A STUDY OF THE HUMOR LANGUAGE ON FUNNY DIALOGUES OF “SUAMI – SUAMI TAKUT ISTRI “
SKRIPSI
BY : SRI WAHYUNI NPM : 25.181.030
ENGLISH DEPARTMENT FACULTY OF ENGLISH AND LITERATURE
THE UNIVERSITY OF WIJAYA PUTRA SURABAYA 2012
HALAMAN PERSETUJUAN Sripsi oleh NPM / NIRM Judul
: SRI WAHYUNI : 25181030 : A STUDY THE HUMOR LANGUAGE ON FUNNY DIALOGUES OF “ SUAMI-SUAMI TAKUT ISTRI “
Telah memenuhi syarat dan disetujui untuk diajukan ke panitia ujian untuk diuji Pembimbing
YULI SETYOWATI, S.Pd.
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HALAMAN PENGESAHAN Skripsi dengan judul A STUDY THE HUMOR LANGUAGE ON FUNNY DIALOGUES OF “ SUAMI-SUAMI TAKUT ISTRI “ ditulis oleh SRI WAHYUNI, telah diterima dan disetujui sebagai bagian dari persyaratan untuk mendapat gelar sarjana sastra pada jurusan bahasa dan sastra inggris universitas Wijaya Putra pada tahun 2012.
Tim Penguji
Penguji I
Penguji II
Drs. H. Mas Moeljono
Yeni Probowati, S.Pd.
Dekan FBS
Dra. Arjunani, MM.
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APPROVAL STATEMENT
The writer express in this thesis that had examination is really master piece by him self. If later in the reality this thesis is not master piece by him self, hence the writer guarantee all of a result. Surabaya , August 2012
The Writer
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MOTTO MAKES EVERYTHING EASY, EVERYTHING WILL BE OKEY AND YOU WILL BE THE BEST PEOPLE AT WORLD
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ACKNOWLEDGEMENT All of praise to Allah SWT, finally the thesis that the writer prepere a long time can be finished eventually throug hard and long strunggle, not only financial matters, but also energy, thought, and time. In this opportunity, the writer would like to reveal his deepest gratitude to some people who helped him in the process of writing this study: 1. Special thank the wtiter would give to miss Yulis her advisor, who has possibling her opportunity and time to guide him patiently until the end of the writing process. 2. To all of the English Department Lecture, the writer also would like to thank for all the science and knowledge which has been given to him. 3. From the deepest heart the writer would like to thank to all of her beloved family. Her parent, her husband Ahmad Ithomi and her son Danu. Finaly to all of reader, with all of humble heart the writer admit that this thesis is far from perfect. Inthat case, critics and suggestion will be welcome to make this thesis better.
Surabaya, August 2012 The writer
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ABSTRACT A STUDY OF THE HUMOR LANGUAGE ON FUNNY DIALOGUES OF “SUAMI-SUAMI TAKUT ISTRI “
Name
: SRI WAHYUNI
NPM / NIRM
: 25181030
Program
:S–1
Departmen
: English Department
Faculty
: Faculty of Language and Literature
Institution
: Wijaya Putra University
Humor and language are one unity that is interesting subject to be analyzed. There are four reason why the writer is interested in analyzing the humor. First, humor is one of the important means of comunication throught the language, second every people needs a humor in order to make a communication more relaxed and lively. Third by understanding humor better. People can show their feelings that can bring freedom, also as means of entertainment and critism. Fourth by learning the process of humor it can give relaxation to mental health and physical fitness, therefore it includes the condition of text to be funny where by a presupposition shared by the speaker and hearer, an implicature is produced by the speaker, a possible word evoked by the text and speech act occurs. In this thesis the writer wants to know what condition occurs the most during the show. There are samples which are then analyzed the result of the analysis, so that the last condition a speech act occur is the highest percentage. The findings suggest that most of humor in “ Suami-suami Takut Istri “ drama comedy TV series very often shows their funniness in explicit meaning. In addition, it might also suggest that the data shows the less condition of possible word due to fact that the possible word evoked by the text contributes for a small percentage.
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CHAPTER 1 INTRODUCTION
1.1 Background of The Study Language has an important role in the live of human beings, one of the important function of language is a mean of communication. As a basic mean of communication, language is use to establish or to maintain a relationship with other people. Communication, in the case, is defined as the event that involves the addresser who conveys a message to the addresses, with a hope that the message is understandable by the addressee. However there is also another important function is that really needed in order to make to communication lively. It is called humor. Humor is something common that occurs in daily live, furthermore, humor cannot be separated from human live since human being make use of it is a means of entertainment and critism. (Raskin 1985.p2) as an entertainment, humor is needed to relieve tension to give pleasure and bring freedom that can be shown by laughter or smiles (Raskin,1985,p2). However, laughter can be used to express unending variety of emotion since laughter is relaxation to mental healthy and physical fitness. On the other hand, as a critism, humor has taken and important role. According to Morris (1969), humor is something designed to include laugther or amusement : while joke is an amusing story, especially one with all punch – line, the line with last view words of a story which make it funny. In this
case, the writer would like to clarify that joke and humor are treated as synonymy and employed. Interchageable (Wilson, 1972). Moreover, Raskin (1985,p36) claim that some text are funny when there are is presupposition shared by speaker and hearer and or an implicature produced by speaker and or a possible world evoked by the text and or speech act involved in the joke. When humor is being told, the readers or the listeners get their first perception is wrong become of unexpected meaning. Therefore, the uniquiness of humor is show it makes something sound funny. People also may have different experience reading humor story, some people probably considered something funny, but other may not Therefore, people should have something is common in order to understand and translate. The writer and readers should know the meaning of each word and the different or same culture. Then, this humor becomes funny when the speaker uses the native language rather than foreign one. The function of humor seem to infiltrate many aspect of life. Therefore, humor can not be separate from the society, as humor
can
not
be
communication.
