. 32 Wijzigingen in het CD Player-scherm ................................................................................................... 32
Index...................................................................................................... 33
2
Wat ziet u in de VGA display? Op een VS-2480 met systeemversie 2.0 en op de VS-2480CD kunt u een externe VGA-monitor aansluiten, om bepaalde functies overzichtelijker te maken. Dit hoofdstuk legt uit welke bedieningsorganen er op de schermen getoond worden. Er zijn nog andere schermen waarmee u in de VGA display kunt werken. Voor schermen die hier niet
Common area fig.home-lm-trmix.eps_50
besproken worden, is de bediening dezelfde als bij de ingebouwde LCD.
■ Menu fig.common-menu_80
1
2
1.
PROJECT
3
4
5
6
7
8
9
fig.pulldown-track.eps_50
Hier krijgt u een pull-down menu waarin u de Project-schermen kunt oproepen. • NEW, RELOAD, NAME, PROTECT, SPLIT, EXPORT Hiermee kunt u een aantal schermen oproepen, waarin u diverse bewerkingen kunt uitvoeren op projecten. • PROJECT LIST Hiermee roept u een lijst op van de projecten die op de huidige drive zijn opgeslagen. • STORE Het huidige project opslaan. • SHUTDOWN/EJECT De werksessie met de VS-2480 afsluiten.
2.
TRACK fig.pulldown-track.eps_50
Hier krijgt u een pull-down menu waarin u de Track Edit-schermen kunt oproepen. • REGION COPY, MOVE, INSERT, CUT, ERASE, COMP/EXP., ARRANGE Hiermee roept u diverse Region Edit-schermen op. • TRACK IMPORT, EXCHANGE, NAME Hiermee roept u de Track Import-, Exchange- en Name-schermen op. • PHRASE COPY, MOVE, TRIM IN, TRIM OUT, DELETE, SPLIT, NEW, NORMALIZE, DIVIDE, NAME Hiermee roept u diverse Phrase Edit-schermen op. • TAKE MANAGER Hiermee roept u het Take Manager-scherm op.
3.
EFFECT fig.pulldown-effect.eps_50
Hier krijgt u een pull-down menu waarin u de Effect-schermen kunt oproepen. • EFFECT VIEW Hiermee roept ueen lijst op van de momenteel gebruikte effecten. • EFFECT 1 – EFFECT 8 Hiermee roept u schermen op waarin u de effecten kunt editen.
3
Wat ziet u in de VGA display?
4.
UTILITY
fig.pulldown-mixer.eps_50
fig.pulldown-utility.eps_50
Hier krijgt u een pull-down menu waarin u de Utility-schermen kunt oproepen. • SYSTEM, GLOBAL, PROJECT, PLAY/REC, MIDI, SYNC PARAMETER Hiermee roept u schermen op waarin u allerlei bedieningsparameters voor de VS-2480 kunt oproepen. • TEMPO MAP Het Tempo Map-scherm. • METRONOME Het Metronome-scherm. • AUTO PUNCH/LOOP, MARKER, LOCATOR Schermen voor de Auto punch/Loop-functie, de markers en de locator. • SCENE Het Scene-scherm. • V.FADER Het scherm van de V-fader- functie. • SURROUND Het Surround-scherm. • GEN/OSC Het Generator-scherm. • ANALYZER Het Analyzer-scherm. • R-BUS CONFIG Een scherm voor R-BUS-instellingen. • AUTOMIX SETUP, AUTOMIX EDIT Een scherm waarin u Automix instelt of bewerkt. • PHRASE SEQ EDIT Een edit-scherm voor de Phrase Sequencefunction. • DATE/TIME Een scherm waarin u datum en tijd instelt. • PARAMTER INIT Een scherm waarin u parameters kunt initialiseren.
5.
• MASTER EDIT Het Master Edit-scherm. • INPUT MIXER/MASTER BLOCK, TRACK MIXER/FX RTN MIXER Het Mixer View-scherm voor elk kanaal. • MULTI CH STRIP VIEW U ziet een lijst van de voornaamste parameters van de kanalen of bussen in de momenteel geselecteerde fader layer.
6.
fig.pulldown-track.eps_50
Hier krijgt u een pull-down menu waarin u de EZ routing-schermen kunt oproepen. • ROUTING VIEW De huidige routing. • LOAD, SAVE Een scherm waar u routings kunt opslaan en inladen.
7.
Hier krijgt u een pull-down menu waarin u de CD-RW masteringschermen kunt oproepen. • MASTERING ROOM Het Mastering Room-scherm. • CD-R WRITE, CD PLAYER, CD CAPTURE Schermen waarin u de functies CD-R write, CD player en CD capture kunt bedienen. • WAV IMPORT, TRACK EXPORT, PHRASE EXPORT Een scherm waar u files in .WAV-formaat kunt opslaan.
fig.pulldown-mixer.eps_50
4
CD-RW MASTERING fig.pulldown-track.eps_50
MIXER Hier krijgt u een pull-down menu waarmee u tussen de diverse mixerschermen kunt switchen. • CH VIEW (INPUT, TRACK, FX RTN) Het View-scherm voor elk kanaal. Er verschijnt een sub-menu, waarin u het kanaal rechtstreeks kunt ingeven.
EZ ROUTING
8.
Datum en tijd Hier ziet u de huidige datum en het uur.
9.
HOME Klik hier om het Home-scherm op te roepen.
Wat ziet u in de VGA display?
■ Tijd- en Transport-functies 1
6 1.
2
7
3
fig.common-time_75
8
10
5
4
9
3.
Maat-display (MEAS BEAT TICK)
4.
Marker-nummer
5.
Marker-naam
6.
SCRUB-knop
7.
Preview TO-knop Preview THRU-knop Preview FROM-knop
8.
Project-wijzer
9.
Transport-knoppen
FF (Fast-Forward)-knop
16
AUTO PUNCH-knop LOOP-knop MARKER-knop TAP-knop 12.
AUTOMIX-knop AUTOMIX Status AUTOMIX UNDO/REDO-knop SNAP SHOT-knop
13.
UNDO-knop REDO-knop
14. In deze display verschijnen Project-naam, Sample-frequentie en Recording Mode 15.
ZERO-knop REW (Rewind)-knop
13
15
ABS (Absolute Time)-indicator Huidige tijdspositie (Now Time)
12
14
Vari Pitch-indicator Project Protect-indicator
2.
11
LOCATOR-knop SCENE-knop
16. In deze display verschijnt de Scene-naam
STOP-knop PLAY-knop REC-knop
Met Rewind en Fast-Forward kunt u een tijdspositie opzoeken tot op 1 seconde nauwkeurig.
10.
MASTERING ROOM-knop MASTERING ROOM STATUS-knop EXT SYNC-knop METRONOME-knop Klik hierop om af te wisselen tussen “INT (donkergeel)”–”MIDI (blauw)”–”Off.” PREVIOUS-knop NEXT-knop
11.
PHRASE SEQUENCE-knop PHRASE SEQUENCE STATUS-knop PHRASE SEQUENCE UNDO/REDOknop
5
Wat ziet u in de VGA display?
■ Knoppen fig.common-trpan_80
1.
Dubbele knoppenbalk fig.common-trpan_50
Hiermee bepaalt u de functie van de draaiknoppen (channel pan of parameter editing). Dit is dezelfde functie als die van de [PRM EDIT]-toets op het bedieningspaneel.
2.
Knoppen Met deze knoppen regelt u de channel pan of de parameters.
■ INPUT CLIP-indicators fig.common-clip.ep
Deze lichten op wanneer het signaal in de analoge inputs te sterk is.
HOME-scherm fig.home-lm-trmix.eps_50
6
PAN
PRM EDIT
Wat ziet u in de VGA display?
■ Level Meter fig.common-trlevel_80
1
2
3
2
2
4
5
1.
Level Meter
2.
TRACK STATUS-indicator/-toets
3.
Meetpunt voor het Level (PRE/POST)
4.
Level Meter Mode-knoppen Hiermee kunt u de onderstaande level meters in de display oproepen.
