Petr Krátký_Portfolio
paintings_objects_installations
selection
auto_car
1:1_2007
installation of two paintings_ 450cm
2x 140x145cm_acryl on canvas
ground plan of the room installation of two paintings on the ground_ 460cm
2x 100x70cm_acryl on canvas
guoin of house
200x150cm_acryl on canvas
studies of colours of painting: guoin of house
200x200cm_acryl on canvas
Cepinec 1_installation of paintings_variable
ground plans_2008
240x350cm_oil on canvas
Hamrlík 1_installation of paintings_variable
140x240cm_oil on canvas
levitation picture_2008
190x140cm_painter‘s material
Censura_2009
110x130(135)cm_latex on canvas
wedge_2009
installation_variable
exhibitions
selection
“Best of better” is a project conceived for Gallery 207. His main task is to find how much depends the meaning of painting on the surrounding it corresponds with. It is not about installation of paintings in gallery space, but about the space as a complex, in which we can manipulate with paintings and change visual sphere without a change of original context. Paintings functioning as a space instruments, could be understood as a kind of visual puzzle. A title „best of better“ is derived from material i come out from. It is a book called „Alphabet of good housing „SNTL., 1970 which is full of advices, how it is possible treat and alternate a space of flat. Imaginary freedom of choices is denied by limited spectrum of processes. A visual form is also up taken from that book. Shapes are taken from a cot of schema of ground-plan in a real size. In circumstance, a size of gallery is same as the room in panel house. (4x3 so 12m2)
Best of better_2009
Galerie 207_ VŠUP Praha_ 9.2.2009
How we can recycle already finished art artefacts, change a space of gallery and its perception? We tried it with Jan Zdvořák, Adam Stanko and Štěpán Soukup on the exhibition called Screen. Idea came from irritation from previous exhibition, and its totally scattered installation,( information it gave was meaningless. ) We decided to consolidate whole space, with minimal modification of original installation. We moved all art works to two corners and closed them by two semi transparent white walls from plastic. By this space of gallery was cleared and seemed bigger, even thou it became on its 1/4th smaller. A look on semi transparent wall urges to realize hidden space in place of single artefacts, it submits their unclear senses.
Screen_2009
Screen_Norwich gallery_ 8. 5. 2009_Norwich_England
Petr Krátký and Jan Zdvorák present 140 paintings fro 42 authors. The exhibition attempts to learn to which extent it is possible to manipulate with painting, to recycle art artifacts and to insert new meanings without losing the previous ones. Participants: Petra Brázdilová, Filip Vrba, Conrad Armstrong, Sabina Hašková, Martin Hrubý, Inna Levinson, Daniela Barácková, Vasil Artamanov & Alexey Klyuykov, Helena Voleníková, Natálie Roucková, Lukáš Kalivoda, Monika Novotná, Jan Miko, Jakub Tauš, Alžbeta Ríhová, Sandra Ružicková, Jakub Matuška aka Masker, Monika Žáková, Jakub Sýkora, Jakub Tomáš, Petra Kameníková, Matej Lipavský, Zuzana Kieferová, Petra Polífková, Marek Fexa, Filip Horyna, Václav Misar, Jaroslav Grodl, Tomáš Cerný, Jan Poupr, Zbynek Mergewtal, Pepa Rossí, Kuba Havránek, Ondrej Tkacík, Zuzana Ondroušková, Jana Vojnárová, Vladimír Houdek, Hana Garová, Katerina Samková, Matouš Marek, Ondrej Vyhnánek aka X-Dog, Klára Pernicová
Petr Krátký& Jan Zdvorák_2009
Petr Krátký & Jan Zdvorák_13.6.- 19.7.2009_GKK 2009
The exhibition of three Czech artists is conceived as in a way reflection of a painting medium in its wider context. It is related to stereotypes governing the selection of themes, attributes, styles, symbolic frame of quality and history – in this case it is art history or culture studies as well as practical methods and physical qualities. The exhibition will be divided into three sections. The first section will in a way concern film and the opinion that content of a more recent medium is in fact an older medium, in terms of film it is a novel and a painting. The second one is going to deal with the properties of a painting medium – building up an illusion, illusoriness. The third section will play with an idea of “a painting as a body”.
The exhibition is a collaborative work by Petr Krátký, Petr Malina and Marek Meduna
equilateral triangle_2010
MeetFactory gallery_Prague
For Charlotte Dumas installation is constructed in a particular environment gallery. More precisely, the garden, which builds on the gallery space. I was inspired by Dutch photographer Charlotte Dumas, who shoot animals. Therefore I decided to give her the work, as the name says. The garden reminds the viewer into the cage and it may look through the gallery window and glass door. But can not enter. Middle of the garden is located a piece of meat. He evokes food for the animal, which escaped. It is out there somewhere and we do not know where. Or it may be the animal itself. The visitor is given space for interpretation. This is a work whose content is determined by an absent factor.