For
these
the
writer
chooses
humor as the subject of this Suami-suami takut istri are one of drama comedy tv which chooses the writer on this study because this drama can interested many audience, this is prove that “suami-suami takut istri” drama comedy tv get award as the best drama comedy tv choice the audience on Panasonic award 2009 (Suami-suami takut istri trans tv.com).
This is the drama comedy which story about group of people or family who live in area (Indonesian people said “komplek”) with the problem which happen in life society. All husband in there did not have courage for his wife although they are leader in family. 1.2 Research Question Concerning the semantic mechanism that make conversation sound funny. The writer is going to answer the question is which type of the text in suami-suami takut istri, drama comedy TV series are considered as funny based on the theory purposed by raskin? 1.3 Purpose Of The Study The purpose of the study is to find out of the condition of the text that are found in suami-suami takut istri, drama comedy TV series. In addition, the writer is also serious to know which requirement of humor that is frequently produced during the show of suami-suami takut istri, drama comedy TV series. 1.4 Significance Of The Study By doing in research, the writer hope that the result of this study can contribute more understanding of the condition of humor based on semantic. More importantly, this study also hoped to give some contribute for the people who need to development of semantic mechanism of humor. Also for the people who need to development their communicative competence by way of joking.
1.5 Scope and Limitation The writer of the study does a research in the scope of semantic mechanism of humor and limits her research only the verbal humor as seen in Suami-Suami Takut Istri drama comedy TV series. So the action that are considered as non-verbal humor will be ignore and not to be expleined. Furthermore, the writer decided to take only two showed that have been played in order to have sufficient data. Thus, the writer analyzed the utterance which is produced by the players and investigates the condition used by actor and actresses to be funny. The writer takes the data on Sunday jun 8th 2009. 1.6 Definition of key terms 1. Funny Any stimulus either audial and or visual that people finds and or hears and see and make them laugh (Raskin 1985; pl). 2. Humor Something that is appreciated, enjoyed and shared by all people to be funny (Raskin, 1985;p1-2). 3. Semantic The study of meaning, especially those related to ambiguity or ambigous meaning of humor (Raskin1985;p,3).
4. Semantic mechanism of humor The task of linguistic theory of humor to determine and to formulate the necessary and sufficient linguistic codition for the text to be funny. (Raskin1985;p.100). 1.7 Organization of the study In order to have a well organized study, the writer includes five chapter in he study. The first chapter is an introduction of the study, the research question, the definition of explanation concerning, the background of the study, the research questions, the purpose and the segnificance of the study, the scope and limitation, the definition of key terms and the organization of the study. Then, in chapter two, the writer provides the review of related literature. The next chapter is for the methodology. In which the writer explain how the data is collected and analyzed. After that, the writer is going to chapter five is for the conclusion of the research.
CHAPTER II REVIEW OF RELATED LITERATURE
The research on humor produced in “suami-suami takut istri” drama comedy TV series uses several related theory. The main theory uses for this research is the theory of humor. 2.1 Humor The definition of humor According to Raskin (1985.p.1-2), humor can be defined as something that is appropriated, enjoyed and shared by all people to be funny. Something is funny when is belongs simultancously to two different classes and is capable of being interpreted in two entirely different ways. When the humor begins to be told, the readers or the listeners get their first perception about the meaning of humor. Suddenly (usually at the end of humor), they realize that their perception is wrong, because of unexpected meaning. (Bergwen 1991 : at quoted in wilson, 1979:12). Moreover, Raskin classifies humor as something funny when: 1. There is presupposition that is shared by the speaker and hearer. If presupposition is though of in term of enablement, as one of those statement, which should be true (or one of those conditions which shoud have taken place before) in order for the sentences in questions to be meaningfull, comprehensible, appropiate, etc. Then many jokes can be demonstrated to be based on the knowledge of a presupposition shared by
the speaker and the hearer (s). Thus, (1) would not be funny if the speaker and the hearer (s) did not share a certain presupposition which may be tentatively presented as (2). a. This girl reminds me of Dreyfus, the army does not believe in her innocence.(frued, 1905.75). b. Dreyfus was a French officer accused of treason. The army considered him guilty while many others thought he was innocence. He was tried, convicted and imprisoned. 2. There is implicature that is produced by the speaker, if implicature is constructed as using sentence not inits literal meaning. Then many jokes can be explained in term of implicature. For instnce, (3) seems to involve an implicature which has somethin like (4) as its literal meaning: (3) “ my wife used to play the violin a lot but after we had kids she has not much time
for that”. “children are comfort aren’t they?”
(pocheptrov,1974,90). (4) your wife cannot possibly play the violin well so it is a comfort to you that she does not any more and you owe it to your childern. 3. There is possible world that is evoked by the text. Possible worlds are understood in the usual superficial way as minor “impossible” deviation from the “real” word. For example:
-
A man object to the price a prostitute has charged him, and attempt to have intercourse with her violently in and around her shouting “at these process, I am going to make my own god hotel”
4. There is speech act occurs. Speech act can be formulated as their sets of necessary and sufficient condition for assertion, question, promises,etc. (Scarle 1969) for example : preposition content : A preposition P 1. S considers p or appropriate to the situation 2. S is not commined to the literal truth of p or P Example: I think your nose looks like a lump of truffle pate. It means that the speech act of joking happens in an appropriate situation which considered as usual or normal by the speaker but funny by the hearer. 2.2 Drama Drama related with performance or general term. Drama is general performance or a general term in which the actor impersoate the actor and speech for entertainment of the audience. Kind Drama 1. Tragedy A drama or literary work in which the main character is brought to ruin or suffer extreme sorrow, especially as a consequence of a tragic flaw, moral weakness, or inability to cope with unfavorable circumstances. The character of drama tragedy:
a. A shocking or sad event b. A serious play in which the main character is destroyed by a combination of a personal failing and adverse circumstances (Greek tragoidia). 2. Comedy Light and humorous drama with a happy ending. 3. Tragicomedy A dramatic composition involving elements of both tragedy and comedy usually with the tragic predominating. From the explanation above, that’s is any theory and explained about drama and kind of drama from Drs Supratman and Drs Yani Maryani. Drama adalah bentuk karya sastra yang bertujuan menggambarkan kehidupan dengan menyampaikan pertikaian dan emosi melalui acting dan dialog. Acting dalam drama tidak jauh beda dengan dialog yang terjadi dalam kehidupan seharihari. Kind of drama 1. Tragedi Dalam tragedi memunculkan kisah menyedihkan yang dialami seseorang atau beberapa tokoh yang harus mempertaruhkan dirinya untuk menghadapi berbagai rintangan yang tidak seimbang dengan kekuatan yang dimilikinya.
