UPH CHAMBER MUSIC FESTIVAL 2017 Festival Musik Kamar UPH pada tanggal 28-30 Agustus 2017 ini terbuka untuk umum bagi para musisi di seluruh negara Indonesia, dan diperuntukkan untuk berbagai kombinasi grup yang melibatkan piano dan instrumen lain (tidak termasuk vokal, duo piano, serta duet piano empat tangan). Peserta diwajibkan untuk mengirimkan rekaman audio untuk kemudian diseleksi oleh tim. Sebanyak 8 grup akan dipilih untuk mengikuti acara festival yang meliputi pelatihan intensif, seminar, kompetisi, dan konser. Pelatihan intensif akan diberikan kepada setiap grup dan juga kepada tiap individu di dalamnya: • Semua grup akan menerima dua kali Chamber Coaching, masing-masing oleh Prof. Nigel Clayton dan Imma Setiadi. • Para pianis akan menerima satu Private Lesson dari Prof. Nigel Clayton atau Imma Setiadi. • Para instrumentalis akan menerima satu Studio Class yang dibawakan oleh Prof. Nigel Clayton dan Imma Setiadi. Seminar oleh Prof. Nigel Clayton dan Dr. Imma Setiadi akan diadakan pada tanggal 29 Agustus 2017, dengan topik: Effective Rehearsing Technique / The Ins and Outs of Playing Together. Kompetisi akan diadakan pada hari terakhir festival, 30 Agustus 2017, dan diikuti oleh seluruh peserta aktif, dimana mereka akan tampil di konser yang terbuka untuk publik dan dinilai oleh kedua pengajar. Grup yang terpilih sebagai pemenang akan mendapatkan UPH Chamber Music Award 2017 dan Award khusus, PAL Charity Chamber Music Prize 2017, dari Prof. Nigel Clayton dan Imma Setiadi. Konser oleh para peserta ini akan dilanjutkan dengan gala konser oleh Prof. Nigel Clayton dan Imma Setiadi pada tanggal 30 Agustus 2017, kemudian ditutup dengan penyerahan Award kepada peserta festival dan pemenang kompetisi.
Selain untuk 8 grup yang terpilih sebagai peserta aktif, festival ini juga terbuka untuk umum, dimana sebagai peserta pasif mereka berhak mengikuti seluruh kegiatan yang berlangsung selama tiga hari festival.
BIAYA Registrasi: Rp 250.000/grup Biaya registrasi tidak dapat dikembalikan. Peserta aktif: Rp 3.500.000,00/grup duo Untuk grup yang beranggotakan lebih dari 2 orang akan dikenakan biaya tambahan sebesar Rp. 500.000,00 per orang. Peserta pasif: 3 Hari = Rp 750.000,00 (2 hari Masterclass, 1 hari Konser, Seminar) 2 Hari = Rp 500.000,00 (1 hari Masterclass, 1 hari Konser, Seminar) 1 Hari = Rp 350.000,00 (1 hari Masterclass, Seminar)
Tiket Konser: Reguler: Rp 100.000,00 Mahasiswa UPH: Rp 50.000,00 Tiket Seminar: Rp 150.000,00
REGISTRASI 1. Menghubungi pihak panitia melalui email:
[email protected]. Formulir pendaftaran akan diberikan melalui email. 2. Mengisi dan mengirimkan kembali formulir pendaftaran, bukti pembayaran biaya registrasi, dan link video audisi yang telah diunggah di Youtube. 3. Repertoar audisi bebas, diperbolehkan untuk memainkan karya yang sama atau berbeda dengan karya yang akan dibawakan pada saat festival. Untuk karya yang terdiri lebih dari satu bagian, seperti Sonata, peserta hanya perlu merekam salah satu bagiannya saja. 4. Pendaftaran ditutup pada hari Senin, 31 Juli 2017. 5. Hasil audisi akan diumumkan pada hari Senin, 7 Agustus 2017 melalui email. 6. Peserta yang lolos audisi harus melunasi biaya peserta aktif Fetival paling lambat pada hari Senin, 14 Agustus 2017.
KETENTUAN REPERTOAR 1. Setiap grup peserta mempersiapkan program dengan durasi 15 menit yang meliputi satu karya atau lebih dengan part piano yang signifikan, antara lain: • Satu bagian atau lebih dari duo sonata Atau • Satu bagian atau lebih dari karya musik kamar dengan piano (piano trio/quartet/quintet) Atau • Satu program dengan gabungan beberapa karya pendek yang memiliki part piano yang signifikan. 2. Untuk sesi pelatihan individu bagi para pianis, peserta harus membawa repertoar sesuai dengan program musik kamar yang dibawakan. 3. Untuk sesi pelatihan gabungan bagi para instrumentalis, peserta dapat membawa repertoar yang sama atau berbeda dari program yang dimainkan dengan grup masing-masing. Jika ada pertanyaan seputar repertoar, peserta diharapkan berkonsultasi dengan pihak penyelenggara festival sebelum tanggal penutupan pendaftaran, untuk kemudian disampaikan kepada kedua pengajar.
