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CONTENTS

Piano Solo (piano two hands)��3 Piano Duet (piano four hands)��11 Piano Concertos �� 13

HARPSICHORD Harpsichord Solo�� 13 Harpsichord Concertos�� 13

ORGAN Organ Solo�� 13 Organ Concertos��14

ACCORDION��14 VIOLIN Violin Solo�� 15 2 Violins Solo��18 Violin and Piano��18 Violin Concertos�� 22

VIOLA Viola Solo�� 22 Viola and Piano�� 22 Viola Concertos�� 22

VIOLONCELLO Violoncello Solo�� 22 Violoncello and Piano��23 Cello Concertos��23

DOUBLE BASS�� 24 HARP�� 24 GUITAR�� 24 WINDS Winds – Collections �� 25 Recorder�� 25 Flute�� 25 Oboe (English Horn)��26 Clarinet��26 Saxophone��27 Bassoon�� 28 French Horn�� 28 Trumpet�� 28 Trombone��29

PERCUSSION��30

CZECH MUSIC

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CHAMBER MUSIC

Piano Trio��30 Piano Quartet�� 31 Piano Quintet��32 String Duo��32 String Trio��32 String Quartet��32 String Quintet��35 String Sextet��35 Wind Ensembles��35 Wind Ensembles and Piano��36 Miscellaneous Ensembles��36 Miscellaneous Ensembles and Piano��37 Bärenreiter Urtext is a seal of quality assigned only to scholarly-critical editions. It guarantees that the musical text represents the current state of research, prepared in accordance with clearly defined editorial guidelines. Bärenreiter Urtext: the last word in authentic text – the musicians´choice.



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ORCHESTRA String Orchestra��41 Chamber Orchestra��41 Symphony Orchestra�� 43

SOLO VOICE (VOICES)��46 CHORAL MUSIC / SACRED AND SECULAR WORKS Collections��49 Children's Choir��49 Female Choir��49 Male Choir��50 Mixed Choir�� 51

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OPERA��59 THEMATIC CATALOGUES��59 Index by composers�� 60 Promotional Gifts��61 Index by edition numbers��61 The catalogue contains a wide selection of Czech music titles from the production of Bärenreiter music publishing house. For more information about the complete offer, please see our website www.baerenreiter.cz / www.baerenreiter.com

Contents valid as of March 2015. Errors excepted and delivery terms subject to change without notice. Printed by Bärenreiter Praha s.r.o., náměstí Jiřího z Poděbrad 112/19, 130 00 Praha 3, Czech Republic, in 2015. www.baerenreiter.cz

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ABBREVIATIONS AND KEY TO FIGURES B Jarmil Burghauser: Antonín Dvořák. Thematic Catalogue BA Bärenreiter editions H Bärenreiter Praha editions taken up from the production of Editio Supraphon and its predecessors, or new titles with contemporary Czech music H. Harry Halbreich: Bohuslav Martinů. Werkverzeichnis und Biografie TP study score of Bärenreiter editions

ADCE Antonín Dvořák Complete Edition [Complete Edition of the Works of Antonín Dvořák] AMO Adam Michna z Otradovic – Compositiones BMCE Bohuslav Martinů Critical Edition LJCE Leoš Janáček Complete Edition [Complete Critical Edition of the Works of Leoš Janáček] MAB Musica Antiqua Bohemica MKCE Miloslav Kabeláč Complete Edition [Complete Critical Edition of Miloslav Kabeláč's Works]

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Cz Czech Eng English Fr French Ger German Ital Italian Lat Latin Ru Russian Sp Spanish arr. arranged Ed. / Eds. Editor / Editors IMC International Music Competition maj major min minor rev. revised Vol. Volume

PIANO / KEYBOARD

Piano Solo (piano two hands)

Pieces for Children and Youth / Educational Works

Dvořák Antonín (1841–1904) Largo from Symphony No. 9 in E min “From the New World” Op. 95 Arr. by L. Láska in an easy style H 1810

Classici boemici II Dusík, Rejcha, Škroup, Tomášek, Voříšek Ed. V. J. Sýkora MAB I/20 H 1356 Classics and Their Contemporaries I Dusík, Rejcha, Škroup, Tomášek, Voříšek Rev. by A. Sarauer, D. Křížková H 4497 Classics and Their Contemporaries II Beethoven, Cimarosa, Clementi, Czerny, Dušek, Haslinger, Haydn, W. A. Mozart, Mysliveček, Pleyel, Rössler, Steibelt, Vaňhal Rev. by A. Sarauer, D. Křížková H 5077 Czech Piano Music Dusík, Dvořák, Fibich, Janáček, Martinů, V. Novák, Smetana, Suk, Tomášek, Voříšek Rev. by K. Šolc H 5033 Czech Sonatinas J. A. Benda, Dusík, Dušek, L. Koželuh, Mysliveček, Vaňhal, Voříšek Eds. K. Emingerová, O. Kredba MAB I/17 H 1122 Dlouhý Milan (*1938) Tell Me, Tell Me, Dandelion (Ptám se, ptám se, pampeliško) A cycle of instructive pieces (Cz/Ger/Eng) Rev. by J. Uxová H 7781 Dusík Jan Ladislav (1760–1812) Twelve Melodic Studies for Piano Op. 16 COPY Ed. V. J. Sýkora MAB I/21 H 907

Dvořák Milan (*1934) Jazz Piano Studies (Cz/Ger/Eng) H 5020 Vol. 1 H 7082 Vol. 2 In order to get acquainted with jazz piano playing the pianist needs to cope with the technical demands as well as the expressive phrasing of jazz. These range from characteristic accentuation, distinctive syncopation, inverted mordents, playing in “blocks” to rhythmical independence of the right hand from the left. These studies offer ways to explore different styles and genres. Helpful guidance notes to ensure correct improvisation are also included. Eben Petr (1929–2007) The World of Children (Svět malých) 20 little compositions Rev. by I. Hurník H 3211 Three Pieces in C H 6421

For Young People from Modern Czech Composers Ed. V. Jůzlová H 7591 This representative selection of the works of eminent Czech composers of the first half of the 20th century contains intermediate-level compositions by Blažek, Doubrava, Jirák, Kabeláč, Kaprálová, Krejčí, Martinů, Rychlík, Schulhoff, V. Štěpán, D. C. Vačkář. An ideal choice for conservatories and more advanced pupils of music schools. Graham Peter (*1952) NEW 2015

Subversive Etudes (Jinakosti) BA 9585 To appear in October 2015 The extraordinary piano miniatures by Peter Graham provide a distinctive and unorthodox approach to the issue of instructive piano performance repertoire. The rhythmic and tonal invention of these diversely styled genre pieces instils them with a musical humour. The short compositions also help develop finger technique and a sense of polyphony, gently building up the student's plasticity of performance. ●

Instructive piano performance miniatures

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A welcome teaching supplement for curious children and open-minded teachers

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Easy to moderate level of difficulty 3

PIANO / KEYBOARD Hanuš Jan (1915–2004) Moments in Nature (Vteřiny v přírodě) Op. 18 A cycle of ten miniatures for the youngest pianists Rev. by E. Doležalová H 2031 The Story of Ten Brothers (O deseti bratrech) Op. 32 Easy exercises and etudes for young fingers (Cz/Ger/Eng) H 2242 Hradecký Emil (*1953) A Little Jazz Album (Cz/Ger/Eng) H 7325

Martinů Bohuslav (1890–1959) Fables (Bajky) H. 138 5 pieces in moderate level of difficulty H 3363 Spring in the Garden (Jaro v zahradě) H. 125 4 children's pieces Ed. A. Březina H 3257 Slavický Klement (1910–1999) 12 Small Studies Rev. by E. Kleinová H 4149 Smetana Bedřich (1824–1884) A selection of Piano Compositions I Ed. V. Štěpán, rev. by K. Šolc moderate level of technical difficulty H 1979 Innocence (Nevinnost), Love (Láska), Polka in E-flat maj (op. posth.), Album Leaves (Lístky do památníku) Op. 2 Nos. 2, 3, 6, Polkas in E maj, in E-flat maj, in G min, in E min, Idyll (Idyla), Souvenir (Vzpomínka), A Pleasant Landscape (Přívětivá krajina)

Jazz Etudes for Young Pianists Ed. Š. Krejčí (Cz/Ger/Eng) H 7974 Hurník Ilja (1922–2013) Jazz piccolo (Džezík) easy piano pieces (Cz/Ger) H 6329 Studies (Etudy) H 6474 Korte Oldřich F. (1926–2014) Excursion (Exkurse) A cycle of instructive pieces (Cz/Ger/Eng) H 7948

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Treasure of Melodies II 5 easy instructive pieces in increasing level of difficulty Ed. H. Séquardtová H 4499 Sonatinas and Rondos I Clementi, Dusík, Kuhlau Rev. by V. Kurz H 235 Suk Josef (1874–1935) About Mother (De maman / O matince) Op. 28 COPY “Simple piano pieces for my little son” Ed. B. Selva H 297 Love Song (Píseň lásky) Op. 7 No. 1 Arr. by P. Blažek, rev. by K. Šolc H 2424

Repertoire Works Benda Jiří Antonín (1722–1795) Sonate I–XVI Ed. V. J. Sýkora MAB I/24 H 1796 Dusík Jan Ladislav (1760–1812) Sonate I–VII COPY Ed. V. J. Sýkora MAB I/46 H 3099 Sonate VIII–XVI Ed. V. J. Sýkora MAB I/53 H 3289

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Sonate XVII–XXIII Ed. V. J. Sýkora MAB I/59 H 3413 Sonate XXIV–XXIX Ed. V. J. Sýkora MAB I/63 H 3756 Dvořák Antonín (1841–1904) Dumka Op. 35, Furiant Op. 12, Two Little Pearls (Dvě perličky) B 156 ADCE V/3 H 6676 Humoresque in G-flat maj Op. 101 No. 7 Urtext / Eds. P. Kvasničková, M. Štědroňská Preface (Cz/Eng/Ger), critical commentary (Cz/Eng) and facsimile pages BA 9503 Humoresques Op. 101 ADCE V/4 H 1274 Impromptu B 129, Humoresque B 138 ADCE V/3 H 2850 Mazurkas Op. 56 ADCE V/2 H 2907

PIANO / KEYBOARD Piano Compositions 1 H 7040-01

Eben Petr (1929–2007)

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Dumka Op. 35, Eclogues B 103, Furiants Op. 42, Piano Pieces Op. 52, Silhouettes Op. 8, Tema con variazioni Op. 36, Waltzes Op. 54

Universi Liturgical movement for piano Prague Spring IMC Commission (2004) H 7917

Piano Compositions 2 H 7040-02

Veni creator spiritus Improvisation on the Gregorian Theme H 7744

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Mazurkas Op. 56, Impromptu in D min B 129, Dumka and Furiant Op. 12, Poetic Tone-Pictures (Poetické nálady) Op. 85, Suite in A maj Op. 98, Humoresques Op. 101, Dances: Polka in E maj B 3, Minuets Op. 28 and Scottish Dances Op. 41, Album Leaves (Lístky do památníku) B 109/2, B 128a, B 158, B 109/1/2/4, B 116, Humoresque in F-sharp maj B 138, Two Little Pearls (Dvě perličky) B 156, Lullaby (Ukolébavka), Capriccio B 188/1, 2

Fibich Zdeněk (1850–1900) Images, Impressions et Souvenirs (Nálady, dojmy a upomínky) Op. 41 Rev. by K. Šolc H 384 Vol. I H 425 Vol. II H 675 Vol. III H 676 Vol. IV

Fišer Luboš (1935–1999) Dreams and Waltzes (Sny a valčíky) H 7795 Janáček Leoš (1854–1928) A Recollection (Vzpomínka) COPY

Ed. J. Trojan H 5781 Compositions for Piano Solo Eds. J. Burghauser, L. Kundera H 6070p (practical edition) Tema con variazioni (Zdenkas Variations / Zdenčiny variace), Three Moravian Dances (Tři moravské tance), Sonata 1. X. 1905, On an Overgrown Path (Po zarostlém chodníčku) I–II, In the Mists (V mlhách), A Recollection (Vzpomínka)

Piano Compositions Op. 52 Eclogue, Gigue, Impromptu, Intermezzo ADCE V/2 H 3177 Poetic Tone-Pictures (Poetické nálady) Op. 85 Eds. J. Burghauser, A. Čubr ADCE V/3 H 338 Silhouettes Op. 8 12 piano pieces ADCE V/1 H 1763 Slavonic Dances Op. 46 (Series I) Arr. by K. Šolc H 1359 Slavonic Dances Op. 72 (Series II) Arr. by K. Šolc H 1428 Suite in A maj Op. 98 ADCE V/4 H 2226 Symphony No. 9 in E min “From the New World” Op. 95 Arr. by K. Šolc H 1110 Tema con variazioni Op. 36 ADCE V/1 H 1126 Waltzes Op. 54 ADCE V/2 H 1498

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Fišer Luboš (1935–1999) Complete Sonatas for Piano by one of the most distinctive figures of Czech music of the 20th century. His 2nd Sonata (1957) was subsequently eliminated by composer himself from his compositional repertoire. H 7911 Sonata I H 7957 Sonata III H 7988 Sonata IV H 7757 Sonata V H 7758 Sonata VI “Fras” (The Devil) H 7766 Sonata VII H 7989 Sonata VIII

In the Mists (V mlhách) Urtext with fingering Eds. J. Burghauser, L. Kundera / Fingering by R. Kvapil BA 9500 Lachian Dances (Lašské tance) Arr. by J. Máslo H 6065 On an Overgrown Path (Po zarostlém chodníčku) Series I–II Urtext with fingering / Eds. J. Burghauser, L. Kundera Fingering by R. Kvapil BA 9502 Sonata 1. X. 1905 Urtext with fingering / Eds. J. Burghauser, L. Kundera Fingering by R. Kvapil BA 9501 5

PIANO / KEYBOARD Janáček Leoš (1854–1928) Tema con variazioni (Zdenkas Variations / Zdenčiny variace) Rev. by R. Kvapil H 6070-01

Seven Pieces for Piano Op. 14 Ed. Z. Nouza MKCE V/5 H 7857 Short Pieces for Piano (Drobné skladby pro klavír) Ed. Z. Nouza MKCE V/6 H 7842 Kalabis Viktor (1923–2006) Entrata, aria e toccata Op. 41 COPY

H 6354 Piano Sonata No. 3 Op. 57 H 7415 Korte Oldřich F. (1926–2014) Ježek Jaroslav (1906–1942) Bugatti Step H 3156 A virtuosic piano foxtrot (1931) was influenced by the composer's fascination with the Bugatti car. Throughout the piece a pulsating rhythm suggests the vibration of a Bugatti engine. Jírovec Vojtěch (1763–1850) 12 Waltzes for Piano Ed. V. Müllerová H 4738

Sonata One of the most internationally performed piano works of postwar Czech music won the 1st special prize at the Bolzano International Composers Competition in 1956, performed to exceptional acclaim by Maurizio Pollini. H 1842 Koželuh Leopold (1747–1818) Complete Sonatas for Keyboard Urtext / Ed. C. Hogwood BA 9511 Vol. I BA 9512 Vol. II BA 9513 Vol. III BA 9514 Vol. IV NEW 2015 To appear in August 2015 BA 9515

c omplete set of 4 volumes → see more on the next page

Martinů Bohuslav (1890–1959)

Kabeláč Miloslav (1908–1979) Motifs from Exotic Lands (Cizokrajné motivy) Op. 38 Ed. Z. Nouza MKCE V/4 H 7906 6

Christmas (Le Noël /Vánoce) H. 167 Three pieces: Sleigh (Sáně), Christmas Carol (Vánoční koleda), Childern's Lullaby (Dětská ukolébavka) Rev. by K. Šolc H 5081 Film en miniature H. 148 Cycle of six pieces Ed. V. Kafková H 5709

Puppets (Loutky) I-III H. 137, H. 116, H. 92 Ed. A. Březina H 7875 Vol. I H 7946 Vol. II H 7963 Vol. III H 7970 All 3 volumes combined ●

N ewly revised

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N ew fingering by Giorgio Koukl

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D etailed preface and critical commentary by the editor (Cz/Ger/Eng/Fr)

The three volumes of Puppets were composed between 1912 and 1925 in reverse order. The charming pieces all differ from one another in character. Martinů's approach evolves throughout and he displays a mature and idiomatic style of piano writing. The pieces take the characters of Italian commedia dell'arte as their theme; Pierrot, Colombina and Harlequin. Also included are dance and ball scenes as well as scenes from the ‘personal lives’ of the puppets. Quatre Mouvements H. 170 Rev. by I. Popelka H 6156

KLAVÍR The complete solo sonatas for keyboard by Mozart's popular contemporary

LEOPOLD KOŽELUH Complete Sonatas for Keyboard Urtext / Ed. Christopher Hogwood BA 9511 Vol. I (12 sonatas from 1780–1784) BA 9512 Vol. II (12 sonatas from 1784–1786) BA 9513 Vol. III (13 sonatas from 1788–1797) BA 9514 Vol. IV (6 sonatas from 1807–1809, 1 sonata from 1770s, 6 sonatas which exist only in manuscript)

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Sonata 26

Opus 26, no. 2, 1788

                                       [ ] mezza voce                                      Allegro

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                                                                               

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  

        

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                                 

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                                          

17

  

 

 

 

 

21

                     



  





  

27

 

  

     



 

  

 

  

  

   

 

 

  

dolce

       

  

                





 

 

  

                                   BA 9513

BA 9515 complete set of 4 volumes As the foremost representative of Czech music in 18th century Vienna, Leopold Koželuh (1747–1818) was noted primarily as composer, pianist and keyboard teacher. His 50 keyboard sonatas cover his entire career and mark not only the transition from the harpsichord and clavichord manner to the fully idiomatic forte-piano style, but also the development of the “classical sonata” during three decades (1773–1806). Until now, pianists have had little chance to acquaint themselves with the complete range of Koželuh's sonatas since very few modern editions were available. For the first time, this new complete edition by Christopher Hogwood presents all of Koželuh's sonatas for keyboard solo. The four volumes each contain 12 to 13 sonatas, and the works are presented chronologically according to the date of their first publication. ● First

complete edition of all solo keyboard sonatas by Leopold Koželuh

● F ills

a gap in Czech and Central-European Classical repertoire

● S uitable

for amateurs as well as professionals; ideal for teaching purposes

● I ncludes

a detailed preface (Eng/Cz/Ger), critical commentary (Eng) and facsimile pages from the sources 7

PIANO / KEYBOARD Mysliveček Josef (1737–1781)

Smetana Bedřich (1824–1884)

Six Sonatas Rev. by V. Němec Preface about the composer and his works by O. Zuckerová (Cz/Ger/Eng) H 7330

A selection of Piano Compositions III Ed V. Štěpán, rev. by K. Šolc advanced level of technical difficulty H 3374 Macbeth and the Witches (Macbeth a čarodějnice) Op. posth., On the Seashore (Na břehu mořském), Bohemian Harvest (Slavnost českých sedláků), selection from Czech Dances: Polka in F maj, Furiant, Medvěd, Slepička, Obkročák

Novák Vítězslav (1870–1949) Sonatinas Op. 54 Nos. 1, 2 Rev. by F. Rauch H 475

Album Leaves (Lístky do památníku) Urtext with fingering / Ed. J. Novotný New preface by J. Gabrielová (Cz/Eng/Ger) BA 9525 Schulhoff Erwin (1894–1942) NEW 2014

Jazz Inspired Works Urtext / Ed. M. Kube BA 9559 Rejcha Antonín (1770–1836) 36 Fugues for Piano Ed. V. J. Sýkora Preface by R. Dykast (Cz/Eng/ Ger) BA 9541 The Czech composer Antonín Reicha (also Anton Reicha) was famous as both an experimental composer and as a teacher and theorist. His 36 Fugues for Piano testify to this experimentalism; they can be seen as a type of “WellTempered Piano of the new ages”, basing the traditional Baroque fugue on radically new fundaments. Simon Ladislav (1929–2011) Piano Sonata No. 2 H 7445

8

Partita (1922) / Cinq études de jazz (1926) / Esquisses de jazz: Six pièces faciles pour piano (1927) / Hot Music: Ten Syncopated Studies (1928) / Suite dansante en jazz (1931) NEW 2014

Sonatas Nos. 1 – 3 Urtext/ Ed. M. Kube BA 9560 Erwin Schulhoff was a Prague German-speaking composer. His compositions of the 1920s, with their blend of traditional genres, jazz syncopations, dance rhythms and moderately expanded tonality, were fully attuned to the tenor of the times. ●

F irst Urtext editions

●

P refaces (Ger/Cz/Eng) and Critical Commentaries (Eng) by the editor

Album Leaves (Lístky do památníku) Opp. 2, 3, Sketches (Črty) Opp. 4, 5, Posthumous Compositions (Skladby z pozůstalosti), Compositions for Various Occasions (Skladby příležitostně uplatněné) Czech Dances Urtext with fingering / Ed. J. Novotný New preface by J. Gabrielová (Cz/Eng/Ger) BA 9507 (replaces H 7308) Series I: Polkas in F-sharp min, in A min, in F maj, in B-flat maj, Series II: Furiant, Slepička, Oves, Medvěd, Cibulička, Dupák, Hulán, Obkročák, Sousedská, Skočná Early Piano Works Urtext with fingering / Ed. J. Novotný New preface by J. Gabrielová (Cz/Eng/Ger) BA 9527 Compositions from the years 1840–1849: Bagatelles et impromptus, Six morceaux caractéristiques Op. 1, Wedding Scenes (Svatební scény), first Polkas: Louisa's (Louisina), Dahlia (Jiřinková), From the Student Life (Ze studentského života), Souvenir of Plzeň (Vzpomínka na Plzeň), Polka in E-flat maj

PIANO / KEYBOARD

Bedřich Smetana The Complete Piano Works Jitka Čechová

Smetana / The String Quartets Pavel Haas Quartet

Smetana / Piano Trio in G minor Dvořák / Dumky, Slavonic Dances Dvořák Trio

SUPRAPHON - LION IN THE WORLD OF MUSIC SUPRAPHON a. s. www.supraphon.com | [email protected] www.facebook.com/SupraphonClassics | www.twitter.com/SupraphonCZ | Available on

9

PIANO / KEYBOARD Smetana Bedřich (1824–1884)

Spring (Jaro) Op. 22a Five pieces for piano Rev. by K. Šolc H 298

On the Seashore (Na břehu mořském) / Concert Etude in C maj (Koncertní etuda C dur) / Fantasia on Czech Folksongs (Fantasie na české národní písně) included also Allegro capriccioso and Etude in A min Urtext with fingering / Ed. J. Novotný New preface by J. Gabrielová (Cz/Eng/Ger) BA 9519 (replaces H 7233) Piano Compositions 1 Ed. J. Novotný H 7333 Bagatelles et impromptus and other early piano compositions: Polkas (Betty's, Louisa's, Dahlia, Polka in E-flat maj), Duet, Impromptu I, Impromptu II, Impromptu III, Composition without name, Apparation at the Ball (Vidění na plese), From the Student Life (Ze studentského života), Souvenir of Plzeň (Vzpomínka na Plzeň) Piano Compositions 5 Ed. J. Novotný H 7460 Six morceaux caractéristiques Op. 1, The Curious One (Zvědavý), Forest Emotions and Impressions (Lesní city a dojmy), Waltzes, Album Leaves (Skladby psané do památníku) Piano Compositions 6 Ed. J. Novotný H 7215 Dreams (Rêves / Sny), Wedding Scenes (Svatební scény), Treasury of Melodies I (Poklad melodií I) Polkas Urtext with fingering / Ed. J. Novotný New preface by J. Gabrielová (Cz/Eng/Ger) BA 9506 Three Drawing-Room Polkas (Tři salonní polky) Op. 7, Three Poetic Polkas (Tři poetické polky) Op. 8, Souvenir of Bohemia in the Form of Polkas (Vzpomínka na Čechy ve formě polek) Opp. 12, 13, Polkas from the 1850s (Polky z let padesátých) 10

Rêves (Dreams / Sny) Six morceaux caractéristiques pour le piano Urtext with fingering / Ed. J. Gabrielová BA 9529 The six pieces of “Rêves” were written in 1875, when Smetana had already lost his hearing. This significant work by the composer has not been included in the Complete Edition of Works for Piano. This new edition by Jarmila Gabrielová is based on the first printed edition of 1879 by Emilián Starý. It is the first critical edition ever produced of this masterpiece. ● ●

●

F irst critical edition P reface (Cz/Eng/Ger) and critical commentary (Eng) by the editor W ith the historical fingering by Smetana's contemporary, Jindřich Kàan z Albestů

Suk Josef (1874–1935) Lullabies (Ukolébavky) Op. 33 Rev. by K. Šolc H 4154 Piano Compositions Op. 7 Rev. by K. Šolc H 5766 Love Song (Píseň lásky), Humoresque, Recollections (Vzpomínky), Idylls (Idylky), Dumka, Capriccietto Radúz and Mahulena Op. 13 Music to a Slovak fairy tale in 4 acts by Julius Zeyer H 1879 piano reductin (Roman Veselý)

NEW 2015

Things Lived and Dreamt (Životem a snem) Op. 30 Ten Pieces for Piano Urtext / Ed. J. Gabrielová BA 9561 The cycle Životem a snem (Things Lived and Dreamt) has been called the “diary of an artist”. Although Suk's musical language never exceeds the bounds of tonality, his wealth of resources, the flexible harmony, chords of stacked thirds and meticulous performance instructions were new to the Bohemia of his day. The autograph contains many cuts, overwritings and barely decipherable passages, yet it is carefully prepared and largely identical to the first edition of 1909. This first scholarly-critical edition takes all source variants into account for the first time. ●

M agnum opus of Suk's piano music

●

F irst ever scholarly-critical edition

●

P reface (Cz/Eng/Ger) and critical commentary (Eng) by the editor



PIANO / KEYBOARD

9

III

9







   

  

  





         

   

   

      

  

  

      

 

sempre dolcissimo

   



                dolce

poco

                

            



              

Educational Works

The Little Green Forest (Hájíčku zelený) Arrangements of Folk Songs (Cz/Ger/Eng) Rev. by J. Němcová, V. Němec H 6657

        

pp

          

Piano Duet (piano four hands)

Eben Petr (1929–2007)

pp poco

    

  

                         

poco

poco

poco

sempre pp e dolcissimo                                                           poco marcato ma pp poco marc.