2. Komedi Cerita ini umumnya menampilkan cerita-cerita ringan. Drama komedi mungkin memunculkan kisah serius, tetapi dengan perlakuan nada yang ringan. Ciri-ciri drama komedi adalah sebagai berikut: a. Cerita mengenai peristiwa umum b. Kelucuan muncul dari tokoh dan bukan dari situasi c. Celak tawa yang ditimbulkan bersifat “bijaksana” From this explanation the writer conclude that drama is essay which looked to the audience by doig action and dialogue. Actor and actress are the people who play in drama, they must have a good performance when they play it. So, the audience will interesting. Is there some kind of drama such as tragedy (which the protgonist is overcome by some superior force or circumstances), comedy (humorous drama) and tragicomedy (a dramatic composition element by tragedy and comedy).
CHAPTER III RESEARCH METHODOLOGY
This chapter consist of approach that is used by writer in the study, the method and the procedure of data colection, and method of data analysis.
3.1 General Approach In conducting this study was using by writer is desciptive qualitative approach of it was intended to describe used in film in addition, the writer used be descriptive approach in the categorization of the condition of the text, for the expected to explore and describe the humor as carefully as possible. Since this research deals with the condition of humor text spoken by actor and actreses of “suami-suami takut istri”. 3.2 Sourch Of Data The data was collected from the two showed that were broadcasted o television. The writer to coosed ”suami-suami takut istri” because those drama comedy TV series are considered a very good acting on trans tv intucted in analyzing the humor further as her study. The data was got by writer is transcription. The writer took the transcription from the tape recorder that writer used in colecting the data, after that, the writer transcribing the data and give mark on the transcribing to classify which parts of text are funny, then, the writer grouped them based on number in
the utterances. The result of the transcription would be the data were classified according to the condition of the text which are funny. 3.3 Procedure of data collection The writer watched “suami-suami takut istri” drama comedy TV series and recorder the films for several episodes. The writer took two showed which have considered as having more humoris scenes to be used, the writer transcribed all the data. After that she checked it again while listening to the tape recorder to make sure that the writer did it correcty. Then, the writer made classification on the utterance during the conversation to analyzed the data easier, at the last, the writer analyzed all of the funny text that occured step by based on the procedure, 3.3.1
Analysis of data In order to answer the research question, the writer analyzed the data based
on the theory of humor writen by Victor Raskin (1985). 3.3.2
Identification
In identifying the data, the writer used the result of her observation on television that was watched before. The data decided to take as having funny conversation come from the sound background (The laughter) which can be heard during the conversation. 3.3.3
Classification of data analysis After collecting all the data, the writer started to identify the jokes, first,
she separated the components of the joke, she needed so classify into four types
using the standard of identification of each type, each type in generated as follows based on the theory proposed by Raskin, which in 1. P of speaker = Presupposition (P) hearer / audience and in content with previous 2. P of speaker = Imagined implicature, but unexpected by the hearer 3. P of speaker = Unimaginable implicature and unexpected by the hearer 4. P of speaker = A Speech act that is considered as usual or appropriate to the situation.
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CHAPTER IV FINDINGS AND ANALYSIS In this chapter, the writer is going to analyze the findings that have been taken from the data classification. The data will be analyzed in the way they violate the humorous aspects of the criteria that involve each type of the categorization such as : the presupposition shared by the speaker and hearer, and implicature produced by the speaker, a possible worlds evoked by the text and speech act occurs. Furthermore, the overal findings will be presented clearly below that is explained by the writer after the analysis has been done.
4.1. A humor which there is presupposition shared by the speaker and heared. This presupposition concern with explanation of many jokes that can be demonstrated to be based on the knowledge of a presupposition shared by the speaker and the hearer. And in contrast with the previous presupposition, which is the writer make it into a simple equation as follows. P. speaker = P hearer and in contrast with previous presupposition. Susi
: Pokoknya untuk bisnis madu ini minimal harus punya uang lima juta rupiah.
Karyo
: lima juta, gede banget?
Susi
: kalo mas karyo nggak mau saya bisa tawarin ke pak RT,uda Faisol atau bang Tigor.
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Karyo
: Jangan-jangan mereka itu gak punya duit, duitnya habis diporoti istrinya yang matre-matre itu klo aku sih lain duit lima juta itu kecil, asal?
Susi
: Asal apa mas karyo?
Karyo
: Mbak Susi mau nemenin saya cari yang anget-anget.
Susi
: Ih enggak emang saya cewek apaan.
Karyo
: Jangan salah paham dulu, maksud saya bagaimana kalau kita makan soto lamongan yang ada diperempatan jalan itu. Karyo is one of actor who act on “suami-suami takut istri” drama comedy
TV series. Here “Jangan-jangan mereka itu gak punya duit, duitnya habis diporoti istrinya yang matre-matre itu” this is presupposition is shared by the speaker and the hearer. It means that what was said by the speaker about the conversation above must be understood by the hearer. Finally the presupposition has coused humor when it is contrast with the previous presupposition”kalo mas karyo gak mau saya bisa tawarin ke pak RT, uda faisal atau bang tigor. Kidaus : Maaf mbak cantik mau cari siapa? Tamu
: Mau cari alamat ini pak satpam tau?
Kidaus : Aduh mata saya agak rabun lupa bawa kaca mata, mari ke pos ronda! Tamu
: Kok rabun pakai kaca mata hitam?