REFERENSI REPERTOAR Berikut daftar karya yang dapat menjadi referensi bagi calon peserta: -‐ Satu movement atau lebih dari Beethoven / Mozart / Brahms /Debussy / Ravel/ Schubert / Elgar / Prokofiev / Franck Sonata for violin and piano -‐ Satu movement atau lebih dari Beethoven / Brahms / Poulenc Sonata for cello and piano -‐ Satu movement atau lebih dari Mozart / Brahms / Schumann Piano Quartet -‐ Satu movement atau lebih dari Beethoven / Schubert / Dvorak Piano Trios -‐ Satu movement atau lebih dari Schumann / Dvorak Quintet -‐ Satu movement atau lebih dari Kachaturian / Bartok / Stravinsky / Ives / Milhaud Trio for Violin / Clarinet / Piano -‐ Satu movement atau lebih dari Poulenc sonata for piano and oboe/clarinet/flute, Saint-Saens sonata for piano and bassoon/clarinet/oboe, Brahms sonata for clarinet (or viola) and piano Op. 120 No. 1 and 2, Prokofiev Sonata for flute and piano, Martinu Sonatina for clarinet and piano -‐ Single movement work, antara lain: o Untuk instrumen gesek: Ravel Tzigane (violin and piano), Brahms F-A-E Scherzo (violin and piano), Beethoven Variations on Bei Mannern (cello and piano), Szymanowski Myth Op. 30 No. 1 (violin and piano), Schumann Fantaisiestucke Op. 73, Lutoslawski Subito for violin and piano, Kreisler Tambourin Chinois or other pieces for violin and piano o Untuk instrumen tiup: Copland duo for flute and piano, Francaix Theme and Variations for clarinet and piano, Schumann Fantaisiestucke Op. 73, Elgar Romance for bassoon and piano, Finzi Five Bagatelles for Clarinet and Piano, Debussy First Rhapsody for clarinet and piano, Debussy Rhapsody for Saxophone and Piano, Bozza Fantaisie Pastorale for Oboe and Piano Peserta diperbolehkan memilih repertoar lain diluar referensi repertoar yang diberikan.
DAFTAR ACARA 28 AUGUST 2017 (Day 1) 9.00 9.30 – 10.30 10.30 – 11.30 11.30 – 11.45 11.45 – 13.15 13.15 – 14.00 14.00 – 15.00 15.00 – 16.00 16.00 – 17.00 17.00 – 18.00 19.00 – 21.00
Opening Piano Private Lesson1 / Piano Private Lesson 2 Piano Private Lesson 3 / Piano Private Lesson 4 Break Studio Class for Instrumentalists (Coaching from the piano), in two groups Lunch break Chamber Coaching 1 / Chamber Coaching 5 Chamber Coaching 2 / Chamber Coaching 6 Chamber Coaching 3 / Chamber Coaching 7 Chamber Coaching 4 / Chamber Coaching 8 Welcoming Party
29 AUGUST 2017 (Day 2) 9.30 – 10.30 10.30 – 11.30 11.30 – 12.30 12.30 – 13.30 13.30 – 14.30 14.30 – 15.30 15.30 – 16.30 16.30 – 17.00 17.30 – 18.30 18.30 - 19.30
Seminar Seminar Piano Private Lesson 5 / Piano Private Lesson 6 Piano Private Lesson 7/ Piano Private Lesson 8 Lunch Break Chamber Coaching 5 / Chamber Coaching 1 Chamber Coaching 6 / Chamber Coaching 2 Coffee Break Chamber Coaching 7 / Chamber Coaching 3 Chamber Coaching 8 / Chamber Coaching 4
30 AUGUST 2017 10.30 – 12.00 14.00 – 15.30 19.00
Recital 1 (4 Groups) Recital 2 (4 Groups) Gala Concert and Closing
BIOGRAFI TAMU Prof. Nigel Clayton, Piano Nigel Clayton studied with Stephen Savage and Angus Morrison at the Royal College of Music London, where he won prizes in every category of piano performance and was awarded the College’s yearly prize for his Bachelor of Music Degree. Whilst there, a particular interest in chamber music and accompanying developed and was further encouraged by international prizes from competitions in London, New York (Concert Artist Guild) and from the English Speaking Union. Since then his worldwide travel has included four major tours of India, Sri Lanka and Pakistan with Indian cellist Anup Kumar Biswas, tours of the Middle East and America with Wissam Boustany, of Scandinavia with Gerard LeFeuvre and several throughout Europe; he has also appeared at most of the music clubs and festivals in Great Britain, appearing regularly on the BBC’s radio network, at the Wigmore hall, and at the South Bank Centre, where he has given more than fifty recitals. Nigel continues to perform as a soloist and has played over one hundred solo recitals on board British luxury cruise liners SS Canberra, Oriana, Victoria and Arcadia; he has performed concertos by Beethoven, Grieg, Schumann, Shostakovich, Ravel, Rachmaninov, Liszt and Mozart (directed from the keyboard), and was a soloist in Poulenc’s two piano concerto in the Royal Albert Hall whilst a junior student at the Royal College of Music. He has performed many times in Japan including two concerto performances in Tokyo and a solo recital tour and since 2013 has made regular recital and lecture tour of Indonesia. Apart from longstanding partnerships with Gina McCormack, Lionel Handy, Elizabeth Anderson, Michael Cox, Lorraine McAslan and Joan Enric Lluna, Nigel has appeared with Madeleine Mitchell, Michael Collins, Sylvia Marcovici, Ofra Harnoy, Tasmin Little and Bryan Rayner Cook, the Chilingirian, Sorrel, Bridge, Maggini and Bingham Quartets and with instrumentalists from Japan, Korea, Canada, Spain, America, Poland and Iceland. His twenty year partnership with violinist Beth Spendlove has resulted in more than one hundred recitals particularly in Essex and Suffolk where they also frequently perform as founder members of the Kingfisher Ensemble. He is also a founder member of the Edington Ensemble, a Wiltshire based group, specialising in the piano quartet repertoire. He was engaged for twenty one years as Official Accompanist for the Tibor Varga International Violin Competition in Switzerland and more recently several summer schools there, and has recorded many compact discs. He is principal teacher of piano at the North East of Scotland Music School, Aberdeen, and is a professor on the keyboard faculty at the Royal College of Music, London. For his services in the musical world Nigel was this year awarded a Fellowship of the Royal College of Music (FRCM) presented by HRH Prince of Wales.