                             

  

32



    



          mp        

                                                             

25



Vivace

  

   

                                         

17



 68    

 



mp

      



Andante sostenuto

6   8   

(Tajemně a velmi vzdušně) (Mysterious and very airy) (Geheimnisvoll und sehr duftig)

              

pp

pp

  

mf marcato il basso

   

  

                               perdendosi

pp



 

dim.

From: Josef Suk, Things Lived and Dreamt Op. 30 • BA 9561 Vaňhal Jan Křtitel (1739–1813) Twelve Sonatines (Dodici Sonatine) Rev. by V. Němec Preface by O. Zuckerová (Cz/Ger/Eng) H 7461 Voříšek Jan Václav Hugo (1791–1825)

XII rhapsodies pour le pianoforte Op. 1, Vol. I (Rhapsodies I–VI) Ed. V. J. Sýkora MAB I/78 H 6036 XII rhapsodies pour le pianoforte Op. 1, Vol. II (Rhapsodies VII–XII) COPY

Ed. V. J. Sýkora MAB I/79 H 6114

Composizioni per piano solo Ed. O. Zuckerová MAB I/52 H 3237

Sonata in B-flat min Op. 20 Ed. O. Zuckerová MAB I/4 H 7133

Impromptus Op. 7 Ed. V. Helfert MAB I/1 H 2182

Symphony in D maj piano reduction H 7323 (Karel Šolc)

Hradecký Emil (*1953) Jazz Pieces for Twenty Fingers (Cz/Ger/Eng) piano four hands arrangements of popular dances – Waltz, Ragtime, Samba, Tango etc. H 7975 Hurník Ilja (1922–2013) Playing with Four Hands (Čtyřruční hra) (Cz/Ger) H 6155 Kopelent Marek (*1932) Two (Dva) H 6474

11

PIANO / KEYBOARD Repertoire Works

Dvořák Antonín (1841–1904) Legends (Legendy) Op. 59 Eds. F. Bartoš, A. Pokorný, K. Šolc ADCE V/6 H 1801

Kabeláč Miloslav (1908–1979) Small Suite (Malá suita) Op. 42 COPY

H 3598

Scottish Dances (Skotské tance) Op. 41 With revision of dynamics, adding pedalling and convenient fingerings (Cz/Ger/Eng) H 5851


Dvořák Antonín (1841–1904)

NEW 2014

NEW 2015

Vltava (The Moldau) Tone poem from the cycle Má vlast (My Country) in the original version for piano duet Urtext / Ed. H. Macdonald Preface by O. Mojžíšová BA 9549

From the Bohemian Forest (Ze Šumavy) Op. 68 Cycle of six characteristic pieces Ed. A. Čubr BA 9565 (replaces H 2153) To appear in August 2015 In the Spinning-room (Na přástkách), By the Black Lake (U Černého jezera), Walpurg's Night (Noc filipojakubská), In the Wait (Na čekání), Silent Woods (Klid), From Troublous Times (Z bouřlivých dob) Dvořák wrote the cycle From the Bohemian Forest at the instigation of his publisher Fritz Simrock at the turn of the years 1883–84, and it was published soon after in spring. It is the composer's third cycle for piano four hands, following Slavonic Dances and Legends. Dvořák drew his inspiration from the countryside that he enjoyed visiting in his free time. The current edition reprints the notation from the ADCE Vol. V/6. ●

Popular piano four hands miniatures, separate pieces suitable as encores

●

ew preface by N H.-J. Hinrichsen, I. Rentsch (Ger/Cz/Eng)

●

12

In a clear format of primo / secondo

Slavonic Dances (Slovanské tance) Op. 46 and Op. 72 Ed. J. Burghauser New preface by H.-J. Hinrichsen and I. Rentsch (Ger/Eng/Cz) Newly engraved in score format BA 9547 Op. 46 / Series I (replaces H 592) BA 9548 Op. 72 / Series II (replaces H 1234) Hurník Ilja (1922–2013) Innocenza Rev. by J. Němcová, V. Němec H 7717 Hurník Lukáš (*1967) Hot-Suite Rev. by J. Němcová, V. Němec H 7638 Janáček Leoš (1854–1928) Sinfonietta H 7741 piano reduction for four hands (František Jílek)

Vltava is Smetana's most famous and frequently performed tone poem. It was written between 20 November and 8 December 1874, but only in 1879-1880 with the completion of the entire cycle Má vlast, did the full score and his version for piano duet appear in print. In addition to the orchestral score, Hugh Macdonald's new Urtext edition also includes the composer's own version for piano duet. ●

Urtext edition with Primo and Secondo parts printed on facing pages

●

Clear and uncluttered engraving

●

Informative preface including a contribution by Smetana scholar Olga Mojžíšová (Cz/Eng/Ger) (score and orchestral parts – see section ORCHESTRA)

PIANO / HARPSICHORD / ORGAN Piano Concertos Bořkovec Pavel (1894–1972) Concerto No. 1 for Piano and Small Orchestra H 4985 study score ♦ Dvořák Antonín (1841–1904) Concerto in G min for Piano and Orchestra Op. 33 COPY With two solo parts (scored in parallel) – the original by the composer and an arrangement by V. Kurz. ADCE III/10 H 1780 piano reduction (Karel Šolc) ♦ Fišer Luboš (1935–1999) Concerto da camera for piano and chamber orchestra score ♦ H 5422

Janáček Leoš (1854–1928) Concertino for piano, 2 violins, viola, clarinet, French horn and bassoon H 4342 score with parts Martinů Bohuslav (1890–1959) Concerto for Piano and Orchestra No. 4 “Incantation” H. 358 BA 4318-90• piano reduction (Karel Šolc) ♦

Harpsichord Solo Dušek František Xaver (1731–1799) Sonate per il clavicembalo in F, C, G, G, D, A, F, E-flat maj Rev. by M. Knotková, A. Němec MAB I/8 H 380

Janáček Leoš (1854–1928) Capriccio for Piano Left Hand and Wind Ensemble flute / piccolo, 2 trumpets, 3 trombones, tenor tuba ossia French horn Eds. L. Faltus, J. Procházková LJCE E/5 BA 6856• cloth bound score with parts Urtext / Eds. L. Faltus, J. Procházková Preface by J. Procházková BA 9535 score and parts in slipcover The Capriccio was written in the autumn of 1926 at the suggestion of the pianist Otakar Hollmann, an invalid from the First World War. Like his contemporary Paul Wittgenstein, Hollmann urged composers to write something for piano left hand; he succeeded in persuading Bohuslav Martinů, Erwin Schulhoff and Janáček to do this. Janáček did not want, as he put it, to compose a “dance for one leg”, but finally wrote a four-movement work with associations to military music.

Harpsichord Concertos Benda Jiří Antonín (1722–1795) Concerto in G min for Harpsichord and Strings violin I II, viola, violoncello (double bass) Ed. V. Bělský MAB I/10 score with parts ♦ H 7438 Due concerti per cembalo violin I II, viola, violoncello (double bass) in F maj, in G maj Ed. V. Bělský MAB I/77 H 5805 score ♦

COPY

Tre concerti per cembalo violin I II, viola, violoncello (double bass) in F min, in B min, in G maj Ed. V. Bělský MAB I/45 H 2981 score (♦ only in F and B min)

Organ Solo Dvořák Antonín (1841–1904)

Gemrot Jiří (*1957) Plays for Harpsichord (Hry pro cembalo) Prague Spring IMC Commission (2005) H 7896 Rychlík Jan (1916–1964) Hommaggi gravicembalistici per cembalo Rev. by K. Šrom H 5318

♦

Largo from the Symphony No. 9 in E min “From the New World” Op. 95 Arr. by M. Kampelsheimer in an easy style H 1809 Symphony No. 9 in E min “From the New World” Op. 95 Transcription for organ by Z. Szathmáry BA 8472• ● ●

ew addition to the organ N repertoire Outstanding virtuoso organ writing

Preludes and Fugues for Organ B 302 Eds. J. Burghauser, A. Čubr ADCE VII/3 H 6334

Performance material available on hire

•

B ärenreiter-Verlag Kassel production

13

ORGAN / ACCORDION Eben Petr (1929–2007) Musica dominicalis (Nedělní hudba) (Cz/Ger/Eng) H 3761 ●

●

Eben's most famous composition for the royal instrument Revised edition with notes on interpretation by Jan Hora in cooperation with the composer

Ten Chorale Preludes H 7845 Fišer Luboš (1935–1999) Relief H 7967 Janáček Leoš (1854–1928) Organ Works Eds. M. Buček, L. Faltus LJCE F/2 BA 6852-01• cloth bound score Urtext / Eds. M. Buček, L. Faltus With preface by J. Zahrádka (Cz/Eng/Ger) BA 9524 Three Pieces for Organ from Prague Studies in 1874–1875 (Overture, Varyto, Choral Fantasy), Two Pieces for Organ selfpublished in 1884, Postludium – the penultimate part of the famous Glagolitic Mass Novák Jan (1921–1984) Iubilationes per organo H 7865 Old Czech Organ Christmas Josef Seger, Jakub V. Paus, František X. Brixi, Jiří I. Linek, Jan K. Vaňhal, Jan K. Kuchař, Karel B. Kopřiva Ed. J. Smolka H 7690 Organ Compositions of Old Czech Masters František X. Brixi, Jan K. Vaňhal, Jan K. Kuchař, Karel F. Pitsch Ed. B. Geist, rev. by M. Kampelsheimer H 4506 14

From: Petr Eben, Musica dominicalis • H 3761 Seger Josef Ferdinand Norbert (1716-1782) Composizioni per organo (Preludi e fughe) COPY Ed. V. Bělský MAB I/56 H 3364 Slavický Milan (1947–2009) Sursum corda H 7873

Due concerti per organo 2 clarinas in D, violin I II, viola, violoncello and double bass in D maj, in G maj Ed. V. Bělský MAB I/75 H 4923 score ♦

Accordion

Štědroň Miloš (*1942) Claudio Monteverde: Praga 1595 Prague Spring IMC Commission (2006) H 7969 Teml Jiří (*1935) The Alchemists (Alchymisté) H 7976

Organ Concertos Brixi František Xaver (1732–1771) Concerto Fa maggiore per organo principale 2 French horns, violin I II, viola, basso continuo Ed. J. Reinberger MAB I/26 H 1852 score ♦

Havlíček Ilja – Machalíčková Františka – Ondruš Ján School of Accordion Playing (Cz/Ger) H 3204

♦

P erformance material available on hire

VIOLIN Ševčík Otakar (1852–1934)

Violin Solo (with accompaniment)

NEW 2015

NEW 2015

Changes of Position and Preparatory Scale Studies Op. 8 Ed. J. Foltýn BA 9557 (replaces H 260)

Educational Works

→ see more on pp. 16-17 NEW 2015

Preparation for Trill Exercises and the Development of FingerStopping Op. 7 Ed. J. Foltýn BA 9556 (replaces H 254, H 255) To appear in October 2015 → see more on pp. 16-17 Gola Zdeněk (*1929) Violin Technique A new method for practising left hand technique (Cz/Ger/Eng) BA 9550 Vol. 1 BA 9551 Vol. 2 → see more on p. 20

Preparation for Trill Exercises and the Development of FingerStopping Op. 7 Ed. N. Kubát H 254 Book 1 H 255 Book 2 This older edition will be available until stock lasts (will be replaced by BA 9556)

School of Bowing Technique Op. 2 Ed. J. Foltýn BA 9591 Book 1 (replaces H 296, H 259) BA 9592 Book 2 (replaces H 874, H 4217) BA 9593 Book 3 → see more on pp. 16-17 Violin School for Beginners Op. 6 Ed. N. Kubát H 257 Book 1 H 54 Book 4 H 55 Book 5 H 258 Book 7

Repertoire Works Benda František (1709–1786) Caprice COPY for violin solo Rev. by J. Čeleda H 3133

Preparatory Exercises in DoubleStopping Op. 9 Ed. N. Kubát H 2090

1/2 - líc: HKS 41 K, rub: barva papíru Salzer + černá barva

ŠEVČÍK ŠKOLA HOUSLOVÝCH ETUD I ETÜDENSCHULE FÜR DIE VIOLINE I



I. POLOHA

Škola houslové techniky School of Violin Technique Schule der Violintechnik

I. LAGE

op. 1 Sešit 1 / Book 1 / Heft 1 SEŠIT



HEFT

1– 2 1. poloha / 1st Position / 1. Lage

Fišer Luboš (1935–1999)


BA 9552 Ševčík, Škola houslové techniky / School of Violin Technique / Schule der Violintechnik · op. 1 Sešit 1 / Book 1 / Heft 1 ISMN 979-0-2601-0711-3

Krůček Václav (*1927)


Bärenreiter

1 · 14

School of Violin Studies I 1st Position (Cz/Ger) H 5993 Vol. 1, 2 School of Violin Studies II Playing in Positions (Cz/Ger) H 6187 Vol. 3, 4

NEW 2014

School of Violin Technique Op. 1 Ed. J. Foltýn BA 9552 Book 1 BA 9553 Book 2 BA 9554 Book 3 BA 9555 Book 4 (replaces H 244, H 2036, H 2088, H 2089) → see more on pp. 16-17

Crux for violin, timpani and bells Reproduction of the autograph from the property of I. Štraus H 7966 performance score Hanuš Jan (1915–2004) A Zest for Life (Chuť žít) Op. 127 A Fantasy Variation for Solo Violin in Response to Pierre Teilhard de Chardin's Thoughts Rev. by P. Maceček H 7881 15

KLAVÍR

BÄRENREITER NEW EDITIONS OF ŠEVČÍK'S PRINCIPAL WORKS

barva papíru Salzer

1/1 - líc: HKS 41 K, rub: barva papíru Salzer

ŠEVČÍK

1/1 - líc: HKS 41 K, rub: barva papíru Salzer

1/1 - líc: 1/1 - líc: černý plát = HKS 41 K / barva papíru Salzer

ŠEVČÍK


ŠEVČÍK


op. 1 Sešit 1 / Book 1 / Heft 1


op. 1 Sešit 2 / Book 2 / Heft 2 1. poloha / 1st Position / 1. Lage

op. 1 Sešit 3 / Book 3 / Heft 3

pozor kod v K.-černá

ŠEVČÍK

ŠEVČÍK


Výměny poloh a průprava ke cvičení stupnic Changing Positions and Preparatory Scale Studies Lagenwechsel und Tonleiter-Vorstudien

2.– 7. poloha / 2nd– 7th Position / 2.– 7. Lage

op. 1 Sešit 4 / Book 4 / Heft 4 Výměny poloh / Changing Positions / Lagenwechsel

op. 8

ik · op. 1

Cvičení dvojhmatová a flažoletová Exercises in Double Stops and Harmonics Übungen mit Doppelgriffen und Flageolett -Tönen

BA 9553 ík, Škola houslové techniky / School of Violin Technique / Schule der Violintechnik · op. 1 Sešit 2 / Book 2 / Heft 2

Bärenreiter

ISMN 979-0-2601-0712-0

BA 9554 Ševčík, Škola houslové techniky / School of Violin Technique / Schule der Violintechnik · op. 1 Sešit 3 / Book 3 / Heft 3 Bärenreiter Praha · www.baerenreiter.cz Bärenreiter-Verlag · Kassel · www.baerenreiter.com

Bärenreiter

ISMN 979-0-2601-0721-2

BA 9555 Ševčík, Škola houslové techniky / School of Violin Technique / Schule der Violintechnik · op. 1 Sešit 4 / Book 4 / Heft 4 Bärenreiter Praha · www.baerenreiter.cz Bärenreiter-Verlag · Kassel · www.baerenreiter.com

BA 9552 Škola houslové techniky / School of Violin Technique / Schule der Violintechnik · op. 1 Svazek 1 / Volume 1 / Band 1

Bärenreiter

ISMN 979-0-2601-0722-9

ISMN 979-0-2601-0711-3

1 · 14


Bärenreiter Praha · www.baerenreiter.cz

Bärenreiter Bärenreiter-Verlag · Kassel · www.baerenreiter.com

1 · 14

School of Violin Technique Op. 1 BA 9552 Book 1: 1st Position BA 9553 Book 2: 2nd–7th Position BA 9554 Book 3: Changing Positions BA 9555 Book 4: Exercises in Double Stops and Harmonics

● ●

● ●

kod v K.-černá

át = HKS 41 K / barva papíru Salzer

Bärenreiter

1 · 14

he pivotal work of a leading T violin pedagogue The most frequently used system of practising scales and broken chords worldwide to this day F or intermediate and advanced violinists L ifelong study material even for professionals

Changes of Position and Preparatory Scale Studies Op. 8 BA 9557 ●

●

xercises devoted to changes of E position and preparatory studies for scales over three octaves (in thirds, sixths, octaves and tenths) Moderate level of difficulty




ŠEVČÍK Škola smyčcové techniky School of Bowing Technique Schule der Bogentechnik op. 2 Svazek 1 / Volume 1 / Band 1

ŠEVČÍK Škola smyčcové techniky School of Bowing Technique Schule der Bogentechnik op. 2 Svazek 2 / Volume 2 / Band 2


ŠEVČÍK

ŠEVČÍK

Škola smyčcové techniky

Průprava k trylku a výcvik prstového úhozu

School of Bowing Technique Schule der Bogentechnik

Preparation for Trill Exercises and the Development of Finger-Stopping

op. 2

Triller-Vorstudien und Ausbildung des Finger-Anschlages

Svazek 3 / Volume 3 / Band 3

op. 7

op. 1

BA 9552 kola houslové techniky / School of Violin Technique / Schule der Violintechnik · op. 1 Svazek 1 / Volume 1 / Band 1

Bärenreiter

ISMN 979-0-2601-0711-3

BA 9556 Ševčík, Průprava k trylku a výcvik prstového úhozu / Preparation for Trill Exercises and the Development of Finger-Stopping / Triller-Vorstudien und Ausbildung des Finger-Anschlages · op. 7

BA 9552 Škola houslové techniky / School of Violin Technique / Schule der Violintechnik · op. 1 Svazek 1 / Volume 1 / Band 1 Bärenreiter Praha · www.baerenreiter.cz Bärenreiter-Verlag · Kassel · www.baerenreiter.com

ISMN 979-0-2601-0711-3

Bärenreiter

ISMN 979-0-2601-0760-1


School of Bowing Technique Op. 2 BA 9591 Book 1: Exercises for the Right Arm BA 9592 Book 2: Exercises for the Wrist I BA 9593 Book 3: Exercises for the Wrist II

Bärenreiter

1 · 15

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●

●

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16


Bärenreiter

1 · 14

A n exceptional work of educational violin literature for the right hand The famous “four thousand” variations of systematically ordered bowing exercises D ivided into three sections, this new edition combines the original six volumes in groups of two I ncreasing order of difficulty: easy – moderate – advanced

Preparation for Trill Exercises and the Development of FingerStopping Op. 7 BA 9556 To appear in October 2015 ●

●

xercises dealing with the E position of the fingers, their placement on the strings, practising finger-stopping and shifting along the fingerboard in the basic positions Moderate – advanced level of difficulty

KLAVÍR

The complete works of Otakar Ševčík (1852–1934), the legend of the famous Czech violin school, covers every area of violin technique, from the most elementary level and special exercises concerning individual technical problems right through to analytical studies of the standard concertos. ●

Standard works that

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VIOLIN Suk Josef (1874–1935) Melody for two violins Ed. Z. Nouza H 7951 score with parts Teml Jiří (*1935) 6 Violin Duets Rev. by E. Bublová H 7074 parts Tůma František Ignác Antonín (1704–1774) Loudová Ivana (*1941) Canto solitario for violin solo Prague Spring IMC Commission (2003) H 7859

2 Violins Solo (with accompaniment)

Educational Works Micka Josef (1903–1993) Elementary Studies for violin with the 2nd violin accompaniment Arr. by J. Micka H 5450 score

Repertoire Works Dvořák Antonín (1841–1904) Humoresque in G-flat maj Op. 101 No. 7 for two violins Arr. by J. Žemla H 1591-03 parts Feld Jindřich (1925–2007) Sonatina for Two Violins parts H 1927 Kramář-Krommer František Vincenc (1759–1831) Six Duettini for soprano and alto recorders / 2 violins / 2 clarinets Arr. by L. Daniel H 5862 score with 1 part (alto recorder) 18

Composizioni strumentali Sonatas / Partitas / Sinfonias for two violins and basso continuo Ed. V. Bělský MAB I/69 score H 4376

Violin and Piano

Martinů Bohuslav (1890–1959) Intermezzo H. 261 4 compositions for violin with piano accompaniment Rev. by V. Nopp, K. Šolc H 5259 score with part Sonatina H. 262 Rev. by V. Nopp H 2172 score with part Suk Josef (1874–1935) Compositions for Violin and Piano Arr. by J. Suk, J. Kocian in an easy style H 7823 score with part Melody (Melodie), Bagatelle (Bagatela), Lullaby (Ukolébavka), Evening Mood (Večerní nálada), Village Serenade (Vesnická serenáda), Song of Love (Píseň lásky

Pieces for Children and Youth

Repertoire Works

Dvořák Antonín (1841–1904)

Benda František (1709–1786)

Humoresque in G-flat maj Op. 101 No. 7 Rev. by L. Láska, A. Pokorný H 1592 score with part Largo from Symphony No. 9 in E min “From the New World” Op. 95 Arr. by A. Pokorný in an easy style H 1811 score with part Slavonic Dances Op. 46 Nos. 1–4 Arr. by A. Pokorný H 3235 score with part Two Waltzes Op. 54 Nos. 1, 4 for violin / viola and piano Arr. by J. Kocian, viola part rev. by K. Moravec H 1890 score (violin version) with viola part Eben Petr (1929–2007) Sonatina semplice for violin / flute and piano Rev. by B. Purger, V. Žilka H 2414 score with parts

Quatro sonate in A maj, in A min, in G maj, in A maj Eds. J. Štědroň, B. Štědroň MAB I/57 H 3578 score with part Dusík Jan Ladislav (1760–1812) Sonatas Op. 69 Nos. 1, 2 Eds. J. Štědroň, B. Štědroň MAB I/41 score with part H 2704 Dvořák Antonín (1841–1904) Capriccio B 81 Concert Rondo Eds. J. Burghauser, A. Čubr ADCE IV/1 H 5543 score with part Mazurek Op. 49 Rev. by J. Hanuš, K. Šolc ADCE IV/1 score with part H 1550

VIOLIN Dvořák Antonín (1841–1904)

well-known piano reduction by Josef Zubatý, it differs from the orchestral version in several important respects and is also one bar shorter.

NEW 2015

Romance in F min Op. 11 Urtext / Ed. J. Hájek BA 9571 score with part (replaces H 1511) To appear in July 2015

Our new edition, containing the composer's more authentic version, can nevertheless also serve as a piano reduction to the orchestral version.

Originally written for violin and orchestra between 1873 and 1877, Dvořák's Romance immediately followed his String Quartet in F minor (1873) and draws on the theme from its slow movement. Our edition is the first to avail itself of the autograph of Dvořák's own version for violin and piano. Compared to the

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First edition of the piano version based on Dvořák's autograph of the piano part

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reface by D. R. Beveridge P (Cz/Eng/Ger)

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Critical Commentary (Eng) by the editor

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NEW 2014

Romantic Pieces (Romantické kusy) Op. 75 Eds. A. Pokorný, K. Šolc With a new preface by D. R. Beveridge and a revision of the violin part (fingering) by J. Micka BA 9576 score with part (replaces H 1903) Sonata in F maj Op. 57 Eds. A. Pokorný, K. Šolc Violin part rev. by S. Novák ADCE IV/1 score with part H 2178 Sonatina in G maj Op. 100 Ed. A. Čubr Violin part rev. by J. Feld ADCE IV/1 H 1364 score with part Fibich Zdeněk (1850–1900) Idyll (Selanka) Op. 16 for clarinet / violin and piano Violin transcription by the composer score with parts H 3754 Sonatina Op. 27 Violin part rev. by V. Snítil H 1442 score with part Fišer Luboš (1935–1999) Hands (Ruce) Sonata for Violin and Piano Violin part rev. by I. Štraus H 3884 score with part Hanuš Jan (1915–2004) Suite to the Paintings of Mánes (Suita podle Mánesových obrazů) Op. 22 Rev. by S. Šorm H 465 score with part Janáček Leoš (1854–1928) A Blown-Away Leaf (Lístek odvanutý) from the piano cycle On an Overgrown Path Arr. by J. Štědroň H 2043 score with part Dumka evised version based on R composer's autograph of the violin part Ed. A. Němcová H 7743 score with part 19

KLAVÍR

Zdeněk Gola

VIOLIN TECHNIQUE

● ● ●

● ●

A new method for practising left hand technique A round 500 position combinations A progressive method for achieving, renewing and maintaining confidence in both positioning and intonation P reface and commentaries to the exercises (Cz/Ger/Eng) A dvanced level of technical difficulty

Prof. Zdeněk Gola (*1929), a respected Czech violin teacher, moved to Sweden in 1966, where he was engaged as an orchestra player, concertmaster, soloist, and teacher. He returned to Czechoslovakia in 1989 and took up the post of lecturer and later professor at the Faculty of Fine Arts of Ostrava University. He has fostered a number of excellent violinists and has written numerous educational books published in Sweden, Germany and the Czech Republic.