Kidaus : Ini kaca mata rabun. When Kidaus said “Ini kaca mata rabun” is the presupposition used by kidaus to provoke humor and shared as well as the hearer. It means that, what was said by the speaker about the conversation above must be understood by the
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hearer. Finally, this mutually understood presupposition has coused humor when it contrast whit the previous presupposition “kok rabun pakai kaca mata hitam”. Bu RT : Pake blagu ya mo nolongin Preti. Pak RT : Ya maklum mi naluri pejabat mau melindungi rakyatnya, gini-gini papi kan pejabat juga. Bu RT : Itu sih bukan naluri pejabat tapi naluri bandot. Here, what was said by Bu RT “Itu sih bukan naluri pejabat tapi naluri bandot” is the presupposition used by Bu RT to provoke humor when it contrast with the previous presupposition “Ya maklum mi naluri pejabat mau melindungi rakyatnya”. Faisal
: Ssst rupanya silumanya lagi tidur.
Tigor
: Alamak itu si Karyo, emang ya kalau dilihat dari dekat mirip ama monyet.
Karyo
: Ha! Mana silumanya?
Faisal
: Mas karyo sama monyet aja takut.
Karyo
: Saya pingsan bukan takut tapi karna mulutku kebentur tiang. The word “Saya pingsan bukan takut tapi mulutku kebentur tiang” is the
presupposition used by Karyo to provoke humor and it is contrast with previous presupposition “Mas Karyo sama monyet aja takut”. Pak RT : Kidaus gue numpang pipis disini ya? Kidaus : Pak RT ketakutan ya ngeeliat siluman itu? Pak RT : Ah kagak.
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From the dialogue above we should know that what was said by Pak RT is contrast with Kidaus said and this is presupposition shared by the speaker and the hearer but contrast with the previous presupposition “Pak RT ketakutan ya ngeliat siluman itu”.
Karyo : Gimana kalau kita makan malam dik Preti? Preti
: Oga mas Karyo saya takut sama istri mas dan lagi kalau malam disini banyak hantu.
Karyo : Ah, kan ada saya. Preti
: Mas karyo awas dibelakangnya.
Karyo : Ha!
From the dialogue above, Karyo want to care preti from ghost but after Karyo looks the ghost he has scare and this is condition of presupposition shared by the speaker and the hearer but contrast with the presupposition.
Bu RT : Bang anterin kepasar yuk? Pak RT : Adu ma, pergi sendiri kenapa? Nih badan papa gak bisa digerakin. Bu RT : Ala alasan, cepetan Cuma sebentar aja kok.
The utterance “Aduh ma pergi sendiri kenapa? nih badan papa gak bisa digerakin” ia showing by Pak RT to provoke humor in this is the condition contrast with the presupposition “Bang anterin kepasar yuk”.
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Pak RT
: Dik Preti kagak usah takut abang kesini bakal ngelinduni dik preti seorang.
Tigor
: Alah gombal yang pantas ngelindungi dik Preti itu saya, saya lebih besar dan kuat dibanding Pak RT.
Faisal
: Beribu bintang dilangit Cuma satu pilihan ambo, beribu cewek cantik Cuma Preti kekasih ambo.
Karyo
: Sudah dik Preti sama saya aja mereka itu biasanya ngegombal.
Pak RT : Oh, siapa itu yang ketok-ketok pintu? Gor bukain pintunya! Tigor
: Ah Pk RT kan pemimpin dikomplek ini.
PakRT : Gue kebelakang dulu.
Pak RT wont care Preti in house from the monkey ghost with his friend Fisal, Tigor and Karyo but they scare with the monkey ghost and this condition is contras with the previous presupposition “Dik Preti kagak usah takut abang kesini bakal ngelindungi dik Preti seorang”.
4.2. An implicature is produced by the speaker. These implicature constructed as using a sentences not it’s literal meaning that can be explained in term of implicature, who is imaginable but expected by the hearer. In which could be used in to simple equation of P speaker =imaginable implicature, but unexpected by the hearer. Bu RT : Ih nyamuknya ngisep darah gue banyak banget. Deswita :
Jangan-jangan ini nyamuk pembawa virus demam berdarah.
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Welas
: Bukan ini nyamuk pembawa virus kaki gajah.
Deswita : Coba lihat kaki bu RT mbak welas apakah uda sebesar kaki gajah? Bu RT : Kagak usah! From the conversation above, the writer took the analysis, the sentences “Coba lihat kaki bu RT mbak welas apakah uda sebesar kaki gajah” is an imaginable implicature. It means that what was said by the speaker could be excepted easly and imagined by the hearer but unexpected by the hearer. Tigor
: Eh monyong ngapain kau disini?
Karyo
: Mau foto prawedding pakai nanya.
Tigor
: Jangan tunggu darah mendidih bisa-bisa kita bunuh.
Karyo
: Robohin aja nih tembok biar kita cari tembok yang lain The utterance “Jangan tunggu darah mendidih bisa-bisa kita bunuh” is an
imaginable implicature and the hearer can easly imagined what it means. Lila
: Tu...tu kayaknya suara mbak Sela minta tolong jangan-jangan silumanya ada dirumah mas karyo.
Karyo
: Ah biarin aja paling-paling silumannya yang takut sama si Sela, takut dicubitin. The sentence “Ah biarin aja paling-paling silumannya yang takut sama si
Sela, takut dicubitin” is an imaginable implicature. It means that what was said by the speaker could be accepted easily imagined by the hearer. Tigor
: Hah, pantas saja siluman itu kagak mau pergi, disini kan ada kembaranya.
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Karyo
: Kenapa mandang aku kayak gitu, kau pikir itu aku? Salah besar, si siluman itu kesini karna ngikuti rajanya yaitu kamu, kingkong!
Karyo
: Saya sih uda tau dari awal kalau dia bukan siluman.
Faisal
: Tau dari mana mas Karyo?
Karyo
: Dia kan kesini cari sikingkong.