Imma Setiadi, piano Imma Setiadi was born in Surabaya, Indonesia. A fascination for the piano at her home led to lessons with local teachers who suggested a more serious training. This resulted in national prizes from the age of nine and at the age of fifteen, she was invited to perform one of her own compositions in UNICEFYAMAHA Junior Original Concert in Hong Kong. She then continued her studies at the Yong Siew Toh Conservatory of Music in Singapore where she studied with Albert Tiu and gained her Bachelor of Music degree with first class honours. Since her coming to the UK where she is now based, she has performed in many prestigious venues in the country. As a soloist she has appeared at the Bridgewater Hall, Manchester, the Purcell Room at Southbank Centre, Cheltenham Town Hall, St. James’s Piccadilly, Steinway Hall, Pallant House Gallery Piano Proms, Chichester Cathedral, the Victoria and Albert Museum, and at St. John’s Smith Square, London. As a chamber musician she has performed at the Royal Academy of Arts, Cheltenham Town Hall, Holywell Music Room (Oxford), the National Gallery, RCM Britten Theatre, Blackheath Halls, and Elgar Room at the Royal Albert Hall. In 2013 with her Pacific Trio (violin, clarinet, and piano), she commissioned and premiered the London Tales project, a collection of nine new works by young composers working and living in London, inspired by the different scenes of the City – this was most enthusiastically received at St. Martin-in-the-fields. She made her concerto debut in 2014 performing Shostakovich Piano Concerto 1 at the University Hall, Cambridge with Steve Bingham and the Ad Hoc Sinfonia. Following its success, her concerto engagements have included Schumann Piano Concerto with the City of Peterborough Symphony Orchestra, and the rarely performed Poulenc Aubade and Finzi Eclogue with the Amadeus Chamber Orchestra, St. Albans. Her recent performance with Rusne Mikiskaite (saxophone) at the Sugrizimai Festival in Vilnius was broadcasted by the Lithuanian National Radio. She achieved a Distinction in her Master of Music degree under Nigel Clayton. She recently completed her doctoral studies at the RCM with Nigel Clayton and Amanda Glauert where she explores her interest in creating new concert experiences through performing solo piano repertoire simultaneously alongside other art forms such as painting, dance, and sculpture. This cross-arts collaboration project has been featured at the RCM Great Exhibitionist Series, Trinity Laban Music and Arts Festival and at the Deal Festival. Recently she won the Beethoven Piano Society of Europe Concerto Competition and in previous years she has also received second prize at the National Piano and Violin Competition in Singapore, the RCM Beethoven Kendall Taylor Prize, third prize at the RCM Piano Chamber Music Competition, and runner up in Eastbourne Young Soloist Competition. In masterclasses, she has worked with Michel Beroff, Angela Hewitt, Jean-Yves Thibaudet, Ulrich Koella, Pascal Roge and Malcolm Martineau. She has also been engaged as piano accompanist for masterclasses by world renown instrumentalists such as Pinchas Zukerman (violin), James Galway (flute), Melanie Henry (saxophone), and Jacques Tys (oboe). She has been selected as one of young artists for the Park Lane Group (2014/2015 and 2015/2016) and for the Manchester Mid-Day Concerts Society (2015/2016). She was also RCM Gilbert and Eileen Edgar Junior Fellow in Piano Accompaniment for 2015/2016 and is currently a junior fellow in piano accompaniment at Trinity Laban Conservatoire of Music and Dance. Her future engagement will include concerto performance of Beethoven Emperor for Beethoven Piano Society of Europe Summer Festival, John Carmichael Concerto for piano duet and a return visit to the Bridgewater Hall.
