No title

1

GITAAR

CURSUS

De basis van het gitaar-spel steunt op akkoorden. Verschillende noten (minimum 3) die op een harmonische manier samenklinken vormen een akkoord. Deze akkoorden worden in één beweging met de vingers van de linkerhand uitgevoerd. (andersom voor linkshandigen) De akkoorden worden aangeduid met hoofdletters, eventueel gevolgd door één of meerdere aanduidingen in de vorm van letters of een cijfer. C D E F G A B

= do (akkoord) = re = mi = fa = sol = la = si

bijkomende aanduidingen zijn bv.: m = mineur / 7 = septiem / vb. G7 ; Em Zoals gezegd bestaat een akkoord uit min. 3 noten. Eén daarvan is de grondnoot of 'dominante'. Deze noot is de beginnoot van de toonladder van dat akkoord. Deze noot is ook van belang voor het aanslaan van de snaren met de rechterhand. (andersom voor linkshandigen) Meer hierover in het deel rechterhand-technieken. Gitaren hebben doorgaans 6 (of 12) snaren; 4 voor basgitaren. (sommige virtuozen gebruiken handgemaakte 8 snarige gitaren.) EEN GITAAR STEMMEN snaar 1_________________________________________________________________________________

mi

1e snaar los = mi

si

2e snaar 5e vak = 1e snaar los (mi)

sol

3e snaar 4e vak = 2e snaar los (si)

re

4e snaar 5e vak = 3e snaar los (sol)

la

5e snaar 5e vak = 4e snaar los (re)

mi

6e snaar 5e vak = 5e snaar los (mi) = 1e snaar los 2 octaven lager

snaar 2_________________________________________________________________________________ snaar 3_________________________________________________________________________________ snaar 4_________________________________________________________________________________ snaar 5_________________________________________________________________________________ snaar 6_________________________________________________________________________________

Gitaar basiscursus JACOBS MARC

2

MUZIEKNOTEN OP DE GITAAR

♪ ♫

♪ ♫

Geluid is trilling, het aantal trillingen per seconde (Hertz) bepaald de toonhoogte. Elk vakje op de gitaarsteel is ½ toon, dus tussen twee opeenvolgende noten -bv van do naar re - zijn er twee vakjes. De tussenliggende vakjes vormen dan de halve tonen, die men 'kruis' of 'b mol' noemt. ! ! Maar… er zijn twee uitzonderingen (en dat heeft nu juist met die trillingsfrequentie te maken), tussen:

mi en fa is er maar ½ toon verschil si en do is er maar ½ toon verschil

1 mi

fa ●

2 si

do ●

dus tussen deze noten is er maar één vakje !

sol ●

la ●

re ●

mi ●

fa ●

sol ●

la ●

4 re

mi ●

fa ●

sol ●

la ●

5 la

si ●

do ●

re ●

mi ●

fa ●

sol ●

la ●

si ●

do ●

fa ●

1


2

3

4

do ●

do ●

3 sol

6 mi

si ●

si ●

5

re ●

6

7

8

9

3

TABLATUUR Naast het klassieke notenschrift kan je gitaar partituren ook op een eenvoudige manier schrijven. De 6 snaren worden getekend van dun naar dik, dus de 1 e snaar (de dunste) bovenaan, de 6e snaar (de dikste) onderaan. 1____________________________________________________________________________________________________________ 2____________________________________________________________________________________________________________ 3____________________________________________________________________________________________________________ 4____________________________________________________________________________________________________________ 5____________________________________________________________________________________________________________ 6____________________________________________________________________________________________________________

Op deze snaren worden cijfers gezet, die aanduiden in welk vak deze snaar ingedrukt wordt. 1______________________________3______________________________________________________________________________ 2______________________________3______________________________________________________________________________ 3______________________________0______________________________________________________________________________ 4______________________________0______________________________________________________________________________ 5______________________________2______________________________________________________________________________ 6_______0____2____3___________3______________________________________________________________________________

G In dit voorbeeld wordt de 6e snaar eerst open gespeeld (= niet indrukken), diezelfde snaar wordt dan in het 2e vak, en vervolgens nog eens in het 3e vak ingedrukt (en met de rechterhand telkens aanslaan.) Daarnaast zie je dat, op één verticale lijn, er op de 6 snaren een cijfer staat; dit is in tablatuur -schrift, de aanduiding voor een akkoord. In dit geval een G akkoord. In de meeste tablaturen zullen akkoorden echter alleen maar met hun overeenkomstige letter aangeduid worden. De akkoorden worden in aparte diagrammen aangeleerd. Verdere aanduidingen op een tablatuur verwijzen naar een bepaalde techniek: H=

hammer on (kloppen op de snaar) P = pull off (snaar wegplukken) b = bend (snaar ½ toon omhoog duwen) S = slide (schuiven of glijden)

Al deze technieken komen later afzonderlijk aan bod.