Tigor : Kenapa melototi aku? Apa maksud kau? Welas : Sudah-sudah sesama monyet kok bertengkar The utterance “Sudah-sudah sesama monyet kok berantem” used in the situation can provoke humor. It is imaginable implicature, inspite of the fact that is unexpected by the hearer. Faisal : Pak RT ternyata dikomplek kita ada siluman nih Karyo saksinya. Karyo : Bener itu pak RT. Pak RT: Ala sama siluman aja takut, gue yang tiap hari ngadepin gajah bengkak aja kagak takut tuh, bini gue kan mirip gajah bengkak, kenapa lu semua pada ketakutan? Karyo : Itu...itu! Pak RT : Ha! gajah bengkaknya ada dibelakang gue? The sentence “Ala sama siluman aja takut, gue yang tiap hari ngadepin gajah bengkak aja kagak takut” is an imaginable implicature who is produced by the speaker to provoke humor. Karla : Mami tadi waktu Karla pulang sekolah didatengi sama siluman monyet trus dia minta uang sama Karla.
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Sela
: Aduh Karla jangan bercanda ah, siluman itu mintanya darah bukanya uang.
Karla : Hii serem!
The utterance “Siluman itu mintanya darah, bukanya uang” is an imaginable implicature who is produced by the speaker to provoke humor.
Deswita : Adu ini bahaya kita mesti cepat bertindak. Welas Sela
: Gini aja nanti kalau si siluman itu muncul kita hajar aja rame-rame. : Aduh Karyo kemana aja sih lu jam segini baru pulang tau nggak kita hampir diobok-obok sama siluman monyet.
Karyo
: Maaf dik ini kita juga lagi nyariin siluman monyet itu.
The sentence “tau nggak sih kita hampir diobok-obok sama siluman monyet” showing the speaker Sela use in the situation to provoke humor is imaginable implicature inspite of unexpected by the hearer.
4.3. A possible world is evoked by the text The possible world can be applied in the sentences of a usual condition which is unimaginable also expected by the hearer that happened in the real world which can be said as P speaker= Un imaginable implicature and expected by the hearer Bu RT : Si Sela pergi syuting kagak pamit ama kite.
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Welas : Iya mbak Sela tidak menghargai bu RT sebagai pembesar dikomplek ini. Bu RT : lu tau aja kalau gue pembesar. Welas : Ya tau la bu RT badan bu RT kan selalu mengalami pembesaran. Based on the text “Badan bu RT kan selalu mengalami pembesaran” is used by the speaker Welas, can be considered as unimaginable implicature. It mean sthat what was said by speaker above is possible but unimaginable. Here the previous sentences “Mbak Sela tidak menghargai bu RT sebagai pembesar di komplek ini” is not funny but after welas said sentences “badan bu RT kan selalu mengalami pembesaran” it brings an implicature which is unexpected by the hearer. Kidaus : kalo uda Faisal mau pinjam duit sama saya boleh? Faisal : bener ki? Ki Daus: Bener,tapi titip pos ronda ini sekalian jagain. Based on the sentences “Bener tapi titip pos ronda ini sekalian jagain” is used by the speaker Kidaus is possible and this unimaginable implicature and expected by the hearer.
4.4. Speech act occur The condition of speech act can be used in the same condition that appropriate to the situation. Which is the speaker considered the humor as usual or normal but it is funny according to the hearer. Deswita : Adu mbak Welas pakai bawa ember segala. Welas
: Loh katanya mau nangkap basa mas Karyo sama mbak Susi?
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Bu RT
: Maksud lu apa?
Welas
: Jadi gini, bu RT sama mbak Deswita yang nangkap saya yang nyiram The presupposition is proposed by the speaker on the utterance “loh
katanya mau nangkap basa” this presupposition was asked by Welas , who think is something normal or usual, she does not think that the utterance she has given above is something funny, she might think that the utterance is apropriate to the situation. Deswita : Mas Karyo ambil kesempatan selagi istrinya nggak ada dirumah. Bu RT : Jangan-jangan siKaryo uda berbuat mesum dirumahnya. Welas
: Maksudnya mas Karyo mau jadikan rumahnya sebagai tempat penyimpanan benda-benda purbakala
Bu RT
: Ya ampun Welas mesum itu perbuatan maksiat tau kagak?
Welas
: Maknya siapa bu RT? The utterance “Maknya siapa Bu RT” is showing the speech act, what was
asked by Welas is something normal. She does not realize that she has said is funny. She might think that the utterance is apropriate to the situation. Kidaus : Eh bak susi sama mas Karyo, mau kemana? Susi
: Mau bisnis madu.
Karyo : Iya saya sama mbk susi mau bisnis madu memadu. Pak RT : Gila sikaryo siSusi mau dijadikan madu. The presupposition proposed by speaker, Pak RT “Gila siKaryo siSusi mau dijadikan madu” is simple occurance of a speech act. Here the speech act is usual or normal for Pak RT , it is different from what was means by another speaker.
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What was said by Karyo “Iya saya sama mbak Susi mau bisnis madu memadu” he does not think that the utterance he had said is something is funny he might think that the utterance is appropriate to the situation. Welas : Hee pada mau ngapain? Tigor : Ini Welas kata mbak Preti dipos ronda ada siluman monyet, dia ketakutan, saya mau anter dia pulang. Welas : Uda bang Tigor sama uda Faisal urus itu Sulaiman, biar saya sama mbak Deswita yang anterin mbak Preti. Deswita: Siluman mbak Welas. Welas : Alah beda dikit aja. Based on the text above “Uda bang Tigor sama uda Faisal urus itu Sulaiman” is showing the speech act that is used by Welas. What was she asked is something normal she does not realize that the utterance she has said is funny. Pak RT : Kalian disini dulu ye gue kebelek kencing. Faisal : Hati-hati pak RT jangan sampai langkah kaki pak RT membangunkan si siluman monyet. Siliman: Kuk...kuk? Pak RT : Hah! aduh kong siluman sebentar ye aye mau pipis dulu. Te utterance “Aduh kong siluman sebentar ye aye pipis dulu “ is showing the speech act that is used by the speaker, Pak RT in act, what was said by Pak RT is something normal. He does not realize that the utterance he has said is funny. He might think that is apropriate to the situation. As considered funny by the hearer.