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31

III. Horizontální cvičení ve dvojhlase

III. Horizontale Übungen in Doppelgriffen

III. Horizontal exercises in double stops

Dvojhmatová technika je jak z intonačního, tak i z hmatového hlediska složitá. U kvart a sext se při přechodu na stejný interval směrem nahoru horní prst nezvedá, ale příčným, klouzavým pohybem přechází na vedlejší strunu. Při přechodu směrem dolů pak spodní prst přechází stejným způsobem. U kvintového hmatu se prst klade více šikmo (na bříško). Pro větší intonační citlivost je účinné cvičit odděleně spodní a horní hlas za současného hmatu obou prstů.

Die Doppelgrifftechnik ist sowohl in intonatori scher als auch in grifftechnischer Hinsicht schwie rig. Bei Quarten und Sexten hebt sich der obere Finger beim Aufwärtsrücken der Intervalle nicht, sondern vollzieht eine diagonale, gleitende Bewe gung, mit der er auf die Nachbarsaite wechselt. Beim Abwärtsrücken verfährt der untere Finger dann auf dieselbe Weise. Beim Quintgriff legt sich der Finger schräger (an den Ballen). Um die intonatorische Empfindsamkeit zu verbes sern, ist es ratsam, die obere und untere Stimme getrennt zu üben und dabei gleichzeitig mit beiden Fingern zu greifen.

The double stop technique is a complex matter both in intonation and in fingering. With fourths and sixths, do not raise the upper finger when shifting the same interval higher, but instead use a sideward, sliding motion to reach the next string. When shifting downwards, apply the same instructions to the lower finger. With fifths, the finger is placed at a greater angle (resting on its pad). To improve the sensitivity of intonation, it is advisable to practise the lower and upper tones separately while keeping both fingers stopped.

1. poloha / 1. Lage / 1st position Tercie / Terzen / Thirds

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1

Ivan Ženatý soloist, professor at the Cleveland Institute of Music, USA 20

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It is with much interest that I noted news of the publication of “Violin Technique” by Prof. Zdeněk Gola. I have known him as a superb teacher for many years, and it is with great enthusiasm that I have studied both volumes of his work. I look forward to returning to these exercises in the future and to introducing them to my students.

2

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2

Gola's school of violin technique a complex BAis9550 sešitand 1 yet simple and poignant work. It addresses all aspects of the left hand, and its lucidity and clearness of definition make it exceptional and unique. It should be a mandatory study aid for all violinists.

1

Many thanks to Bärenreiter for bringing work BA 9551 this sešitestimable 2 to the light of day!

Václav Hudeček soloist, pupil of David Oistrach

Josef Špaček soloist, concertmaster of the Czech Philharmonic

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kritische Ausgaben. Forschung, en. lt der Werke.

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Works for Violin and Piano Romance, Dumka, Sonata Eds. J. Krejčí, A. Němcová LJCE E/1 BA 6849• cloth bound score with part Urtext / Eds. J. Krejčí, A. Němcová BA 9508 score with part This BA 9508 edition will be available until stock lasts (will be replaced by BA 11512) Kocian Jaroslav (1883–1950)

Werke für Violine und Klavier

Bärenreiter

com

Janáček Leoš (1854–1928) NEW 2015

Works for Violin and Piano Romance, Dumka, Sonata Urtext / Eds. J. Krejčí, A. Němcová BA 11512 score with part (replaces BA 9508) To appear in October 2015 Janáček probably wrote his Sonata for Violin and Piano in 1914, but he reworked it several times before finalising and publishing it in 1922. The current edition draws from the notation of the Sonata and Romance in LJCE E/1. The notation of Dumka draws from the revision of the work prepared by the editor Alena Němcová, based on the composer's autograph of the violin part, which had long been missing and is the only extant autograph source of the composition. Unlike the first print it contains Janáček's detailed dynamic markings. ●N ew edition according to

current notation standards

Serenade in D maj Violin part rev. by V. Snítil H 7938 score with part Three Compositions for Violin and Piano Op. 19 Nos. 1, 2, 3 Mélodie, Chanson printanière, Lullaby score with part H 7874 Trois pièces d'impression pour violin et piano Op. 18 Nos. 1, 2, 3 Méditation du soir, Intermezzo pittoresque, Hymne au printemps H 7825 score with part

Matys Jiří (*1927) Capriccio Violin part rev. by B. Kotmel H 5317 score with part Novák Jan (1921–1984) Sonata super “Hoson Zes…” for violin / flute and piano Ed. J. Čižmář H 7855 score with 2 parts Ondříček František (1857–1922) Scherzo capriccioso Op. 18 Violin part rev. by V. Snítil H 7915 score with part

Korte Oldřich F. (1926–2014) Dialoghi filosofici (Philosofical Dialogues) Violin part rev. by I. Štraus H 6582 score with part 1. Basic Question (Základní otázka), 2. Full Stop to an Old Story (Tečka za dávným příběhem), 3. Between Happiness and Truth (Mezi štěstím a pravdou), 4. Answer (Odpověď) Kubelík Jan (1880–1940) Burlesque Violin part rev. by V.Snítil H 7914 score with part

●P reface by eminent Janáček

Minuet H 7817

scholar Jiří Zahrádka (Cz/ Eng/Ger)

Impromptu H. 166 Three Compositions for Violin and Piano Ed. I. Popelka H 5906 score with part

Two Compositions for Violin and Piano Op. 17 Nos. 1, 2 Serenade in G maj, Humoresque Violin part rev. by V. Snítil H 7802 score with part

●W ith a revised version of

Dumka with original dynamic markings


score with part

Kubička Miroslav (*1951) Sonata H 7916

score with part

Smetana Bedřich (1824–1884) From the Homeland (Z domoviny) Two Duets for Violin and Piano Urtext / Eds. F. Bartoš, J. Plavec, K. Šolc Violin part rev. by I. Štraus New preface by M. Ottlová BA 9526 score with part Vaňhal Jan Křtitel (1739–1813) Sonata per il pianoforte con violino obligato Rev. by J. Panocha, A. Dítětová H 5445 score with part 21

VIOLIN / VIOLA / VIOLONCELLO Voříšek Jan Václav Hugo (1791–1825) Sonata in G maj Op. 5 COPY Eds. J. Štědroň, B. Štědroň MAB I/30 score with part H 2078

Violin Concertos Dvořák Antonín (1841–1904) Concerto in A min for Violin and Orchestra Op. 53 Rev. by F. Ondříček, J. Feld ADCE III/11 H 1005 piano reduction (Karel Šolc) ♦ Feld Jindřich (1925–2007) Concerto for Violin and Orchestra H 6696 piano reduction ♦ Janáček Leoš (1854–1928) The Wandering of a Little Soul (Putování dušičky) Violin Concerto Eds. L. Faltus, M. Štědroň LJCE H/4 score ♦ H 7738 H 7504 piano reduction (Leoš Faltus) Kalabis Viktor (1923–2006) Concerto No. 2 for Violin and Piano Op. 49 Violin part rev. by J. Suk H 6674 score ♦ Kaprálová Vítězslava (1915–1940) Concertino for Violin, Clarinet and Orchestra Op. 21 Based on the composer's draft, realised by M. Štědroň, L. Faltus H 7919 score ♦ Martinů Bohuslav (1890–1959) Concerto No. 1 for Violin and Orchestra H. 226 Rev. by J. Burghauser, Z. Košler, J. Suk Violin part rev. by J. Suk BA 6720 / H 5798 score ♦ H 5797 piano reduction (Karel Šolc) COPY

Concerto No. 2 for Violin and Orchestra H. 293 Violin part rev. by B. Bělčík Piano part rev. by K. Šolc H 5286 piano reduction ♦ H 330a study score COPY Concerto for Two Violins and Orchestra H. 329 study score ♦ BA 3842• BA 3842-90• piano reduction (Karel Šolc) Duo concertant for Two Violins and Orchestra H. 264 BA 4317• study score ♦ BA 4317-90• p iano reduction (Karel Šolc)

Repertoire Works Dvořák Antonín (1841–1904) Two Waltzes Op. 54 Nos. 1, 4 for violin / viola and piano Arr. by J. Kocian, viola part rev. by K. Moravec H 1890 score (violin version) with viola part Feld Jindřich (1925–2007) Concertante Music for Viola and Piano H 7528 score with part

Slavický Milan (1947–2009) The Way of the Heart (Cesta srdce) Story for violin solo, winds, percussion, celesta and harp H 6931 score – facsimile ♦ Vranický Antonín (1761–1820) Concerto in B-flat maj for Violin and Orchestra Eds. F. Krejčí, V. Straka Violin part rev. by F. Krejčí MAB I/16 H 916 piano reduction

Viola Solo Educational Works

Viola Concertos Feld Jindřich (1925–2007) Concerto for Viola and Orchestra H 7987 piano reduction ♦ Martinů Bohuslav (1890–1959) Rhapsody-Concerto for Viola and Orchestra H. 337 study score ♦ BA 4316• BA 4316-90• p iano reduction (Jürgen Sommer) Vaňhal Jan Křtitel (1739–1813) Concerto in C maj for Viola and Orchestra Violin part rev. by J. Plichta H 3586 piano reduction (Vilém Blažek)

Kolář Augustin School of Viola Playing for Beginners (Cz/Ger) H 6791 four books in slipcover 1st and 2nd Position / 3rd and 4th Position / 5th – 7th Positions / Performance Pieces

Violoncello Solo Repertoire Works Kukal Ondřej (*1964) Violoncelliana – 2nd Rhapsody for Solo Violoncello Op. 32 Prague Spring IMC Commission (2012) H 8021

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Viola and Piano

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VIOLONCELLO Tichý Vladimír (*1946) Exclamation Prague Spring IMC Commission (2006) H 7949

Violoncello and Piano Repertoire Works Dvořák Antonín (1841–1904) Cello Compositions Slavonic Dances Op. 46 Nos. 3, 8, Polonaise in A maj B 94 Ed. J. Burghauser Cello part rev. by J. Chuchro ADCE IV/3 H 5305 score with part Rondo in G min Op. 94 ADCE IV/3 H 1487 score with part Silent Woods (Klid) Op. 68 No. 5 Ed. A. Čubr ADCE IV/3 H 1532 score with part Slavonic Dances Op. 46 Nos. 3, 8 Ed. J. Chuchro BA 6962• score with part

Janáček Leoš (1854–1928) Works for Violoncello and Piano A Tale (Pohádka), Presto Urtext / Eds. J. Fukač, B. Havlík, J. Zahrádka Preface by J. Zahrádka (Cz/Eng/Ger) BA 9509 score with part In the supplement of this edition (basen on LJCE E/2) an early version of A Tale is included. The source to this version is a copy owned by Antonín Váňa, one of the first interpreters of the composition. The early version of A Tale offers a valuable and interesting alternative to today's known version with its marked differences such as the considerably changed ending of the first movement and the original form of four movements. Kabeláč Miloslav (1908–1979) Sonata Op. 9 Ed. Zdeněk Nouza Cello part rev. by D. Veis MKCE IV/3 H 7793 score with part Kaprálová Vítězslava (1915–1940) Ritornel Op. 25 Eds. M. Štědroň, L. Faltus H 7827 score with part Kopelent Marek (*1932) Karrak Cello part rev. by J. Bárta H 7725 score (facsimile) with part

Eben Petr (1929–2007) Suita balladica H 2156 score with part Fišer Luboš (1935–1999) Sonata H 7778

COPY

score with part

material available ° Ponerformance sale

Cello Concertos Dvořák Antonín (1841–1904) Concerto in A maj for Violoncello and Orchestra B 10 COPY Eds. J. Burghauser, K. Šolc Cello part rev. by M. Sádlo ADCE VII/2 H 5674 piano reduction by the composer ♦

Concerto in B minor for Violoncello and Orchestra Op. 104 Urtext / Ed. J. Del Mar BA 9045• score ° BA 9045-40• c ritical commentary (Eng) BA 9045-90• piano reduction by the composer ●

ith Dvořák's final and W definitive version of the solo cello part, now published for the first time since 1896

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ith hundreds of corrections W in the solo cello part as well as the orchestral parts

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ith hitherto unknown W details regarding the collaboration between Dvořák and Wihan

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ith Dvořák's original piano W reduction

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ith Feuermann's and W Casals' alternatives to a passage in the first movement

Martinů Bohuslav (1890–1959) Sonata No. 3 H. 340 Ed. Aleš Březina, Cello part rev. by M. Sedlák H 7893 score with part Variations on a Slovakian Theme H. 378 BA 3969• score with part

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VIOLONCELLO / DOUBLE BASS / HARP / GUITAR Dvořák Antonín (1841–1904) Concerto in B min for Violoncello and Orchestra Op. 104 Cello part rev. by L. Zelenka Piano part by the composer rev. by K. Šolc ADCE III/12 H 1200 piano reduction by the composer ♦ Concerto in B minor for Violoncello and Orchestra Op. 104 Facsimile of the autograph score and the autograph piano reduction Introduction by J. Smaczny (Eng/Ger/Cz) Documenta Musicologica II/43 Bärenreiter Facsimile BVK 1849•

Rak Štěpán (*1945)

Harp

tisk 3/1 - žlutá, hnědá, červená - viz vzor / barva papíru Salzer

MUSICA ANTIQUA BOHEMICA 22 JAN LADISLAV DUSÍK

SIX SONATINES POUR LA HARPE

ISMN 979-0-2601-0235-4

Martinů Bohuslav (1890–1959) Sonata da camera H. 283 for violoncello and chamber orchestra study score ♦ BA 4319• BA 4319-90• piano reduction Vaňhal Jan Křtitel (1739–1813) Concerto in A maj for Violoncello and Orchestra H 6973 piano reduction (Josef Rut)

Double Bass Educational Works


Dusík Jan Ladislav (1760–1812) Six Sonatinas for Harp Ed. M. Zunová MAB I/22 H 1748 Teml Jiří (*1935) Calligrams (Kaligramy) 7 compositions for harp Rev. by M. Šimečková-Spitzerová H 7414

Guitar Educational Works / Pieces for Children and Youth

Collection for Guitar I (Album pro kytaru I) Short performance pieces from easy to advanced level of difficulty (Cz/Ger) H 6415

Repertoire Works Hybler Martin (*1977) The Scent of Faded Shades (Vůně vyhaslých stínů) Op. 14 H 7876 Jirmal Jiří (*1925) Happy Waltz H 7792 Joy of Bossa Nova H 7796 Prelude in Jazz / Canzonetta Prelude in Jazz for solo guitar Canzonetta for solo guitar with the 2nd guitar ad lib. H 7828

Losy Jan Antonín (1650–1721) Pièces de guitare Ed. J. Pohanka MAB I/38 H 2498

Repertoire Works Hertl František (1906–1973) Sonata for Double Bass and Piano COPY H 2068 score with part

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Zelenka Milan – Obrovská Jana (*1939 / 1930–1987)

Suite Azure (Recuerdos para Laurindo Almeida) H 7869

Černý František (1861–1940) Technical Studies for Double Bass (Cz/Ger) H 4179

Kubička Miroslav (*1951) Fierce and Frolicsome (Hrátky hravé i dravé) Rondo for double bass and piano H 7982 score with part

Minute Solos (Minutová sóla) Short Compositions for Guitar Beginners (Cz/Ger/Eng) H 7236

Jirmal Jiří (*1925) School of Guitar Playing for Beginners (Cz/Ger) H 5194

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P erformance material available on hire

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WINDS Winds – Collections

Flute / 2 Flutes and Piano



Collection No. 2 of easy performance pieces for trombone and piano Rev. by M. Hejda H 6781 score with part Old Hunting Fanfares Anonymous, Ondřej Anton, Leopold Koželuh, Albín Mašek, Leopold E. Měchura for 4 French horns Ed. O. Zuckerová, rev. by J. Štefan H 4562 score Six Medieval Dances for soprano recorder and side drum Arr. by M. Klement H 6093 score Songs and Dances from all over the World for 3 trumpets / French horns / clarinets Arr. by M. Císař H 7846 score

Recorder / 2 Recorders (solo / with accompaniment)

Pieces for Children and Youth / Educational Works Hurník Ilja (1922–2013) Pictures (Obrázky) Pieces for flute / recorder / oboe and piano in the simplest style H 7495 score with flute part Kramář-Krommer František Vincenc (1759–1831) Six Duettini for soprano and alto recorders / 2 violins / 2 clarinets Arr. by L. Daniel H 5862 score with 1 part (alto recorder)

Eben Petr (1929–2007) Sketch for C.B. (Skica pro C. B.) for 2 flutes and piano H 7135 score Nykl Jan 35 Studies for Soprano Recorder for intermediate players, can also be used for the flute and other wind instruments H 7132

Repertoire Works Finger Gottfried (1656–1730) Sonata in F maj for alto recorder and basso continuo Ed. M. Klement H 7850 score with parts

Flute Solo Educational Works Černý Rudolf – Bok Josef School of Flute Playing With two charts with regular and trill fingerings for flute (Boehm system) (Cz/Ger) H 2004

Repertoire Works Kabeláč Miloslav (1908–1979) Compositions for Flute Solo Ed. Z. Nouza MKCE IV/5 H 7910 Short Suite (Partita piccola) Op. 13, Improvisation on the Own Theme Op. 29b (from Six Lullabies Op. 29 No. 3)

Sonatina semplice for flute / violin and piano Rev. by V. Žilka, B. Purger H 2414 score with parts Hradecký Emil (*1953) Jazz Winds for jazz flute / jazz trumpet / jazz trombone with piano accompaniment H 7931 score with parts Hurník Ilja (1922–2013) Pictures (Obrázky) Pieces for flute / recorder / oboe and piano in the simplest style H 7495 score with flute part

Repertoire Works Feld Jindřich (1925–2007) Three Compositions for oboe / flute / clarinet and piano H 4557 score with parts Hlaváč Miroslav (1923–2008) Two Pastorales for flute and piano H 7149 score with part Hurník Ilja (1922–2013) Partita in A per flauto e piano H 3819 score with part Kubička Miroslav (*1951) Sonatina for Flute and Piano H 7890

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WINDS PANTONE 2955 C - totožná barva se vzorovým výtiskem

Novák Jan (1921–1984)

Mysliveček Josef (1737–1781)

Sonata super “Hoson Zes…” for flute / violin and piano Ed. J. Čižmář H 7855 score with 2 parts Other chamber works with flute – see section CHAMBER MUSIC

Flute Concertos Benda František (1709–1786) Tre concerti per flauto traverso ed orchestra da camera COPY in G maj, in E min, in A maj Ed. V. Bělský MAB I/80 H 6211 score ♦ JINDŘICH FELD

KO N C E R T

PRO F L É T N U A SM YČCOV Ý ORCH E S T R , K L AV ÍR , H A R F U A BICÍ NÁ S T ROJ E

KO N Z E R T

F ÜR F L ÖT E , S T R EICHORCH E S T ER , K L AV I ER , H A R F E U N D SCH L AG Z EUG

CONCERTO

FOR F LU T E A N D S T R I NG ORCH E S T R A , PI A NO, H A R P A N D PERC US SIONS

KLAVÍRNÍ VÝTAH KLAVIERAUSZUG PIANO REDUCTION

BÄRENREITER PRAHA

Feld Jindřich (1925–2007) Concerto for Flute and string orchestra, piano, harp and percussions H 3869 piano reduction ♦ Fils Antonín (1733–1760) Concerto Re maggiore per flauto ed orchestra Eds. H. Kašlík, F. Suchý With cadenza by F. Suchý MAB I/18 H 53 piano reduction (František Suchý) with part ♦

♦


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Concerto in D maj for Flute and Orchestra Ed. M. Munclinger H 4721 score ♦

KLEMENT SLAVICKÝ

S U I TA

PRO HOBOJ A K L AV ÍR

SUITE

F ÜR OBOE U N D K L AV I ER

Oboe Solo

SUITE

FOR OBOE A N D PI A NO

Educational Works Kubát Adolf – Smetáček Václav (1899–1980 / 1906–1986) ISMN 979-0-2601-0739-7

H 3723

School of Oboe Playing French (Boehm) system With piano accompaniment for exercises in melodic ornaments With fingering charts (Cz/Ger) H 1938

Oboe (English Horn) and Piano Pieces for Children and Youth Hurník Ilja (1922–2013) Pictures (Obrázky) Pieces for flute / recorder / oboe and piano in the simplest style H 7495 score with flute part Rychlík Jan (1916–1964) Studies for English Horn with piano Lullaby, Rondo H 1276 score with part

Repertoire Works Feld Jindřich (1925–2007) Three Compositions for oboe / flute / clarinet and piano H 4557 score with parts Pelikán Jaroslav (*1970) Sonatina for Oboe and Piano Prague Spring IMC Commission (2008) H 7991 score with part

BÄRENREITER PRAHA

Slavický Klement (1910–1999) Suite for Oboe and Piano H 3723 score with part Other chamber works with oboe – see section CHAMBER MUSIC

Oboe Concertos Kramář-Krommer František Vincenc (1759–1831) Concerto in F maj for Oboe and Orchestra Op. 52 Ed. F. Suchý MAB I/27 H 1933 piano reduction (František Suchý) with part ♦

Clarinet / 2–3 Clarinets Solo Pieces for Children and Youth / Educational Works Kramář-Krommer František Vincenc (1759–1831) Six Duettini for soprano and alto recorders / 2 violins / 2 clarinets Arr. by L. Daniel H 5862 score with 1 part (alto recorder) Teml Jiří (*1935) Chap-Book (Špalíček) easy pieces for two clarinets Rev. by J. Krejčí H 7830 score

WINDS Zákostelecký Bedřich (*1942)

Clarinet Concertos

School of Clarinet Playing (Cz/Ger) H 5631 Vol. 1 H 6339 Vol. 2

Kaprálová Vítězslava (1915–1940) Concertino for Violin, Clarinet and Orchestra Op. 21 Based on the composer's draft, realised by M. Štědroň, L. Faltus H 7919 score ♦

Repertoire Works Husa Karel (*1921)

Koželuh Jan Evangelista Antonín (1738–1814)

Three Studies for Solo Clarinet Prague Spring IMC Commission (2008) H 7992 Nudera Vojtěch (1746–1811) Four Polonaises for 3 basset horns or clarinets (Cz/Ger) Ed. J. Kratochvíl H 7750 score with 3 parts

Clarinet and Piano Repertoire Works

Janáček Leoš (1854–1928) NEW 2014

Sonata for Clarinet and Piano (after the Sonata for Violin and Piano) Arr. by S. Brill BA 9581 score with part ●

A new addition to the clarinetist's repertoire

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J anáček's masterpiece in a convincing arrangement for clarinet based on the LJCE, Vol. E/1

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P reface by the arranger, Israeli clarinetist Shirley Brill (Eng/Cz/Ger)

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A competition piece of the Leoš Janáček International Competition 2014 in Brno (Czech Republic)

Concerto in E-flat maj for Clarinet and Orchestra Ed. J. Kratochvíl H 3888 piano reduction (Jiří Kratochvíl) with part Kramář-Krommer František Vincenc (1759–1831) Concerto in E-flat maj for Clarinet and Orchestra Op. 36 Ed. J. Kratochvíl MAB I/13 H 888 piano reduction (Ladislav Simon) ♦ (practical edition) Kukal Ondřej (*1964) Clarinettino – Concertino for Clarinet and Strings H 7898 piano reduction (Radek Škeřík) with part ♦

Saxophone

Klusák Jan (*1934) Feld Jindřich (1925–2007) Three Compositions for oboe / flute / clarinet and piano H 4557 score with parts Fibich Zdeněk (1850–1900) Idyll (Selanka) Op. 16 for clarinet / violin and piano Clarinet part rev. by M. Kostohryz H 3754 score with parts

Recitativo e canto per clarinetto e piano Prague Spring IMC Commission (2002) H 7867 score with part Matějů Zbyněk (*1958) Smorfia (Grimace /Škleb) for clarinet and piano H 7788 score with part Other chamber works with clarinet – see section CHAMBER MUSIC

Gruber Rudolf (*1944) Etudes for Saxophone (Cz/Ger) H 5215

27

WINDS Bassoon Solo Educational Works Pivoňka Karel (1907–1986) Rhytmical Etudes for Bassoon H 3291 Virtuoso Etudes for Bassoon H 1217

Bassoon and Piano Repertoire Works

Repertoire Works Kalabis Viktor (1923–2006) Invocation Op. 90 H 7804 Stich-Punto Jan Václav (1746–1803) 24 Duets for French Horns Ed. F. František Šolc H 4422 score Other chamber works with French horn – see section CHAMBER MUSIC

Gemrot Jiří (*1957)

Other chamber works with bassoon – see section CHAMBER MUSIC

Bassoon Concertos Neruda Jan Křtitel Jiří (1707–1780)

Pelikán Jaroslav (*1970) Concertino Variazioni per fagotto, orchestra d'archi, arpa e timpani Prague Spring IMC Commission (2002) H 7854 piano reduction (Miloš Bok) with part

French Horn / 2–3 French Horns Solo Educational Works Kaucký Emanuel – Petr Miloš Short Studies for Horn H 6837 28

Pieces for Children and Youth Hradecký Emil (*1953) Jazz Winds for jazz flute / jazz trumpet / jazz trombone with piano accompaniment H 7931 score with parts

Repertoire Works Windows (Okna) Four Movements for Trumpet and Organ after Marc Chagall Trumpet part rev. by L. Kozderka Organ part rev. by M. Šlechta H 6390 score with part

Rapsodia per fagotto e pianoforte H 7406 score with part

Concerto Do maggiore per fagotto ed archi Ed. E. Drápela H 7567 score H 7646 piano reduction 21 (Julie Drápelová)