6
7
fig.all-level-meter_50
INPUT
IN 1-24
TR 1-24
FX 1-8 RTN
AUX / DIR
OUTPUT
5.
PEAK HOLD-knop
6.
Monitor Level Meter
7.
Master Level Meter
■ IN-OUT-FROM-TO Point Display fig.playlist-inout_80
1
2
3
1.
IN Point-tijdspositie
2.
OUT Point-tijdspositie
3.
FROM Point-tijdspositie
4.
TO Point-tijdspositie
5.
Tijdspositie in de play list waar de muis naar wijst
6.
Grid-resolutie (OFF – Measure – 1/2 ... 1/32)
7.
EDIT MODE (REGION/PHRASE)-knop
4
5
6
7
7
Wat ziet u in de VGA display?
■ Playlist 1 2
fig.home-playlist_50
3
4
5
6
7
8
9
10 11
12
13
14
16 17 18 15
1.
Fysiek spoornummer
2.
V.Track-nummer
14.
4.
Playlist select-knop Hiermee kiest u hoe de play list verschijnt: als brede display of samen met de V.Track map-, locator-, marker- en scene-bewerkingen.
Als u dit aanklikt, verschijnt het V.Track Change popup menu. Hier kunt u van V.track veranderen. 3.
17
16
Naam van het spoor. MUTE-knop Als u deze knop aanklikt, zodat ze geel wordt, activeert u de muting.
Playlist (Wide)
SOLO-knop Als u deze knop aanklikt, zodat ze blauw wordt, activeert u de Solo-functie. Playlist + V.Track Map
AUTOMIX STATUS-knop PHRASE SEQUENCE STATUS De status van de automix en van de phrase sequence wordt aangeduid door de kleur. • Donkergeel: Manual • Rood: Write • Groen: Read
5.
TRACK STATUSindicator/-knop De display verandert naargelang de status.
6.
IN Point
7.
OUT Point
8.
Marker Point • Donkergeel: Marker • Blauw: CD Track Marker
9. 10.
Tijdlijn (van de huidige tijdspositie) FROM Point
11. Playlist (Phrase) 12.
TO Point
13. Maatstrepen
8
Playlist + Locator/Scene
15.
Mode Reset-knop Hiermee schakelt u Mute en Solo uit voor elk kanaal. De status van de automix of de phrase sequence verandert mee, in deze volgorde: Manual - Write - Read.
16. Rolbalk
Wat ziet u in de VGA display?
17.
Zoom-knop Hiermee zoomt u in of uit op de play list. Als u in- of uitzoomt in de richting van de sporen (verticaal), krijgt u respectievelijk meer of minder parameters per spoor te zien.
2-Tracks
4-Tracks 8-Tracks 12-Tracks 16-Tracks 24-Tracks 18. WAVE Display-knop Klik deze knop aan om de audio van het momenteel geselecteerde spoor als golfvorm of als een gewone rechthoek te bekijken.
9
Wat ziet u in de VGA display?
■ “F”-knoppen (Functie) & Status area fig.home-function1_80
1
2
3
1.
PAGE-knop
2.
“F”-knop (F1–F6)
3.
Status-indicator (SOLO/MUTE/PHRASE SEQ/MASTERING ROOM)
4.
Remaining disk meter
5.
Resterende opnametijd
4
5
MIXER-scherm / Channel View ■ Common area fig.mixer-common1
Linkerkant
1
1
1
PATCH BAY (Source)
2
10
15
3.
PHANTOM Power-knop
3
11
4.
PHASE-knop
4
4
5.
ATT (Attenuator)-knop
6.
5
5
FADER GROUP-selector
7.
CHANNEL LINK-knop
6
6
6
8.
FADER LINK-knop AUTOMIX STATUS-indicator/-knop
7 8
16
9.
7 8 9
9
9
1.
Kanaalnummer
2.
10. TRACK STATUS-indicator/-knop 11. V.Track-selector
12
12. PHRASE SEQUENCE STATUS-indicator/-knop
13 14
13. PHRASE PAD-knop 14. PHRASE PAD Mode-selector 15. AUX BUS ASSIGN-selector 16. MONO-knop
10
Input Mixer
Track Mixer
FX Return Mixer
Wat ziet u in de VGA display?
Onderaan fig.mixer-common2
1
3
2
4 1.
EFFECT INSERT (bij de INPUT/TRACK MIXER) fig.fxinsert-icon
De display verandert naargelang de insert-status. Het bovenste balkje is het effect send level en het onderste is het effect return level.
2.
AUX SEND-knop
Ins
Ins-L
uit
Ins-R
geen effect
Ins-S
gebruikt in Tr24
AUX SEND Point-knop AUX SEND Level-regelaar 3. 4.
Dit verschijnt niet in de channel view van de effect return mixer.
DIR SEND-knop Schema van de effectschakelingen Van bovenaan links naar onderaan rechts staat hier: FX1, FX2, ..., FX8. De audio gaat van FX1 naar FX8. Het cijfer dat bij elk effect staat, is het effect patch-nummer.
De pre/post-instelling wordt bepaald door de AUX bus.
fig.mixer-common3
Rechterkant 1.
Level Meter
2.
Meetpunt voor het Level (PRE/POST)
3.
SOLO-knop
4.
MUTE-knop
3 4 5
5.
MIX BUS SEND switch
6
6.
PAN-regelaar
7.
Kanaalfader
1
2
7
11
Wat ziet u in de VGA display?
■ Channel View (INPUT/TRACK MIXER) fig.home-lm-trmix.eps_50
V.Track-informatie (enkel TRACK MIXER) fig.mixer-common1
1.
V.Track-nummer, Track-naam
2.
V.Track Map
1
2
DYNAMICS fig.mixer-dynamics
1
2
3
1
4
2
3
6
4
1
2
3
4
6
5
6
5
5
10 7
8 COMPRESSOR
1.
10 7
9 EXPANDER
8
9 EXP+COMP
DYNAMICS-curve U kunt de Dynamics-parameters aanpassen door de punten te verslepen.
12
2.
DYNAMICS-knop
3.
DYNAMICS Mode-schakelaar
4.
DYNAMICS Parameter RESET-knop
5.
Level Meter
6.
GR (Gain Reduction) Meter
7.
KEY IN-selector
Als de EXP+COMP mode gebruikt wordt in de Input Mixer, dan kan deze niet gebruikt worden in de Track Mixer. Omgekeerd ook: als ze gebruikt wordt in de Track Mixer, dan kunt u ze niet gebruiken in de Input Mixer.
Wat ziet u in de VGA display?
8.
COMPRESSOR-regelaars
9.
EXPANDER-regelaars
10. AUTO GAIN-knop
EQUALIZER fig.mixer-eq
1.
1
Regelpunt van de EQ-curve U kunt de Equalizer-parameters aanpassen door
2
1
3
1
1
4
deze punten te verslepen. 2.
EQ-knop
3.
EQ-curve
4.
EQ Parameter RESET-knop Hiermee zet u de Equalizer-instellingen terug op een vlakke responscurve.
5.
FILTER Mode-selector Het icoon verschijnt als volgt, afhankelijk van welke filter u gebruikt.
5
8
fig.eq-filter-mode
6 6.
FILTER-regelaars
7.
EQ-regelaars
8.
Level Meter
7
13
Wat ziet u in de VGA display?
■ Channel View (EFFECT RETURN MIXER) fig.home-lm-trmix.eps_50
fig.mixer-eq
3
LOOP EFFECT ASSIGN 1.
AUX BUS
2.
DIR PATH
3.
Hier bepaalt u welk signaal er naar het effect wordt gestuurd. Door dit schakelpunt te verslepen, kunt u bepalen welk signaal er naar het effect wordt gestuurd.
4.
EFFECT PATCH-naam
MIXER-scherm / Mixer View ■ Mixer View (INPUT MIXER / MASTER BLOCK) fig.mixer-multi-inmix.eps
14
1
2
4
Wat ziet u in de VGA display?
INPUT MIXER
MASTER BLOCK
fig.mixer-eq
fig.mixer-eq
1 2
1
9
3
10 11
5
5 6
6
7
12
7
8
13
2 3 4
4
1.