4

RECHTERHAND TECHNIEKEN: 1) MET EEN PLECTRUM: is een kunststof plaatje in een afgeronde driehoekvorm. Hiermee kunnen snaren aangeslagen worden. De manier waarop dit gebeurt kan zeer verschillend zijn. Een van de basis-plectrum-technieken is Flatpicking. Flatpicking is het aanslaan van akkoorden met de bastoon voorop. Het mengen van bastonen en aanslaan van akkoorden, geeft enerzijds variatie in het gitaarspel, anderzijds kan je er riffs of zelfs melodieën mee spelen en terzelfder tijd een ritme of basisbegeleiding laten klinken. Het type van Flatpicking dat veel in Bluegrass, folk en country wordt gebruikt, wordt verkregen door eerst een basnoot uit het akkoord te "plukken"(picking) en daarna een slag op de 3 `a 4 onderste snaren te geven. De slag op de onderste snaren kan: 1. neerwaarts - enkel (vb maat 2/4) aangeduid met  2. neerwaarts - dubbel (vb maat 3/4) 3. neerwaarts - opwaarts (vb maat 4/4) Basnoten kunnen (en worden ook dikwijls) alternatief gespeeld; dwz. niet 2 x dezelfde noot achter elkaar. Meerdere basnoten achter elkaar gespeeld vormen een riff, waarmee overgangen tussen akkoorden kunnen opgevuld worden. (bv tussen strofe en refrein) C akkoord 1________0__________0________________0______0_________0______0___________|________|_____________ 2________1__________1________________1______1_________1______1___________|________|_____________ 3________0__________0________________0______0_________0______0___________|________|_____________ 4________2__________2________________2______2_________2______2_______________2_________________ 5___3__________________________3_____________________________________3__________________3_______ 6_____________3__________________________________ 3______________________________________________



 







 



C akkoord 1________0_____0_________0_____0__________________________ 2________1_____1_________1_____1__________________________ 3________0_____0_________0_____0__________________________ 4________2_____2_________2_____2__________________________ 5___3________________________________3_____________________ 6___________________3______________________________________


















5

2) MET DE VINGERS: (Finger picking) je kan de snaren bespelen met de vingers; meestal met de vingernagels. Er zijn in deze manier van spelen zeer veel patronen. Wij zullen enkele basis-patronen bekijken; van daaruit kan je ook eigen patronen gaan ontwik kelen. Alles kan zolang je maar in een zelfde ritme blijft.

G

1____________________________________________________________________________________ 2_________________________________________________________0__________________________ 3__________________________________________0_________________________________________ 4_____________0_____________0_____________________0_____________________0___________ 5____________________________________________________________________________________ 6______3_____________3_____________3_____________________________3__________________

D

D

D

D

D

W

D

M

D

D

Duim / Wijsvinger / Middenvinger

G

1_____________________________________________________________________________________ 2_______________________ 0 ________________________ 0 ______________________ 0 _________ 3__________ 0 __________________________________________________ 0 ____________________ 4_________________ 0 ______________________________ 0 _________________ 0 ______________ 5_____________________________________________________________________________________ 6____ 3 ____________________________________ 3 ____________ 3 _________________________

volgorde snaren bespeelt met rechterhand: 6 volgorde vingers rechterhand:

3

4

2

duim wijsvinger duim middenvinger

- (gelijktijdig: duim + middenvinger)

C

1____________________________________________________________________________ 2______________________________1______________________________1_____________ 3_______________0_______________________________0___________________________ 4_______________________2______________________________2____________________ 5________3_______________________________3__________________________________ 6____________________________________________________________________________

volgorde snaren bespeelt met rechterhand: 5


3

4

2

6

D

1______________________________2___________________________2___________ 2_______________3____________________________3_________________________ 3_______________________2___________________________2__________________ 4________0____________________________0________________________________ 5_______________________________________________________________________ 6_______________________________________________________________________

volgorde snaren bespeelt met rechterhand:

4

2

3

1

OEFENINGEN 1____________________________________________________________________ 2___0______1_____3_______________________3_________________________ 3________________________F_____C_________________0_____Am_______ 4____________________________________________________________________ 5__________0_____2_______________________2__________________________ 6___3________________________________________________________________

[ vb: Dm - F - G // Dm - A# - G

strofe:

C – Am – Dm – G ]

Overgang van D naar G (of van Em naar G) 1________________________________________________________ 2________________________________________________________ 3________________________________________________________ 4_______D______________________________G_______________ 5_________________________________________________________ 6_________________0____2____3____________________________

song: Running

on faith (part 1) Eric Clapton (zie ook hfdstuk 'Songs')

G - D - Em / Em G - D - Em / G - C / C - D / D - G - C - D - C 3 slagen naar beneden / 1 slag opwaarts


7

Enkele PICKING -PATRONEN - goed te gebruiken als "SLOW PICKING". 1)

G

1______________________________3______________3________________________3______________3__ 2_____________________0_(3)__________0_____________________________0_________0____________ 3________________0_______________________0___________________0___________________0 _______ 4___________0___________________________________________0_________________________________ 5_________________________________________________________________________________________ 6______3___________________________________________3______________________________________

C

1__________________________0______________0________________________0______________0_____ 2_____________________1_________0_____________________________1_________1_______________ 3________________0___________________0___________________0___________________0__________ 4___________2_______________________________________2___________________________________ 5______3_______________________________________3________________________________________ 6_______________________________________________________________________________________

2)

G

1___________3______________3______________3________3________________3______________3 ____ 2________________0______________0_______________________0________________0_______________ 3_____________________0______________0_______________________0________________0__________ 4________________________________________________________________________________________ 5________________________________________________________________________________________ 6______3_______________________________________3_________________________________________

Een ander Picking patroon, mooi in de toonaard Am. 1__________0_______________________0________________________________________ 2__________1________________________________________________________________ 3__________2_________________2______________________________________________ 4__________2______0____2____________________________________________________ H 5____0_______________________________________________________________________ 6_____________________________________________________________________________

D

M


D

D

M

of plectrum

8

OEFENINGEN FINGERPICKING D

C9

G

1______________________________________________________________________________

__

2_____________3__________________________3______________________________3______

__

3__________2______________________0_______________________________0____________

__

4_____0___________0____________________________________________________________

__

5__________________________3_____________________3_____________________________

__

6__________________________________________________________3__________________3_

D

C9

_

1_______________________________________________________________________________

__

2____________________________________________3__________________________3_______

__

3________________3_____________________2__________________________0_____________

__

4__________0_____________________0___________________0__________________________

__

5____________________________________________________________3________________3_

__

6_____3____________________3____________________________________________________ _ _

G

D

1____________________________________________________________________________ 2_______________3__________________________3_________________________________ 3__________0__________________________0______________________________________ 4____________________________________________________________________________ 5____________________________________________________________________________ 6____3_________________3________3_____________________3______________________


9

HAMMER-ON & PULL-OFF Dit zijn 2 linkerhand technieken, die in het begin misschien wat moeilijk lijken, maar met wat oefening lukt dit vrij snel. Dit zijn technieken die een heel mooi effect geven en 'razend' snel klinken. 1. Hammer-on betekent: er op hammeren; het is met één (soms 2) vinger(s) van de linkerhand op een snaar (of snaren) kloppen, zodat er klank wordt gevormd zonder deze snaar met de rechterhand aan te slaan. 2. Pull-off is net het omgekeerde, dus een snaar die ingedrukt is, los trekken (pull) ook weer zonder die snaar met de rechterhand aan te slaan. 1____________________________________________________ ____________________________ 2____________0_____1_______________0_____1___________ ____________________________ 3______________ H ____________________ H _____________ _______2____0_______________ 4 ___________________H = hammer on ____________________ __________P_________________ 5 ____________________________________________________ _______P = pull of_____________ 6_____________________________________________________ ____________________________

1________________________________________________________________3_____ 2____________0_____1________________0_____1____________________________ 3______________________________________________________________________ 4____________0_____2________________0_____2________________0___________ 5_______________H_____________________H_______________________________ H = hammer on 6_____3____________________________________________3___________________

Op het volgende blad staan enkele 'LICKS'. Dit zijn standaard patronen die in talloze songs gebruikt kunnen worden en die volop gebruik maken van deze technieken. Het betreft hier The Run - Licks, dit zijn typische country en bluegrass patronen. Deze technieken worden echter in alle (gitaar) genres toegepast, dus ook voor rock- en blues liefhebbers een 'must'.