a result, the text is
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Pak RT : Kidaus siapa nih? Kidaus : Temen entu siluman Pak RT. Pak RT : Apa? The sentence “Temen entu siluman pak RT” is showing the speech act that is used by Kidaus. What was said by Kidaus is something normal. He does not realize that the sentence what was he said is funny He might think that is apropriate to te situation. As a result, the sentence is considered funny by the hearer. Pak RT : Aduh gawat si siluman entu pada kejar kita, gue mau sembunyi kerumah Preti. Karyo : Ide bagus gue ikut juga. Here, what was said by Karyo is showing the speech act. He does not realize that the utterance he had said is something funny, he might thing that oppropriate to the situation. Based on the discussion above, the writer make concluded that the the most used of humor produced in “Suami-Suami Takut Istri” drama comedy TV series is speech act occurs.This finding mean that the condition created by speaker are mostly related to the presupposition and implicature which are funny and also a usual utterance that is appropriate to the situation. And it is acceptable to say that although the speaker still have the chance to use a possible world to provoke humor, they do not really like to use it in some situation. A possible world evoked by the text does not count for a big percentage.
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CHAPTER V CONCLUSION AND SUGGESTION
5.1 Conclusion In this chapter the writer concludes that studying humor types produced in “Suami-suami Takut Istri” drama comedy TV series is worth doing and important. Humor is something common that occur in daily live and needed to relieve tension to give pleasure and bring freedom that can be shown by laughter or smiles, laughter can used relaxation to mental healthy and phsycal fitnes so humor has taken and important role.. Thus, my study is to find the conditions of humor produced by the speaker in delivering the jokes and it reveals that the most common type of humor produced by the speaker, is the fourth type of humor is the that is the speech act. 5.2. Suggestion By revealing the condition of humor produced by the speaker in “Suamisuami Takut Istri” drama comedy TV. It is expected that the writer will understand and more know about language specially the humor language. In addition, since this study is condutced on humor. Further study on the conditions of humor could also possible be conducted too by using different background. It is also important to note that studying humor is something interesting, because from learning of condition of humor we can see and know more about humor from the culture knowledge.
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REFERENCES
Morris W, 1975. The Heritage Ilustration Dictionary of The English Language. New York American Heritage. Raskin V, 1983. Semantic Mecanism Of Humor.D Reidel Publishing Company. Walter James Miller, Elizabeth Morae. Analizing ad Evaluatio Fiction Drama Poetry and Non Fiction. Mores Collage, New York Univ. ?. Jokes : From Conten, Use The Fun. New\ York Academy Press Inc.
SILUMAN MONYET
Karyo : Gimana kalo kita makan malam dik preti? Preti : Oga mas Karyo saya takut sama istri mas dan lagi kalo malam disini sekarang banyak hantu Karyo : Ah kan ada saya Preti
: Mas karyo awas dibelakangnya
Karyo : Ha. . (karyo terkejut kemudian menabrak tiang pos ronda sampai pingsan Bu RT : Bang anterin ke pasar yuk? Pak RT : Aduh ma pergi sendiri kenapa liat nih badan papa gak bisa digerakin Bu RT : Ala alasan, Cuma sebentar aja kok Preti
: Tolooong
Pak RT : Ha, itu suara preti minta tolong Pak RT : Eh duduk mau gue kepret atau mau gue gampar pake kursi PakRT: Nggak ma ampun-ampun Tigor
: Ada apa dik Preti?
Preti : Duh bang Tigor saya ketakutan Tigor : Ha ketakutan sini biar abang peluk Faisal: Eh. .eh enak aja memangnyo mbak Preti takut apo? Preti : Itu di pos ronda ada siluman monyet Tigor : Ah yang benar kalau gitu yuk kita ngumpet di rumah mbak Preti! Welas : Hee pada ngapain ini? Tigor : Ini welas kata mbak Preti di pos ronda ada siluman monyet dia ketakutan saya mau antar dia pulang Welas : Sudah bang Tigor sama uda Faisal urus itu Sulaiman! Deswita: Siluman mbak Welas Welas : Ala beda dikit aja, uda sana biar saya ama mbak Deswita yang anterin mbak Preti pulang
Tigor dan Faisal datang ke pos ronda Faisal : Ssst rupanya silumannya lagi tidur Tigor : Alamak itu si Karyo, emang ya kalo dilihat dari dekat mirip ama monyet. Yo. .yo bangun Karyo : Ha mana silumannya? Faisal : Mas Karyo sama monyet aja takut Karyo : Saya pingsan bukan takut tapi karna mulutku ke bentur tiang Siluman monyet datang ke pos ronda Tigor, Faisal dan Karyo lari ke rumah pak RT Bu RT : Pake blagu ya mo nolongin Preti Pak RT : Ya maklum mi naluri pejabat mau melindungi rakyatnya gini-gini papi kan pejabat juga Bu RT : Itu sih bukan naluri pejabat tapi naluri bandot BuRT pergi ke dapur Pak RT: Eh kenapa kalian pada berlarian? Faisal : Pak RT ternyata di komplek kita ada siluman nih Karyo saksinya Karyo : Bener itu Pak RT Pak RT : Ala sama siluman monyet aja pada takut, gue yang tiap hari ngadepin gajah bangkak aja kagak takut tuh, bini gue kan mirip gajah bangkak, kenapa lu semua pada ketakutan? Karyo : itu. . itu Pak RT : Ha. . gajah bengkaknya ada di belakang gue? Bu RT : Apa lu barusan bilang gue gajah bengkak, Sahili awas lu ye gue hajar Lila : Aduh babe, enyak kanape berantem melulu kagak tau ye lila tadi ketemu siluman monyet di pos rond iih serem sekarang lila lapar Faisal : Pucuk di cinta ula mpun tiba Tigor : Artinya sal? Faisal : Ambo juga lapar yuk kita makan Bu RT : Eh awas lu ya kalau jatah makan malam gue pada lo habisin Karla : Mami topi siapa nih?