DYNAMICS-knop
1.
DIR PATH SEND Point
2.
EQ-knop
2.
3.
AUX SEND Level
DIR PATH AUTOMIX STATUS indicator/button
4.
MUTE-knop
3.
DIR PATH Level
SOLO-knop
4.
AUX BUS SEND Point switching
AUTOMIX STATUS-indicator/-knop
5.
AUX BUS AUTOMIX STATUSindicator/-knop
5.
PAN-regelaar
6.
INPUT MIXER-kanaalfader
6.
AUX BUS Balance-regelaar
7.
LINK-knop
7.
AUX MASTER Level FADER
8.
AUX BUS LINK-knop
9.
MONITOR PAN-regelaar
10. MONITOR Level-regelaar (enkel display)
Het Monitor Level kunt u niet op het scherm regelen. Dit moet u doen met de Monitor Level-knop op de VS-2480 zelf.
11. DIR PATH SEND-regelaar 12. MASTER FADER 13. DITHER bit-selector (Off/24/23/.../8)
De pre/post-instelling wordt bepaald door de AUX bus.
15
Wat ziet u in de VGA display?
■ Mixer View (TRACK MIXER / EFFECT RETURN MIXER) fig.mixer-multi-inmix.eps
TRACK MIXER
EFFECT RETURN MIXER
fig.mixer-eq
1.
fig.mixer-eq
DYNAMICSknop
1 2
2.
EQ-knop
3.
AUX bus Send Level
4.
MUTEknop SOLO switch
3
PHRASE SEQUENCE STATUS 5.
PAN knob
6.
16
BUS selector
2.
EFFECT PATCH Name
3.
AUX bus Send Level
4.
5 6
7
8 TRACK STATUS
7.
TRACK MIXER CHANNEL FADER
8.
LINK switch
MUTE-knop SOLO-knop
4
AUTOMIX STATUS indicator/ button
1.
AUTOMIX STATUSindicator/-knop 5.
PAN-regelaar
6.
EFFECT RETURN FADER
7.
MONO-knop
1 2 3 4 5
6
7
Wat ziet u in de VGA display?
MIXER-scherm / Multi Channel Strip View ■ INPUT MIXER 1–16, 17–24/AUX MST fig.mixer-multi-inmix.eps
1.
PATCH BAY
2.
PHASE-knop
3.
ATTENUATOR
4.
DYNAMICS-knop
5.
DYNAMICS-curve
6.
EQ-knop
7.
EQ-curve
7
8.
AUX Send Level
8
9.
DIR Send-knop
INPUT MIXER fig.mixer-eq
1 2 4
3 5
6
9 10 11 12
10.
MUTE-knop SOLO-knop AUTOMIX STATUS-indicator/-knop
11. FADER GROUP-selector 12. PAN-regelaar 13. INPUT MIXER-kanaalfader
13
14. LINK-knop
14
17
Wat ziet u in de VGA display?
AUX MST fig.mixer-eq
1.
DIR SOURCE-selector
2.
SOURCE SEND to DIR Point-selector
3.
9
AUTOMIX STATUS-indicator/-knop
4.
DIR Level-regelaar
5.
SOURCE SEND to AUX Point-selector
6.
AUX Balance-regelaar
7.
AUX Level FADER
8.
LINK-knop
9.
Channel Strip View-selector
10. MONITOR PAN-regelaar 11. MONITOR Level-regelaar (enkel display)
1 2 3 4 5 3 6
10 11 12 13
Het Monitor Level kunt u niet op het scherm regelen. Dit moet u doen met de Monitor Level-knop op de VS-2480 zelf.
12. MASTER EFFECT INSERT 13. MASTER BALANCE
7
14
14. MASTER FADER 15. DITHER bit-selector (Off/24/23/.../8)
■ TRACK MIXER 1–16, 17–24/FX RTN fig.mixer-multi-inmix.eps
18
8
15
Wat ziet u in de VGA display?
TRACK MIXER
EFFECT RETURN MIXER
fig.mixer-eq
fig.mixer-eq
1 2 4
1
3 5
6 7
2
8 9
3 10
4
11 12
5
13
6 14
7
15
8
1.
V.Track-selector
2.
PHASE-knop
3.
ATTENUATOR
4.
DYNAMICS-knop
5.
DYNAMICS-curve
1.
AUX BUS ASSIGN-selector
6.
EQ-knop
2.
EFFECT PATCH-naam
7.
EQ-curve
3.
AUX Send Level
8.
AUX Send Level
4.
DIR Send
9.
DIR Send-knop
5.
10.
9
MUTE-knop SOLO-knop
MUTE-knop
AUTOMIX STATUS-indicator/-knop
SOLO-knop
PHRASE SEQUENCE STATUS
AUTOMIX STATUS-indicator/-knop 6.
FADER GROUP-selector
11. FADER GROUP-selector
7.
PAN
12. PAN-/Balance-regelaar
8.
EFFECT RETURN FADER
13.
9.
MONO-knop
PHRASE SEQUENCE STATUS
TRACK STATUSindicator/-knop
14. TRACK MIXER FADER 15. LINK-knop
19
Wat ziet u in de VGA display?
■ INPUT MIXER 1–16, 17–24/AUX MST fig.mixer-multi-inmix.eps
V.FADER fig.mixer-eq
1 2 3
4
20
1.
Parameter-selector voor de regelaar
2.
Regelaar
3.
Parameter-selector voor de fader
4.
FADER
Wat ziet u in de VGA display?
UTILITY-scherm ■ ANALYZER-scherm fig.utility.eps
ANALYZER-zone
12
3
fig.common-trlevel_80
4
5
6
7 1.
Analyze-signaalbron
2.
AVERAGE TIMES
3.
AVERAGE TYPE
4.
Source Level Meter
5.
Analyzer Display
6.
PRE/POST-selector
7.
USE EFFECT BOARD
Van zodra u een effectbord instelt dat gebruikt zal worden (door middel van “USE EFFECT BOARD”), dan wordt dat effectbord toegewezen aan de analyzer. Bijvoorbeeld, als u “A” kiest, dan zal u FX1 of FX2 niet als effecten kunnen gebruiken.
8
9
10
Als u FX1 en FX2 wil gebruiken, dan moet u de Analyzer-pagina oproepen en USE EFFECT BOARD op “Off” zetten.
Wanneer u de volgende handelingen uitvoert, wordt "Use EFFECT Board" (instellingen die het effectbord gebruikt voor analyzer processing) automatisch op "Off" gezet. • Handelingen in Project condition • Een Scene of EZ Routing inladen • Een effect-patch wijzigen in automix of via MIDI
8.
PEAK HOLD-knop
9.
MONITOR Level Meter
10. MASTER Level Meter
21
Wat ziet u in de VGA display?
EZ ROUTING-scherm fig.ezr.eps
PATCH BAY-zone 1.
2.
PHANTOM Power-knoppen Klik op deze knoppen zodat ze oplichten als u de analoge input XLR jacks (kanalen 1–8) wil voorzien van fantoomvoeding (+48V). Digital Input Select-knoppen Er zijn wel beperkingen wat betreft de kanalen die u kunt gebruiken tussen de S/P DIF digital input en de R-BUS2connector. Klik op de knop voor het input-kanaal dat u wil
1
3
5
gebruiken, zodat de knop oplicht. 3.
Analoge Input-zone
4.
Digitale Input-zone
5.
INPUT MIXER-zone U kunt verbindingen maken door het aansluitingspunt te verslepen van de input mixer naar de jack.
22
2
4
Wat ziet u in de VGA display?
TRACK ASSIGN-zone 1.
INPUT MIXER
2.
AUX BUS
3.
DIR PATH
4.
RECORDING TRACK (opnamespoor)
1 3
2
4
Hier wordt de audio in feite opgenomen. U kunt opnemen wanneer u de op te nemen audiobronnen hebt toegewezen aan (verbonden met) een
6
7
5
opnamespoor. U kunt deze toewijzingen doen door de aansluitingspunten van de input mixer of de track mixer te verslepen.
5.
TRACK MIXER
6.