Trumpet and Piano / Organ

Eben Petr (1929–2007)

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One of the composer's most frequently performed pieces worldwide since its creation in 1976

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Inspired by Chagall's stained-glass windows for the synagogue in Jerusalem

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both instruments retain a great deal of independence, progressing in their own rhythmic patterns, intersecting in places 21

WINDS Kučera Jan (*1977) The Joker for trumpet nad piano Prague Spring IMC Commission (2010) H 8001 Other chamber works with trumpet – see section CHAMBER MUSIC

Repertoire Works Simon Ladislav (1929–2011) Fantasia per trombone e pianoforte Prague Spring IMC Commission (2004) H 7913 score with part Other chamber works with trombone – see section CHAMBER MUSIC

Trombone Concertos Matěj Josef (1922–1992) Concerto No. 1 for Trombone and Orchestra H 2726 piano reduction (with part) by the composer ♦

Trombone Solo Repertoire Works Kurz Ivan (*1947) A Soloist's Sustenance (Sólistův chléb) for tenor trombone Prague Spring IMC Commission (2011) Rev. by J. Sušický H 8019

Bärenreiter Study Score Reader

Trombone and Piano Pieces for Children and Youth

Quick start with a free demo version of the score to Debussy’s Prélude à l’après-midi d’un faune! The great masterpieces of classical ◼ Build your own mobile music library music from Bach to Debussy Study music easily and conveniently ◼ Constantly expanding library of digitalized scores on your iPad

Hradecký Emil (*1953) Jazz Winds for jazz flute / jazz trumpet / jazz trombone with piano accompaniment H 7931 score with parts

High-resolution, razor-sharp images ◼ For detailed information: of orchestral scores in superb www.baerenreiter.com Bärenreiter quality

New Issue Title

39

New Publications 2/2014 · The Programme

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PERCUSSION / CHAMBER MUSIC Percussion

Piano Trio (piano, violin, violoncello – if not mentioned otherwise)

Educational Works Kubánek Libor (*1964) School of Percussion Playing (Cz/Ger) H 7745 School of Side Drum Playing (Cz/Ger) Easy to advanced level of difficulty H 7753 Tuzar Josef Studies for Side Drum (Cz) H 4156

Repertoire Works Fišer Luboš (1935–1999) Crux for violin, timpani and bells reproduction of the autograph from the property of I. Štraus H 7966 performance score Ištvan Miloslav (1928–1990) Capriccio for vibraphone, marimba and percussion H 7932 score with parts

82 Final bars from: Miloslav Kabeláč, 8 invenzioni Op. 45 • H 7993

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Kabeláč Miloslav (1908–1979) 8 invenzioni Op. 45 per strumenti a percussione for 6 players Ed. Z. Nouza MKCE IV/10 H 7993 score 8 ricercari Op. 51 per strumenti a percussione for 1–6 players Ed. Z. Nouza MKCE IV/11 H 7994 score ●

8 invenzioni – one of the composer's most famous works

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8 ricercari – first printed edition

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Both compositions written for and premiered by Les Percussions de Strasbourg

Dvořák Antonín (1841–1904) NEW 2015

Dumky Op. 90 Urtext / Ed. Ch. Flamm BA 9567 score with parts (replaces H 1551) To appear in October 2015 Antonín Dvořák wrote his masterly piano trio in Prague in the years 1890–1891, after much hesitation he added his own piano reduction of the work in America in the summer of 1893. This new edition by Christoph Flamm chooses Simrock's edition as the main source, but it meticulously distinguishes between the various reprints. It also takes into account the sketch and Dvořák's piano reduction. For the first time ever, it publishes the sketch of the third dumka (including the parts) and a concise table showing the development of tempo indications and the divisions of movements. ●

D etailed preface (Ger/Cz/ Eng) and critical commentary (Eng) by the editor

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C ontains previously unknown bars of Dvořák's music

BÄRENREITER URTEXT offering the best of Czech music

Bärenreiter Urtext is a seal of quality assigned only to scholarly-critical editions. It guarantees that the musical text represents the current state of research, prepared in accordance with clearly defined editorial guidelines. Bärenreiter Urtext: the last word in authentic text – the musicians' choice.

Your next performance is worth it. www.baerenreiter.cz

Why choose Bärenreiter Urtext? Think of the time you spend practising and rehearsing for lessons and concerts. Can you really be sure that the music you play from reflects what the composer wanted? Indeed, works have always been edited reflecting the taste of the time, often leading to a gradual deviation from what the composer had in mind. Most copied or downloaded music comes from old, heavily edited or even faulty editions. How disappointing to realise that you have wasted your time and energy on a musical text you cannot trust. With Bärenreiter Urtext editions you can have confidence in the validity of the musical text.

But what is an urtext edition? At Bärenreiter the label “urtext” describes a scholarly-critical edition based on all known sources. In the past, it has often been difficult for musicians to really know if what they were playing was true to the composer's intentions. Publications were heavily elaborated with editors' own – often questionable – additions and interpretations. In order to adequately judge the quality of an edition, musicians would need to examine manuscripts and sources themselves. Bärenreiter takes on all this background work for you, our aim being to produce urtext editions reflecting the latest musicological research. Our editors, experts in their field, strive to set down a work as closely as possible to the composer's intentions. This isn't as easy as it sounds. Bärenreiter's musicologists often have to travel around the world to track down sources for a composition. They work like detectives, deciphering manuscripts which are sometimes almost illegible and evaluating conflicting sources.

What else can I expect from a Bärenreiter Urtext edition? A trustworthy musical text alone does not yet justify the label of Bärenreiter Urtext. Integral parts of Bärenreiter Urtext editions are:

Isn't urtext just a copy of the autograph? As a musician you certainly can appreciate how difficult it can be to grasp what the composer actually intended, especially when we have no recordings of the performances. Simply looking at the autograph – assuming it exists – is not enough. What if the composer made corrections in the first printed edition? Obviously in this case the autograph only provides part of the story of a composition. As many sources as possible need to be assessed in order to compile a Bärenreiter Urtext edition including sketches, letters, autographs, manuscript copies, proofs, first editions, first editions with autograph corrections, contemporary reviews and comments by contemporaries. No cost or effort is spared by Bärenreiter when it comes to amassing and piecing together all the available information. An indispensable part of every urtext edition is the critical commentary where all editorial decisions and discrepancies between the sources are meticulously recorded. Only in this way can the true genius of the composer and his work be revealed.

• Information on the genesis and history of the work • A description of the sources • Valuable notes on performance practice • A critical commentary explaining all source discrepancies and editorial decisions. But it's not all about musicology. Bärenreiter also satisfies your practical needs as a performer. Bärenreiter Urtext editions offer: • Page turns, fold-out pages, and cues where you need them • For solo string works additional parts with fingering and bowing • In the case of solo concertos and vocal scores, straightforward piano reductions • A well-presented layout and a user-friendly format • Excellent print quality • Superior paper and binding • Solid, “Made in Germany” quality

What does the word urtext mean? The German prefix ur- literally means “original” or “earliest”. The earliest use of the term urtext goes back to the 19th century, where it appeared in connection with literary texts. It referred to the original texts of writers such as Goethe or Shakespeare which scholars tried to restore and free from editorial additions. In music, urtext is now a label used for scholarly-critical editions based on all known sources.

A

B

illegible wedge

C

missing ff

missing wedge



          

92





  





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 

     ff   

 

         





  

       

       

 



      

     

      ff

       



                 [ ]



      









       

ff

D

                                    ff   ff                                                     [ ff ]

    

  

         





    Let's    take this    as an   example                

ff

95



[

]







 

    

   



    ff    

     

 

 









ff

 

ff



    

    

  

  

 

the initial fortissimo in the piano part. Seeing         almost   not  certainly that this    omission was intentional, but rather a mere oversight,  in our       to thedynamic   edition  (picture D ) we return markings of the first edition. As we can see, it   possibleto merely was not   the second     reprint          edition of  thequartet  from  1924;   a study of the sources shows that even that edition was not without errors, due to inconsistent proofreading.

Suk's Piano Quartet Op. 1 was published twice ff  lifetime. in the Thesecond edition       composer's   revision,    noted incorporated   by  the composer's         first    edition Otakar Šourek into a copy of the  (which was used as the engraver's copy for the [ ff ]  second edition). The altered firstmovement was   one of many examples that    Bärenrei   shows This      condensed string-instrument imitation       with           ter Urtext is not simplya 4  of the autograph    andwith  copy  semiquaver passages in the piano,  and or a re-engravingof the first edition; it reprethiscompositional arrangement of fifteen   bars examination of all aspects of sents a thorough (Suk'sautograph of the changes is missing) had a work enriching our understanding of it with to be re-engraved. But an oversight caused the conclusive results. omission of several dynamic markings, although

 

 



these certainly still belong in the modified version of the passage. Therefore, the Urtext edition re-inscribes these markings according to the first edition and comments on this decision in the critical commentary. In picture A we see the version from the first edition from 1892. Every two bars the crescendo wedge and ff marking confirm that the music should retain a strong dynamic. Otakar Šourek (and possibly Suk himself before that) marked these wedges only into the piano part of the amended section (picture B ). This sole wedge is also somewhat illegible because that area of the page is muddled by the boundary between two glued pieces of paper. The second edition (picture C ) omitted even this last wedge, together with

 

 



Think of your next performance With print-outs from downloads you miss out. Your performances miss out. Don't waste time by messing with loose paper copies. Build your personal music library with Bärenreiter Urtext editions. Make our editions your own. Take advantage of our expertise and complement it with your personal markings and comments which you will be able to refer to all your life. Make a Bärenreiter Urtext edition a lifetime investment. Your next performance is worth it.

Antonín DVOŘÁK The current editions of Dvořák's works published in the Bärenreiter Urtext series are full of new musical information that has never been published before. The experienced editors of our Urtext publications apprise musicians of their numerous findings, offering welcome and authentic alternatives to the usual, customary versions. These include, most noticeably: ●

he first publication of the composer's own T manuscript piano part to his Romance for Violin and Piano

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vořák´s final and definitive version of the D solo part to the Cello Concerto in B minor and other groundbreaking changes of perspective in the most famous concerto for violoncello of all times (more information on p. 23)

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he original London version of the second T movement of Symphony No. 7 in D minor, published in our edition as an appendix to the score and parts

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he original version of the complete cycle of T 18 love songs Cypresses based on the first-ever scholarly-critical analysis of the sources

The second aspect of our publishing house's lasting care for quality music sheet editions of this most-performed classic Czech composer is a new series of reprints of mostly chamber and piano music from the Antonín Dvořák Complete Edition (ADCE), prepared by the best Czech editors and Dvořák specialists of the day (Jarmil Burghauser, Antonín Čubr, Antonín Pokorný, Karel Šolc, František Bartoš, etc.). With their combination of modern printing and Bärenreiter-brand quality, the ADCE reprints reflect present-day performance practice and come equipped with new detailed prefaces by musicologists of the new generation – David R. Beveridge, Hans-Joachim Hinrichsen, Ivana Rentsch, Eva Velická, Hartmut Schick, Christoph Flamm, Robin Tait, Jonáš Hájek.

Humoresque in G-flat major Op. 101 No. 7 for piano BA 9503 Romance in F minor Op. 11 for violin and piano BA 9571 Concerto in B minor for Violoncello and Orchestra Op. 104 score ° BA 9045• BA 9045-40• critical commentary BA 9045-90• piano reduction by the composer Dumky Op. 90 for piano, violin and violoncello BA 9567 score with parts Serenade in D minor Op. 44 for winds, violoncello and double bass BA 10424-22 parts in slipcover BA 10424 score Serenade in E major Op. 22 for string orchestra BA 10423 score ° Symphony No. 7 in D minor Op. 70 BA 10417• score ° BA 10417-40• critical commentary Cypresses B 11 for tenor and piano BA 9569 Stabat Mater Op. 58 for soloists, mixed choir and orchestra H 7920 vocal score by the composer ♦ The Spectre's Bride Op. 69 cantata for soloists, mixed choir and orchestra BA 9544-90 vocal score (Karel Šolc) ♦ Rusalka Op. 114 an opera in three acts BA 9510-90 vocal score (Karel Šolc) You can find more information on the individual titles in their respective sections of the catalogue.

° Performance material available on sale ♦


• Bärenreiter-Verlag Kassel production

Leoš JANÁČEK The new Urtext editions of Janáček's compositions present the Complete Critical Edition of the Works of Leoš Janáček in a practical and modern format. The achievements of the renowned Janáček researchers and editors of the complete edition have, for the most part, yet to be surpassed. The work of experts the likes of Ludvík Kundera, Jarmil Burghauser, Leoš Faltus, Miloš Štědroň, or Alena Němcová has been followed up by a new generation of eminent musicologists. Foremost among these is Jiří Zahrádka, who discusses and elucidates the editorial challenges of each of the separate works in the erudite prefaces and critical commentaries of our Urtext edition. Performers of Janáček's oeuvre appreciate Bärenreiter Urtext both for its perfect treatment of the musical text and for the many new supplements that it provides. For example: ●

he first publication of the early fourT movement version of Fairy Tale for violoncello and piano

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he part of the French horn in Capriccio as T an authentic alternative to the tenor tuba

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reconstruction of the original version of A String Quartet No. 2 “Intimate Letters” with significant audible changes compared to older editions

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trilingual translation (Cz/Eng/Ger) of the A Old Church Slavonic text of the Glagolitic Mass in the new vocal score by Martin Zehn

In the Mists for piano BA 9500 On an Overgrown Path for piano BA 9502 Sonata 1. X. 1905 for piano BA 9501 Organ Works BA 9524 Works for Violin and Piano BA 11512 Works for Violoncello and Piano BA 9509 String Quartet No. 1 BA 9520 parts in slipcover TP 520 study score String Quartet No. 2 BA 9533 parts in slipcover TP 533 study score Youth wind sextet BA 9528 parts in slipcover TP 528 study score Capriccio for piano left hand and wind ensemble BA 9535 score and parts in slipcover Taras Bulba Rhapsody for Orchestra TP 842 study score ♦ Glagolitic Mass final authorised version TP 862 study score ♦ BA 6862-90 vocal score (Martin Zehn) The Eternal Gospel BA 6860-90 vocal score (Leoš Faltus) ♦ Fate an opera in three acts BA 9562-90 vocal score (Rasmus Baumann) ♦ You can find more information on the individual titles in their respective sections of the catalogue. ♦ Performance material available on hire

THE COMPLETE CRITICAL EDITION OF THE WORKS OF LEOŠ JANÁČEK The Complete Critical Edition of the Works of Leoš Janáček was launched in 1978 with the volume Compositions for Piano by the publishing house Supraphon Praha in cooperation with Bärenreiter-Verlag Kassel. With its seven series and more than forty volumes, this remarkable publishing enterprise of international import covers the whole of Janáček's compositional and literary oeuvre. In 2009, after a longer break, Bärenreiter resumed the publishing of new volumes. They are available either separately, or for a reduced price under a complete or partial subscription. String Quartet No. 2 “Intimate Letters” LJCE E/4 BA 6857 / H 7832 cloth band score with parts The Danube a reconstruction of Janáček's unfinished symphony, the score was completed by Miloš Štědroň and Leoš Faltus LJCE H/3 BA 6861 / H 7950 cloth band score ♦ Male Choruses II LJCE C/2 BA 6858 / H 7840 cloth band score Glagolitic Mass (Mša glagolskaja) for soloists, mixed choir, organ and orchestra LJCE B/5 – I BA 6862 / H 7935 cloth band score, final authorised version ♦ LJCE B/5 – II BA 6863 / H 8020 cloth band score, “September 1927” version ♦ Fate an opera in three acts LJCE A/5 BA 9562 / H 8038 cloth band score ♦ The older volumes of the LJCE (from before 2009) in both paperback and cloth bound versions are listed in this catalogue. ♦


TIMELESS OPERATIC AND CHORAL WORKS OF CZECH CLASSICS in new practical vocal scores Antonín Dvořák: Rusalka BA 9510-90 vocal score by Karel Šolc Antonín Dvořák: Stabat Mater H 7920 vocal score by the composer ♦ Antonín Dvořák: The Spectre's Bride BA 9544-90 vocal score by Karel Šolc ♦ Leoš Janáček: Glagolitic Mass final authorised version:

BA 6862-90 vocal score by Martin Zehn ♦ “September 1927” version: ♦ adapted vocal score available only on hire

Leoš Janáček: The Eternal Gospel BA 6860-90 vocal score by Leoš Faltus ♦ Leoš Janáček: Fate BA 9562-90 vocal score by Rasmus Baumann ♦ Bedřich Smetana: The Bartered Bride BA 9534-90 vocal score by the composer ♦

You can find more information on the individual titles in their respective sections of the catalogue.

Bedřich SMETANA Our Urtext series covers almost the whole of Smetana's piano works, all his chamber music compositions and other selected oeuvre, building on the remarkable work of eminent experts and editors of Smetana's legacy (František Bartoš, Karel Šolc, Josef Plavec, Mirko Očadlík, Hana Séquardtová, etc.) in two comprehensive, best-known editions – the Complete Edition of Works for Piano of Bedřich Smetana and the Study Edition of the Works of Bedřich Smetana. Through the efforts of excellent contemporary editors, namely Jarmila Gabrielová and Hugh Macdonald, who have subjected all the previous editions to critical analyses and comparisons with all extant autograph material and secondary sources, the Smetana Urtext series brings the aforesaid editions into the 21st century. Among others, it offers musicians: ●

he first scholarly-critical edition of the T composer's masterly piano cycle Rêves (Dreams)

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ime-tested fingerings and pedal markings T prepared by pianist Jan Novotný as an alternative solution to Smetana's original markings (and similarly time-tested fingering and bowing by Ivan Štraus for the violin part of the duet From My Homeland)

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musical text clean of the printing errors A that had appeared in the previous editions of Vltava (The Moldau)

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ew findings on the works and their genesis N in extensive prefaces by renowned music historians and Smetana experts (Marta Ottlová, Jarmila Gabrielová, Olga Mojžíšová)

Album Leaves for piano BA 9525 Czech Dances for piano BA 9507 Early Piano Works for piano BA 9527 On the Seashore / Concert Etude in C major / Fantasia on Czech Folksongs for piano BA 9519 Polkas for piano BA 9506 Rêves (Dreams) Six morceaux caractéristiques pour le piano BA 9529 Vltava (The Moldau) for piano four hands original version by the composer BA 9549 From the Homeland Two Duets for Violin and Piano BA 9526 score with part Piano Trio in G minor BA 9518 score with parts String Quartet No. 1 “From My Life” BA 9516 parts in slipcover TP 516 study score String Quartet No. 2 in D minor BA 9517 parts in slipcover TP 517 study score My Country (Má vlast) TP 557 study score ♦ Vltava (The Moldau) BA 9558 score ° TP 558 study score The Bartered Bride BA 9534-90 vocal score by the composer ♦ You can find more information on the individual titles in their respective sections of the catalogue.

° Performance material available on sale ♦ Performance material available on hire

Josef SUK The ever-growing audience and performer demand for the music of Josef Suk, which was very progressive and modern in its days, has finally brought about a scholarly-critical edition in our Urtext series. Both string quartets and the composer's only piano quartet were prepared by renowned Suk expert Zdeněk Nouza, the author of the thematic catalogue of Suk's works. The composer's masterly piano opus Things Lived and Dreamt (Životem a snem) was edited by the eminent musicologist Jarmila Gabrielová. Both editors: ●

H ave made a critical analysis of the first print editions from the turn of the 19th and 20th century

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H ave compared these first prints with all extant autograph material and other newly discovered sources including sketches (for example the newly discovered copy of the parts for Piano Quartet)

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H ave recorded all their steps in critical commentaries and provided each edition with a detailed preface

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H ave supplemented the Urtext publications with valuable appendices, such as the later reworking of the fourth movement of String Quartet No. 1

This approach has produced the first scholarly-critical edition of Suk's key chamber and piano works, providing musicians with compositions of guaranteed authenticity.

JOSEF SUK Thematic Catalogue of the Works Zdeněk Nouza, Miroslav Nový H 7955

Things Lived and Dreamt Op. 30 Ten Pieces for Piano BA 9561 Piano Quartet in A minor Op. 1 BA 9546 score with parts String Quartet No. 1 in B-flat major Op. 11 BA 9530 parts in slipcover TP 530 study score String Quartet No. 2 Op. 31 BA 9536 parts in slipcover TP 536 study score You can find more information on the individual titles in their respective sections of the catalogue.

The thematic catalogue of Suk's works is the most comprehensive to date. Each entry is accompanied by a detailed commentary describing the circumstances surrounding the piece concerned (including biographical information) and often correcting mistakes handed down in the previous literature on Suk. This Czech-English publication covers not only the finished works but also minor juvenilia, projected compositions, works of doubtful authenticity, arrangements of works by other composers, and revisions of music by Dvořák.

The Bärenreiter film ... Renowned conductor and musicologist Christopher Hogwood takes you on a journey through Bärenreiter. Come with us behind the scenes.

You will be given an insight into the editorial and production process of an Urtext edition. The history of this family-owned company is also revealed.

... at www.baerenreiter.com

CHAMBER MUSIC Dvořák Antonín (1841–1904) Dumky Op. 90 Ed. A. Čubr ADCE IV/9 H 1551 score with parts This older edition will be available until stock lasts (will be replaced by BA 9567) Piano Trio in B-flat maj Op. 21 Ed. A. Čubr With a new preface by H.-J. Hinrichsen and I. Rentsch BA 9578 score with parts (replaces H 1128) To appear in 2016

Suk Josef (1874–1935) Elegy Op. 23[a] “Under the Influence of Zeyer's Vyšehrad” the composer's own arrangement for piano trio H 7807 score with parts (original version – see section Miscellaneous Ensembles)

Piano Trio in G min Op. 26 Eds. A. Pokorný, K. Šolc With a new preface by E. Velická BA 9538 score with parts (replaces H 2443) Feld Jindřich (1925–2007) Trio for Violin / Flute, Violoncello and Piano H 7962 score with parts Hanuš Jan (1915–2004) Frescoes (Fresky) Op. 51 H 7860 score with parts Martinů Bohuslav (1890–1959) Concertino for Piano Trio and String Orchestra H. 232 COPY H 284 score ♦ Smetana Bedřich (1824–1884) Piano Trio in G min Urtext / Eds. F. Bartoš, J. Plavec, K. Šolc BA 9518 score with parts

(piano, violin, viola, violoncello – if not mentioned otherwise) Dvořák Antonín (1841–1904) Bagatelles (Maličkosti) Op. 47 for two violins, violoncello and piano / harmonium Eds. A. Pokorný, K. Šolc ADCE IV/10 H 2271 score with parts Piano Quartet in D maj Op. 23 Eds. A. Pokorný, K. Šolc ADCE IV/10 H 2552 score with parts

Piano Trio in B-flat maj Op. 21 Ed. A. Čubr ADCE IV/9 H 1128 score with parts This older edition will be available until stock lasts (will be replaced by BA 9578) H 2584 study score Piano Trio in F min Op. 65 Ed. F. Bartoš With a new preface by H.-J. Hinrichsen and I. Rentsch BA 9564 score with parts (replaces H 2143)

Piano Quartet

František Jan (1801–1862) Trio in E-flat maj Op. 27 for piano, violin / clarinet and violoncello Urtext / Ed. M. Harlow BA 9521 score with parts Trio facile in F maj Op. 28 for piano, violin / flute and violoncello Urtext / Ed. M. Harlow BA 9522 score with parts Prefaces by the editor (Eng/ Ger/Cz) The Trios Opp. 27 and 28 (with two alternative scorings by the composer) are being published for the first time in Urtext editions. Both these pleasing compositions represent unknown repertoire of Czech chamber music from the period of the national revival movement.