Sella : Ya mana mami tau? Karla : Bagus ya mi Karla boleh bawa pulang? Sella : Iya lumayan bagus tuh Siluman datang ke rumah karyo meminta topi yang di bawa karla Sella : Ih siapa kamu pergi-pergi tolooong. . Lila : Tu. . tu kayaknya suara mbak Sella minta tolong jangan-jangan silumannya ada di rumah om Karyo? Karyo : Ah biarin aja paling-paling silumannya yang takut sama si sella takut di cubitin Tigor : Ah daripada kita enak-enakan disini mending kita tolongin soalnya siluman kalo belum dapetin korban di komplek ini kagak bakalan pergi Faisal : Ular naga di kota bogor, bener juga kata bang Tigor Bu RT : Eh pada kemana lu semua, enak aja udah ngabisin jatah makan gue, pokoknya gue kagak mau tau gantiin ini semua Lila
: Tenang nyak sebagai gantinya kita suruh aja cuci piring ama ngepel
Faisal : Aduh apa nggak ada hukuman lain? Lila
: Ada dan cukup muda, semuanya masing-masing bayar lima puluh ribu saja okey!
Karyo : Emang dasar mata duitan Karla : Mami tadi waktu Karla pulang sekolah di datengin sama siluman monyet trus dia minta uang sama Karla Sella
: Aduh Karla jangan bercanda ah, siluman itu mintanya darah bukan uang
Karla
: Hii seram
Deswita: Aduh ini berbahaya kita mesti cepat bertindak Welas : gini aja nanti kalo si siluman itu muncul kita hajar aja rame-rame Sella : Aduh Karyo kemana aja sih lu jam segini belum pulang tau nggak kita hampir di obok-obok sama siluman monyet Karyo : Maaf dik ini kita juga lagi nyariin siluman monyet itu Pak RT, Tigor, Faisal, dan Karyo mengintai siluman monyet Pak RT : Kalian tunggu disini dulu ye gue kebelek kencing Faisal : Hati-hati Pak RT jangan sampe langkah kaki Pak RT bangunin si siluman monyet
Pak RT melangkah dengan hati-hati akan tetapi siluman itu bangun dan memanggil Pak RT Siluman : Kuk. . kuk Pak RT : Hah. . aduh kong siluman sebentar ye aye mu pipis dulu Pak RT kabur menuju rumah ki daus Ki Daus : Gimana anak-anak papi ganteng dan gagah kan pake seragam ini Dindit : Iya pi Ki daus : Jangankan siluman, perampok, maling bahkan teroris sekalipun akan papi libas habis Pak RT: Ki Daus gue mau numpang pipis disini ya Dindit : Pak RT ketakutan ya ngeliat siluman itu? Pak RT : Ah kagak Siluman monyet datang ke rumah ki daus Siluman : Kuk. .kuk Pak RT beserta ki daus dan anaknya lari berhamburan Tigor
: Hah pantas saja siluman itu kagak mau pergi dari sini kan ada kembarannya
Karyo : Kenapa memandang aku kayak gitu kau pikir itu aku. Salah besar si siluman itu kesini karna ngikutin itu kamu kingkong? Tigor hah apa kau bilang Faisal : Ah sudahlah bang tigor jangan bertengkar ini situasi gawat Tigor
: Eh tu liat Pak RT sama ki Daus pada berlarian
Pak RT : Aduh gawat si siluman entu pada kejar kita, gue mau sembunyi dulu ke rumah Preti Karyo : Ah ide bagus gue ikut juga Tigor dan Faisal menyusul Pak RT dan Karyo ke rumah preti Pak RT : Dik Preti kagak usah takut abang kesini bakal ngelindungi dik Preti seorang Tigor : Alah gombal yang pantas ngelindungi dik Preti itu saya, saya lebih besar dan kuat di banding Pak RT Faisal : Beribu bintang di langit Cuma satu pilihan ambo, beribu cewek cantik cuma Preti kekasih ambo
Karyo : Sudah dik Preti sama saya saja mereka semua itu bisanya ngegombal Pak RT : Oh siapa itu yang ketok-ketok pintu, gor bukain pintunya Tigor
: Ah Pak RT kan pemimpin di komplek ini
Pak RT : Gue kebelakang dulu ah Preti
: Sudah-sudah siapa yang bukain pintu, Preti kasih bonus spesial
Semua berebut membuka pintu yang datang bukan siluman tapi para istri yang datang Bu RT : Oh disini rupanya kalian bukannya nangkap tu siluman monyet tapi enak-enakan disini, jongkok semua! Cepet Ki Daus berjumpa dengan beberapa penari jalanan dengan kostum pewayang Ki Daus : Ha, siapa kalian? Jangan-jangan kalian teman dari bangsa siluman Pemimpin penari : Kami mencari teman kami yang tersesat dia memakai baju hanoman Ki daus : Oh. . begitu ternyata mari saya antar Suasana di komplek sangat kacau warga berlarian kesana kemari Pak RT : Ki Daus siapa nih? Ki daus : Teman entu siluman Pak RT Pak RT : Apa (terkejut) Penari : Tenang-tenang ini semua cuma salah paham, kami sebenarnya penari jalanan, ini teman kami memang dia lagi memakai kostum hanoman, dia tidak tau jalan makannya dia tersesat Tigor : Kenapa tidak bilang-bilang, hah bikin susah saja, kak-kuk kak-kuk bikin takut saja Penari : Memang teman kita ini gagap Karyo : Saya sih sudah tau dari awal kalo dia bukan siluman Faisal : Tau dari mana mas karyo? Karyo : Dia kan kesini cariin si kingkong Tigor : Kenapa melototin aku apa maksud kau? Welas : Sudah-sudah sesama monyet kok bertengkar.