EFFECT RETURN MIXER
7.
GENERATOR
Een Track Mixer-kanaal kunt u niet toewijzen aan het opnamespoor dat hetzelfde nummer draagt.
OUTPUT ASSIGN-zone
1
1.
OUTPUT-connectors
2.
Recording Bus Attenuator
2
3.
MASTER BUS
3 4 5
4.
MONITOR BUS
5.
Recording BUS
6.
AUX BUS
7.
DIR PATH
8.
TRACK DIRECT OUT-knop Wanneer Track Direct Out op “ON” staat, wordt de audio van de Track
8 9
6
10
7
Mixer-kanalen naar de output jacks gestuurd. 9.
TRACK DIRECT SOURCE PRE/POST-schakelaar
10. TRACK MIXER
LOOP EFFECT ASSIGN-zone 3
1.
AUX BUS
2.
DIR PATH
1
3.
Source Signal-selector Hier kunt u het aansluitingspunt van het gewenste signaal
2
verslepen naar het effect. 4.
Effect Patch-nummer 4
23
Wat ziet u in de VGA display?
CD-RW MASTERING-scherm fig.cd-rw.eps
MASTERING ROOM-zone fig.common-trlevel_80
1
2 3
4
7
8
9
1.
MASTERING TRACK STATUS-indicator/-knop
2.
MASTERING TRACK CD-R REC Mode-knop
3.
MASTERING ROOM-knop
4.
MASTERING TRACK-naam
5.
EFFECT INSERT
6.
Level Meter
7.
Auto Marker
8.
AFTER REC-parameter
9.
INSERTION EFFECT MODE / Send & Return Level
10. Schema van effectschakelingen
24
5
6
10
Nieuwe functies in Versie 2.00 De volgende functies zijn nieuw in versie 2.00 van het Roland VS-2480 systeem (hierna kortweg de VS-2480 genoemd) en van de VS-2480CD. • De muis gebruiken op een externe VGA-monitor • De Phrase levels individueel aanpassen (Phrase Level) • Audio opnemen van een muziek-CD (CD Capture) • Meerdere sets (patterns) met automix data aanmaken • De muis gebruiken voor Phrase trim-in/trim-out • Extra Shortcut-toetsen
De VS-2480 bedienen via een externe VGA display U kunt de VS-2480/2480CD bedienen door middel van een externe VGA display en een muis. Voor details over de functies en de namen van de regelaars en knoppen die op de VGA display verschijnen, zie Wat ziet u in de VGA display? (p. 3).
De bedieningsdisplay kiezen Wanneer u de VS-2480/2480CD gebruikt, moet u kiezen welke display u als grafische user interface wil gebruiken. Als u de parameters aanstuurt via de ingebouwde LCD (liquid crystal display), dan dient de VGA display enkel om informatie af te lezen. Als u de externe VGA display wil gebruiken om de parameters aan te sturen, dan moet u de grafische user interface instellen op VGA.
■ Bediening via de VGA display 1.
Druk op [UTILITY].
2.
Druk op de tab PAGE 1 [F1 (SYSTEM)].
3.
Druk op [F2 (Param2)].
4.
Plaats de cursor op “OPERATION TARGET” en kies “VGA” met de VALUE dial. Nu kunt u de parameters aansturen via de VGA display.
■ Bediening via de interne LCD 1.
Klik rechts bovenaan in de VGA display op “UTILITY”.
2.
Klik op “SYSTEM PARAMETER”. Het System Parameter-scherm verschijnt.
3.
Klik op “F2 (Param2)”.
4.
Klik op de OPERATION TARGET-parameter “LCD.” Nu kunt u de parameters aansturen via de LCD.
■ De bedieningsdisplay onmiddellijk omschakelen
Hierna worden handelingen zoals “Houd [SHIFT] ingedrukt en druk op [UTILITY]” kortweg vermeld als [SHIFT] + [UTILITY].
U kunt de grafische user interface ogenblikkelijk omschakelen tussen de twee displays: • Houd [SHIFT] ingedrukt en druk op [UTILITY]. Als u op deze twee toetsen drukt terwijl de LCD ingesteld is als bedieningsdisplay, dan wordt dit omgeschakeld naar VGA. Als u opnieuw op [SHIFT] + [UTILITY] drukt, keert u terug naar de LCD.
25
Nieuwe functies in Versie 2.00
Het volume van een phrase aanpassen (Phrase Parameter) Het volume van een opgenomen phrase kan na de opname nog aangepast worden. Met de Phrase Parameter-functie kunt u een fade-in of fade-out toepassen op individuele phrases.
■ Fade-in toepassen op een phrase Een phrase laten beginnen met een fade-in, doet u als volgt.
1.
Druk op de VS-2480/2480CD op [TRACK] om het Track Edit-menu op te roepen. Druk op [F6 (Reg→Ph)] (of op [REGION/PHRASE]) zodat deze toets groen oplicht. Druk op PAGE 3 [F1 (PARAM)]. Klik in het VGA-scherm op “TRACK” en kies “PHRASE PARAMETER” uit het menu. Het Phrase Parameter-scherm verschijnt.
2.
Kies op welke phrase u een fade-in wil toepassen.
3.
Druk (of klik) op [F1 (PARAM)]. Nu kunt u de volgende parameters editen.
• PHRASE LEVEL Het volumeniveau van de phrase wanneer de fade-in voltooid is. Of anders gezegd, het volumeniveau waarmee de fade-out zal beginnen. • FADE IN TIME, FADE OUT TIME De tijdsduur van de fade-in en de fade-out. • FADE IN CURVE, FADE OUT CURVE Kies hier volgens welke curve de fade-in of fade-out het volume moet veranderen. “Linear” verandert het phrase-volume rechtlijnig. “Exp” verandert het volume exponentieel. Dit geeft een subjectieve indruk van een lineaire verandering.
Volumeverandering bij weergave van midden in een phrase Als een phrase waarvan het volume wordt aangestuurd door de Phrase-parameter, wordt afgespeeld vanaf een punt ergens midden in de phrase, dan verandert het volume anders dan bepaald wordt door de FADE IN TIME-parameter. Als u vertrekt vanaf een tijdspositie binnen de phrase, verloopt de verwerking als volgt.
Voorbeeld: FADE IN TIME=10,00 sec., plaats de tijdspositie op 3 sec. na het begin en start de weergave. PLAY
PLAY
26
Level
Level
Normaal wordt bij een fade-in het volume op min oneindig Phrase Level Phrase Level gezet bij het begin van de t (sec.) t (sec.) phrase en wordt het PHRASE 0 10 0 3 10 Fade In Time Fade In Time LEVEL bereikt op 10 sec. na het begin van de phrase. Als u de weergave echter 3 sec. na het begin van de phrase laat starten, dan gaat het volume in 7 sec. van min oneindig naar het PHRASE LEVEL. Diezelfde verandering zal ook bij de fade-out gebeuren.
Als de FADE IN TIME of de FADE OUT TIME zeer kort is (minder dan 0,02 sec.), dan kunt u een “blip” horen tijdens de weergave. Als dit gebeurt, stel dan een langere tijd dan 0,02 seconden in.
Nieuwe functies in Versie 2.00
De FADE IN TIME en FADE OUT TIME t.o.v. de lengte van de phrase Als de tijdsduur van de fade-in en de fade-out samen langer is dan de lengte van de phrase, dan krijgt de FADE OUT TIME-instelling voorrang bij de verwerking.
Als de phrase 5 sec. duurt en de FADE IN TIME en de FADE OUT TIME zijn beide 3,00 sec., dan krijgt de FADE OUT TIME voorrang (de FADE IN TIMEinstelling wordt genegeerd).
Level
Voorbeeld 1: Als de fade time (FADE IN TIME + FADE OUT TIME) langer is dan de phrase
Phrase Level
t (sec.) 0
2
5
Fade Out Time (3.00 sec.)
Als de phrase 5 sec. duurt en de FADE OUT TIME bedraagt 7,00 sec., dan verandert het volume net alsof de FADE OUT TIME dezelfde lengte had als de phrase (in dit voorbeeld, 5 seconden).