10

THE ‘RUN – LICKS’ The G run G



1_____________________________________________________________ 3______ 2_____________________________________________________________ 0______ 3_________________________________________________0___________0______ 4_________________________________0___ 2___ 0__________________0______ H P 5________________0____1____2__________________________________2______ H H 6_______3_____________________________________________________ 3______

The C run C



1______________________________________________________________ 0_____ 2_________________________________________________1____________1_____ 3________________________________0____2____0___________________0_____ H P 4_______________0____1____2____________________________________2_____ H H 5________3_____________________________________________________ 3_____ 6______________________________________________________________ x_____

The D run D

1______________________________________________________________ 2_____ 2_________________________________________________3____________3_____ 3________________________________2____4____2___________________2_____ H P 4_________0____2____3____4_____________________________________0_____ H H 5______________________________________________________________(0) ____ 6______________________________________________________________ x _____




11

Oefening Flatpicking: "BASIC STRUM" G - C - D   de pijltjes geven de plectrum beweging aan; hier dus een 'dubbelslag', = op - neer.

De vet gedrukte cijfers geven de beginnoten aan, waarbij het 1e cijfer tevens de basisnoot is (root) van het betreffende akkoord. G 

C D            1__________3___________3___________0____________0____________2___________ 2_______ 2__________0___________0___________1____________1____________3___________ 3_______ 3__________0___________0___________0____________0____________2___________ 2_______ 4__________0_____0_________________2_____2____________0__________________0_______ 5__________2_________________3______________________________________0_____________ 6____3_____________________________________________________________________________

Oefening Flatpicking: G - C - D

G

C

1_______________________________

G

x3

x3

___________________________ __________________________

2___________________________________________________________________________________________ 3___________________________________________________________________________________________ 4____________________________________________________________________________________0______ 5___________0___0___2___2___3____________3___2___1___0_________________2___3___4__________ 6___3___3__________________________________________________3________________________________

D

1______

x3

G

C

G

___________________________ ____________________________________________________

2____________________________________________________________________________________________ 3____________________________________________________________________________________________ 4_____________________________0_______________________________0______________________________ 5___0____________3___2___0___________________3___3___0___2__________________________________ H

6_________________________________3_______________________________3__________________________


12

Oefening Flatpicking : "BASIC STRUM" A - D - E

A

1_______0___

D

________ _______ ____________ _______ ________________ _______ _

2_______2______________________________________________________________________________________ 3_______2______________________________________________________________________________________ 4_______2__________2_____________________0___2_____________________________0__________________ H

5___0_________________________0_________________________0__________2___4______________0_______ 6______________________________________________________________________________________________

...D

A

1___________________________

E

________ _______ ________________ _____________ __

2______________________________________________________________________________________________ 3______________________________________________________________________________________________ 4_______0_____________________________2________________________________________________________ 5_________________4___2___0______________________0_____________________________0___2__________ H

6___________________________________________________________4___2___0__________________________

...E

1__________

A

D

_________________ _______ ________ ________________ _______ ________

2_______________________________________________________________________________________________ 3_______________________________________________________________________________________________ 4_____________________________________2______________________________0____________________0____ 5__________________________0_____________________0__________2___4______________0_______________ 6______0__________2___4_________________________________________________________________________

...D

1____

A

A

________________ _______ _______0_________________________________________________

2_____________________________________________2_________________________________________________ 3_____________________________________________2_________________________________________________ 4______________________________0______________2_________________________________________________ 5___________4___2___0____________________0___ 0_________________________________________________ 6_______________________________________________________________________________________________


13

Oefening Flatpicking : "BASIC STRUM" A - D - E variante

A 

1_______0_____________

________ ________________ ________ ______________________

2_______2_________________________________________________________________________________ 3_______2_________________________________________________________________________________ 4_______2_________________________________________________________________________________ 5___0________________________0___________________0________________________________________ 6_________________0_____________________0___2_______________0_____________________________