MADU DAN RACUN Setting = pos ronda Faisal : Yang enak mas Karyo pagi-pagi uda besuk susi dirumahnyo Pak RT : Ya Sal cemburu sebelah mata Faisal : Ya pak RT tapi nggak usa ketok-ketok meja Pak RT : Habis mo ketok apaan ketok pale lu? Setting = Rumah Susi Karyo : Teman kamu laki-laki apa perempuan? Susi
: Perempuan
Karyo : Cantik nggak? Susi
: Cantik
Karyo : Apakah secantik dirimu? Susi
: Ah mas Karyo bisa aja, saya ini mau tawarin bisnis madu
Karyo : Benar kah, kamu mau jadi maduku? Susi
: Bukan madu begituan tapi madu asli dari sumbawa
Setting= Rumah bu RT Welas : Ngapain ya mas Karyo dirumah mbak Susi? Deswita : Mas Karyo ambil kesempatan selagi istrinya nggak ada dirumah BuRT : Jangan-jangan si Karyo uda berbuat mesum dirumahnya Welas : Maksudnya mas Karyo mau jadikan rumahnya sebagai tempat penyimpanan bendabenda purbakala BuRT : Ya ampun welas mesum itu perbuatan maksiat tau kagak? Welas : Maknya siapa buRT? BuRT : Dasar IQ lu jungkuk, maksiat itu perbuatan yang dilarang agama zina Welas : Welah dalah buRT kalau gitu kita gerebek aja mas Karyo rame-rame
Setting= rumah Susi Susi
: Pokoknya untuk bisnis madu ini minimal harus punya uang lima juta rupiah
Karyo : Lima juta, gede banget? Susi : Kalau mas Karyo nggak mau saya bisa tawarin ke pak RT,uda Faisal atau bang Tigor Karyo : Eh jangan-jangan, mereka itu gak punya duit, duitnya habis diporoti istrinya yang matre-matre itu kalau aku sih lain duit lima juta itu cincai kecil, asal? Susi
: Asal apa mas Karyo?
Karyo : Asal mbak Susi mau nemeni saya cari yang anget-anget gitu? Susi
: Ih, enggak emang gue cewek apaan
Karyo : Jangan salah paham dulu, maksud saya bagaimana kalau kita makan soto lamongan yang ada diperempatan jalan itu Susi
: Oh, kirain apaan kebetulan saya juga lapar belum sarapan, ih mas Karyo bisa aja
Setting= jalan komplek Deswita : Onde mande untuk apo mbak welas bawa ember segala? Welas : Loh katanya mau nangkap basa mas Karyo sama mbak Susi? BuRT : Maksud lu ape? Welas : Jadi gini buRT sama mbak Deswita yang nangkap saya yang nyiram Setting= jalan Karyo : Permisi abang dan none jakarta mau jalan dulu KiDaus: Bapak-bapak kenapa pagi-pagi uda manyun, eh mas Karyo sama mbak Susi mau kemana? Susi
: Mau bisnis madu
Karyo : Iya saya sama mbak Susi mau bisnis madu memadu PakRT : Gila siKaryo si Susi mau dijadikan madu Faisal : Siram bau-bau melati ada peti bebahoyo Tigor : Artinya sal? Faisal : Ambo sakit hati, susi diambil si monyong
KiDaus: Kalau menurut saya sebaiknya bapak-bapak laksanakan tugas dari sang istri Tigor : Betul juga saya mau belanja kepasar dulu Faisal : Oh ya ambo lupa mau pinjam duit ke pak RT PakRT : Pinjam ke KTI aja Faisal : KTI apa itu? Pak RT : KTInya faisal itu ketemu impas Setting= Rumah buRT BuRT : Sisella pergi suting kagak pamit ama kita dia nggak tau suaminya selingkuh Welas : Alah biar aja yang penting bukan suami kata, lagian mbak Sela nggak menghargai buRT sebagai pembesar dikomplek ini BuRT : Lu tau aja kalau gue pembesar Welas : Ya tau la badan buRT kan selalu mengalami pembesaran Setting= jalan Karyo : Saya itu maunya siSusi pergi syutingnya agak lama gitu Susi
: Loh memangya kenapa mas Karyo?
Karyo : Biar kita lebih lama berduanya Susi
: Huwek
Karyo : Loh kenapa Susi
: Sepertinya saya mencium kotoran kucing itu disepatu mas Karyo
Karyo : Dasar kucing gak tau tabble manner, gak tau aturan buang hajat sembarangan gangguin orang pacaran aja Setting= Pos ronda Tigor : Kalau Susi diambil siKaryo bisa hampa kita Faisal : Ambo macam lagu saja, pernahkah kau merasa Tigor : Pernah-pernah Setting= jalan Susi
: Ih katanya mau makansoto kok jadi foto-foto
Karyo : Sebentar aja yang mesra dong
Tigor : He monyong ngapain kau? Karyo : Mau foto preweding pakai nanya Tigor : Jangan tunggu darah mendidih bisa-bisa kita bunuh Karyo : Robohin aja nih tembok biar kita cari tembok yang lain Tigor : Blagu kau yo yo macam curut Setting= Rumah deswita BuRT : Sela-sela baru jadi pemain figuran aja uda sombong gimana nanti jadi pemain beneran Welas : Awas buRT ada nyamuk BuRT : Ih nyamuknya ngisep darah gue banyak banget Deswita : Jangan-jangan ini nyamuk demam berdarah Welas : Bukan ini nyamuk pembawa virus kaki gajah BuRT : Ngomong apa sih lu pada Deswita: Coba lihat kaki buRT mbak Welas apakah uda sebesar kaki gajah Setting= Pos ronda KiDaus : Maaf mbak cantik mau cari siapa? Tamu : Mau cari alamat ini pak satpam tau? KiDaus : Aduh mata saya agak rabun lupa bawa kaca mata,mari kepos ronda Tamu : Kok rabun pakai kaca mata hitam KiDaus : Ini kaca mata rabun, kok kurang jelas Tamu : Oh pak satpam mau duit, nih KiDaus: Nah kalau gini mata saya bisa langsung jelas