Level
Voorbeeld 2: Als de fade-out time langer is dan de phrase
Phrase Level
t (sec.) 0
5
7
Fade Out Time (7.00 sec.)
27
Nieuwe functies in Versie 2.00
Audiodata opnemen van een audio-CD (CD Capture) De VS-2480 en de VS-2480CD hebben een functie om audiodata van audio-CD’s te “plukken”.
Als u een gewone VS-2480 gebruikt, die niet uitgerust is met een interne CD-RW drive, dan dient u een externe CD-RW drive aan te schaffen. Hoe u de drive moet aansluiten, leest u in De CD-R/RW Drive aansluiten (Handleiding p. 142). De PX-4220Te, PX-8220Te, PX-W124TSe en PX-W1210TSE van fabrikant PLEXTOR worden ondersteund. Indien u andere door Roland goedgekeurde drives gebruikt, contacteer dan een Roland Service Center of een erkende Roland-verdeler.
1.
Audio van een CD “plukken”, kan enkel als het huidige project een sample- frequentie van 44,1 kHz heeft.
Plaats een audio-CD of CD-R/RW disc met audio die u wil opnemen, in de CD-RW drive. fig.07-07-jj
2. Druk op [CD-RW MASTERING]. Het CD-RW Mastering-menu verschijnt. Druk op PAGE 2 [F1 (CDCapt)]. In het VGA-scherm klikt u op “CD-RW MASTERING” en kiest u “CD CAPTURE” uit het menu. Het CD CAPTURE-scherm verschijnt. 3. Verplaats de cursor met [
], [
], [
]
en [ ] (of gebruik de muis) en stel de volgende parameters in met de TIME/VALUE dial of door de muis te verslepen. • L-Ch DESTINATION TRACK Kies het bestemmingsspoor voor de op te nemen audio. Kies hier de bestemming voor de audio van het linkerkanaal. • R-Ch DESTINATION TRACK Kies het bestemmingsspoor voor de op te nemen audio. Kies hier de bestemming voor de audio van het rechterkanaal. • CAPTURE TO U kunt bepalen op welke tijdspositie de audiodata geplaatst worden. • to ZERO: De audiodata beginnen op 00h00m00s00f. • to Last Phrs:0S: De audiodata worden direct na het einde van de laatste phrase op de bestemmingssporen geplaatst. • to Last Phrs:2S: De audiodata worden 2 seconden na het einde van de laatste phrase op de bestemmingssporen geplaatst. • to Last Phrs:4S: De audiodata worden 4 seconden na het einde van de laatste phrase op de bestemmingssporen geplaatst.
28
In de volgende gevallen moet u een stereopaar ingeven als bestemmingssporen voor de Capturefunctie. Als de bestemming geen stereopaar is, dan verschijnt “Illegal Track Pair!” in de display en wordt de Capture-functie niet uitgevoerd. • Als het huidige project “CD-R” als recording mode heeft. • Als er een phrase in CD-R mode op het Capture-bestemmingsspoor is opgenomen.
Als het spoor dat u voor “L-Ch DESTINATION TRACK” kiest, een spoor is waarop een phrase in CD-R mode is opgenomen, dan zal “R-Ch DESTINATION TRACK” niet veranderen wanneer u aan de TIME/VALUE dial draait.
Nieuwe functies in Versie 2.00
• CD TRACK CAPTURE OFFSET U kunt de beginpositie van de capture bepalen. Stel een tijdwaarde in, vanaf het begin van de CD track. • CD TRACK CAPTURE LENGTH U kunt de lengte van het te “plukken” fragment bepalen. • CD TRACK Hier bepaalt u uit welke CD-track u de audio wil plukken. Selecteer de gewenste track met [PREVIOUS] of [NEXT].
4.
Druk (of klik) op [F5 (OK)] nadat u alle parameters hebt ingesteld. In de display verschijnt een boodschap i.v.m. het auteursrecht. Dezelfde boodschap staat ook achteraan in deze handleiding. Lees deze boodschap en druk op [ENTER/YES].
U kunt ook op [PLAY] drukken om de geselecteerde track (staat in een zwarte balk) af te spelen.
Wanneer de cursor op “CD Track” staat, kunt u ook een track kiezen met [
][
].
De boodschap “Capture to Mastering Tr. In CDR mode?” verschijnt indien: • de sporen 23 en 24* als bestemmingssporen gekozen zijn en • deze sporen gekozen zijn als stereopaar en • er geen song data bestaan op de sporen 23 en 24*. * Dit is van toepassing op de sporen 15 en 16 i.p.v. 23 en 24 in het geval dat de Recording mode “M16” of “M24” is. Druk op [ENTER/YES] (of klik op [YES]) als u audio wil “plukken” in CDR mode. Als u op [EXIT/NO] drukt (of op [NO] klikt), dan wordt de recording mode van het huidige project toegepast.
Als “Illegal Track Pair!” in de display verschijnt In de volgende gevallen zal de Capture-functie niet uitgevoerd worden, tenzij de bestemmingssporen als stereopaar zijn toegewezen. • Als het huidige “CD-R” als recording mode heeft • Als er op het bestemmingsspoor een phrase is opgenomen in CD-R mode Druk in deze gevallen op [ENTER/YES], keer terug naar stap 3 en geef een nieuw bestemmingsspoor in.
5.
Er verschijnt een boodschap over de Licentievoorwaarden. Lees deze boodschap en druk op [ENTER/YES] (of klik op [YES]). Deze boodschap vindt u ook terug achteraan in deze handleiding. In de display verschijnt “CD Capture..” en de Capture-functie begint.
6.
Als u nog andere audio data van dezelfde CD wil “plukken”, keer dan terug naar stap 3 en herhaal de procedure
7.
Druk op [EXIT/NO] of klik op “F6 (EXIT)” en druk vervolgens op [HOME (DISPLAY)] of klik op “HOME” rechts bovenaan in het VGA-scherm. U keert terug naar het HOME-scherm.
29
Nieuwe functies in Versie 2.00
■ De Capture-handeling annuleren Als u de Capture-handeling wil afbreken, doe dan het volgende.
1.
Druk op [EXIT/NO]. De boodschap “Abort?” verschijnt.
2.
Druk op [ENTER/YES] om de Capture-functie te beëindigen. Druk op [EXIT/NO] om de Capture-functie te hernemen.
■ Capture-tijd De Capture-tijd verschilt naargelang de recording mode. Recording Mode CDR (CD writing) M16, M24 (Mastering) Andere
Ongeveer 40% van de werkelijke tijd Ongeveer 80% van de werkelijke tijd Ongeveer 150% van de werkelijke tijd
Diverse automix data opslaan In elk project kunt u negen sets met automix data opslaan.
1.
Maak automix data aan.
2.
Om de huidige automix data te bewaren, drukt (of klikt) u op [UTILITY]. Druk (of klik) op PAGE 3 [F2 (A.MIX)]. Het Automix-scherm verschijnt.
3.
Druk (of klik) op [F4 (SAVE)]. Het Automix Save-scherm verschijnt.
4.
U kunt 9 “patterns” (= sets) met automix data opslaan. Plaats de cursor op het nummer waaronder u wil opslaan en druk (of klik) op [F5 (OK)]. In de display verschijnt “Save AUTOMIX Pattern?”
5.
Druk op [ENTER/YES] (of klik op [YES]) om de data op te slaan. De huidige automix data worden bewaard onder het ingegeven nummer. Om te annuleren, drukt u op [EXIT/NO] (of klikt u op [NO]). Als u op [F1 (NAME)] drukt, kunt u het automix pattern dat wordt opgeslagen, een naam geven.
6.
Als u nog verder automix data wil editen, druk dan op [HOME (DISPLAY)] of klik rechts bovenaan in het VGA-scherm op “HOME”. U keert terug naar het HOME-scherm.
30
Nieuwe functies in Versie 2.00
Automix data inladen Automix data die u hebt opgeslagen, kunt u als volgt weer inladen.
1.
Druk (of klik) op [UTILITY]. Druk (of klik) vervolgens op PAGE 3 [F2 (A.MIX)]. Het Automix-scherm verschijnt.