Piano Quartet in E-flat maj Op. 87 Eds. A. Pokorný, K. Šolc With a new preface by E. Velická BA 9537 score and parts in slipcover (replaces H 1756) Fibich Zdeněk (1850–1900) Quartet Op. 11 COPY for violin, viola, violoncello and piano H 3331 score with parts

The Trio in E-flat major is stylistically reminiscent of Beethoven's chamber music. The Trio facile is an accessible piece in the Biedermeier style which was intended for music making in the home and for lessons. 31

CHAMBER MUSIC Eben Petr (1929–2007) Piano Quintet H 7719 score with parts Fibich Zdeněk (1850–1900) Quintet in D maj Op. 42 COPY for violin I, clarinet / violin II, French horn / viola, violoncello and piano H 3998 score with parts Suk Josef (1874–1935) Suk Josef (1874–1935) Piano Quartet in A min Op. 1 Urtext / Ed. Z. Nouza BA 9546 score with parts (replaces H 7733) The Piano Quartet of Josef Suk quickly became a standard work, not least as a result of the extensive concerts given by the Bohemian Quartet, in which Suk was the second violinist. ●

First scholarly-critical edition

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Preface (Cz/Eng/Ger) and critical commentary (Eng) by the editor

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epertoire work of Czech R chamber music

Piano Quintet (piano, 2 violins, viola, violoncello) Dvořák Antonín (1841–1904) Piano Quintet in A maj Op. 5 Ed. A. Čubr ADCE IV/11 H 2783 score with parts Piano Quintet in A maj Op. 81 Ed. A. Čubr With a new preface by D. R. Beveridge BA 9573 score with parts in slipcover (replaces H 930)

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Quintet Op. 8 COPY for two violins, viola, violoncello and piano Ed. by V. Musil H 5330 score with parts

String Duo Kukal Ondřej (*1964) Present – Duo for violin and violoncello H 7964 score with parts

String Trio Dvořák Antonín (1841–1904) Miniatures (Drobnosti) Op. 75a / Gavotte B 164 Miniatures – for two violins and viola Gavotte – for three violins ADCE IV/4 H 3392 parts in slipcover Tercetto in C maj Op. 74 for two violins and viola Composed as an occasional composition for amateurs Ed. J. Burghauser BA 9543 parts in slipcover (replaces H 1556) Martinů Bohuslav (1890–1959) Serenade No. 2 H. 216 COPY for two violins and viola H 1501 parts H 6508 score

String Trio No. 1 H. 136 Ed. E. Velická H 7965-22 parts in slipcover H 7965 study score Teml Jiří (*1935) Koledníček popular Czech and Moravian Christmas songs for 2 violins / clarinets and violoncello string parts rev. by M. Škampa H 7852 parts in slipcover

String Quartet Dvořák Antonín (1841–1904) Cypresses (Cypřiše) B 152 Ed. F. Bartoš ADCE IV/7 H 6663 parts in slipcover H 2306 study score Quartet Movement in F maj B 120 ADCE IV/7 H 6902-01 parts in slipcover String Quartet No. 1 in A maj Op. 2 Eds. J. Burghauser, A. Čubr Original Burghauser's preface updated and expanded by H. Schick BA 9539 parts in slipcover TP 539 study score (replaces H 7625 and H 6792) NEW 2014

String Quartet No. 2 in B-flat maj B 17 Eds. A. Pokorný, K. Šolc BA 9540 parts in slipcover TP 540 study score (replaces H 3439 and H 3440) String Quartet No. 3 in D maj B 18 ADCE IV/5 H 3813 parts in slipcover String Quartet No. 4 in E min B 19 ADCE IV/5 H 4592 parts in slipcover

CHAMBER MUSIC NEW 2014

String Quartet No. 5 in F min Op. 9 Eds. J. Burghauser, A. Čubr Original Burghauser's preface updated and expanded by H. Schick BA 9545 parts in slipcover TP 535 study score (replaces H 6404 and H 6397)

Fibich Zdeněk (1850–1900) String Quartet in A maj H 100 parts

COPY

String Quartet No. 6 in A min Op. 12 ADCE IV/5 H 6549 parts in slipcover String Quartet No. 7 in A min Op. 16 ADCE IV/6 H 2849 parts in slipcover String Quartet No. 8 in E maj Op. 80 ADCE IV/6 H 1834 parts in slipcover H 1835 study score String Quartet No. 9 in D min Op. 34 ADCE IV/6 H 1481 parts in slipcover String Quartet No. 10 in E-flat maj Op. 51 ADCE IV/6 H 1595 parts in slipcover String Quartet No. 11 in C maj Op. 61 ADCE IV/7 H 1791 parts in slipcover String Quartet No. 12 in F maj Op. 96 “American” ADCE IV/7 H 1594 parts in slipcover H 1304 study score String Quartet No. 13 in G maj Op. 106 ADCE IV/7 H 1732 parts in slipcover String Quartet No. 14 in A-flat maj Op. 105 ADCE IV/7 H 1569 parts in slipcover Two Waltzes Op. 54 No. 1 in A maj, No. 4 in D-flat maj ADCE IV/6 H 2803 parts in slipcover Feld Jindřich (1925–2007) String Quartet No. 6 H 7764 score with parts

Fišer Luboš (1935–1999) Variations on an Unknown Theme (Variace na neznámé téma) for string quartet First printed edition H 8023 score with parts Janáček Leoš (1854–1928) On an Overgrown Path (Po zarostlém chodníčku) Arr. by J. Burghauser H 6173 score with parts String Quartet No. 1 “Inspired by Tolstoy's Kreutzer Sonata” Urtext / Eds. L. Faltus, M. Štědroň BA 9520 parts in slipcover TP 520 study score String Quartet No. 2 “Intimate Letters” Eds. L. Faltus, M. Štědroň LJCE E/4 BA 6857 / H 7832 cloth band score with parts Urtext / Eds. L. Faltus, M. Štědroň BA 9533 parts in slipcover TP 533 study score Kukal Ondřej (*1964) String Quartet Op. 9 H 7958 score with parts

Martinů Bohuslav (1890–1959) String Quartet No. 4 H. 256 Eds. A. Březina, I. Štraus H 7844-22 parts in slipcover H 7844 study score String Quartet No. 5 H. 268 Eds. A. Březina, A. Klemens H 7941-22 parts in slipcover H 7941 study score String Quartet No. 6 H. 312 Eds. A. Březina, I. Štraus H 7968-22 parts in slipcover H 7968 study score Matys Jiří (*1927) String Quartet No. 1 Op. 21 H 6428 score with parts String Quartet No. 3 Op. 37 H 3986 score with parts String Quartet No. 6 Prague Spring IMC Commission (2005) H 7944-22 parts in slipcover H 7944 study score

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CHAMBER MUSIC

Smetana Bedřich (1824–1884) String Quartet No. 1 in E min “From My Life” Urtext / Eds. F. Bartoš, J. Plavec, K. Šolc BA 9516 parts in slipcover TP 516 study score (replaces H 7676)

The single-movement String Quartet No. 2 by Josef Suk was written at the height of his compositional powers. Completed in Křečovice in May 1911, this demanding work, with its complex harmonies and motivic structure, seemed avant-garde for its day: the Berlin premiere of November 1912 was accompanied by protests from the audience. Now Zdeněk Nouza has edited the first scholarly-critical edition of this piece. NEW 2015

String Quartet No. 2 Op. 31 Urtext / Ed. Z. Nouza BA 9536 parts in slipcover TP 536 study score To appear in June 2015

Josef Suk re-wrote the fourth movement (Finale) of his String Quartet No. 1 in B-flat major twenty years after its completion (1896). Despite his use of the same thematic material, the new version differs so substantially that this movement is frequently performed on its own. The later version of 1915 is included in this edition.

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Svým kolegům H. Wihanovi, K. Hoﬀmannovi, J. Heroldovi

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String Quartet No. 1 in B-flat maj Op. 11 Urtext / Ed. Z. Nouza BA 9530 parts in slipcover (replaces H 3193) TP 530 study score

F irst Urtext edition

TF 536 - Suy, Smyčcový kvartet č. 2 - Elius - 4. Korr. - 04/03/2015

String Quartet No. 2 in D min Urtext / Eds. F. Bartoš, J. Plavec, K. Šolc BA 9517 parts in slipcover TP 517 study score (replaces H 7677)

Minuet COPY for string quartet Ed. M. Nový H 6967 score with parts

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CHAMBER MUSIC Vranický Pavel (1756–1808) Quartetti per archi II Op. 16 Nos. 1–6 Ed. S. Ondráček Preface by O. Zuckerová (Cz/Ger/Eng) MAB I/84 H 7481 score (parts for each individual quartet available upon request) Zámečník Evžen (*1939) Meditation for string quartet H 6406 score with parts

String Quintet Dvořák Antonín (1841–1904) Nocturno in B maj Op. 40 for 2 violins, viola, violoncello and double bass Eds. J. Burghauser, M. Nový ADCE III/24 H 6590 score with parts String Quintet in A min Op. 1 for 2 violins, 2 violas and violoncello ADCE IV/9 H 6782-22 parts in slipcover String Quintet in E-flat maj Op. 97 for 2 violins, 2 violas and violoncello Ed. F. Bartoš A new preface by D. R. Beveridge BA 9542 parts in slipcover TP 532 study score (replaces H 1738 and H 1305) NEW 2014

String Quintet in G maj Op. 77 for 2 violins, viola, violoncello and double bass Eds. F. Bartoš, A. Pokorný BA 9577 parts in slipcover (replaces H 2591) TP 577 study score ● ●

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Dvořák's famous quintet with double bass This edition also includes the Intermezzo from the original five-movement version of the quintet Preface by David R. Beveridge (Eng/Cz/Ger)

Kubička Miroslav (*1951) Dialogues (Rozhovory) for string quintet H 7923 score with parts Mysliveček Josef (1737–1781) Tre quintetti d'archi IV–VI COPY for 2 violins, 2 violas and double bass Ed. V. Bělský MAB I/83 H 7037 score

String Sextet Dvořák Antonín (1841–1904) String Sextet in A maj Op. 48 for 2 violins, 2 violas and 2 violoncellos Eds. J. Burghauser, A. Čubr BA 9566 parts in slipcover (replaces H 2116)

Eben Petr (1929–2007) Quintetto COPY (Variations on chorale) for 2 trumpets, French horn and 2 trombones H 5166 score with parts Quintetto per stromenti a fiato COPY

for flute, oboe, clarinet, French horn and bassoon H 4397 score with parts Hanuš Jan (1915–2004) Music of the Tower (Hudba věže) Op. 88 (Tribute to Bohuslav Martinů) for 2 trumpets, French horn and 2 trombones H 6477 score with parts

Schulhoff Erwin (1894–1942) Sextet for 2 violins, 2 violas and 2 violoncellos Ed. M. Rische BA 7488-22•parts in slipcover BA 7488• study score

Wind Ensembles Blatný Pavel (*1931) Scena con ottoni (Scéna pro žestě) for 2 trumpets, 2 trombones and French horn H 6214 score with parts Dušek František Xaver (1731–1799) Six Parthias for 2 oboes and bassoon Ed. M. Klement H 5628 score with parts

Janáček Leoš (1854–1928) Youth (Mládí) Wind Sextet for flute / piccolo, oboe, clarinet, French horn, bassoon and bass clarinet Urtext / Eds. J. Doležal, L. Faltus BA 9528 parts in slipcover study score TP 528 Kabeláč Miloslav (1908–1979) Wind Sextet Op. 8 COPY for flute, English horn, 2 clarinets, French horn and bassoon H 2023 study score ♦

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CHAMBER MUSIC Kalabis Viktor (1923–2006) Piccola musica da camera Op. 27 for flute, oboe, clarinet, French horn and bassoon H 4757 score with parts Kramář-Krommer František Vincenc (1759–1831) Trio in F maj and Variations on Pleyel´s Theme COPY for 2 oboes and French horn Ed. M. Klement H 5808 score with parts Mysliveček Josef (1737–1781) Tre ottetti per due oboi, due clarinetti, due corni e due fagotti COPY

in E-flat maj, in E-flat maj, in B-flat maj Ed. C. Schoenbaum MAB I/55 H 3406 score with parts Rejcha Antonín (1770–1836) Tre quintetti – Parte I, Op. 88 No. 3 COPY for flute, oboe, clarinet, French horn and bassoon Eds. R. Hertl, V. Smetáček, rev. by M. Špeťko MAB I/33a H 7140 parts in slipcover Serenate Boëme, partite e notturni Antonín Kammel, Jiří Družecký, František X. Dušek, Vincenc Mašek for 2 oboes, 2 French horns and bassoon Ed. V. Bělský MAB I/35 H 2304 score Vranický Antonín (1761–1820) Marches for Wind Instruments for 2 oboes, 2 clarinets, 2 French horns, trumpet, 2 bassoons and contrabassoon Ed. A. Myslík H 4890 score with parts

Wind Ensembles and piano

Fiala Josef (1748–1816) Two Duets for oboe and viola / violoncello Ed. M. Klement H 7787 score with parts

Eben Petr (1929–2007) Music for Oboe, Bassoon and Piano H 7452 score with parts

Fišer Luboš (1935–1999) Crux for violin, timpani and bells Reproduction of the autograph from the property of I. Štraus H 7966 performance score

Hanuš Jan (1915–2004) Impromptus Op. 45 COPY for trumpet / flute, oboe, clarinet and piano H 3843 score with parts Janáček Leoš (1854–1928) Capriccio for Piano Left Hand and Wind Ensemble flute / piccolo, 2 trumpets, 3 trombones, tenor tuba ossia French horn Eds. L. Faltus, J. Procházková LJCE E/5 BA 6856• cloth bound score with parts Urtext / Eds. L. Faltus, J. Procházková Preface by J. Procházková BA 9535 score and parts in slipcover (French horn part included) → see more on p. 13

Miscellaneous Ensembles

Kalabis Viktor (1923–2006) Nonet No. 2 “In Honour of Nature” Op. 44 for flute, oboe, clarinet, bassoon, French horn, violin, viola, violoncello and double bass H 6465 score ♦ Kramář-Krommer František Vincenc (1759–1831) Two Oboe Quartets in C maj, in F maj for oboe, violin, viola and violoncello Ed. J. Pohanka MAB I/42 H 2705 score with parts Martinů Bohuslav (1890–1959) Nonet No. 2 H. 374 COPY for flute, oboe, clarinet, bassoon, French horn, violin, viola, violoncello and double bass H 3022 study score ♦

Dvořák Antonín (1841–1904) Serenade in D min Op. 44 for 2 oboes, 2 clarinets, 2 bassoons, contrabassoon ad lib., 3 French horns, violoncello and double bass Urtext / Ed. R. Tait BA 10424-22 parts in slipcover BA 10424 score (replaces H 1928) To appear in 2016

Promenades H. 274 for flute, violin and harpsichord BA 3327• score with parts Serenade No. 1 H. 217 COPY for 2 clarinets, French horn, 3 violins and viola H 1500 parts

Serenade in D min Op. 44 COPY Ed. F. Bartoš ADCE III/16 H 1928 score ♦ This older edition will be replaced by BA 10424 ♦

• 36



CHAMBER MUSIC Martinů Bohuslav (1890–1959) Serenade No. 3 H. 218 COPY for oboe, clarinet, 4 violins and violoncello H 1502 parts

Rössler-Rosetti František Antonín (1746–1792) Notturno in D COPY for flute, violin, viola, violoncello and Frech horn in D Ed. V. Bělský MAB I/32 H 2171 score Suk Josef (1874–1935) Elegy Op. 23 “Under the Influence of Zeyer's Vyšehrad” for violin solo, violoncello solo, string quartet, harmonium and harp Eds. K. Řehák, M. Svobodová H 7404 score with parts

Sextets – Nonets Ed. J. Zichová BMCE IV/4, 1 BA 10574 cloth band score To appear in 2016 Les Rondes H. 200, Serenade No. 1 H. 217, Serenade No. 3 H. 218, Stowe Pastorals (Pastorely ze Stowe) H. 335, Nonet No. 2 H. 374 → see more about BMCE on pp. 38-39 Mysliveček Josef (1737–1781) Four Sonatas COPY for flute, violin and violoncello Ed. M. Klement H 6033 score with parts Rejcha Antonín (1770–1836) Tre quartetti Op. 98 Nos. 1–3 in G min, in C maj, in G maj for flute, violin, viola and violoncello Ed. K. Janetzki, rev. by J. Ruis MAB I/65a H 3917-22 parts in slipcover Tre quartetti Op. 98 Nos. 4–6 in E min, in A maj, in D maj for flute, violin, viola and violoncello Ed. S. Ondráček MAB I/85, I/85a H 7800-22 parts in slipcover H 7800 score

Village Serenade (Vesnická serenáda) s. op. the composer's own arrangement (originally for piano solo) for 2 clarinets, 3 violins, viola, violoncello and double bass suitable for amateur musicians Ed. M. Nový H 7952 score with parts Teml Jiří (*1935) Koledníček popular Czech and Moravian Christmas songs for 2 violins / clarinets and violoncello H 7852 parts in slipcover

Miscellaneous Ensembles and Piano Feld Jindřich (1925–2007) Trio for Flute / Violin, Violoncello and Piano H 7962 score with parts Fibich Zdeněk (1850–1900) Quintet in D maj Op. 42 COPY for violin I, clarinet / violin II, French horn / viola, violoncello and piano H 3998 score with parts

Hurník Ilja (1922–2013) Sonata da camera for flute, oboe / violin, violoncello, harpsichord / piano H 3002 score with parts Hurník Lukáš (*1967) Fusion Music for oboe, clarinet, bassoon and piano H 7863 score with parts Janáček Leoš (1854–1928) Concertino for piano, 2 violins, viola, clarinet, French horn and bassoon H 4342 score with parts Martinů Bohuslav (1890–1959) Les Rondes H. 200 for oboe, clarinet, bassoon, trumpet, 2 violins and piano H 208 study score ♦ Sonata for Flute, Violin and Piano H. 254 BA 3326• score with piano Suk Josef (1874–1935) Bagatelle “Carrying a Bouquet” („S kyticí v ruce“) for flute (violin ad lib.), violin and piano H 7820 score with parts Škroup František Jan (1801–1862) Trio in E-flat maj Op. 27 for piano, clarinet / violin and violoncello Urtext / Ed. M. Harlow BA 9521 score with parts Trio facile in F maj Op. 28 for piano, flute / violin and violoncello Urtext / Ed. M. Harlow BA 9522 score with parts → see more on p. 31

37

CHAMBER MUSIC

BOHUSL AV

MARTINŮ

TH E COMPLE TE EDITION Subscription offer Bärenreiter is publishing The Bohuslav Martinů Complete Edition, a scholarly-critical edition that will present the complete œuvre of this major twentieth century composer for the first time. Martinů’s works in all their versions and arrangements, as well as newly discovered and previously unpublished compositions will be included.

The Edition

The Structure

Editorial Board Peter Ackermann, Sandra Bergmannová, Dietrich Berke (†), Aleš Březina, Klaus Döge (†), Jarmila Gabrielová, Jonáš Hájek, Christopher Hogwood (†), Adéla Kovářová, Kateřina Maýrová, Marek Pechač, Daniela Philippi, Ivana Rentsch, Giselher Schubert, Arne Stollberg, Annette Thein, Paul Wingfield, Jitka Zichová, Vít Zouhar, Pavel Žůrek

I

Commissioned by the Bohuslav Martinů Foundation (Prague). Edited by the Bohuslav Martinů Institute (Prague). Director: Aleš Březina

Each volume includes a detailed Foreword and a Critical Report, both in English and Czech, format: 25.5 x 32.5 cm, cloth bound. 38

Eight series (indicated by Roman numerals) divided into subseries (indicated by Arabic numerals). Approx. 100 volumes in total. Stage works and film music II Orchestral music III Concertos and other concertato works IV Chamber music V Keyboard works VI Choral works and songs VII Piano reductions by the composer VIII Supplements and varia

KLAVÍR

The First Ten Volumes Series VI/2, 1 Series II/1, 4 Series VI/2, 2 Series IV/4, 1 Series VI/2, 3

Series IV/3, 2 Series III/2, 4 Series III/1, 7 Series III/1, 6 Series I/1, 12

The Epic of Gilgamesh, H 351, Ed. Aleš Březina 2015 Symphony No. 4, H 305, Ed. Sharon Andrea Choa 2015 Svatební košile (The Spectre’s Bride), H 214.I A, Polní mše (Field Mass), H 279, Ed. Paul Wingfield 2016 Les Rondes, H 200, Serenade No. 1, H 217, Serenade No. 3 , H 218, Stowe Pastorals, H 335, Nonet No. 2, H 374, Ed. Jitka Zichová 2016 Otvírání studánek (The Opening of the Springs), H 354, Legenda z dýmu bramborové nati (The Legend of the Smoke from Potato Tops), H 360, Romance z pampelišek (The Romance from the Dandelions), H 364, Mikeš z hor (Mikesh from the Mountains), H 375 String Quartet No. 4, H 256, String Quartet No. 5 , H 268, String Quartet No. 6, H 312, String Quartet No. 7, H 314 Concerto for String Quartet and Orchestra, H 207, Sinfonia concertante, H 322 2. supraphon Concerto da camera for Violin, String Orchestra, Piano and Percussion, H 285, Rhapsody-Concerto for Viola and Orchestra, H 337 Incantation. Concerto for Piano and Orchestra No. 4, H 358, Concerto in B-flat for Piano and Orchestra (Fantasia concertante), H 366 Ariane, Lyric Opera in One Act, H 370

BA 10571 BA 10572 BA 10573 BA 10574

BA 10575 BA 10576 BA 10577 BA 10578 BA 10579 BA 10580

The Subscription

Available on complete subscription or partial subscription by series at reduced prices. The volumes can also be purchased individually.

Please ask for the brochure “Bohuslav Martinů · The Complete Edition” (Eng/Ger) · SPA 275 · in preparation

BÄRENREITER 39

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ORCHESTRA Sinfonie IV–VI in F maj, in G maj, in E-flat maj flute I II, oboe I II, French horn I II, violin solo, violin I II, viola, violoncello, double bass, harpsichord Ed. J. Pohanka MAB I/62 H 3789 score and parts

String Orchestra (concertos with string orchestra – see individual instruments)

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Eben Petr (1929–2007)

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išek ek


Dvořák Antonín (1841–1904) NEW 2015

Serenade in E maj for String Orchestra Op. 22 violin I II, viola, violoncello, double bass Urtext / Ed. R. Tait BA 10423 score ° (replaces H 971 – only for hire) To appear in the autumn of 2015 Feld Jindřich (1925–2007) Sinfonietta da camera per archi violin I II, viola, violoncello, double bass H 5643 score ♦ Suk Josef (1874–1935) Ella-Polka violin I II, viola, violoncello, double bass and triangle for string orchestra arr. by the composer Ed. M. Nový H 7953 score and parts Meditation on the Old Czech Hymn “St Wenceslas” Op. 35a violin I II, viola, violoncello, double bass Rev. by L. Láska H 517 study score ♦

material available ° Ponerformance sale

Sousedská s. op. [A type of Czech folk dance] violin I–V, double bass / violoncello, cymbals, triangle, snare drum and bass drum Ed. Z. Nouza H 7954 score and parts Šesták Zdeněk (*1925) Concerto per orchestra d'archi violin I II, viola, violoncello, double bass H 6429 score

Concertino pastorale for three solo instruments (flute, oboe, clarinet / violin) and string orchestra (violin I II III, viola, violoncello, double bass) H 7877 score H 7877-22 parts COPY Fils Antonín (1733–1760) Sei sinfonie per orchestra 2 flutes, 2 French horns, violin I II, viola, double bass Ed. J. Pohanka MAB I/44 H 2958 score ♦

Vodička Václav (1720–1774) Sinfonia in C violin I II, viola, violoncello, double bass, harpsichord Rev. by H. Krupka, J. Snížková H 3740 score ♦ Zach Jan (1699–1773) Cinque sinfonie d'archi violin I II, viola, double bass Ed. J. Pohanka MAB I/43 H 2852 score and parts

Chamber Orchestra (concertos with chamber orchestra – see individual instruments) Benda Jiří Antonín (1722–1795) Sinfonie I–III in D maj, in G maj, in C maj flute, oboe, French horn I II, violin I II, viola, violoncello, double bass, harpsichord Ed. J. Pohanka MAB I/58 H 3555 score and parts

Koželuh Leopold (1747–1818) Tre sinfonie in D maj, in F maj, in G min 2 oboes, 2 bassoons, 2 French horns, strings Ed. M. Poštolka MAB I/72 H 4585 score ♦

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41

KLAVÍR

ČF

42

ORCHESTRA Martinů Bohuslav (1890–1959) Divertimento (Serenade No. 4) H. 215 violin solo, viola solo, 2 oboes, piano, strings H 366 study score COPY H 1503 parts Rejcha Antonín (1770–1836) Symphony in E-flat maj Op. 41 flute, 2 oboes, 2 bassoons, 2 French horns, timpani, strings Ed. V. Bělský MAB I/76 H 5270 score ♦ Tomášek Václav Jan (1774–1850) Symphony in D maj Op. 30 flute, 2 oboes, 2 clarinets, 2 bassoons, 2 French horns, timpani, strings Ed. Š. Jedličková H 7568 score ♦ Vejvanovský Pavel Josef (1640–1693) Composizioni per orchestra Ed. J. Pohanka MAB 1/47–49 H 3079 Vol. 1 score ♦ H 3171 Vol. 2 score ♦ H 3230 Vol. 3 score ♦ Serenate e sonate per orchestra for 2 clarinas, strings and basso continuo Ed. J. Pohanka MAB I/36 H 2334 score ♦ Zelenka Jan Dismas (1679–1745) Composizioni per orchestra I Sinfonia, Hipocondrie, Capriccio I–V Eds. C. Schoenbaum, O. Pulkert MAB I/61 H 3788 score ♦

Symphony orchestra (concertos with symphony orchestra – see individual instruments) Blatný Pavel (*1931) Bells (Zvony) H 7311 study score ♦ In modo classico Variations for string quartet and jazz orchestra H 6614 study score ♦ Bořkovec Pavel (1894–1972) The Pied Piper (Krysař) Ballet in two scenes based on an old Saxon story (Cz/Ger) H 1648 score ♦ Dvořák Antonín (1841–1904) Czech Suite Op. 39 ADCE III/17 H 519 score ♦

COPY

Josef Kajetán Tyl Op. 62 Incidental music to the play by František Ferdinand Šamberk ADCE I/9 H 5849 score ♦ Suite in A maj Op. 98b ADCE III/17 H 2307 score ♦

COPY

Symphony No. 1 in C min B 9 “The Bells of Zlonice” („Zlonické zvony“) Ed. F. Bartoš TP 501• study score ♦ Symphony No. 2 in B-flat maj Op. 4 Ed. F. Bartoš TP 502• study score ♦ Symphony No. 3 in E-flat maj Op. 10 Ed. F. Bartoš TP 503• study score ♦ Symphony No. 4 in D min Op. 13 Ed. F. Bartoš TP 504• study score ♦

°

Performance material available

♦

Performance material

on sale

available on hire

Symphony No. 7 in D min Op. 70 Urtext / Ed. J. Del Mar BA 10417• score ° BA 10417-40• critical commentary (Eng) Dvořák's Symphony No. 7 was commissioned by the Royal Philharmonic Society in August 1883 and received its premiere on 22 April 1885 in London conducted by the composer himself. The following June the 2nd movement was shortened by some 40 bars and the work was published in this form in 1885 by Simrock. The editor of this new scholarly-critical edition Jonathan Del Mar has drawn on all the available sources including letters. The original version of the 2nd movement appears in the appendix as well as in the performance material. ●