A

1_________

D

A

________________ _______ ________ ________________ ________________

2__________________________________________________________________________________________ 3__________________________________________________________________________________________ 4________________________0_____________________0___________________________________________ 5_____0_________0___2_______________0______________________________0______________________ 6__________________________________________________________0___2___________________________

A

1_______

E

A

________ ________________ ___________ ________ ________________ ___

2___________________________________________________________________________________________ 3___________________________________________________________________________________________ 4___________________________________________________________________________________________ 5______________0______________________________0___2_____________________________0__________ H

6___0_____________________4___2___0_________________________0__________2___4_______________

A

1________

D

A

_______ ___________________ _______ _______ ______________ ________

2____________________________________________________________________________________________ 3____________________________________________________________________________________________ 4____________________________________0_____________________0_________________________________ 5______________0__________2____4__________________0__________________________0______________ 6____0______________________________________________________________0___2____________________


14

Oefening Flatpicking met "HAMMER - ON" techniek Em 

C 

D 

1____________________________________________________________________________________________ 2____________________________________________________________________________________________ 3___________________0____________________________0____________________0___2___0_____________ 

H





4___________0___2_______________________0___2________________0___2________________0_________ H

H

H

5___0___2_______________________0___2________________3______________________________________ H

H

6_______________________0____________________________________________________________________

Em 

1___________________________________________________________________ 2___________________________________________________________________ 3____________________0______________________________________________ 

4____________0___2__________________________________________________ H

5____0___2__________________________________________________________ H

6__________________________0________________________________________


15

MUZIEKSTIJLEN De opbouw van enkele populaire muziek-genres: BLUES

De opbouw van de oorspronkelijke blues bestaat uit 3 basisakkoorden en 1 turn arroud akkoord, (turn arround = omkeren / afgekort TA) dat meestal een 7 akkoord is. Een TA -akkoord maakt een overgang tussen de strofe van een lied en het refrein. Dé toonaard voor het spelen van blues op gitaar is E, maar in principe kan dit in alle toonaarden. De reeks: E - A - B (of B7) TA B7

Intro Blues in E: 1___________4_________________3___________________2___________________ 2_____________________________________________________________________

____________

E

3______4________4________3________3_________2_________2_______________

___________

4_____________________________________________________________________

____________

5_____________________________________________________________________

_0___1___2__

6_____________________________________________________________________

____________





B7

ROCK

De opbouw is fundamenteel dezelfde als blues, een veelgebruikte toonaard is A. De reeks: A - D - E

vb: A / D / A / D / A / -E - D - A

Een veel gebruikt fundament in een aantal genres is dus een 3 akkoorden reeks. Dit is als het ware een geraamte waar rond (bijna eindeloos) kan worden gewerkt, met mineur -akkoorden, tussen -akkoorden (als overgang), riff's en licks, verschillende toonaarden, solo's, enz. De grote uitzonderingen op dit principe is Klassieke muziek en Jazz.


16

MUZIEKSTIJLEN (2) BASIS -SCHEMA'S VOOR AKKOORDEN EN VINGERZETTING.

ROCK

Een veelgebruikte toonaard voor dit genre is A.

A

1

( 0 = DEZE SNAAR MOET AANGESLAGEN WORDEN // x = DEZE SNAAR NIET AANSLAAN)

w w

(r)

(p)

0 X

6

Het A akkoord nemen we met een halve barré greep (met de Wijsvinger); we slaan de 5e - 4e en 3e snaar aan waarbij we op de 4e snaar een 'beat' laten klinken. Dit doen we door met de e RING vinger in het 4 vak deze snaar in te drukken en weer los te laten. Een tweede manier is deze beat met twee noten te spelen, namelijk na de RING vinger ook de e PINK in het 5 vak te plaatsen en nadien beide vinger om beurt weer los te laten om zo het basis A akkoord opnieuw te spelen. Hetzelfde principe kan je toepassen op de andere akkoorden. Je kan alles in barré vorm spelen, maar dan moet je wel over de hele lengte van de gitaarsteel bewegen. Is vooral van toepassing op elektrische gitaar en voor een wat meer 'heavy" sound. (powerchords) Je kan echter ook al heel wat bereiken met gebruik te maken van de gewone basis akkoorden. nog enkele voorbeelden:

E

1

( 0 = DEZE SNAAR MOET AANGESLAGEN WORDEN)

w w

(r)

(p)

0

6

voor het D akkoord wordt de pink, ook weer altenerend, gebruikt op de 3 e snaar in het 5e vak.