2.
Druk (of klik) op [F3 (LOAD)]. Het Automix Load-scherm verschijnt.
3.
Plaats de cursor op het nummer van de automix data die u wil inladen. Druk (of klik) op [F5 (OK)]. De display vraagt “Load AUTOMIX Pattern?”
4.
Druk op [ENTER/YES] (of klik op [YES]) om de data in te laden. De automix data worden ingeladen. Als u ze niet wil inladen, druk dan op [EXIT/NO] (of klik op [NO]).
Wanneer u een automix inlaadt, gaan de huidige automix data verloren. Als u de huidige automix data niet wil verliezen, sla ze dan op alvorens de andere automix data in te laden.
Phrase TRIM-IN/TRIM-OUT uitvoeren met de muis Wanneer u in Phrase Edit mode met de muiscursor dichtbij een van de uiteinden van een phrase uit de play list komt, verandert de muiscursor van vorm. U kunt nu met de muis klikken en slepen om de Trim-in of Trim-out van de phrase in te stellen.
1.
Druk op [HOME (DISPLAY)] (of klik op “HOME”). Het Home-scherm verschijnt.
2.
Druk op [REGION/PHRASE] om over te gaan naar PHRASE editing (groen). Klik in het VGA-scherm op de “Edit mode (REGION/PHRASE) select switch” zodat die op “PHRASE” staat (groen). U zit nu in Phrase Edit mode.
3.
Plaats de muiscursor dichtbij het begin van de phrase waarvan u de Trim-in wil aanpassen. Of plaats de muiscursor dichtbij het einde van de phrase waarvan u de Trim-out wil aanpassen. De muiscursor verandert van vorm.
4.
Klik en versleep de muis. De phrase wordt langer of korter.
Trim-in en trim-out kunnen met de muis enkel in Phrase Edit mode uitgevoerd worden.
Als u een phrase verlengt door het einde te verslepen, dan kunt u niet verder verslepen dan de lengte (werkelijke tijdspositie) van de originele phrase (take).
Verbeterde Grid-functie Met de Grid-functie kunt u edit points exact op het begin van een maat of een tel zetten. In versie 2.00 kunt u kiezen voor welke edit points de Grid-functie actief zal zijn (Grid Mode).
■ Grid Mode-instelling 1.
Roep de tweede pagina van de Global-parameters op.
2.
Kies de “GRID MODE.” • Only TO: U kunt enkel het To point op het begin van een maat of een tel plaatsen. • ALL EDIT POINT: U kunt alle edit points (In/Out/From/To) op het begin van een maat of een tel plaatsen.
“GRID MODE” geldt wanneer de Grid-functie aan staat.
De grid wordt tijdelijk uitgeschakeld als u [CLEAR] ingedrukt houdt en met de muis werkt.
31
Nieuwe functies in Versie 2.00
■ Grid Resolution Hier kunt u de kleinste eenheid (resolutie) kiezen waarmee de Grid-functie zal werken.
1.
Klik rechts op de play list die in de ingebouwde LCD van de VS-2480 verschijnt. In het menu klikt u links op “GRID.” Als u het VGA-scherm gebruikt, klik dan op de Grid Mode/Resolution-selector (p. 7).
2.
Er verschijnt een lijst met resoluties.
3.
Klik rechts op de gewenste grid-eenheid.
Nieuwe sneltoetsen • [SHIFT] + [UTILITY] Hiermee verandert u van bedieningsdisplay (LCD – VGA). • [HOME (DISPLAY)] ingedrukt houden terwijl u het toestel aan zet Zo start het toestel op met de bedieningsdisplay vast ingesteld op LCD. • (Met de parameter view op de interne LCD) [SHIFT] + [ ][ Hiermee gaat u over naar de pagina van een andere parameter
]
• (Met de parameter view op de interne LCD) [SHIFT] + [ ][ ] Hiermee gaat u naar de volgende channel display-pagina • [(oneven nr.) CH EDIT] + [(even nr.) CH EDIT] (naast elkaar liggend) Hiermee schakelt u de Channel Link in/uit • [SHIFT] + een track edit-toets (bv. [COPY] of [MOVE]) Hiermee roept u direct het Track Edit-scherm op.
Nieuwe parameters • OPERATION TARGET [UTILITY] – Page1[F1 (SYSTEM)] – [F2 (Param2)] Hiermee verandert u van bedieningsdisplay (LCD – VGA) • MOUSE BUTTON SWAP Sw. [UTILITY] – Page1[F1 (SYSTEM)] – [F3 (Param3)] De functies van de linker en rechter muistoets worden verwisseld. • Grid Resolutie (p. 7)
Wijzigingen in het CD Player-scherm De weergavetijd wordt op twee manieren afgebeeld. •
: Absolute Time Dit is de tijd vanaf het begin van de muziek-CD. • : Program Time Dit is de tijd vanaf het begin van de CD-track.
32
Index A
Digital Input Select-knoppen ....................................... 22
ABS (Absolute Time) indicator ..................................... 5 ANALYZER ..................................................................... 4
DIR PATH AUTOMIX STATUS-indicator/-knop ... 15 DITHER bit-selector (Off/24/23/.../8) ................ 15, 18 Dubbele knoppenbalk .................................................... 6
ANALYZER-scherm ..................................................... 21 AUTO GAIN-knop ........................................................ 13 AUTO PUNCH/LOOP .................................................. 4 AUTO PUNCH-knop ..................................................... 5 AUTOMIX EDIT ............................................................................. 4 knop ............................................................................. 5 SETUP ......................................................................... 4 Status ........................................................................... 5 UNDO/REDO-knop ................................................. 5 Automix data inladen ................................................... 31 AUTOMIX STATUS knop ............................................................................. 8 AUTOMIX STATUS indicator/ button ...................... 16 AUTOMIX STATUS-indicator/-knop ............ 10, 15–19 AUX BUS ASSIGN-selector ......................................... 10 AUX BUS AUTOMIX STATUS indicator/button .... 15 AUX BUS LINK-knop ................................................... 15 AUX bus Send Level ..................................................... 16 AVERAGE TIMES ......................................................... 21 AVERAGE TYPE ........................................................... 21
C CAPTURE TO ................................................................ 28 Capture-handeling annuleren ..................................... 30 Capture-tijd .................................................................... 30 CD CAPTURE .................................................................. 4 CD Capture .................................................................... 28 CD PLAYER ..................................................................... 4 CD TRACK ..................................................................... 29 CD TRACK CAPTURE LENGTH ............................... 29 CD TRACK CAPTURE OFFSET ................................. 29 CD-R WRITE .................................................................... 4 CD-RW MASTERING .................................................... 4 CD-RW MASTERING-scherm .................................... 24 CH VIEW .......................................................................... 4 CHANNEL LINK-knop ............................................... 10 Channel Strip View-selector ........................................ 18 Channel View EFFECT RETURN MIXER ...................................... 14 INPUT/TRACK MIXER ......................................... 12
DYNAMICS Curve ......................................................................... 12 curve .................................................................... 17, 19 knop ......................................................... 12, 15–17, 19 Mode-schakelaar ...................................................... 12 Parameter RESET-knop .......................................... 12
E EDIT MODE ..................................................................... 7 EFFECT ............................................................................. 3 EQ Curve ......................................................................... 13 curve .................................................................... 17, 19 knop ......................................................... 13, 15–17, 19 Parameter RESET-knop .......................................... 13 Regelpunt van de curve .......................................... 13 EXT SYNC-knop .............................................................. 5 EZ ROUTING ................................................................... 4 LOAD .......................................................................... 4 SAVE ............................................................................ 4
F FADE IN CURVE .......................................................... 26 FADE IN TIME .............................................................. 26 FADE OUT CURVE ...................................................... 26 FADE OUT TIME .......................................................... 26 FADER GROUP-selector .............................................. 10 FADER LINK-knop ....................................................... 10 FF (Fast-Forward)-knop ................................................. 5
G GEN/OSC ........................................................................ 4 GLOBAL PARAMETER ................................................. 4 Grid .................................................................................. 31 Grid Mode ...................................................................... 31 Grid Resolution .............................................................. 32 Grid-resolutie ................................................................... 7
H HOME ............................................................................... 4 HOME-scherm ................................................................. 6 Huidige tijdspositie ......................................................... 5
D
I
Date and Time ................................................................. 4 DATE/TIME .................................................................... 4
Illegal Track Pair! ........................................................... 29 INPUT CLIP-indicator .................................................... 6
33
Index
INPUT MIXER/MASTER BLOCK ............................... 4 interne LCD .................................................................... 25
L L-Ch DESTINATION TRACK ..................................... 28 Level Meter Mode-knoppen .......................................... 7 LINK switch ................................................................... 16 LINK-knop ......................................................... 15, 17–19 LOCATOR ........................................................................ 4 LOCATOR-knop ............................................................. 5 LOOP-knop ...................................................................... 5