First Urtext edition of this important work

●

Contains the original London version of the 2nd movement

●

Includes a detailed preface (Cz/Eng/Ger) by the editor

Symphony No. 7 in D min Op. 70 Ed. F. Bartoš TP 507• study score ♦ Symphony No. 8 in G maj Op. 88 Ed. F. Bartoš TP 508• study score ♦ Symphony No. 9 in E min Op. 95 “From the New World” Ed. F. Bartoš TP 509* study score ♦ Feld Jindřich (1925–2007) Symphony No. 2 H 7178 score ♦

Symphony No. 5 in F maj Op. 76 Ed. F. Bartoš* TP 505 study score ♦ Symphony No. 6 in D maj Op. 60 Ed. F. Bartoš TP 506• study score ♦

•


43

ORCHESTRA Hanuš Jan (1915–2004) Symphony No 3 Op. 38 H 2741 study score ♦ Symphony No. 4 for Large Orchestra Op. 49 H 3506 study score ♦ Hurník Ilja (1922–2013) Con brio per orchestra H 7803 score ♦ Janáček Leoš (1854–1928) The Danube (Dunaj) reconstruction of the composer's unfinished symphony (with soprano solo), the score was completed by the volume's editors Eds. L. Faltus, M. Štědroň LJCE H/3 BA 6861 / H 7950 c loth band score ♦ Two Dances Cossack Dance (Kozáček), Serbian Reel (Srbské kolo) Ed. J. Burghauser BA 6171 / H 4657 score ♦

●

20th century repertoire piece now available in study score

●

Notation based on the LJCE D/7

●

ith a new preface by W J. Zahrádka (Cz/Eng/Ger)

The Fiddler's Child (Šumařovo dítě) Ballad for Orchestra Eds. J. Burghauser, R. Eliška LJCE D/6 BA 6848• cloth bound score ♦ H 6798-02 score (practical edition) ♦ Kabeláč Miloslav (1908–1979) Mystery of Time (Mysterium času) Op. 31 COPY Passacaglia per grande orchestra H 2799 study score ♦

Lachian Dances (Lašské tance) Eds. J. Burghauser, R. Eliška LJCE D/4 BA 6845• cloth band score ♦ H 6571p score (practical edition) ♦

Kalabis Viktor (1923–2006)

Entr'actes from the opera The Cunning Little Vixen (Meziaktní hudba z opery Příhody lišky Bystroušky) Arr. by F. Jílek H 7505 study score

Korte Oldřich F. (1926–2014)

Suite from the opera From the House of the Death (Suita z opery Z mrtvého domu) Arr. by F. Jílek H 7506 study score Sinfonietta H 7741 piano reduction for four hands only (František Jílek) ♦ Taras Bulba Rhapsody for Orchestra Eds. J. Burghauser, J. Hanuš LJCE D/7 cloth band score ♦ BA 6842• H 3616-02 score (practical edition) ♦ 44

NEW 2015

Taras Bulba Rhapsody for Orchestra Urtext / Eds. J. Burghauser, J. Hanuš TP 842 study score ♦ (replaces H 3616-22)

Symphony No. 2 – Sinfonia pacis Op. 18 H 3759 study score ♦

Concerto grosso H 7554 study score ♦ The Story of the Flutes (Příběh fléten) COPY H 3684 study score ♦ Krejčí Iša (1904–1968) XX variazioni per orchestra to an original theme in folk song style H 5553 score

♦


•


available on hire


NEW 2015

Symphony No. 4 H. 305 Ed. S. A. Choa BMCE II/1, 4 BA 10572 cloth band score Symphony No. 4 (1945) is the most joyous of the author's six compositions of this genre. When working on the third movement, the composer was caught up by news of Germany's capitulation. This first critical edition offers the composer's last authorised version in the main musical text, the Appendices also include parts of the work as they appeared before their revision for the first printed edition, in which the composer made slight alterations to the instrumentation and removed three bars from the third movement. They thus depict the performance history of the work as it was rendered until the release of the printed edition of the score in 1948, at the same time giving current performers access to the original version. The well-endowed Facsimiles section includes, among others, all extant parts of the draft of the work. ●

First ever scholarly-critical edition

●

Detailed preface and critical commentary by the editor (Eng/Cz)

→ see more about BMCE on pp. 38-39

ORCHESTRA Slavický Klement (1910–1999)

My Country (Má vlast) Practical performance revision of each of the tone poems based on the critical edition Ed. J. Burghauser

Moravian Dance Fantasias (Moravské taneční fantazie) H 1211 study score ♦

Vyšehrad COPY H 6427-01 score ♦

Rhapsodic Variations (Rapsodické variace) for large orchestra H 2888 study score ♦

Vltava COPY H 6427-02 score ♦

Symfonietta III Concerto per orchestra H 7004 score ♦

Šárka COPY H 6427-03 score ♦ From Bohemian Fields and Groves (Z českých luhů a hájů)


COPY

H 6427-04 score ♦

My Country (Má vlast) the most representative and best-known cycle of tone poems in Czech music Urtext / Ed. F. Bartoš With a new preface by M. Ottlová TP 557 study score (replaces H 3796)

Tábor H 6427-05 score ♦ Blaník COPY H 6427-06 score ♦

NEW 2014

March for the Shakespeare Celebration (Pochod ke slavnosti Shakespearově) H 3096-66 study score ♦

SYMPHONY I No. 4 I

I II

Flauto Flauto

III

Poco moderato q. = 58 (56) ¡ 6 ∑ ∑  8   I .        6     8   mf  6 ∑   8  .  mf 6      ª  8     

Oboe

I

Oboe

II III

6  8

I II

6  8 ª  6p  8   6  8 

Corno inglese Clarinetto (Sib / Bb)

Clarinetto III (Sib / Bb)

 6 8

I II

¢

Corno (Fa / F)

I II

¡ 6  8

Corno (Fa / F)

III IV



Tromba I-III (Do / C)

 

Fagotto

Trombone

I II

Trombone Tuba

III

¢

Timpani

 6 8

¡/

Tam-tam

/ / / ¢/

Triangolo Tamburo piccolo Piatti Gran Cassa

{

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∑ ∑ ∑ ∑

ª

Violoncelli

mf sul pont.

BA 10572 BA 10572-01

¢

 6 ª 8 ¾¾ mf





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 

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∑

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.     mf   .     . mf     . mf .       .

∑





∑ ∑ ∑ ∑ ∑

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          -

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  - ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~   ªª  

I               -

 .    . p .      . p ∑



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III

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~~~~~~~~~~~~~~~~~~~~~ 6 ª    8 mf con sord. ~~~~~~~~~~~~~~~~~~~~~   68 ª   mf con sord. ~~~~~~~~~~~~~~~~~~~~~  6 ª   8 

II



∑ ∑   I .             mf  ∑   .  mf      ª     

∑

.     



-





∑

Poco moderato q. = 58 (56) con sord. ~~~~~~~~~~~~~~~~~~~~~ ¡   6 ª    8

Viole

Contrabbassi



p

ª



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∑



p

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mf con sord.

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

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  - II ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~  ª  

I               -

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6 ª 8 6p 8 6 8 6 8 6 8

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Violini



6 8 6 8 6 8 6 8

.     mf   .     . mf     . mf .       .