D

1

m



w

r

(p)

0

6 Song illustratie: Bird dog : A - D - G - E // A - D - A - E


17 BLUES (in E)

EEN BASIS-BEGELEIDING MET FINGERPICKING.

de slagaanduiding "" is in dit geval steeds gedempt E

E 

E

A



A



1__________________0_______0____________________0_______0_____________________0_______0___ 2__________________________0____________________________0_____________________________ 2___ 3__________________________1____________________________1__________________2__________ 2___ 4______________2___________2________________2___________2__________0___2______________2___ H

5______0___2_______________2________0___2_______________2______0__________________0___0___ H

H

6__0___________________0___0____0___________________0___0 _________________________________ D

D

D

M

E

D

E 

B7

A

A 

1__________________0_______0_____________2____________2_____________________0_______0_____ 2__________________________0_____________0____________0_____________________________ 2_____ 3__________________________1____________________________________________2___________ 2_____ 4______________2___________2_________1____________1_____________0___2_______________2_____ H

5______0___2_______________2_____2____________2_____________0___________________0___0_____ H

6__0___________________0___0_______________________________________________________________ D

D

D

M

D

D

D

W M

E

(E)

B7



1_______________4_______3_______2_______________0________________2___2____________________ 2_______________________________________________ 0________________ 0___0____________________ 3___________4_______3_______2_______0___________1_________________________________________ 4_______________________________________________ 2_________________________________________ 5_______________________________________________ 2____0___1___2_______ 2___________________ 6___0_______________________________________0___ 0_________________________________________ W


M

W

M

W

M

W

D

D

D

D

W M

W M D

18 RIFFS enkele illustraties:

riff voor E - vb HEY JOE (Jimmy Hendrickx) E

E

chords: C - G - D - A - E

E

1______________________________

_______________________________________

2__________________________ ___

_____________________________________

3__________________0____________

_______________________________________

4__________0_______________ ___

____________________5______ __________

5______2_______2________________

___________5___________________________

6______________________0________

______7________7_______0______________

E

1___________________________________________________________________ E_____________ 2________________________________________________________________________________ 3___________________________________________________________________ _____________ 4________________________________________________________________________________ r

w

5___3___________________2___3___4___5___________________4___5___6___7_of_0________ w

6_______0___1___2___3___________________2___3___4___5_____________________________

riff voor Am - vb KNOCKING ON HEAVEN 'S DOOR (Bob Dylan)

chords: G - D - Am / G - D - C

G

1_________________________________________________________________________ 2_______________________1___3___1_________________________________________ b

3_______________0___2__________________2___0______________________________ 4_______0___2__________________________________0___2___0__________________ H

H

P

5___0______________________________________________________0 ______________ 6______________________________________________________________3__________

Am

G

1_________________________________________________________________________ 2________________________________________________________________________ 3__________________2___________2___________2______________________________ 4__________0___2_______0___2_______0___2_______0___2___0__________________ H

H

H

H

P

5____0_____________________________________________________2___0___________ 6__________________________________________________________________3_______


19

riff - overgang van C naar A C ----------------------- A 1_____________________________________

▼ __________

2__________________1_______________1________________ 3______________0_______________0____________________ 4__________2_______________0________________________ 5______3_______________2________________0___________ 6___________________________________________________

riff voor F en C - vb intro riff & bass run song INTRO

F

SWEET DREAMS BABY

BASS RUN

C

/ chords: C - F

F

1___________________________________

________________________ ___________________________

2__________________________________

_______________________ _______  __________________

3___________________________________

________________________ ___________________________

4__________________________________

_______ _______________ ___3___  _______0___3_____

5____3___3___1______________________

____3___________0___3___ ___________3_______________

6________________4___4___1__________

____________3___________

*

___________________________

tip: bass run F kan gespeeld worden door de vingers van de linkerhand gewoon op te heffen bij * en vóór de volgende noot weer terug te plaatsen. (dus terug het F akkoord nemen)


20

Enkele patronen om een song te eindigen: Blues ending C

C–F–G–

C

C7 

1_________________________________________________________________________ 2_________________________________________________________________________ 3___________________________________________________ ____________________ 4_________________________________________________________________________ 5_____3_____________________0____2____3_________________________________ H