M Maat-display .................................................................... 5 MARKER .......................................................................... 4 MARKER-knop ................................................................ 5 Marker-naam ................................................................... 5 Marker-nummer .............................................................. 5 MASTER EDIT ................................................................. 4 MASTERING ROOM ...................................................... 4 MASTERING ROOM STATUS-knop ........................... 5 MASTERING ROOM-knop ..................................... 5, 24 MASTERING TRACK CD-R REC Mode-knop ......... 24 MASTERING TRACK STATUS-indicator/-knop .... 24 MASTERING TRACK-naam ....................................... 24 METRONOME ................................................................ 4 METRONOME-knop ...................................................... 5 MIDI PARAMETER ........................................................ 4 MIX BUS SEND-knop ................................................... 11 MIXER ............................................................................... 4 Mixer View INPUT MIXER / MASTER BLOCK ...................... 14 MIXER-scherm Channel View ........................................................... 10 Mixer View ............................................................... 14 Multi Channel Strip View ...................................... 17 Mode Reset-knop ............................................................ 8 MONO-knop ...................................................... 10, 16, 19 MULTI CH STRIP VIEW ................................................ 4 MUTE-knop ............................................. 8, 11, 15–17, 19
N NEXT-knop ...................................................................... 5 Nieuwe parameters ....................................................... 32
O OPERATION TARGET ................................................ 25
34
P PAGE-knop .................................................................... 10 PARAMTER INIT ............................................................ 4 PEAK HOLD-knop ................................................... 7, 21 PHANTOM Power-knop ............................................. 10 PHANTOM Power-knoppen ....................................... 22 PHASE-knop ...................................................... 10, 17, 19 PHRASE COPY ........................................................................... 3 DELETE ....................................................................... 3 DIVIDE ........................................................................ 3 MOVE .......................................................................... 3 NAME ......................................................................... 3 NEW ............................................................................ 3 NORMALIZE ............................................................. 3 SPLIT ........................................................................... 3 TRIM IN ...................................................................... 3 TRIM OUT .................................................................. 3 PHRASE EXPORT ........................................................... 4 PHRASE LEVEL ............................................................ 26 PHRASE PAD Mode-selector ...................................... 10 PHRASE PAD-knop ...................................................... 10 Phrase Parameter ........................................................... 26 PHRASE SEQ EDIT ......................................................... 4 PHRASE SEQUENCE knop ............................................................................. 5 STATUS ........................................................... 8, 16, 19 STATUS-indicator/-knop ....................................... 10 STATUS-knop ............................................................ 5 UNDO/REDO-knop ................................................. 5 PLAY/REC PARAMETER ............................................. 4 PLAY-knop ....................................................................... 5 Playlist select-knop ......................................................... 8 Preview FROM-knop ................................................................ 5 THRU-knop ................................................................ 5 TO-knop ...................................................................... 5 PREVIOUS-knop ............................................................. 5 PROJECT .......................................................................... 3 EXPORT ...................................................................... 3 LIST .............................................................................. 3 NAME ......................................................................... 3 NEW ............................................................................ 3 PROTECT .................................................................... 3 RELOAD ..................................................................... 3 SPLIT ........................................................................... 3 STORE ......................................................................... 3 PROJECT PARAMETER ................................................ 4 Project Protect-indicator ................................................. 5 Project-naam .................................................................... 5 Project-wijzer ................................................................... 5
Index
R
Transport-knop ................................................................ 5
R-BUS CONFIG ............................................................... 4 R-Ch DESTINATION TRACK .................................... 28
TRIM-IN .......................................................................... 31 TRIM-OUT ..................................................................... 31
REC-knop ......................................................................... 5 RECORDING TRACK .................................................. 23
U
REDO-knop ...................................................................... 5 REGION ARRANGE .................................................................. 3 COMP/EXP ................................................................ 3 COPY ........................................................................... 3 CUT .............................................................................. 3 ERASE ......................................................................... 3 INSERT ........................................................................ 3 MOVE .......................................................................... 3 Remaining disk meter ................................................... 10 Resterende opnametijd ................................................. 10 REW (Rewind)-knop ....................................................... 5 ROUTING VIEW ............................................................. 4
S
UNDO-knop ..................................................................... 5 UTILITY ............................................................................ 4
V V.FADER .......................................................................... 4 Vari Pitch-indicator ......................................................... 5 VGA display ............................................................... 3, 25
W WAV IMPORT ................................................................. 4 WAVE Display-knop ...................................................... 9
Z ZERO-knop ...................................................................... 5 Zoom-knop ....................................................................... 9
SCENE .............................................................................. 4 SCENE-knop .................................................................... 5 SCRUB-knop .................................................................... 5 SHUTDOWN/EJECT ..................................................... 3 SNAP SHOT-knop .......................................................... 5 sneltoetsen ...................................................................... 32 SOLO switch .................................................................. 16 SOLO-knop .............................................. 8, 11, 15–17, 19 Source Signal-selector ................................................... 23 Status-indicator .............................................................. 10 STOP-knop ....................................................................... 5 SURROUND .................................................................... 4 SYNC PARAMETER ....................................................... 4 SYSTEM PARAMETER .................................................. 4
T TAKE MANAGER .......................................................... 3 TAP-knop ......................................................................... 5 TEMPO MAP ................................................................... 4 TRACK .............................................................................. 3 EXCHANGE ............................................................... 3 IMPORT ...................................................................... 3 NAME ......................................................................... 3 TRACK DIRECT OUT-knop ........................................ 23 TRACK EXPORT ............................................................. 4 TRACK MIXER/FX RTN MIXER ................................. 4 TRACK STATUS ....................................................... 8, 16 indicator/knop ........................................................ 19 TRACK STATUS-indicator/-knop ............................. 10
35
Auteursrecht • Het ongeoorloofd opnemen, verspreiden, verkopen, uitlenen, publiekelijk uitvoeren, uitzenden, enz., hetzij geheel of gedeeltelijk, van een werk (muziekstuk, video, uitzending, optreden, e.d.) waarvan het auteursrecht eigendom is van een derde partij, is bij wet verboden. • Wanneer u via een digitale verbinding audiosignalen uitwisselt met een extern instrument, kan dit toestel opnemen zonder de beperkingen van het Serial Copy Management System (SCMS). Dit kan omdat dit toestel enkel voor muziekproductie bedoeld is en omdat het door zijn ontwerp geen beperkingen kent zolang het gebruikt wordt om werken (zoals uw eigen composities) op te nemen die geen inbreuk plegen op het auteursrecht van anderen. (SCMS verhindert het digitaal kopiëren vanaf de tweede generatie. Dit systeem is ingebouwd in MD-recorders en andere consumer digitale audio-apparatuur ter bescherming van het auteursrecht.) • Gebruik dit toestel niet voor projecten waarbij het auteursrecht van derden geschonden wordt. Roland neemt geen enkele verantwoordelijkheid op in verband met inbreuken op het auteursrecht die het gevolg zijn van uw gebruik van dit toestel.