-  



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

∑ ∑ ∑ ∑ ∑





ª

          -  







ª



          -



~~~~~~~~~~~~~~~~~~~~~ ª    ~~~~~~~~~~~~~~~~~~~~~ ª    ~~~~~~~~~~~~~~~~~~~~~ ª    ~~~~~~~~~~~~~~~~~~~~~ ª   

ª ¾¾

Vltava Urtext / Ed. H. Macdonald BA 9558 score ° TP 558 study score (the composer's own version for piano four hands – see section Piano Duet)

To Helene and Bill Ziegler

Symphony To Helene and Bill No. Ziegler 4 Flauto piccolo

Prague Carnival (Pražský karneval) H 4054-66 study score ♦

  



∑



∑



∑



∑



∑

Vltava, also known as The Moldau, is Smetana's best known and most frequently performed tone poem from the cycle My Country. Owing to the large number of misprints in the Urbánek first edition, Hugh Macdonald has based his new edition on the autograph score, with crossreferences to the first edition and the composer's own version for piano duet. Conflicting readings in the sources are listed in the critical commentary along with a discussion of all editorial decisions. ●

New Urtext edition with clear and uncluttered engraving

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D etailed introduction by Smetana authority Olga Mojžíšová (Cz/Eng/Ger)

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A critical commentary by the editor (Eng)

°


© 1950 by Hawkes & Son (London) Ltd. 1950 by Hawkes & Son (London) Ltd. 2014,©Bärenreiter-Verlag, Kassel – Praha

From: Bohuslav Martinů, Symphony No. 4 • BA 10572

on sale

45

ORCHESTRA / SOLO VOICE Suk Josef (1874–1935)

Evening Songs (Večerní písně) Opp. 3, 9 COPY for voice and piano to words by Vítězslav Hálek (Cz/Eng) Ed. A. Čubr ADCE VI/1 H 553

Solo Voice (Voices)

Scherzo fantastique Op. 25 Rev. by V. Musil H 5183 score The Winter's Tale (Pohádka zimního večera) Op. 9 COPY Concert overture for large orchestra HM 941 score ♦ Radúz and Mahulena Op. 13 Music to a Slovak fairy tale in 4 acts by Julius Zeyer H 1879 piano reductin only (Roman Veselý)

Dvořák Antonín (1841–1904) Biblical Songs (Biblické písně) Op. 99 for higher and lower voice and piano to words from the Book of Psalms (Cz/Ger/Eng) Ed. A. Čubr ADCE VI/2 H 1758 soprano / tenor H 1560 alto / baritone

Gypsy Songs (Cigánské melodie) Op. 55 for higher and lower voice and piano to words by Adolf Heyduk (Cz/Ger/Eng) Ed. A. Čubr ADCE VI/1 H 1559 soprano / tenor H 1739 alto / baritone

Teml Jiří (*1935) Concerto grosso (Hommage à Haendel) H 7531 study score

M USICA ANTIQUA BOHEMICA 34

JAN VÁCLAV (HUGO) VOŘÍŠEK

SINFONIA Re maggiore

PARTITURA

Cypresses (Cypřiše) B 11 for tenor and piano Song cycle to words by Gustav Pfleger-Moravský (Cz) Urtext / Ed. A. Frese BA 9569 ● First ever Urtext edition of 18

love songs by young Dvořák

● With translations of the lyrics

(Eng/Ger)

● With a detailed preface by

eminent Dvořák scholar David R. Beveridge (Eng/ Ger/Cz) and a critical commentary (Eng)

Voříšek Jan Václav Hugo (1791–1825) Symphony in D maj 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 French horns, 2 trumpets, timpani, strings Ed. J. Racek, rev. by F. Bartoš MAB I/34 H 2262 score ♦ H 7323 piano reduction for four hands (Karel Šolc)

 6   8

Con anima (velmi





   

6

 Performance material available on hire

46



   a

            O R                

11

rit.

 

  









 

        

[a tempo]

Ó,

na - ší lás - ce

na

pp

    

 

ne - bu - de dlou - ho

            

         

        

       

    

to

vy-tou - že - né

 

ště-

  

           



svě - tě

    

ne - kvě-te

                   

 

 

  

kdy - by květ - lo,



        



   6      8                              68   

- stí:

♦

19

VIII bolestně) *)

   

      

Proč by se

sl

-

kvě

 



- sti.

                 mf

             

za

v o - hni - vé po - lib - ky ve-

                  p         

SOLO VOICE Dvořák Antonín (1841–1904) Love Songs (Písně milostné) Op. 83 COPY for voice and piano to words by Gustav PflegerMoravský (Cz/Ger/Eng) Ed. A. Čubr ADCE VI/2 H 2227

Eben Petr (1929–2007) Nursery Songs (Říkanky) for soprano and piano to words of English limericks children's favourite songs, suitable for teaching English (Eng/Cz) H 7810

Three Spiritual Songs (Tři duchovní zpěvy) Op. 19b for lower voice and organ (Lat) Eds. J. Burghauser, A. Čubr ADCE VI/1 H 4956 Ave Maria, Hymnus ad laudes in festo SS. Trinitatis, Ave maris stella

♦


Erotikon Op. 23 Four songs for higher voice and piano (Cz/Ger) H 7849 Hanuš Jan (1915–2004) Umbrella from Piccadilly (Deštník z Piccadilly) Op. 103 Three songs for bass and large orchestra to words by Jaroslav Seifert (Cz) (with English and German translations of the lyrics) H 7439 study score ♦

Moravian Duets (Moravské dvojzpěvy) Opp. 20, 32, 38 for two voices (soprano and tenor / soprano and alto) and piano to words of Moravian folk songs (Cz/Ger/Eng) Ed. A. Čubr ADCE VI/3 H 337 score Rusalka's Song to the Moon (Píseň Rusalky o měsíčku) Aria for soprano and piano from the 1st act of the opera Rusalka Text by Jaroslav Kvapil (Cz/Ger/Eng) H 4460 vocal score (Karel Šolc) ♦ Songs to Words by Eliška Krásnohorská B 23 COPY for voice and piano (Cz/Ger/Eng) Eds. J. Burghauser, A. Čubr ADCE VI/1 H 2632 Songs to Words by Gustav Pfleger-Moravský Op. 2 COPY for voice and piano (Cz/Ger/Eng) Eds. J. Burghauser, A. Čubr ADCE VI/2 H 2829

Foerster Josef Bohuslav (1859–1951)

Janáček Leoš (1854–1928)

Secret Songs (Písně nejtajnější / Heimliche Lieder) for low voice and piano Love songs to words by various authors (Cz/Ger) H 3533 Six Songs of Love (Šestero piesní milostných / Sechs Minnelieder) for lower voice and piano Six songs to original medieval love poetry (in 5 original languages with translations into Czech) (Cz/Eng/Ger/Ital/Fr) H 2464 Songs from Teschen (Písně z Těšínska / Lieder aus dem Teschnerland) for lower voice and piano to words of Silesian folk songs (Cz/Ger) H 5311 Songs for a Lute (Písně k loutně) for voice and lute / guitar to words of medieval and Renaissance love poetry (in original languages) (Cz/Eng/Fr/Ger) a small pendant to the cycle Six Songs of Love, suitable for an amateur singer and guitarist in one Rev. by J. Tichota H 6300

Four Ballads (Čtyři balady) for medium voice and piano to words of folk poetry (Cz/Ger) Rev. by J. Trojan H 6497 Moravian Folk Poetry in Songs (Moravská lidová poezie v písních) for voice and piano (Cz/Ger) H 4570 Silesian Songs (Slezské písně) for low voice and piano to words from a collection of folk songs by Helena Salichová (Cz) Rev. by B. Štědroň H 1403 Kalabis Viktor (1923–2006) Five Romantic Songs about Love to Words by R. M. Rilke (Pět romantických písní o lásce na slova R. M. Rilka) Op. 38 for high voice and piano (Ger/Cz) H 7841 Kaprálová Vítězslava (1915–1940) Love Carol (Koleda milostná) for medium / higher voice and piano (together with Love Carol by Bohuslav Martinů) (Cz/Ger) Ed. I. Popelka H 5585 47

SOLO VOICE Kopelent Marek (*1932)

Bohuslav Martinů

Excited Song (Zjitřený zpěv) for baritone and brass quintet (2 trumpets, French horn, 2 trombones) to words by Josef Hora (Cz) H 7791 score with parts

LIEDER AUF EINER SEITE SONGS ON ONE PAGE

Canto e Piano


Songs on One Page (Písničky na jednu stránku) H. 294 for higher voice and piano Seven songs on Moravian folk poetry (Cz/Eng) H 5094

Bohuslav Martinů

Martinů Bohuslav (1890–1959) Four Songs on Czech Folk Poetry (Čtyři písně na slova české lidové poezie) H. 282bis for voice and piano (Cz/Ger/Eng) Ed. A. Březina H 7809 Love Carol (Koleda milostná) H. 259 for medium / higher voice and piano (together with Love Carol by Vítězslava Kaprálová) (Cz/Ger) Ed. I. Popelka H 5585 New Chap-Book (Nový Špalíček) H. 288 for voice and piano Eight songs on Moravian folk poetry (Cz/Ger) Ed. I. Popelka H 6132

LIEDER AUF ZWEI SEITEN SONGS ON TWO PAGES

Canto e Piano


Songs on Two Pages (Písničky na dvě stránky) H. 302 for higher voice and piano Seven songs on Moravian folk poetry (Cz/Eng) H 5095 Two Songs to the Text of Negro Folk Poetry (Dvě písně na texty negerské poezie) H. 232bis for voice and piano (Cz/Ger) Ed. I. Popelka H 5988

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Mysliveček Josef (1737–1781) Tre notturni COPY for 2 sopranos, 2 clarinets, 2 French horns and strings (Ital) Ed. V. Bělský MAB II/7 H 5182 score ♦ Petrarch Songs (Písně na Petrarku) Songs for medium voice and piano on poems by Francesco Petrarca 19 songs in different languages from 19 European composers from 18th to 20th centuries (Ital/Fr/Cz/Eng/Ger) Ed. M. Bruns H 7934 Plánický Josef Antonín (1691–1732) Opella ecclesiastica Twelve sacred cantatas (Lat) for soprano, alto and bass solo, 2 bassoons, strings, and organ Ed. J. Sehnal MAB II/3 H 4496 score Rychlík Jan (1914–1964) South Bohemian Folk Songs (Jihočeské písně a písničky) for voice, violin, clarinet, bass clarinet and piano (Cz/Ger) H 5489 score with parts Sluka Luboš (*1928) Renaissance Songs (Písně renesanční) Three songs for mezzo-soprano / baritone and piano (Cz/Ger) H 3402 Smetana Bedřich (1824–1884) Evening Songs (Večerní písně) for lower voice (arr. by J. E. Zelinka) and piano Five songs to words by Vítězslav Hálek (Cz/Ger/Eng) Rev. by K. Šolc H 2844

CHORAL MUSIC / SACRED AND SECULAR WORKS Collections Music of the Piarist Monasteries I Moravian church compositions of the 17th and 18th centuries for mixed choir, 2 horns, strings and organ (Lat) Ed. T. Hanzlík H 7905 score Repertorium troporum bohemiae medii aevi, pars I–IV Tropi proprii missae – pars I (Lat) Ed. H. Vlhová-Wörner H 7878 Tropi ordinarii missae – pars II Kyrie eleison Gloria in excelsis Deo (Lat) Ed. H. Vlhová-Wörner H 7959 Tropi ordinarii missae – pars III Sanctus (Lat) Ed. H. Vlhová-Wörner H 8017 NEW 2015

Tropi ordinarii missae – pars IV Agnus Dei (Lat) Ed. H. Vlhová-Wörner H 8030

Pastorelle boemiche Czech Christmas Pastorals Daniel A. F. Milčinský (instrumental ), Tomáš N. Koutník, Jiří I. Linek, Jan Michalička for soloists (soprano, tenor, bass), mixed choir and chamber orchestra (Cz) Ed. J. Berkovec MAB I/23 H 1819 score ♦ The five volume editorial project Repertorium troporum bohemiae medii aevi introduces the texts and musical editions of mass tropes from Czech sources from the 11th–16th centuries. The tropes are edited along with their native chants; as such, these publications would interest both the academic community, as well as those interested in performance. Many of the texts and melodies are made accessible for the very first time. The edition contains numerous commentaries, introductory studies (Cz/Eng) and enclosed facsimilies. An internationally respected musicologist Hana Vlhová-Wörner is the author of numerous publications on church music and Latin liturgical poetry in Bohemia and Central Europe from the 11th to 16th centuries and one of the editors of the “Jistebnice Kancionál”.

Children's Choir Eben Petr (1929–2007) Alleluia Epilogue from the oratorio Apologia Sokratus for children's and mixed choir and organ Organ version arr. by Ph. Brunelle (original Greek of Plato's Apologia Sokratus) H 7900 score The Twig Grows Green (Zelená se snítka) 14 songs for children's choir and piano (Cz/Ger) H 2335 score Hurník Ilja (1922–2013) Children's Choruses A selection from the author's cycles of children's choruses a cappella (Cz) H 7136 choral score Missa Vinea Crucis for children's / female choir and orchestra or organ (Lat) H 7768 score (organ version) orchestral version on hire Pololáník Zdeněk (*1935) Cantus laetitiae for children's or female choir a cappella (Lat) H 7885 choral score

Female Choir Eben Petr (1929–2007) Of Swallows and Girls (O vlaštovkách a dívkách) Nine folk songs for female choir a cappella (Cz) H 4233 choral score

49

CHORAL MUSIC / SACRED AND SECULAR WORKS Eben Petr (1929–2007)

Eben Petr (1929–2007)

In honorem Caroli Cantata for male choir and orchestra to words from the Foundation Charter of Charles University (Cz/Lat/Ger) H 6615 score

Greek Dictionary (Řecký slovník) Nine female choruses with harp/ piano accompaniment (to single Greek words) Harp part rev. by L. Váchalová H 6145 score

Janáček Leoš (1854–1928)

Hurník Ilja (1922–2013) Missa Vinea Crucis for children's / female choir and orchestra or organ (Lat) H 7768 score (organ version) orchestral version on hire Janáček Leoš (1854–1928) Hradčany Songs (Hradčanské písničky) for female choir with flute and harp accompaniment to words by František S. Procházka (Cz/Ger/Eng) H 4248 score Kašpar Rucký Ballad for female choir a cappella with soprano solo to words by František S. Procházka (Cz/Ger) H 6001 choral score The Wolf's Track (Vlčí stopa) for female choir and piano to words by Jaroslav Vrchlický (Cz/Ger) H 4515 score Martinů Bohuslav (1890–1959) Opening of the Wells (Otvírání studánek) H. 354 Cantata for soprano, alto and baritone solos, reciter, female choir, 2 violins, viola and piano to words by Miloslav Bureš (Cz/Eng/Ger) H 2122 score with instrumental parts → see more on p. 54

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The Spectre's Bride (Svatební košile) H. 214.I A Cantata for solo soprano, tenor and bass, female choir, orchestra and piano to words of the ballad by Karel Jaromír Erben from the 1st version of the ballet Špalíček (Act 3, Scene 2) (in one volume with Martinů's cantata Field Mass) (Cz) Ed. P. Wingfield BMCE VI/2, 2 BA 10573 cloth band score To appear in 2016 → see more about BMCE on pp. 38-39 Pololáník Zdeněk (*1935) Cantus laetitiae for children's or female choir a cappella (Lat) H 7885 choral score Smetana Bedřich (1824–1884) Female Choruses Three three-part female choruses a cappella Má hvězda, Přiletěly vlaštovičky, Za hory slunce zapadá (Cz) H 7811 choral score

Male Choir Dvořák Antonín (1841–1904) Choral Songs (Sborové písně) B 66 COPY for male choir (Cz) HM 150 choral score

Ave Maria COPY for male choir a cappella to words by Lord Byron (Cz) Ed. J. Trojan H 6276 choral score Čarták on Soláň (Na Soláni čarták) Cantata for male choir and orchestra to words by Martin Kurt (pseudonym of Maxmilián Kunert) (Cz/Ger/Eng) Eds. J. Hanuš, M. Štědroň LJCE B/3 cloth band score ♦ BA 6844• H 6450p score (practical edition) ♦ H 2576 vocal score (Břetislav Bakala) Echoes of Folk Songs (Ohlas národních písní) for male choir a cappella (Cz) Ed. J. Trojan H 5951 choral score True Love (Láska opravdivá), I am most astonished (Divím se milému), The Sunken Garland (Vínek stonulý) Four Male Partsongs (Čtveřice mužských sborů) for male choir a cappella H 2486 choral score (Cz) H 2486n choral score (Ger) The Threat (Výhrůžka), Oh Love! (Ó lásko), Oh, Army (Ach, vojna, vojna), Your Beautiful Eyes (Krásné oči tvé) Four Moravian Male Choruses (Čtvero mužských sborů moravských) for male choir a cappella to words of Moravian folk poetry (Cz) H 7769 choral score You Know (Dež viš), Mosquitoes (Komáři), The Evening Witch (Klekánica), Parting (Rozloučení)

CHORAL MUSIC / SACRED AND SECULAR WORKS Janáček Leoš (1854–1928) Male Choruses (Mužské sbory) I for male choir a cappella (Cz/Ger/Eng) Eds. L. Faltus, P. Oliva LJCE C/1 cloth band choral BA 6847• score Ploughing (Orání), Fickleness of Love (Nestálost lásky), Lonesome without Solace I (Osamělá bez těchy I), True Love (Láska opravdivá), I am most astonished (Divím se milému), The Sunken Garland (Vínek stonulý), Wailing Melancholy (Zpěvná duma), You Cannot Escape from Fate (Osudu neujdeš), Two Doves in a Fir Tree (Na košatej jedli), At the Ferry (Na prievoze), Four Male Partsongs (Čtveřice mužských sborů): The Threat (Výhrůžka), Oh Love ! (Ó lásko), Oh, Army (Ach, vojna, vojna), Your Beautiful Eyes (Krásné oči tvé), Parting (Loučení), The Dove (Holubička), The Jealous Lover (Žárlivec), Birch Tree (Což ta naše bříza), Seek Repose (Odpočiň si), Festive Chorus (Slavnostní sbor), Lonesame without Solace II (Osamělá bez těchy II)

The Wandering Madman (Potulný šílenec) for male choir a cappella with soprano solo to words by Rabindranath Tagore (Cz/Ger) H 6003 choral score The Seventy Thousand (Sedmdesát tisíc) for mail choir a cappella to words by Petr Bezruč (Cz) H 6002 choral score True Love (Láska opravdivá) for male choir a cappella to words of folk poetry (Ger/Eng) H 3026 choral score Wailing Melancholy (Zpěvná duma) for male choir a cappella to words by František L. Čelakovský (Cz/Ger) Ed. J. Trojan H 6256 choral score Martinů Bohuslav (1890–1959) Brigand Songs (Zbojnické písně) H. 361 COPY Ten male choruses a cappella to words of Moravian folk poetry (Cz/Ger/Eng) H 2880 choral score

Male Choruses (Mužské sbory) II for male choir a cappella (Cz/Ger/Eng) Eds. L. Faltus, P. Oliva LJCE C/2 BA 6858 / H 7840 cloth band choral score Ave Maria, The Wreath (Vínek), Four Moravian MaleVoice Choruses on Moravian folk poetry (Čtvero mužských sborů moravských): You Know (Dež viš), Mosquitoes (Komáři), The Evening Witch (Klekánica), Parting (Rozloučení), Halfar the Schoolmaster (Kantor Halfar), Maryčka Magdónova (1st version), Maryčka Magdónova (2nd version), The Seventy Thousand (Sedmdesát tisíc), The Eiderdown (Perina), The Czech Legion (Česká legie), The Wandering Madman (Potulný šílenec), Our Flag (Naše vlajka), Chorus for laying the foundation stone of the Masaryk University in Brno, various supplements

Field Mass (Polní mše) H. 279 Cantata for male choir with baritone solo and orchestra to words by Jiří Mucha (in one volume with Martinů's cantata The Spectre's Bride) (Cz) / English translation of lyrics in the appendix Ed. P. Wingfield BMCE VI/2, 2 BA 10573 cloth band score To appear in 2016 → see more about BMCE on pp. 38-39

Field Mass (Polní mše) H. 279 COPY

older edition (Cz) H 277-S score ♦ Smetana Bedřich (1824–1884) Festive Chorus (Slavnostní sbor) COPY

for male choir a cappella to words by Emanuel Züngel (Cz) H 5561 choral score

Mixed Choir Brixi Šimon (1693–1735) Magnificat Cantata for mixed choir, 2 trumpets (clarinas), strings and organ (Lat) Ed. V. Bělský MAB II/2 H 4151 score Dvořák Antonín (1841–1904) Hymnus “Heirs of the White Mountain” („Dědicové Bílé Hory“) Op. 30 Short cantata for mixed choir and orchestra to words by Vítězslav Hálek (Cz/Ger/Eng) ADCE II/5 H 3530 score ♦ COPY H 3750 vocal score (Karel Šolc) COPY In Nature's Realm (V přírodě) Op. 63 COPY for mixed choir a cappella to words by Vítězslav Hálek (Cz) ADCE VI/4 H 522 choral score Mass in D maj Op. 86 (organ version) for soloists, mixed choir and organ (Lat) Eds. J. Burgauser, A. Čubr ADCE II/7 H 4952 score (with preface by J. Burghauser) BA 7511• score (with preface by Ch. Heimbucher) 51

CHORAL MUSIC / SACRED AND SECULAR WORKS Dvořák Antonín (1841–1904) Psalm 149 (Žalm 149) Op. 79 for mixed choir and orchestra (Cz/Ger/Eng) ADCE II/6 H 4508 vocal score (Karel Šolc) ♦ Requiem Op. 89 for soloists, mixed choir and orchestra (Lat) ADCE II/4 H 2924-90 vocal score (Karel Šolc) ♦

St Ludmila (Svatá Ludmila) Op. 71 Oratorio for soloists, mixed choir and orchestra to words by Jaroslav Vrchlický (Cz/Ger/Eng) ADCE II/3 H 4027 vocal score (František Bartoš) ♦ Stabat Mater Op. 58 Cantata for soloists, mixed choir and orchestra (Lat) Ed. A. Čubr ADCE II/1 H 2268 study score ♦ H 1882 vocal score (Karel Šolc) Stabat Mater Op. 58 Cantata for soloists, mixed choir and orchestra (Lat) Vocal score based on Dvořák's original piano version Urtext / Eds. J. Kachlík, M. Srnka H 7920 vocal score by the composer ♦

NEW 2014

Requiem Op. 89 for soloists, mixed choir and chamber orchestra Arr. by J. Linckelmann (Lat) BA 9582 score ° ●

S tandard choral work with a manageable reduced orchestration

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A stylistically appropriate as well as tried and tested arrangement

●

I n keeping with the vocal score H 2924-90

Six Moravian Duets (Šest moravských dvojzpěvů) for mixed choir and piano to words of Moravian folk songs (Cz/Ger) Arr. by L. Janáček, with original piano part Ed. V. Němec H 7718 score 52

Te Deum Op. 103 for solo soprano and bass, mixed choir and orchestra (Lat) ADCE II/6 H 4522 score COPY H 4523 vocal score (Karel Šolc) ♦ The Spectre's Bride (Svatební košile) Op. 69 Ballad to words by Karel Jaromír Erben for soloists, mixed choir and orchestra (Cz/Ger/Eng) ADCE II/2 With a new preface by D. Philippi BA 9544-90 v ocal score (Karel Šolc) ♦ (replaces H 2206) Eben Petr (1929–2007) Alleluia Epilogue from the oratorio Apologia Sokratus for children's and mixed choir and organ Organ version arr. by Ph. Brunelle (original Greek of Plato's Apologia Sokratus) H 7900 score

Love and Death (Láska a smrt) COPY

for mixed choir a cappella to words of folk poetry (CZ/Ger) H 3863 choral score Salve Regina / Cantico delle creature Canticle of the Sun of Francis of Assisi for mixed choir a cappella (Lat/Ital [Umbrian]) BA 6429• choral score The Night (Noc) for mixed choir a cappella to words by Karel Hynek Mácha (Cz/Ger/Eng) H 7847 choral score Ubi caritas et amor for mixed choir a cappella to words by anonymous (Lat/Ital) BA 5404• choral score Fišer Luboš (1935–1999) Caprichos double-chorus composition a cappella for chamber and mixed choirs H 4439 score Janáček Leoš (1854–1928) Amarus Cantata for soloists, mixed choir and orchestra to words by Jaroslav Vrchlický (Cz/Ger/Eng) Eds. L. Faltus, M. Kučerová, M. Štědroň LJCE B/1 BA 6851• cloth bound score H 7382 score H 7735 vocal score (Zdeněk Král) ♦ Elegy on the Death of My Daughter Olga (Elegie na smrt dcery Olgy) Cantata for tenor solo, mixed choir and piano to words by Marie N. Vevericová (Cz/Ger/Eng) Ed. T. Straková H 2572 score ♦

° on sale



•


CHORAL MUSIC / SACRED AND SECULAR WORKS

MUSIC FROM THE GREATEST CZECH COMPOSERS AND ARTISTS JANÁČEK / GLAGOLITIC MASS (September 1927 version) THE ETERNAL GOSPEL Prague Philharmonic Choir, Prague Radio Symphony Orchestra Tomáš Netopil “Again, the performance is excellent.” Gramophone

JANÁČEK / SINFONIETTA – TARAS BULBA – THE BALLAD OF BLANÍK – THE FIDDLER’S CHILD Prague Radio Symphony Orchestra / Tomáš Netopil “An absolute winner.” Gramophone

DVOŘÁK – SUK – JANÁČEK / VIOLIN CONCERTOS Josef Špaček violin / Czech Philharmonic Orchestra Jiří Bělohlávek

SMETANA / MY COUNTRY Prague Philharmonia Jakub Hrůša

SMETANA / MY COUNTRY DVOŘÁK / SLAVONIC DANCES Czech Philharmonic Orchestra Václav Talich Gramophone Award 2012

SUPRAPHON LION IN THE WORLD OF MUSIC SUPRAPHON a. s. www.supraphon.com | [email protected] www.facebook.com/SupraphonClassics | www.twitter.com/SupraphonCZ | Available on

53

CHORAL MUSIC / SACRED AND SECULAR WORKS Janáček Leoš (1854–1928) Festive Chorus (Slavnostní sbor) for male solo quartet, female and male choir with piano to words by K. Kučera (Cz/Ger) Ed. J. Trojan H 5264 score Glagolitic Mass (Glagolská mše / Mša glagolskaja) for soloists, mixed choir, organ and orchestra (Old Church Slavonic text) Eds. L. Faltus, J. Zahrádka LJCE B/5–I Preface (Cz/Ger/Eng/Fr/Ru) and critical commentary (Cz/Ger) by J. Zahrádka BA 6862 / H 7935 cloth band score, final authorised version ♦ LJCE B/5–II BA 6863 / H 8020 cloth band score, “September 1927” version ♦ Urtext / Eds. L. Faltus, J. Zahrádka (final authorised version) Preface (Cz/Eng/Ger) by J. Zahrádka With translation of an Old Church Slavonic text into Cz/Ger/ Eng in the vocal score TP 862 study score BA 6862-90 v ocal score (Martin Zehn)

Lord Have Mercy upon Us (Hospodine!) for soloists, 2 mixed choirs, 4 trumpets, trombone, tuba, harp and organ (Cz/Ger) Ed. J. Trojan H 4700 score (with harp part) ♦ BA 6079• score °

The Eternal Gospel (Věčné evangelium) Cantata for soloists, mixed choir and orchestra to words by Jaroslav Vrchlický (Cz/Ger/Eng) Eds. L. Faltus, M. Štědroň LJCE B/4 BA 6860• cloth band score ♦ H 7736 score ♦ Urtext / Eds. L. Faltus, M. Štědroň BA 6860-90 vocal score (Leoš Faltus) The Lord's Prayer (Otčenáš) for mixed choir with tenor solo, harp and organ (Cz/Ger) Ed. B. Štědroň H 3712 score H 3712-64 harp part

Three Mixed Choruses for mixed choir a cappella (Cz/Ger) Ed. J. Trojan H 6154 choral score Píseň v jeseni (Herbstlied), Kačena divoká (Die Wildente), Naše píseň (Unser Lied) Kopřiva Václav Jan (1708–1789) Offertorium ex D “Vox clamantis in deserto” for mixed choir, chamber orchestra (2 trumpets – clarinas, strings) and organ (Lat) Ed. Z. Šesták H 7442 score Linek Jiří Ignác (1725–1791) Missa pastoralis ex F / Pastorella for mixed choir with solos, 2 horns, strings and organ (Missa: Lat, Pastorella: Cz/Ger) Ed. J. Berkovec MAB II/13 H 7226 score ♦

“Bureš-cantatas” – Martinů choral masterpieces

Graduale in festo Purificationis B. V. M. for mixed choir a cappella (Lat) Ed. J. Trojan H 4698 choral score Hail Mary (Zdrávas Maria) Ave Maria for soprano / tenor, mixed choir (ad lib.), violin, piano / organ (Cz/Ger) Ed. B. Bakala H 6252 score Mass in B-flat maj According to “Messe pour orgue” by F. Liszt for mixed choir and organ (Lat) Ed. J. Burghauser H 6239 score Mass in E-flat maj (Unfinished Mass) for soloists, mixed choir and organ (Lat) Ed. J. Trojan, Credo completed by V. Petrželka H 5086 score ♦ 54

H 2122 / H 2992 / H 2996 / H 2997 ◼ ◼ ◼

The cycle of Martinů's chamber cantatas frequently performed worldwide All four masterpieces are written to words by Miloslav Bureš, a fellow native of the composer from Polička “Bureš-cantatas”, composed between 1955–59, express the composer's deep feeling of homesickness, especially in the Opening of the Wells, the most known and the most popular of them


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Romance from the Dandelions ∑ ∑ (Romance z pampelišek) H. 364 ∑ ∑ Cantata for mixed choir with  ∑ ∑ soprano solo ∑ ∑ to words by Miloslav Bureš (Cz/Eng/Ger) H 2997 choral score





∑



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~~~~~~~~~~~~~~~~~~~~~~~~ 

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Mikesh from the Hills (Mikeš z hor) H. 375   for  and Cantata    solo soprano  tenor, mixed choir, 2 violins, viola        and piano to words by Miloslav Bureš ∑ ∑ (Cz/Eng/Ger) ∑ ∑ H 2992 score H 2992-22 instrumental parts ∑ ∑



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●

2 ¡ ¢  31

Cl

First ever scholarly-critical edition Detailed preface and critical commentary by the editor (Eng/Cz)

●

¸¸¸¸¸¸¸¸¸

 

ff molto marc.

For fourteen long years Martinů mused over a composition “of the genre of Cavalieri's ‘Rappresentatione di anima e di corpo'”, before finally composing his masterly choral work at the turn of December 1954 and January 1955, thus creating one of the most impressive choral scores of the 20th century. He compiled the libretto

¸¸¸¸¸¸¸

f

a3 II senza sord.

The greatest contribution of this critical edition is the discovery and first publication of the composer's detailed requirements for a semi-theatrical staging of the work and the extension of the Narrator's role in accordance with Martinů's original intentions. The well-endowed facsimiles section includes, among others, the complete draft of the work.

¸¸¸¸¸¸¸

Madrigals (Part-Song Book) H. 380 Four madrigals for mixed choir a cappella on Moravian folk ∑ ∑ songs (Cz/Ger)     1. Am Donaustrom (Tam s tej strany Dunaja)                  choral score    BA 3755• 2. Ej, steht ein  Wäldchen                (Ej, jeden hájek)     score  choral BA 3756•        .       .       . 3. Auf der Erde hat nichts Weile ∑ (Na∑ tom světě nic stálého) choral BA 3757•  score       ∑ 4. Glaubst du, daß ich wohl nichts wüßte? (A ty si myslíš)                   score   BA3758•  choral 

W 2015

The Epic of Gilgamesh NE (Epos o Gilgamešovi) H. 351 Oratorio for soloists, narrator, mixed choir and orchestra Libretto in original English version Ed. A. Březina BMCE VI/2, 1 BA 10571 cloth band score → see more about BMCE on pp. 38-39

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Legend from the Smoke of Potato Fires (Legenda z dýmu bramborové nati) H. 360 Cantata for solo soprano, alto and baritone, mixed choir and instrumental ensemble (flute, clarinet, French horn, accordion, piano) to words by Miloslav Bureš (Cz/Eng/Ger) H 2996 score H 2996-22 instrumental parts

from the texts of one of the oldest extant works of literature, the Ancient Babylonian Epic of Gilgamesh, which fascinated him with its themes of friendship, love, and death.

¸¸¸¸¸¸¸¸¸







Seven Penitential Psalms (Sedm kajících žalmů) For five voices (Lat) Ed. M. Klement H 7999 choral score

¸¸¸¸¸¸¸¸¸

Madelka Simon Bar Jona (cca 1550–1598)

     

  

available on hire

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55


Adam Michna z Otradovic

A notable figure of Czech Baroque music and literature Adam Michna z Otradovic (*1600 in Jindřichův Hradec, South Bohemia, †1676 in Jindřichův Hradec), a contemporary of Schütz and Carissimi, is one of the most important Czech composers of the 17th century. He is recognised not only as a musician, but also as a poet of undisputed importance to Czech Baroque literature. Michna gained special prominence as the author of popular Czech-language church hymns, which continue to be sung to this day. However, he is also the author of a large body of figural church music set to Latin, most of which was published midway through the 17th century by the Jesuit printing office in Prague.

The Adam Michna z Otradovic – Compositiones edition series, headed by Jiří Sehnal, represents Michna in his two artistic aspects, as the author of both the music and the lyrics of songs used by lay people to participate in the Mass throughout the year (for example, the extensive hymnbook Svatoroční muzika – Holy Year Music), and as the composer of church music using techniques and musical symbolism of the time. During the Thirty Years War and its aftermath, the period when Michna composed his works, the choir lofts of churches were mostly poorly equipped, and the humble, often “ad libitum” instrumentation of Michna's compositions reflect this fact, making his works accessible even to small ensembles. 56

CHORAL MUSIC / SACRED AND SECULAR WORKS Michna Adam Václav z Otradovic (1600–1676) Czech Marian Music (Česká mariánská muzika) Cantilenae sacre bohemicae ad honorem Beatae Mariae Virginis 63 four-part songs (Cz) Ed. J. Sehnal, texts rev. by L. Štukavec AMO 1 H 7240 choral score Holy Year Music (Svatoroční muzika) Cantiones sacre per tempus totius anni 118 four-part songs (Cz) Eds. F. Malý, J. Sehnal, texts rev. by L. Štukavec AMO 5 H 7824 choral score Missa Sancti Wenceslai for mixed choir and instrumental ensemble (Lat) Ed. J. Sehnal MAB II/1 H 4035 score ♦ Officium vespertinum – pars I: Psalmi I for mixed choir and instrumental ensemble (Lat) Eds. J. Sehnal, V. Bělský AMO 6 H 7837 score ♦ Officium vespertinum – pars II: Psalmi II for mixed choir and instrumental ensemble (Lat) Eds. J. Sehnal, V. Bělský AMO 7 H 7880 score ♦ Officium vespertinum – pars III: Compositiones ad honorem B. M. V. / Falsi burdoni a due core for mixed choir and instrumental ensemble (Lat) Eds. J. Sehnal, V. Bělský AMO 8 H 7979 score ♦ Sacra et litaniae – pars I: Missa I for mixed choir and instrumental ensemble (Lat) Eds. J. Sehnal, V. Bělský AMO 2 H 7332 score ♦

Sacra et litaniae – pars II: Missa II for mixed choir and instrumental ensemble (Lat) Eds. J. Sehnal, V. Bělský AMO 3 H 7595 score ♦ Sacra et litaniae – pars III: Missa III for mixed choir and instrumental ensemble (Lat) Eds. J. Sehnal, V. Bělský AMO 4 H 7808 score ♦ Sacra et litaniae – pars IV: Missa IV for mixed choir and instrumental ensemble (Lat) Eds. J. Sehnal, V. Bělský AMO 9 H 7990 score ♦ Sacra et litaniae – pars V: Missa V for mixed choir and instrumental ensemble (Lat) Eds. J. Sehnal, V. Bělský AMO 10 H 7995 score ♦ Sacra et litaniae – pars VI: Missa pro defunctis for mixed choir and instrumental ensemble (Lat) Eds. J. Sehnal, V. Bělský AMO 11 H 7996 score ♦ Sacra et litaniae – pars VII, VIII, IX – Litaniae de SS. nomine Jesu, Litaniae B. M. V. / Te Deum for 4 soloists, mixed choir and instrumental ensemble (Lat) Eds. J. Sehnal, V. Bělský AMO 12 H 7997 score ♦ Novák Jan (1921–1984) Aesopia (VI Phaedri fabellae cantatae atque saltatae cum prologo et epilogo) 1st version for mixed choir, soloists and piano (Lat) H 7882 score ♦

Slavický Klement (1910–1999) Psalmi for solo voices, mixed choir and organ (Lat) H 7383 score Smetana Bedřich (1824–1884) Czech Song (Česká píseň) Cantata for mixed choir and orchestra to words by Jan z Hvězdy H 7402 vocal score (Karel Šolc) ♦ (Cz) H 7402n vocal score (Karel Šolc) ♦ (Ger) Šesták Zdeněk (*1925) Laudate Dominum, omnes gentes for mixed choir a cappella (Lat) H 7924 choral score Teml Jiří (*1935) Krédo Cycle of mixed choruses a cappella with baritone solo to words by Jan Tůma (Cz) H 7858 choral score Voříšek Jan Václav Hugo (1791–1825) Missa in B (Missa solemnis Op. 24) for mixed choir, solo voices and orchestra (Lat) Eds. J. Berkovec, O. Zuckerová MAB II/15 H 7739 score ♦

Ryba Jakub Jan (1765–1815) Czech Christmas Mass (Česká mše vánoční) for soloists, mixed choir, orchestra and organ the most popular Czech Christmas Mass of all times (Cz/Ger) H 5572 vocal score (Josef Hercl) ♦

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57


●

A masterpiece of Jan Dismas Zelenka and European Baroque

●

First ever printed edition

●

Significant enrichment to sacred choral repertoire

●

Preface (Cz/Eng/Ger) and critical commentary (Eng)

Zelenka Jan Dismas (1679–1745)

Missa Divi Xaverii

NEW 2015

Missa Divi Xaverii ZWV 12 for soloists, mixed choir and orchestra (Lat) Urtext / Eds. V. Kapsa, V. Luks BA 9594 score BA 9594-90 vocal score (Václav Luks) ♦ To appear in November 2015 Missa Divi Xaverii ZWV 12 of the Czech Baroque composer of European importance, Jan Dismas Zelenka, was until recently completely unknown. The author composed this rather extensive and extraordinarily richly instrumented Mass in the second half of 1729, during his tenure at the court in Dresden. The composition, which is one of the masterpieces of Zelenka's oeuvre, was inaccessible for many years due to considerable damage suffered by the autograph; its modern-day European premiere did not take place until in summer 2014 at the Utrecht Festival Oude Muziek as performed by Collegium 1704. The main source of the current critical edition was the autograph. Missing sections of the parts were either supplemented based on secondary sources, or reconstructed by Václav Luks, who is also the author of the vocal score.

1. Kyrie eleison Jan Dismas Zelenka

Allegro   c

Tromba I in D/Re











Tromba II in D/Re

 c











Tromba III in D/Re

 c











Tromba IV in D/Re

 c

















Timpani in D/Re



 c





Violino I (Oboe I)

  c 





  



           

 Violino II              c                (Oboe II)    f                  c                    Viola I/II         f

Soprano

  c        c 

Alto

   c    c

Tenore



Basso







































   c                         Solo f

Basso continuo

6

6

6

6

5 4

6

6

p

Viol. II (Ob. II)

Vla. I/II

,                          p

 

      



f

f

p

                    5 6 6 5 7 6§ 5 6 # #

4

#

#

f

4

#

4

#

9

6

 6

                                 p

B. c.

f

6



 6

 

            

 

                            6

Viol. I (Ob. I)

6



#

6

    5 4

6

- Ob.

  

                 

      6  #

 

4

2014by byBärenreiter Bärenreiter Praha Praha ©©2015

BA 9594

♦


58



OPERA / THEMATIC CATALOGUES Zelenka Jan Dismas (1679–1745)

The Secret (Tajemství) opera in 3 acts libretto by Eliška Krásnohorská (Cz) Ed. F. Bartoš H 1630 vocal score (Karel Šolc)

Psalmi et Magnificat for mixed choir, orchestra and organ (Lat) Ed. V. Bělský MAB II/5 score (♦ selection) H 4974

Thematic Catalogues

Sub olea pacis et palma virtutis COPY

(melodrama de Sancto Wenceslao) (Lat) Ed. V. Bělský MAB II/12 H 6825 score

Opera Dvořák Antonín (1841–1904) Kate and the Devil (Čert a Káča) Op. 112 opera in 3 acts libretto by Adolf Wenig (Cz/Ger) Eds. J. Burghauser, A. Pokorný H 454 vocal score by the composer Rusalka Op. 114 lyric fairly tale in 3 acts libretto by Jaroslav Kvapil (Cz/Ger) Ed. J. Burghauser ADCE I/12 H 2140 score Rusalka Op. 114 lyric fairly tale in 3 acts libretto by Jaroslav Kvapil (Cz/Ger/Eng) German translation by E. Schmidt, English translation by D. Rusbridge New preface by J. Gabrielová Urtext / Ed. J. Burghauser BA 9510-90 vocal score (Karel Šolc) The Jacobin (Jakobín) Op. 84 oepra in 3 acts libretto by Marie ČervinkováRiegrová (Cz/Ger) Eds. F. Bartoš, A. Pokorný ADCE I/10 score in 2 volumes H 3955

Burghauser Jarmil

Janáček Leoš (1854–1928) Fate (Osud) opera in 3 acts libretto by Leoš Janáček and Fedora Bartošová (Cz/Ger/Eng) Ed. J. Zahrádka German translation by C. H. Henneberg, English translation by R. Blumer Preface by the editor (Cz/Eng/Ger) LJCE A/5 BA 9562 / H 8038 cloth bound score ♦ To appear in the autumn of 2015 Urtext / Ed. J. Zahrádka BA 9562-90 vocal score (Rasmus Baumann) Smetana Bedřich (1824–1884) The Bartered Bride (Prodaná nevěsta) comic opera in 3 acts libretto by Karel Sabina (Cz/Ger) German translation by K. Honolka New preface by M. Ottlová Overture for piano solo arr. by Jindřich Kàan z Albestů Urtext / Ed. F. Bartoš BA 9534-90 vocal score by the composer ♦ The Kiss (Hubička) COPY opera in 2 acts libretto by Eliška Krásnohorská (Cz) Ed. F. Bartoš H 2819 vocal score by the composer

Antonín Dvořák. Thematic Catalogue 844 pages (Cz/Ger/Eng) Bibliography by J. Burghauser, J. Clapham H 7755 Hudec Vladimír Zdeněk Fibich. Thematic Catalogue 854 pages (Cz/Ger/Eng) H 7843 Nouza Zdeněk – Nový Miroslav Josef Suk. Thematic Catalogue of the Works 550 pages (Cz/Eng) H 7955 Padrta Karel Franz Krommer. Thematischer Katalog seiner musikalischen Werke 428 pages (Ger) H 7759 Schnierer Miloš Rev. by L. Peřinová Vítězslav Novák. The Thematic and Bibliographical Catalogue 522 pages (Cz/Eng) H 7814 Zuckerová Olga Jan Hugo Voříšek. Thematic Catalogue 96 pages (Eng) H 7777

59

INDEX BY COMPOSERS B Benda František 15, 18, 26 Benda Jiří Antonín 4, 13, 41 Blatný Pavel 35, 43 Bořkovec Pavel 13, 43 Brixi František Xaver 14 Brixi Šimon 51 Č Černý František 24 Černý Rudolf – Bok Josef 25 D Dlouhý Milan 3 Dusík Jan Ladislav 3, 4, 18, 24 Dušek František Xaver 13, 35 Dvořák Antonín 3, 4, 12, 13, 18, 19, 22, 23, 24, 30, 31, 32, 33, 35, 36, 41, 43, 46, 47, 50, 51, 52, 59 Dvořák Milan 3 E Eben Petr 3, 5, 11, 14, 18, 23, 25, 28, 32, 35, 36, 41, 47, 49, 50, 52 F Feld Jindřich 18, 22, 25, 26, 27, 31, 33, 37, 41, 43 Fiala Josef 36 Fibich Zdeněk 5, 19, 27, 31, 32, 33, 37 Fils Antonín 26, 41 Finger Gottfried 25 Fišer Luboš 5, 13, 14, 15, 19, 23, 30, 33, 36, 52 Foerster Josef Bohuslav 47 G Gemrot Jiří 13, 28 Gola Zdeněk 15 Graham Peter 3 Gruber Rudolf 27 H Hanuš Jan 15, 19, 31, 35, 36, 44, 47, 4 Havlíček Ilja – Machalíčková Františka – Ondruš Ján 14 Hertl František 24 Hlaváč Miroslav 25 Hradecký Emil 4, 11, 25, 28, 29 Hurník Ilja 4, 11, 12, 25, 26, 37, 44, 49, 50 Hurník Lukáš 12, 37 60

Husa Karel 27 Hybler Martin 24 I Ištvan Miloslav 30 J Janáček Leoš 5, 6, 12, 13, 14, 19, 21, 22, 23, 27, 33, 35, 36, 37, 44, 47, 50, 51, 52, 54, 59 Ježek Jaroslav 6 Jirmal Jiří 24 Jírovec Vojtěch 6 K Kabeláč Miloslav 6, 12, 23, 25, 30, 35, 44, Kalabis Viktor 6, 22, 28, 36, 44, 47 Kaprálová Vítězslava 22, 23, 27, 47 Kaucký Emanuel – Petr Miloš 28 Klusák Jan 27 Kocian Jaroslav 21 Kolář Augustin 22 Kopelent Marek 11, 23, 48 Kopřiva Václav Jan 54 Korte Oldřich F. 4, 6, 21, 44 Koželuh Jan Evangelista Antonín 27 Koželuh Leopold 6, 41 Kramář-Krommer František Vincenc 18, 25, 26, 27, 36 Krejčí Iša 44 Krůček Václav 15 Kubánek Libor 30 Kubát Adolf – Smetáček Václav 26 Kubelík Jan 21 Kubička Miroslav 21, 24, 25, 35 Kučera Jan 29 Kukal Ondřej 22, 27, 32, 33 Kurz Ivan 29 L Linek Jiří Ignác 54 Losy Jan Antonín 24 Loudová Ivana 18 M Madelka Simon Bar Jona 55 Martinů Bohuslav 4, 6, 13, 18, 21, 22, 23, 24, 31, 32, 33, 36, 37, 43, 44, 48, 50, 51, 55

Matěj Josef 29 Matějů Zbyněk 27 Matys Jiří 21, 33 Micka Josef 18 Michna Adam Václav z Otradovic 57 Mysliveček Josef 8, 26, 35, 36, 37, 48 N Neruda Jan Křtitel Jiří 28 Novák Jan 14, 21, 26, 57 Novák Vítězslav 8 Nudera Vojtěch 27 Nykl Jan 25 O Ondříček František 21 P Pelikán Jaroslav 26, 28 Pivoňka Karel 28 Plánický Josef Antonín 48 Pololáník Zdeněk 49, 50 R Rak Štěpán 24 Rejcha Antonín 8, 36, 37, 43 Rössler-Rosetti František Antonín 37 Ryba Jakub Jan 57 Rychlík Jan 13, 26, 48 S Seger Josef Ferdinand Norbert 14 Schulhoff Erwin 8, 35 Simon Ladislav 8, 29 Slavický Klement 4, 26, 45, 57 Slavický Milan 14, 22 Sluka Luboš 48 Smetana Bedřich 4, 8, 10, 12, 21, 31, 34, 45, 48, 50, 51, 57, 59 Stich-Punto Jan Václav 28 Suk Josef 4, 10, 18, 31, 32, 34, 37, 41, 46Š Šesták Zdeněk 41, 57 Ševčík Otakar 15 Škroup František Jan 31, 37 Štědroň Miloš 14

INDEX BY EDITION NUMBERS T Teml Jiří 14, 18, 24, 26, 32, 37, 46, 57 Tichý Vladimír 23 Tomášek Václav Jan 43 Tůma František Ignác Antonín 18 Tuzar Josef 30 V Vaňhal Jan Křtitel 11, 21, 22, 24 Vejvanovský Pavel Josef 43 Vodička Václav 41 Voříšek Jan Václav Hugo 11, 22, 46, 57

Vranický Antonín 22, 36 Vranický Pavel 35

BA

Z Zach Jan 41 Zákostelecký Bedřich 27 Zámečník Evžen 35 Zelenka Jan Dismas 43, 58, 59 Zelenka Milan – Obrovská Jana 24w

Bärenreiter Notes  A student lesson book  A general note book  A gift Format: DIN A 6 (10.5 cm x 14.8 cm / 4.1 inches x 5.8 inches) 32 pages · binding: stapled BA 8100 BA 8100-17

Notes

red pink