6__________0___1___2___3__________________________________________________

Variante

1_________________________________________________________________________ 2_________________________________________________________________________ 3_________________________________________________________________________ 4_________________________________________________________________________ 5_____3___3_________________________________0___2___3_____________________ H

6______________0___0___1___1___2___2___3__________________________________

Ending Am 1___5___3___5___3___________________________________________________________________________________________

H

P

2___________________5___3___1___3___1_________1___3_(3)__1___3___1___________________________________________

H

P

b H P _______________________2___0___2____0__________________________ H P 4____________________________________________________________________________________2____0_________________ P 5_____________________________________________________________________________________________3____0________ P 6______________________________________________________________________________________________________3__Am 3______________________________________

2

linkerhand techniek : b = bend = snaar opdrukken zodat de toon met de helft wordt verhoogd.


21 PLEKTRUMOEFENING: intro SWEET HOME ALABAMHA - D - C/D - G (C/D = C + noot re)

D

C/D

G

1__________________________________________________G akkoord _________________________________ 2___________3____________________3__________________

 ____________________________________

3_______________2____________________0______________

_____________________________0______

4___0___0___________0____________________0__________

 ____________________0___2___________

H ___________0___2____________________ H _______3____________________________

5________________________3___3______________________ 6_____________________________________________3___3_

D

C/D

G

1__________________________________________________G akkoord ___________________________________ 2___________3____________________3__________________



_____________________________________

3_______________2____________________0______________

___________________________0_________

4___0___0___________0____________________0__________

 _____________________0_______________

5________________________3___3______________________ 6_____________________________________________3___3_

___________0___2_____________________ H ______________________________________

intro Solo -part - vanuit D akkoord 1_______________________________________________________________________________________________ 2____________3_____3___5___3___3___5___3______________________________________________________ H H 3____2___4______________________________________________0___4___0___0___5___0___0___7________ H 4_______________________________________________________________________________________________ 5_______________________________________________________________________________________________ 6_______________________________________________________________________________________________

riff chorus - vanuit D akkoord 1________________________________________________________________________________________________ 2________________________________________________________________________________________________ 3_______________0___________0___________0___________0___________0_______________________________ 4_______0___2_______0___2_______0___2_______0___2_______0___2__________________________________ H H H H H 5________________________________________________________________________________________________ 6________________________________________________________________________________________________


22 FINGERPICKING MELODIE G intro

1________________________________________________________________________________________ 2_________________3_______________________3___0_________________________________________ P 3_____0___2______________0___2____________________0_____________________________________ H H 4_____________0_____________________0_________________2_________________________________ 5________________________________________________________________________________________ 6_____3__________________3______________________________________________________________

part A

*********************

1________________________________________________________________________________________ 2_________________3____________________0_________________________________________________ 3_____0___2__________________0___________________2___0______0___________________________ H P 4_____________0__________________0_______________________0______2___0___________________ 5________________________________________________________________________________________ 6_____3__________________3_______________________3______________________________________

repeat * * * *

D

G

1__________________________________3______________________________________________________ 2_______________________3_________________________________________________________________ 3_________________2___________0___________________________________________________________ 4_______________________0___________0_____________________________________________________ 5_________________0_______________________________________________________________________ 6_____________________________3___________________________________________________________ Part B volgende pag.


23 part B

C/sol

C

1____________3_______________0________0________________0________________________________ 2____________________1_________________________1________________0___1___2___3___0______ H H H 3____________0___________0____________0____________0____________________________________ 4________________________________________________________________________________________ 5____2___3_______3________________3________3____________________________________________ 6___________________________________________________________3____________________________

D

1___________0___2___0___________________________________________________________________ H P 2_________________________3______________________________________________________________ 3______________________________2_________________________________________________________ 4____0___________________________________________________________________________________ 5________________________________________________________________________________________ 6________________________________________________________________________________________

repeat A

… D

G

ending

1__________________________________3_____________3___0_______________________________________________ P 2_______________________3_________________________________3___0______________________________________ P 3_________________2___________0_____________________________________2___0____________________________ P 4_______________________0___________0________________________________________2___0_______0___________ P 5_________________0___________________________________________________________________2_______________ 6_____________________________3_______________________________________________________________3_______


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