De licentie-overeenkomst • De VS-2480/2480CD en zijn CD-R-capaciteit werden ontworpen om u toe te laten om materiaal te reproduceren waarvan u het auteursrecht hebt, of waarvoor u van de houder van het auteursrecht de toestemming hebt om het te kopiëren. Bijgevolg betekent het reproduceren van muziek-CD’s of ander auteursrechtelijk beschermd materiaal zonder toestemming van de houder van het auteursrecht, voor andere doeleinden dan persoonlijk gebruik, een inbreuk op het auteursrecht, wat strafbaar is. Voor informatie over hoe u zulke toestemming kan krijgen van houders van auteursrechten, raadpleegt u best een specialist ter zake of gespecialiseerde literatuur over dit onderwerp.
• Iomega is een geregistreerd handelsmerk van Iomega Corporation. • ZIP is een handelsmerk van Iomega Corporation. • Alle productnamen die in dit document voorkomen, zijn handelsmerken of geregistreerde handelsmerken van hun respectieve eigenaars. Wijzigingen van de specificaties en het uiterlijk zonder voorafgaande kennisgeving voorbehouden.
Roland Benelux 14/02/02 EDS
HD-recorder met ingebouwde DVD-multidrive
Bijlage bij de handleiding Hartelijk dank en gefeliciteerd met uw aankoop van de VS-2480DVD (het model met ingebouwde DVD-multidrive). De handleiding die bij dit product wordt geleverd, geeft uitleg over het gebruik van de CD-RW drive bij de VS-2480 en de VS-2480CD. De meeste handelingen zijn hetzelfde op de VS-2480DVD met ingebouwde DVD multi drive. U mag dan ook “CD-RW drive” in de VS-2480(CD) handleiding lezen als “DVD multi drive.” Dit document geeft bijkomende informatie die niet in de handleiding van de VS-2480(CD) staat.
Inhoud De DVD-multidrive.......................................................................................... p. 2 Aanbevolen discs........................................................................................... p. 2 Functies met gebruik van DVD-R/RW’s........................................................ p. 3 Schrijf- en leessnelheid van/naar discs ....................................................... p. 3 De User Interface wijzigen............................................................................. p. 4 Specificaties ................................................................................................... p. 4
* Alvorens dit toestel te gebruiken, gelieve aandachtig de pagina’s getiteld “BELANGRIJKE VEILIGHEIDSINSTRUCTIES” , “VEILIG GEBRUIK VAN HET TOESTEL” en “BELANGRIJKE OPMERKINGEN” (zie handleiding) te lezen.
■ Werken met de DVD-multidrive ❍ Dezelfde richtlijnen gelden als voor de CD-RW drive (Zie “Omgaan met de CD-RW drive” op p. 7 van de handleiding VS-2480).
■ Omgaan met DVD-R/RW discs ❍ Dezelfde richtlijnen gelden als voor CD-R/RW discs (Zie “Omgaan met CD-RW discs” op p. 7 van de handleiding VS-2480).
◆ De versie van de systeemsoftware ◆ Het besturingssysteem van de VS-2480DVD is versie 2.5 of hoger en is compatibel met het VS8F-3 Plug-In Effect Expansion Board (apart verkrijgbaar). U kunt een VS8F-3 installeren en gebruiken, onmiddellijk na aankoop van de VS-2480DVD. Lees de handleiding voor informatie over het installeren van de VS8F-3. In de handleiding van de VS8F-3 mag u “VS2480CD” dus ook lezen als “VS-2480DVD.”
1
De DVD-multidrive De ingebouwde DVD-multidrive van de VS-2480DVD geeft dit toestel de mogelijkheid om DVD-R/ DVD-RW/CD-R/CD-RW discs te lezen en te schrijven. Voor backups en recovery van projectdata op de VS-2480DVD kunt u meerdere DVD discs gebruiken.
Aanbevolen discs Gebruik discs die aan de volgende voorwaarden voldoen. Type van Disc
Fabrikant
Beschrijfbare discs
CD-R
TAUYO YUDEN Co.,Ltd. MITSUBISHI Chemical Corporation Ricoh Co.,Ltd. Hitachi Maxell
CD-RW
MITSUI chemicals, Inc. Ricoh Co.,Ltd.
Gebruik discs die compatibel zijn met x4 speed writing.
DVD-R
Matsushita Electric Industrial Co.,Ltd. TAUYO YUDEN Co.,Ltd.
Gebruik discs gebaseerd op DVD-R voor General Ver 2.0.
Victor Company of Japan, Ltd. (JVC) TDK Corporation
Gebruik discs gebaseerd op DVD-RW Ver 1.1.
(4.7GB “General”)
DVD-RW (4.7GB “General”)
* U kunt geen DVD+R discs, DVD+RW discs of DVD-RAM discs gebruiken. * De twee volgende types van DVD-R/RW discs zijn in de handel verkrijgbaar. Authoring (voor professioneel/zakelijk gebruik) General (voor privé-/hobbygebruik) Discs voor Authoring zijn niet bruikbaar in de multidrive van de VS-2480DVD. Gebruik discs van het type General. * Als u discs gebruikt van fabrikanten die hierboven niet vermeld zijn, kunnen er mogelijk storingen optreden bij het schrijven. * Er zijn twee types van DVD-R/RW disc in de handel verkrijgbaar; één voor “data” en één voor “video”. De VS-2480DVD kan beide types gebruiken.
2
Functies met gebruik van DVD-R/RW’s U kunt DVD-R/RW discs gebruiken voor de volgende twee functies van de VS-2480DVD.
Project back up
Zie “PROJECT BACKUP” on p. 80 van de handleiding van de VS-2480(CD).
◆ Indien u DVD-R discs gebruikt Net als bij CD-R discs, kunt u op een DVD-R disc een backup-handeling slechts één keer uitvoeren. Nadien kunt u de gebackupte data niet meer wijzigen of wissen.
◆ Indien DVD-RW discs reeds data bevatten Net als bij CD-RW discs, kunt u geen project data toevoegen aan het blanco gedeelte van een DVD-RW disc die reeds data bevat. Voordat u zulke discs voor backups kunt gebruiken, dienen alle data van die disc gewist te worden. Als u zulk een disc invoert, verschijnt het “CD-RW Erase?”-dialoogvenster tijdens de bewerking. Als u op ENTER/YES drukt, worden alle data van de disc gewist en wordt de backup-procedure gestart.
◆ Hoe lang duurt de backup-procedure? De tijd die nodig is om een backup uit te voeren, hangt af van het type van discs dat u gebruikt. De hieronder vermelde tijden gaan uit van een backup van een project van 4 GB. Type van disc DVD-R DVD-RW CD-R CD-RW
Verify *1
Schrijftijd*2
Off
Ongeveer 40 minuten
On
Ongeveer 70 minuten
Off
Ongeveer 60 minuten
On
Ongeveer 90 minuten
Off
Ongeveer 140 minuten *3
On
Ongeveer 160 minuten *3
Off
Ongeveer 150 minuten *3
On
Ongeveer 180 minuten *3
*1 Verify On/Off kunt u instellen in het PROJECT BACKUP-scherm. *2 De schrijftijd hangt ook af van het type of de fabrikant van de discs. *3 Als de omvang van het project de opslagcapaciteit van één CD-R/RW disc overschrijdt, dan wordt de backup over twee of meer CD-R/RW discs gespreid.
Project recover
Zie “PROJECT RECOVER” op p. 82 van de handleiding van de VS-2480(CD).
Schrijf- en leessnelheid van/naar discs Alle snelheidsparameters voor schrijven en lezen staan automatisch op “MAX” voor alle bewerkingen waarbij de DVD-multidrive gebruikt wordt.
3
De User Interface wijzigen “MATSHITA DVD-RAM” wordt getoond als drive van de VS-2480DVD. example) PROJECT BACKUP screen
Specificaties De specificaties van de VS-2480DVD zijn dezelfde als die van de VS-2480CD, uitgezonderd de DVDmultidrive en de accessoires. Zie “Technische specificaties”, Appendix p. 80 in de handleiding VS-2480(CD).
DVD-multidrive Leessnelheid:
CD-ROM DVD-ROM
Max 24x Max 8x
Maximale schrijfsnelheid:
CD-R CD-RW Hi-speed CD-RW DVD-R DVD-RW
16x 4x 8x 2x 1x
Accessoires Blanco DVD-R disc
4