For Charlotte Dumas_2010
Kunstroute by Tuk Tuk_ Deliplein_ Rotterdam, NL
Hi Vladimir, here is an outline of what I wanted to shoot with you. It would be a short video. (Background), sister of my grandmother gave me a picture. I got it home about 5 years now. Somehow I did not know what to do with him. It is a landscape (such that we all know from their grandparents‘ homes) two trees in the foreground, look at the hills and in the middle of all plans is surging through the field lane. It is oil on canvas, 50x 60 cm, undated, but from an aunt I know it was painted painter in 50th-60th 20th century. The author has the same name as you. Ac. Houdek. (Signed in lower right corner of the picture) (Idea) static shots from a tripod in a neutral space. I stand there, then come into view you hold in your hands this picture, which you will try to break on my head.
Jiřina Štípková: aunt from Plzenec
Gallery Pavilon_Praha_2010
movies
selection
Intermedia confrontation_2009
0:02:32min
Vasil Artamonov, Petr Krátký, Tomáš Uhnák (Videokemp 2009)
Internationale_2009
0:38:45min
Timeline_2010
0:00:28min
Autistic boys_2010
0:05:39min
This movie was filmed in Museum Bojimans van Beuningen in Rotterdam. The central character is the audience (the visitor galleries, artist, me) which manifested a novel form of a personal confrontation with art artifacts. Museum, a place mentally challenging environment for the intellect and psyche, there is commented physically demanding activities. Movement in itself, connecting admiring applause, the uncertainty in the knees and masturbation above fetish of picture.
No title_2010
0:00:53min
photography
selection
eclipsis_2006
digital photography
no comment_2006
digital photography
hands dryer_2006
digital photography
performance
selection
I went through a tent camp and saw all presented art works I selected one tent..( conditions of selection: position of the tent and notebook inside) 21:30- ( nightfall) I came in to tent, connected a flash disk with own video: „3:15“ and locked the tent by a jack lock. 21:55- Very mad artists ( Veronika Neumanova and Helena Sequensova) forsed me to give them a key. 22:00- Everything is at normal conditions again.
Videokemp, park Letná, 09.08.2008
hacker_2008
flesh disc+ padlock
Trial of self inflammation is an act of place imitations. In this way could be understood, but truth is somewhere else. Clearly speaking we dont know where! To make attempt for such a intangible thing as self inflammation is must be very brave. Someone would say insane. He declares to legacy of Viennese actionism and goes even further. I risk my life! They ae interested in maximum distinction between a form and content. I risk everything, but nothing becomes apparent!
illustration photo
A Self Combustion Attempt_2009
Imitations of paces_Brno
Family name: Kratký First name: Petr Date of birth: 16.12.1985 Place of birth: Klatovy Nationality: Czech Mobile: +420724797828 E-mail:
[email protected] Web: www.petrkratky.borec.cz student of studio of Intermediary confrontation in Academy of Fine arts, architecture and design (VŠUP), Prague 2010 intership in Erasmus program, Willem de Kooning Academy, Rotterdam, Nl 2009 intership in Monumental art studio in Academy of fine arts (AVU), Prague 2005-2006 VOŠG Hellichova, Prague 2001-2005 SSUPŠ Zámecek s.r.o., Pilsen, specialisation on applied painting Solo exhibitions: 2010 Jiřina Štípková: Teta z Plzence, Galerie Pavilon, Praha 2010 Rovnostranný trojúhelník, MeetFactory, Praha 2010 Maybe Yes, maybe No, I don´t know, You know, Galerie ve sklepě, Praha 2009 Petr Krátký & Jan Zdvořák, Galerie Klatovy Klenová 2009 Best of better, Galerie 207, Praha 2008 Petr Krátký/Jan Zdvořák, galerie Trafo, Praha Jointed exhibitions: 2010 Letní kulturní slet, CCEA, Praha 2010 Videokemp, GASK, Kutná hora 2010 I like America and America likes me, Napa Gallery, Praha 2010 Co by se stalo, kdyby neexistovala katedra volného umění VŠUP, Galerie XXL, Louny 2010 D.O.M.O.C.A.S.I.D.L, Marija Repsyte and Nicola Genovese exhibition, B.a.d. foundation, Rotterdam, NL 2010 Kunstroute by Tuk Tuk, Temporary forms, Binnenruimte Deliplein, Rotterdam, NL 2009 Videokemp, park Letná, Praha
2009 Sochy v Brně, Kontejnery umění- Imitace míst, Brno 2009 Screen, Norwich gallery, Norwich, UK 2009 Finále Cena kritiky za mladou malbu 2009, Galerie kritiků, Praha 2008 10+10, Galerie Klatovy Klenová 2008 Videokemp, park Letná, Praha 2008 Můj šálek čaje, Galerie AVU, Praha 2008 UCHOKO/ přehlídka současné hudebně- obrazové tvorby/ mezinárodní festival síťové kultury MULTIPLACE 2008 Standbye(Me), Galerie Aula, Favu Brno 2007 Art&Pond 2007, Galerie Klatovy Klenová 2003 Nová média Cheb 2003 workshops: 2006 Artfest 2006, atelier krajinování, Martin Zet, Galerie Klatovy Klenová 2005 Artfest 2005, atelier fotografie, Jiří Šigut, Galerie Klatovy Klenová 2009 a member of Gallery 207 production, Prague (http://galerie207.blogspot.com)
©_Petr Krátký_2010