Notes ........................................................................................ ........................................................................................ ........................................................................................ ........................................................................................ ........................................................................................ ........................................................................................ ........................................................................................ ........................................................................................ ........................................................................................ ........................................................................................ ........................................................................................ ........................................................................................ ........................................................................................ ........................................................................................ ........................................................................................ ........................................................................................


The Musicians’ Choice

BA 3326•.......................................37 BA 3327•....................................... 36 BA 3755•........................................55 BA 3756•.......................................55 BA 3757•........................................55 BA 3758•.......................................55 BA 3842•.......................................22 BA 3842-90•................................22 BA 3969•......................................23 BA 4316•........................................22 BA 4316-90•................................22 BA 4317•........................................22 BA 4317-90•.................................22 BA 4318-90•.................................13 BA 4319•........................................24 BA 4319-90•................................24 BA 5404•......................................52 BA 6079•......................................54 BA 6171 / H 4657....................... 44 BA 6429•......................................52 BA 6720 / H 5798......................22 BA 6842•..................................... 44 BA 6844•..................................... 50 BA 6845•...................................... 44 BA 6847•........................................51 BA 6848•..................................... 44 BA 6849•...................................... 21 BA 6851•........................................52 BA 6852-01•................................ 14 BA 6856•................................13, 36 BA 6857 / H 7832.......................33 BA 6858 / H 7840.......................51 BA 6860•......................................54 BA 6860-90•..............................54 BA 6861 / H 7950..................... 44 BA 6862 / H 7935......................54 BA 6862-90.................................54 BA 6863 / H 8020.....................54 BA 6962•......................................23 BA 7488•.......................................35 BA 7488-22•.................................35 BA 7511•..........................................51 BA 8100•.......................................61 BA 8100-17•.................................61 BA 8472•........................................13 BA 9045•......................................23 BA 9045-40•...............................23 BA 9045-90•...............................23 BA 9500.......................................... 5 BA 9501........................................... 5 BA 9502........................................... 5 BA 9503...........................................4 BA 9506........................................10 BA 9507...........................................8 BA 9508........................................ 21 BA 9509........................................23

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INDEX BY EDITION NUMBERS BA 9510-90................................. 59 BA 9511.............................................6 BA 9512............................................6 BA 9513............................................6 BA 9514............................................6 BA 9515............................................6 BA 9516.........................................34 BA 9517..........................................34 BA 9518...........................................31 BA 9519.........................................10 BA 9520.........................................33 BA 9521.................................... 31, 37 BA 9522................................... 31, 37 BA 9524......................................... 14 BA 9525...........................................8 BA 9526......................................... 21 BA 9527...........................................8 BA 9528.........................................35 BA 9529.........................................10 BA 9530.........................................34 BA 9533.........................................33 BA 9534-90................................. 59 BA 9535...................................13, 36 BA 9536.........................................34 BA 9537..........................................31 BA 9538..........................................31 BA 9539.........................................32 BA 9540........................................32 BA 9541............................................8 BA 9542.........................................35 BA 9543.........................................32 BA 9544-90.................................52 BA 9545.........................................33 BA 9546.........................................32 BA 9547......................................... 12 BA 9548......................................... 12 BA 9549........................................ 12 BA 9550..........................................15 BA 9551...........................................15 BA 9552..........................................15 BA 9553..........................................15 BA 9554..........................................15 BA 9555..........................................15 BA 9556..........................................15 BA 9557..........................................15 BA 9558.........................................45 BA 9559...........................................8 BA 9560..........................................8 BA 9561.........................................10 BA 9562 / H 8038..................... 59 BA 9562-90................................ 59 BA 9564.........................................31 BA 9565......................................... 12 BA 9566........................................35 BA 9567........................................ 30 BA 9569....................................... 46 BA 9571..........................................19 BA 9573.........................................32

62

BA 9576.........................................19 BA 9577.........................................35 BA 9578 .........................................31 BA 9581..........................................27 BA 9582.........................................52 BA 9585........................................... 3 BA 9591..........................................15 BA 9592..........................................15 BA 9593..........................................15 BA 9594........................................58 BA 9594-90.................................58 BA 10417........................................43 BA 10417-40.................................43 BA 10423....................................... 41 BA 10424...................................... 36 BA 10424-22................................ 36 BA 10571........................................55 BA 10572....................................... 44 BA 10573................................. 50, 51 BA 10574.......................................37 BA 11512......................................... 21 BVK 1849•....................................24

H H 53................................................ 26 H 54.................................................15 H 55..................................................15 H 100..............................................33 H 208.............................................37 H 235................................................4 H 254...............................................15 H 255...............................................15 H 257...............................................15 H 258...............................................15 H 277-S...........................................51 H 284...............................................31 H 297................................................4 H 298.............................................10 H 330a...........................................22 H 337..............................................47 H 338................................................ 5 H 366.............................................43 H 380..............................................13 H 384................................................ 5 H 425................................................ 5 H 454............................................. 59 H 465..............................................19 H 475................................................8 H 517............................................... 41 H 519..............................................43 H 522...............................................51 H 553............................................. 46 H 675................................................ 5 H 676............................................... 5 H 888.............................................27 H 907............................................... 3 H 916..............................................22

H 1005...........................................22 H 1110............................................... 5 H 1122............................................... 3 H 1126............................................... 5 H 1128..............................................31 H 1200...........................................24 H 1211..............................................45 H 1217............................................ 28 H 1274...............................................4 H 1276........................................... 26 H 1304............................................33 H 1356.............................................. 3 H 1359.............................................. 5 H 1364............................................19 H 1403............................................47 H 1428.............................................. 5 H 1442............................................19 H 1481.............................................33 H 1487............................................23 H 1498............................................. 5 H 1500.......................................... 36 H 1501.............................................32 H 1502............................................37 H 1503............................................43 H 1532.............................................23 H 1550............................................ 18 H 1551..............................................31 H 1559........................................... 46 H 1560.......................................... 46 H 1569............................................33 H 1591-03...................................... 18 H 1592............................................ 18 H 1594............................................33 H 1595............................................33 H 1630.......................................... 59 H 1648...........................................43 H 1732.............................................33 H 1739........................................... 46 H 1748............................................24 H 1758........................................... 46 H 1763.............................................. 5 H 1780.............................................13 H 1791.............................................33 H 1796..............................................4 H 1801............................................ 12 H 1809............................................13 H 1810.............................................. 3 H 1811.............................................. 18 H 1819...........................................49 H 1834............................................33 H 1835............................................33 H 1842..............................................6 H 1852............................................ 14 H 1879.....................................10, 46 H 1882............................................52 H 1890.................................... 18, 22 H 1927............................................ 18 H 1928........................................... 36

H 1933........................................... 26 H 1938........................................... 26 H 1979..............................................4 H 2004..........................................25 H 2023...........................................35 H 2031..............................................4 H 2043...........................................19 H 2068..........................................24 H 2078...........................................22 H 2090...........................................15 H 2122........................................... 50 H 2140........................................... 59 H 2156............................................23 H 2171.............................................37 H 2172............................................. 18 H 2178............................................19 H 2182............................................. 11 H 2226............................................. 5 H 2227............................................47 H 2242..............................................4 H 2262.......................................... 46 H 2268...........................................52 H 2271..............................................31 H 2304.......................................... 36 H 2306...........................................32 H 2307...........................................43 H 2334............................................43 H 2335...........................................49 H 2414......................................18, 25 H 2424.............................................4 H 2464...........................................47 H 2486.......................................... 50 H 2486n....................................... 50 H 2498...........................................24 H 2552.............................................31 H 2572............................................52 H 2576.......................................... 50 H 2584............................................31 H 2632...........................................47 H 2704........................................... 18 H 2705.......................................... 36 H 2726.......................................... 29 H 2741............................................ 44 H 2783............................................32 H 2799.......................................... 44 H 2803...........................................33 H 2819........................................... 59 H 2829...........................................47 H 2844.......................................... 48 H 2849...........................................33 H 2850.............................................4 H 2852............................................ 41 H 2880............................................51 H 2888...........................................45 H 2907.............................................4 H 2924-90....................................52 H 2958........................................... 41 H 2981.............................................13

INDEX BY EDITION NUMBERS H 2992...........................................55 H 2992-22.....................................55 H 2996..........................................55 H 2996-22....................................55 H 2997...........................................55 H 3002...........................................37 H 3022.......................................... 36 H 3026............................................51 H 3079...........................................43 H 3096-66...................................45 H 3099............................................4 H 3133..............................................15 H 3156..............................................6 H 3171.............................................43 H 3177............................................... 5 H 3204........................................... 14 H 3211............................................... 3 H 3230...........................................43 H 3235............................................ 18 H 3237............................................. 11 H 3257..............................................4 H 3289.............................................4 H 3291........................................... 28 H 3331..............................................31 H 3363..............................................4 H 3364........................................... 14 H 3374..............................................8 H 3392...........................................32 H 3402.......................................... 48 H 3406......................................... 36 H 3413..............................................4 H 3506.......................................... 44 H 3530............................................51 H 3533............................................47 H 3555............................................ 41 H 3578............................................ 18 H 3586...........................................22 H 3598........................................... 12 H 3616-02................................... 44 H 3684.......................................... 44 H 3712.............................................54 H 3712-64......................................54 H 3723........................................... 26 H 3740........................................... 41 H 3750............................................51 H 3754..................................... 19, 27 H 3756..............................................4 H 3759........................................... 44 H 3761............................................ 14 H 3788...........................................43 H 3789........................................... 41 H 3813............................................32 H 3819............................................25 H 3843.......................................... 36 H 3863...........................................52 H 3869.......................................... 26 H 3884...........................................19 H 3888...........................................27

H 3917-22......................................37 H 3955........................................... 59 H 3986...........................................33 H 3998.................................... 32, 37 H 4027...........................................52 H 4035...........................................57 H 4054-66...................................45 H 4149.............................................4 H 4151..............................................51 H 4154............................................10 H 4156........................................... 30 H 4179............................................24 H 4233...........................................49 H 4248.......................................... 50 H 4342..................................... 13, 37 H 4376........................................... 18 H 4397...........................................35 H 4422.......................................... 28 H 4439...........................................52 H 4460..........................................47 H 4496......................................... 48 H 4497............................................. 3 H 4499............................................4 H 4506.......................................... 14 H 4508...........................................52 H 4515........................................... 50 H 4522............................................52 H 4523............................................52 H 4557..............................25, 26, 27 H 4562...........................................25 H 4570...........................................47 H 4585........................................... 41 H 4592...........................................32 H 4698..........................................54 H 4700..........................................54 H 4721........................................... 26 H 4738..............................................6 H 4757........................................... 36 H 4890......................................... 36 H 4923........................................... 14 H 4952............................................51 H 4956...........................................47 H 4974.......................................... 59 H 4985............................................13 H 5020............................................. 3 H 5033............................................. 3 H 5077............................................. 3 H 5081..............................................6 H 5086..........................................54 H 5094......................................... 48 H 5095.......................................... 48 H 5166............................................35 H 5182........................................... 48 H 5183........................................... 46 H 5194............................................24 H 5215.............................................27 H 5259........................................... 18 H 5264...........................................54

H 5270...........................................43 H 5286...........................................22 H 5305...........................................23 H 5311.............................................47 H 5317............................................. 21 H 5318.............................................13 H 5330...........................................32 H 5422.............................................13 H 5445........................................... 21 H 5450........................................... 18 H 5489.......................................... 48 H 5543............................................ 18 H 5553........................................... 44 H 5561.............................................51 H 5572............................................57 H 5585.....................................47, 48 H 5628...........................................35 H 5631............................................27 H 5643........................................... 41 H 5674...........................................23 H 5709.............................................6 H 5766...........................................10 H 5781.............................................. 5 H 5797............................................22 H 5805............................................13 H 5808.......................................... 36 H 5849...........................................43 H 5851............................................ 12 H 5862............................. 18, 25, 26 H 5906.......................................... 21 H 5951........................................... 50 H 5988.......................................... 48 H 5993............................................15 H 6001.......................................... 50 H 6002...........................................51 H 6003...........................................51 H 6033...........................................37 H 6036........................................... 11 H 6065............................................ 5 H 6070-01......................................6 H 6070p......................................... 5 H 6093..........................................25 H 6114............................................. 11 H 6132........................................... 48 H 6145........................................... 50 H 6154............................................54 H 6155............................................. 11 H 6156..............................................6 H 6173............................................33 H 6187.............................................15 H 6211............................................ 26 H 6214............................................35 H 6239...........................................54 H 6252...........................................54 H 6256............................................51 H 6276.......................................... 50 H 6300..........................................47 H 6329.............................................4

H 6334............................................13 H 6339...........................................27 H 6354.............................................6 H 6390......................................... 28 H 6406..........................................35 H 6415............................................24 H 6421.............................................. 3 H 6427-01.....................................45 H 6427-02....................................45 H 6427-03....................................45 H 6427-04....................................45 H 6427-05....................................45 H 6427-06....................................45 H 6428...........................................33 H 6429........................................... 41 H 6450p....................................... 50 H 6465.......................................... 36 H 6474....................................... 4, 11 H 6477...........................................35 H 6497...........................................47 H 6508..........................................32 H 6549...........................................33 H 6571p........................................ 44 H 6582........................................... 21 H 6590..........................................35 H 6614...........................................43 H 6615........................................... 50 H 6657............................................ 11 H 6663..........................................32 H 6674...........................................22 H 6676............................................4 H 6696..........................................22 H 6781............................................25 H 6782-22.....................................35 H 6791............................................22 H 6798-02................................... 44 H 6825.......................................... 59 H 6837.......................................... 28 H 6902-01....................................32 H 6931............................................22 H 6967..........................................34 H 6973...........................................24 H 7004..........................................45 H 7037...........................................35 H 7040-01...................................... 5 H 7040-02..................................... 5 H 7074........................................... 18 H 7082............................................. 3 H 7132.............................................25 H 7133.............................................. 11 H 7135.............................................25 H 7136...........................................49 H 7140........................................... 36 H 7149............................................25 H 7178............................................43 H 7215.............................................10 H 7226...........................................54 H 7236...........................................24

63

INDEX BY EDITION NUMBERS H 7240...........................................57 H 7311.............................................43 H 7323........................................... 46 H 7323 ............................................ 11 H 7325..............................................4 H 7330.............................................8 H 7332............................................57 H 7333............................................10 H 7382............................................52 H 7383............................................57 H 7402...........................................57 H 7402n........................................57 H 7404...........................................37 H 7406.......................................... 28 H 7414............................................24 H 7415...............................................6 H 7438.............................................13 H 7439...........................................47 H 7442............................................54 H 7445..............................................8 H 7452........................................... 36 H 7460...........................................10 H 7461............................................. 11 H 7481............................................35 H 7495....................................25, 26 H 7504...........................................22 H 7505.......................................... 44 H 7506.......................................... 44 H 7528............................................22 H 7531............................................ 46 H 7554........................................... 44 H 7567........................................... 28 H 7568...........................................43 H 7591.............................................. 3 H 7595............................................57 H 7638........................................... 12 H 7646.......................................... 28 H 7690.......................................... 14 H 7717............................................. 12 H 7718............................................52 H 7719............................................32 H 7725............................................23 H 7735............................................52 H 7736............................................54 H 7738............................................22 H 7739............................................57 H 7741...................................... 12, 44 H 7743............................................19 H 7744.............................................. 5 H 7745........................................... 30 H 7750...........................................27 H 7753........................................... 30 H 7755........................................... 59 H 7757.............................................. 5 H 7758.............................................. 5 H 7759........................................... 59 H 7764...........................................33 H 7766............................................. 5

64

H 7768...................................49, 50 H 7769.......................................... 50 H 7777........................................... 59 H 7778............................................23 H 7781.............................................. 3 H 7787........................................... 36 H 7788...........................................27 H 7791........................................... 48 H 7792............................................24 H 7793............................................23 H 7795.............................................. 5 H 7796...........................................24 H 7800..........................................37 H 7800-22....................................37 H 7802........................................... 21 H 7803.......................................... 44 H 7804.......................................... 28 H 7807............................................31 H 7808...........................................57 H 7809......................................... 48 H 7810............................................47 H 7811............................................ 50 H 7814........................................... 59 H 7817............................................ 21 H 7820...........................................37 H 7823............................................ 18 H 7824...........................................57 H 7825............................................ 21 H 7827............................................23 H 7828...........................................24 H 7830.......................................... 26 H 7837............................................57 H 7841............................................47 H 7842.............................................6 H 7843.......................................... 59 H 7844...........................................33 H 7844-22.....................................33 H 7845........................................... 14 H 7846...........................................25 H 7847............................................52 H 7849...........................................47 H 7850...........................................25 H 7852..................................... 32, 37 H 7854.......................................... 28 H 7855..................................... 21, 26 H 7857..............................................6 H 7858...........................................57 H 7859........................................... 18 H 7860...........................................31 H 7863...........................................37 H 7865........................................... 14 H 7867...........................................27 H 7869...........................................24 H 7873............................................ 14 H 7874............................................ 21 H 7875..............................................6 H 7876...........................................24 H 7877............................................ 41

H 7877-22...................................... 41 H 7878..........................................49 H 7880...........................................57 H 7881.............................................15 H 7882...........................................57 H 7885...................................49, 50 H 7890..........................................25 H 7893...........................................23 H 7896............................................13 H 7898...........................................27 H 7900.................................. 49, 52 H 7905..........................................49 H 7906............................................6 H 7910...........................................25 H 7911............................................... 5 H 7913........................................... 29 H 7914............................................ 21 H 7915............................................ 21 H 7916............................................ 21 H 7917.............................................. 5 H 7919..................................... 22, 27 H 7920...........................................52 H 7923...........................................35 H 7924...........................................57 H 7931..............................25, 28, 29 H 7932.......................................... 30 H 7934.......................................... 48 H 7938........................................... 21 H 7941............................................33 H 7941-22......................................33 H 7944...........................................33 H 7944-22.....................................33 H 7946.............................................6 H 7948.............................................4 H 7949...........................................23 H 7951............................................ 18 H 7952...........................................37 H 7953............................................ 41 H 7954........................................... 41 H 7955........................................... 59 H 7957.............................................. 5 H 7958...........................................33 H 7959..........................................49 H 7962..................................... 31, 37 H 7963.............................................6 H 7964...........................................32 H 7965...........................................32 H 7965-22.....................................32 H 7966............................ 15, 30, 36 H 7967........................................... 14 H 7968...........................................33 H 7968-22....................................33 H 7969.......................................... 14 H 7970.............................................6 H 7974.............................................4 H 7975............................................. 11 H 7976........................................... 14 H 7979...........................................57

H 7982...........................................24 H 7987...........................................22 H 7988............................................. 5 H 7989............................................. 5 H 7990..........................................57 H 7991........................................... 26 H 7992...........................................27 H 7993.......................................... 30 H 7994.......................................... 30 H 7995...........................................57 H 7996..........................................57 H 7997...........................................57 H 7999..........................................55 H 8001.......................................... 29 H 8017...........................................49 H 8019.......................................... 29 H 8021............................................22 H 8023...........................................33 H 8030.........................................49 HM 150......................................... 50 HM 941......................................... 46

TP TP 501•...........................................43 TP 502•..........................................43 TP 503•..........................................43 TP 504•..........................................43 TP 505•..........................................43 TP 506•.........................................43 TP 507•..........................................43 TP 508•..........................................43 TP 509•.........................................43 TP 516.............................................34 TP 517.............................................34 TP 520............................................33 TP 528............................................35 TP 530............................................34 TP 532.............................................35 TP 533.............................................33 TP 535.............................................33 TP 536............................................34 TP 539............................................32 TP 540............................................32 TP 557.............................................45 TP 558............................................45 TP 577.............................................35 TP 842........................................... 44 TP 862......................................... 54

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SPA 30 (Eng) The catalogue includes sacred and secular choral works as well as choral collections, selected facsimiles, and books relating to vocal music.


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SPA 494 (Ger) The catalogue contains a wide range of books on music, facsimiles, and reprints of historical editions.

You will find a PDF of these catalogues on www.baerenreiter.com under “Service”. Ask for the printed catalogues at your music dealers.


23.3.2015 11:04:24

CZECH MUSIC

BÄRENREITER URTEXT offering the best of Czech music Bärenreiter Urtext is a seal of quality assigned only to scholarly-critical editions. It guarantees that the musical text represents the current state of research, prepared in accordance with clearly defined editorial guidelines. Bärenreiter Urtext: the last word in authentic text – the musicians' choice.



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Your Music Dealer:

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Bärenreiter Praha www.baerenreiter.cz


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23.3.2015 11:04:18

CZECH MUSIC. 3 přímé barvy - viz VZOR!!! MUSICA ANTIQUA BOHEMICA SERIA II 5 JAN DISMAS ZELENKA PSALMI ET MAGNIFICAT PARTITURA ISMN

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